Major Historic Landscape Restoration Underway!
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Reciprocal Sites Membership Program
2015–2016 Frank Lloyd Wright National Reciprocal Sites Membership Program The Frank Lloyd Wright National Reciprocal Sites Program includes 30 historic sites across the United States. FLWR on your membership card indicates that you enjoy the National Reciprocal sites benefit. Benefits vary from site to site. Please check websites listed in this brochure for detailed information on each site. ALABAMA ARIZONA CALIFORNIA FLORIDA 1 Rosenbaum House 2 Taliesin West 3 Hollyhock House 4 Florida Southern College 601 RIVERVIEW DRIVE 12621 N. FRANK LLOYD WRIGHT BLVD BARNSDALL PARK 750 FRANK LLOYD WRIGHT WAY FLORENCE, AL 35630 SCOTTSDALE, AZ 85261-4430 4800 HOLLYWOOD BLVD LAKELAND, FL 33801 256.718.5050 480.860.2700 LOS ANGELES, CA 90027 863.680.4597 ROSENBAUMHOUSE.COM FRANKLLOYDWRIGHT.ORG 323.644.6269 FLSOUTHERN.EDU/FLW WRIGHTINALABAMA.COM FOR UP-TO-DATE INFORMATION BARNSDALL.ORG FOR UP-TO-DATE INFORMATION FOR UP-TO-DATE INFORMATION TOUR HOURS: 9AM–4PM FOR UP-TO-DATE INFORMATION TOUR HOURS: TOUR HOURS: BOOKSHOP HOURS: 8:30AM–6PM TOUR HOURS: THURS–SUN, 11AM–4PM OPEN ALL YEAR, EXCEPT OPEN ALL YEAR, EXCEPT TOUR TICKETS AVAILABLE AT THE THANKSGIVING, CHRISTMAS AND NEW Experience firsthand Frank Lloyd MAJOR HOLIDAYS. HOLLYHOCK HOUSE VISITOR’S CENTER YEAR’S DAY. 10AM–4PM Wright’s brilliant ability to integrate TUES–SAT, 10AM–4PM IN BARNSDALL PARK. VISITOR CENTER & GIFT SHOP HOURS: SUN, 1PM–4PM indoor and outdoor spaces at Taliesin Hollyhock House is Wright’s first 9:30AM–4:30PM West—Wright’s winter home, school The Rosenbaum House is the only Los Angeles project. Built between and studio from 1937-1959, located Discover the largest collection of Frank Lloyd Wright-designed 1919 and 1923, it represents his on 600 acres of dramatic desert. -
Wright and Modernism in Indiana Indianapolis, Indiana May 1-3, 2015 Vis
Wright and Modernism in Indiana Indianapolis, Indiana May 1-3, 2015 VIS A Central Indiana holds a trove of architectural treasures. Some, like Frank PHOTO BY ANNE D Lloyd Wright’s Richard Davis House (1950) and John E. Christian Richard Davis House (Wright, 1950) House–Samara (1954) are tucked away in leafy enclaves, and some, like the midcentury modern wonders of Columbus, hide in plain sight. On the Frank Lloyd Wright Building Conservancy’s annual Out and About Wright tour, you’ll get to see both of Wright’s distinctive central Indiana works as well as several highlights around Indianapolis. Saturday, May 2 ERTIKOFF V We’ll depart from the Omni Severin Hotel starting at 8:30 a.m. to tour the local landmark Christian Theological Seminary (Edward Larrabee Barnes, 1966) and the 2012 AIA Honor Award-winning Ruth Lilly Visi- PHOTO BY ALEX tors Pavilion (Marlon Blackwell Architects, 2010) in the 100 Acres Art & John E. Christian House–Samara (Wright, 1954) Nature Park at the Indianapolis Museum of Art. After a brief stop at local icon The Pyramids (Roche Dinkeloo and Associates, 1967), we’ll head out to Wright’s Samara house in West Lafayette, a copper fascia-adorned Usonian still occupied by its original owner, and Davis House in Marion, with its unique 38-foot central octagonal teepee (we are one of the very few groups to tour this unique Wright work!). A seated lunch is included. We’ll return to the hotel around 6:30 p.m. Sunday, May 3 The list of architects with works in Columbus, Indiana reads like a who’s who of the great modernists: Saarinen, Pei, Weese, Pelli, Meier, Roche.. -
Download NARM Member List
Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
Frank Lloyd Wright in Iowa Daniel J
Architecture Publications Architecture Winter 2008 Frank Lloyd Wright in Iowa Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/54. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Frank Lloyd Wright in Iowa Abstract Why "Wright in Iowa?" Are there ways that Wright's Iowa works are distinguished from his built works elsewhere? Iowa is a typical Midwest state, exceptional in neither general geography nor landscape. The ts ate's urban areas are minor, and Iowa has never been known for its subscription to avant-garde architecture. Its most renowned artist, Grant Wood, painted Iowa's rolling hills and pie-faced people in cartoon-like images that simultaneously champion and question the coalescence of people and place. Indeed, the state's most convincing buildings are found on its farms with their unpretentious, vernacular, agricultural buildings. Disciplines Architectural History and Criticism Comments This article is from Frank Lloyd Wright Quarterly 19 (2008): 4–9. Posted with permission. This article is available at Iowa State University Digital Repository: http://lib.dr.iastate.edu/arch_pubs/54 a (Photos above and opposite page, top right) The Lowell and Agnes Walter hy "Wright in Iowa?" Are House, "Cedar Rock," Quasqueton, W there ways that Wright's Iowa. -
Preserving Graycliff:An Examination of the Colors,Fabrics and Furniture of the Frank Lloyd Wright Designed Summer Residence of I
Figure 1. Graycliff exterior. 2001 WAG Postprints—Dallas, Texas Preserving Graycliff:An Examination of the Colors, Fabrics and Furniture of the Frank Lloyd Wright Designed Summer Residence of Isabelle Martin Pamela Kirschner Abstract Information was gathered in a study of the interior color scheme, fabrics and furni- ture of the Frank Lloyd Wright designed house Graycliff. The house is situated on a cliff overlooking Lake Erie in Derby, New York. It was designed by Wright in 1926 for Isabelle Martin, the wife of the industrialist Darwin Martin. Wright designed both freestanding and built-in furniture for the house interior and also suggested colors and fabrics. Extensive written documentation and original photographs found in the archives of the State University of New York at Buffalo have been utilized to determine the colors, materials and furniture original to the house. Physical evidence found on the remaining original furniture, moldings and upholstered pillows provides informa- tion about fi nishes, construction and show cover fabrics. Information on historic methods and materials from the period is provided for comparison with the physi- cal evidence along with scientifi c analysis of fi nishes. The conservation treatment methods are also discussed. This technical and historical information is helpful for conservators and curators to better understand the materials and construction used in Frank Lloyd Wright designs during this time period. It also promotes the proper care and conservation treatment of these objects while preserving original fi nishes and the historic intent of the house. Introduction Graycliff was the summer estate of Isabelle R. and Darwin D. Martin and is located on the cliffs above Lake Erie in Derby, New York, fourteen miles south of Buffalo. -
Oak Park Area Visitor Guide
OAK PARK AREA VISITOR GUIDE COMMUNITIES Bellwood Berkeley Broadview Brookfield Elmwood Park Forest Park Franklin Park Hillside Maywood Melrose Park Northlake North Riverside Oak Park River Forest River Grove Riverside Schiller Park Westchester www.visitoakpark.comvisitoakpark.com | 1 OAK PARK AREA VISITORS GUIDE Table of Contents WELCOME TO THE OAK PARK AREA ..................................... 4 COMMUNITIES ....................................................................... 6 5 WAYS TO EXPERIENCE THE OAK PARK AREA ..................... 8 BEST BETS FOR EVERY SEASON ........................................... 13 OAK PARK’S BUSINESS DISTRICTS ........................................ 15 ATTRACTIONS ...................................................................... 16 ACCOMMODATIONS ............................................................ 20 EATING & DRINKING ............................................................ 22 SHOPPING ............................................................................ 34 ARTS & CULTURE .................................................................. 36 EVENT SPACES & FACILITIES ................................................ 39 LOCAL RESOURCES .............................................................. 41 TRANSPORTATION ............................................................... 46 ADVERTISER INDEX .............................................................. 47 SPRING/SUMMER 2018 EDITION Compiled & Edited By: Kevin Kilbride & Valerie Revelle Medina Visit Oak Park -
2019 – 2020 Frank Lloyd Wright National Reciprocal Sites Membership Program
2019 – 2020 FRANK LLOYD WRIGHT NATIONAL RECIPROCAL SITES MEMBERSHIP PROGRAM THE FRANK LLOYD WRIGHT NATIONAL RECIPROCAL SITES PROGRAM IS AN ALLIANCE OF FRANK LLOYD WRIGHT ORGANIZATIONS THAT OFFER RECIPROCAL BENEFITS TO PARTICIPATING MEMBERS. Frank Lloyd Wright sites and organizations listed here are independently For questions about the Frank Lloyd Wright National Reciprocal Sites owned, managed and operated. Reciprocal Members are advised to contact Membership Program please contact your institution’s membership sites prior to their visit for tour and site information. Phone numbers and department. Each site / organization may handle processing differently. websites are provided for your convenience. This icon indicates a 10% shop discount. You must present a membership card bearing the “FLWR” identifier to claim these benefits at reciprocal sites. 2019 – 2020 MEMBER BENEFITS ARIZONA THE ROOKERY 209 S LaSalle St Chicago, IL 60604 TALIESIN WEST lwright.org 312.994.4000 12345 N Taliesin Dr Scottsdale, AZ 85259 Beneits: Two complimentary tours franklloydwright.org 888.516.0811 Beneits: Two complimentary admissions to the 90-minute Insights tours. INDIANA Reservations recommended. THE JOHN AND CATHERINE CHRISTIAN HOUSE-SAMARA CALIFORNIA 1301 Woodland Ave West Lafayette, IN 47906 samara-house.org 765.409.5522 HOLLYHOCK HOUSE Beneits: One complimentary tour 4800 Hollywood Blvd Los Angeles, CA 90026 barnsdall.org IOWA Beneits: Two complimentary self-guided tours MARIN COUNTY CIVIC CENTER THE HISTORIC PARK INN HOTEL (CITY NATIONAL BANK AND 3501 -
Frank Lloyd Wright
'SBOL-MPZE8SJHIU )JTUPSJD"NFSJDBO #VJMEJOHT4VSWFZ '$#PHL)PVTF $PNQJMFECZ.BSD3PDILJOE Frank Lloyd Wright Historic American Buildings Survey Sample: F. C. Bogk House Compiled by Marc Rochkind Frank Lloyd Wright: Historic American Buildings Survey, Sample Compiled by Marc Rochkind ©2012,2015 by Marc Rochkind. All rights reserved. No part of this book may be transmitted or reproduced in any form or by any means (including electronic) without permission in writing from the copyright holder. Copyright does not apply to HABS materials downloaded from the Library of Congress website, although it does apply to the arrangement and formatting of those materials in this book. For information about other works by Marc Rochkind, including books and apps based on Library of Congress materials, please go to basepath.com. Introduction The Historic American Buildings Survey (HABS) was started in 1933 as one of the New Deal make-work programs, to employ jobless architects, draftspeople, and photographers. Its purpose is to document the nation’s architectural heritage, especially those buildings that are in danger of ruin or deliberate destruction. Today, the HABS is part of the National Park Service and its repository is in the Library of Congress, much of which is available online at loc.gov. Of the tens of thousands HABS buildings, I found 44 Frank Lloyd Wright designs that have been digitized. Each HABS survey includes photographs and/or drawings and/or a report. I’ve included here what the Library of Congress had–sometimes all three, sometimes two of the three, and sometimes just one. There might be a single photo or drawing, or, such as in the case of Florida Southern College (in volume two), over a hundred. -
Graycliff – a Truly American Story “In His Unshakable Optimism
Graycliff – A Truly American Story “In his unshakable optimism, messianic zeal, and pragmatic resilience, Wright was quintessentially American.” ‐ Smithsonian magazine tribute on the occasion of the 50th anniversary of the Guggenheim. Just as it is often said that Frank Lloyd Wright was truly American in spirit and style, the Graycliff story is woven out of strands that also have a truly American flavor. The American Dream, embodying the notion of opportunity for all, takes shape here in the true-to-life rags-to-riches story of Darwin Martin. The close cousin to the American Dream – the one that holds that through gumption and perseverance one may triumph – is on display as well. Perseverance, resilience, and the comeback story are all in evidence at various stages in Graycliff’s 90 years – for the Martins, for Wright himself, for the house, the region, and for the Graycliff Conservancy as an organization. Win-win relationships where all parties pragmatically get their needs met are both a hallmark of American history and culture and a defining characteristic of relationships at Graycliff where all the key players compromised a little while holding onto their defining principles in the end. One of the most enduring and distinctive American values is the lure and promise of nature, wilderness, and the frontier and the potential of new beginnings that are implicit in the purity of nature and the fresh start that movement to a new place makes possible. This is evident in both the post-retirement reboot for the Martin family at Graycliff and the property’s roots in organic architecture in which the house rose from the lands on which it sits. -
JOHNSON WAX Building I. G. FARBEN Offices Site
Johnson Wax Building I. G. Farben Offices Frank Lloyd Wright Hans Poelzig Racine, Wisconsin Site Frankfurt, Germany, 1936-39 c. 1928-31 the site of the two buildings are vastly different; the johnson wax building is in a suburben area and takes un the entire block on which it is located. Con- versely, the ig farben building reads as a building in a landscape, the scale of the site is much larger than wright’s. Both building’s however are part of a larger complex of buildings. Prairie/streamline international era Social context Both buildings were built for rapidly expanding companies: IG Farben, at the time, was the largest conglomerate for dyes, chemicals and drugs and Johnson Wax, later SC Johnson. adam morgan danny sheng Johnson Wax Building I. G. Farben Offices Frank Lloyd Wright Hans Poelzig Racine, Wisconsin Composition Frankfurt, Germany, 1936-39 c. 1928-31 Both buildings are horizontally dominated compositions research tower office towers administration building connecting wing entrance hall building is almost bilaterally symmetrical Bilateral symmetry entry is similar to that of Unity Temple and Robie House. The Entry is on the transverse axis along entry is hidden from view and which the building is bilaterally symmetri- approached on the transverse cal. This classical approach is further axis, this leads to a low dark enforced by the “temple-like” portico on space just prior to entry which the front of the building opens up into a well lit expan- “temple Front” entrance sive space making the entry adam morgan danny sheng Johnson Wax Building I. G. -
Download Pamphlets on Labor Law, Tort Immunity and Other Subjects from the Ancel Glink Library
OCTOBER 2011 | VOLUME XXIX ISSUE 5 ILLINOIS LIBRARY ASSOCIATION ILLINOIS LIBRARY The Illinois Library Association Reporter is a forum for those who are improving and reinventing Illinois libraries, with articles that seek to: explore new ideas and practices from all types of libraries and library systems; examine the challenges facing the profession; and inform the library community and its supporters with news and comment about important issues. The ILA Reporter is produced and circulated with the purpose of enhancing and supporting the value of libraries, which provide free and equal access to information. This access is essential for an open democratic society, an informed electorate, and the advancement of knowledge for all people. ON THE COVER This drawing of the interior of the B. Harley Bradley House in Kankakee is among the drawings in Frank Lloyd Wright’s Wasmusth Portfolio in the special collections of the Oak Park Public Library. The house was designed in 1900 for Harley and Anna Hickox Bradley, arguably Wright’s first acknowledged Prairie-style design. Built along the Kankakee River, it’s a perfect example of Wright’s idea to design an entire house including the interiors as well. See article beginning on page 8. The Illinois Library Association is the voice for Illinois libraries and the millions who depend The Illinois Library Association has three full-time staff members. It is governed by on them. It provides leadership for the development, promotion, and improvement of a sixteen-member executive board, made up of elected officers. The association library services in Illinois and for the library community in order to enhance learning and employs the services of Kolkmeier Consulting for legislative advocacy. -
Frank Lloyd Wright Itinerary
enjoyillinois.com Frank Lloyd Wright Itinerary Early Works and Triumphs in Chicago A YOUNG ARCHITECT BUILDS HIS REPUTATION IN THE WINDY CITY Spend a day in Chicago exploring some of Frank Lloyd Wright’s most famous designs, from his early collaborations to a solo masterpiece. Charnley-Persky House Museum The Rookery Robie House Like most in his trade, Frank Lloyd Wright Built by Chicago’s preeminent architects, Designed in 1910, the Frederick C. Robie began his career as a draftsman, working Daniel Burnham and John Root, in 1888, House cemented Wright’s reputation in the studio of a more established this early iron skyscraper is notable as a singular architectural talent. Often architect. In Wright’s case, it was Louis enough for its history in Chicago considered the crown jewel of the Prairie Sullivan—a titan of Chicago architecture architecture. But the real reason to style—an aesthetic that Wright both in his own right—who took him on as a visit The Rookery is to see the careful pioneered and perfected—the home protégé. Sullivan grew to trust Wright orchestrations of sunlight streaming reflects the Midwest’s flat plains with its enough to let him contribute to the through the glass lobby, which Wright horizontal lines, low-pitched roofs, and design of residential commissions, remodeled in 1905—instantly updating clever use of natural materials such as including the James Charnley House in Burnham and Root’s drab ironwork for brick and wood. 1892—a collaboration that some consider the 20th Century. How to Visit: The Frank Lloyd Wright the first truly modern American home.