Frank Lloyd Wright Itinerary
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How Did Frank Lloyd Wright Establish a New Canon of American
“ The mother art is architecture. Without an architecture of our own we have no soul of our own civilization.” -Frank Lloyd Wright How did Frank Lloyd Wright establish a new canon of American architecture? Frank Lloyd Wright (1867-1959) •Considered an architectural/artistic genius and THE best architect of last 125 years •Designed over 800 buildings •Known for ‘Prairie Style’ (really a movement!) architecture that influenced an entire group of architects •Believed in “architecture of democracy” •Created an “organic form of architecture” Prairie School The term "Prairie School" was coined by H. Allen Brooks, one of the first architectural historians to write extensively about these architects and their work. The Prairie school shared an embrace of handcrafting and craftsmanship as a reaction against the new assembly line, mass production manufacturing techniques, which they felt created inferior products and dehumanized workers. However, Wright believed that the use of the machine would help to create innovative architecture for all. From your architectural samples, what may we deduce about the elements of Wright’s work? Prairie School • Use of horizontal lines (thought to evoke native prairie landscape) • Based on geometric forms . Flat or hipped roofs with broad overhanging eaves . “Environmentally” set: elevations, overhangs oriented for ventilation . Windows grouped in horizontal bands called ribbon fenestration that used shifting light . Window to wall ratio affected exterior & interior . Overhangs & bays reach out to embrace . Integration with the landscape…Wright designed inside going out . Solid construction & indigenous materials (brick, wood, terracotta, stucco…natural materials) . Open continuous plan & spaces; use of dissolving walls, but connected spaces Prairie School •Designed & used “glass screens” that echoed natural forms •Created Usonian homes for the “masses” Frank Lloyd Wright, Darwin D. -
Reciprocal Sites Membership Program
2015–2016 Frank Lloyd Wright National Reciprocal Sites Membership Program The Frank Lloyd Wright National Reciprocal Sites Program includes 30 historic sites across the United States. FLWR on your membership card indicates that you enjoy the National Reciprocal sites benefit. Benefits vary from site to site. Please check websites listed in this brochure for detailed information on each site. ALABAMA ARIZONA CALIFORNIA FLORIDA 1 Rosenbaum House 2 Taliesin West 3 Hollyhock House 4 Florida Southern College 601 RIVERVIEW DRIVE 12621 N. FRANK LLOYD WRIGHT BLVD BARNSDALL PARK 750 FRANK LLOYD WRIGHT WAY FLORENCE, AL 35630 SCOTTSDALE, AZ 85261-4430 4800 HOLLYWOOD BLVD LAKELAND, FL 33801 256.718.5050 480.860.2700 LOS ANGELES, CA 90027 863.680.4597 ROSENBAUMHOUSE.COM FRANKLLOYDWRIGHT.ORG 323.644.6269 FLSOUTHERN.EDU/FLW WRIGHTINALABAMA.COM FOR UP-TO-DATE INFORMATION BARNSDALL.ORG FOR UP-TO-DATE INFORMATION FOR UP-TO-DATE INFORMATION TOUR HOURS: 9AM–4PM FOR UP-TO-DATE INFORMATION TOUR HOURS: TOUR HOURS: BOOKSHOP HOURS: 8:30AM–6PM TOUR HOURS: THURS–SUN, 11AM–4PM OPEN ALL YEAR, EXCEPT OPEN ALL YEAR, EXCEPT TOUR TICKETS AVAILABLE AT THE THANKSGIVING, CHRISTMAS AND NEW Experience firsthand Frank Lloyd MAJOR HOLIDAYS. HOLLYHOCK HOUSE VISITOR’S CENTER YEAR’S DAY. 10AM–4PM Wright’s brilliant ability to integrate TUES–SAT, 10AM–4PM IN BARNSDALL PARK. VISITOR CENTER & GIFT SHOP HOURS: SUN, 1PM–4PM indoor and outdoor spaces at Taliesin Hollyhock House is Wright’s first 9:30AM–4:30PM West—Wright’s winter home, school The Rosenbaum House is the only Los Angeles project. Built between and studio from 1937-1959, located Discover the largest collection of Frank Lloyd Wright-designed 1919 and 1923, it represents his on 600 acres of dramatic desert. -
The 20Th-Century Architecture of Frank Lloyd Wright National Locator Unity Temple, Oak Park, Illinois
The 20th-Century Architecture of Frank Lloyd Wright National Locator Unity Temple, Oak Park, Illinois 87.800° W 87.795° W 87.790° W Erie St N Grove Ave Grove N 41.8902° N, 87.7947° W Ontario St 41.8901° N, 87.7992° W E E 41.890° N 41.890° N Austin Garden Park Scoville Park N Euclid Ave Euclid N N Linden Ave Linden N Forest Ave Forest N Oak Park Ave Park Oak N N Kenilworth Ave Kenilworth N Lake St Unity Temple ! 41.888° N 41.888° N E 41.8878° N, 87.7995° W E North Blvd 41.8874° N, 87.7946° W South Blvd 41.886° N 41.886° N Home Ave Home S Grove Ave Grove S S Euclid Ave Euclid S S Clinton Ave Clinton S S Wesley Ave Wesley S S Oak Park Ave Park Oak S S Kenilworth Ave Kenilworth S 87.800° W 87.795° W Pleasant St 87.790° W Nominated National Historic Projection: Lambert Conformal Conic 1:4,500 Green Space/Park Datum: North American Datum 1983 Property Landmark Production Date: October 2015 0 100 Meters ! Gould Center, Department of Geography ¹ Buffer Zone Center Point Buildings The Pennsylvania State University Frederick C. Robie House, Chicago, Illinois Frederick C. Robie House, Chicago, Illinois 87.600° W 87.598° W 87.596° W Ave Kimbark S 87.594° W 87.592° W S Woodlawn Ave Woodlawn S E 57th St 41.791° N 41.791° N S Kimbark Ave Kimbark S 41.7904° N, 87.5972° W E41.7904 N, 87.5957° W S Ellis Ave Ellis S E S Kenwood Avenue Kenwood S Frederick C. -
Dana-Thomas House Image Narration
High School Frank Lloyd Wright Script DANA-THOMAS HOUSE IMAGE NARRATION FRANK LLOYD WRIGHT (High School Script) CONCEPT: Frank Lloyd Wright is considered by many to be America's most innovative architect. He is a founder of the Prairie School of Architecture which drew its philosophy from a romantic notion that buildings should evolve like living things. Wright spent much of his time searching for a new form for the American family home—one that fit the changing social patterns of modern families. The design of Prairie School houses concentrates upon the flow of space, the change of light, and the love of nature. TO THE TEACHER: This educational Image packet introduces students to the work of American architect, Frank Lloyd Wright. Most of Wright's work shown in the Images is taken from his Prairie School years in which he designed houses that are very horizontal in form. Prairie School buildings are low and flat much like the prairie on which they were originally located. Wright was committed to the idea of open space in his houses. Large open areas are separated only by leaded glass panels and doors, and he did away with damp basements and unusable attics. Wright also designed built-in and free standing furniture for his houses and used wood to a great extent in his interiors. Windows in Prairie School houses are located in bands around the building rather than isolated as holes in the walls. Geometric designs are repeated on the glass of the windows and doors giving the interiors of these houses a warm, comfortable, ever changing glow. -
Frank Lloyd Wright in Iowa Daniel J
Architecture Publications Architecture Winter 2008 Frank Lloyd Wright in Iowa Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/54. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Frank Lloyd Wright in Iowa Abstract Why "Wright in Iowa?" Are there ways that Wright's Iowa works are distinguished from his built works elsewhere? Iowa is a typical Midwest state, exceptional in neither general geography nor landscape. The ts ate's urban areas are minor, and Iowa has never been known for its subscription to avant-garde architecture. Its most renowned artist, Grant Wood, painted Iowa's rolling hills and pie-faced people in cartoon-like images that simultaneously champion and question the coalescence of people and place. Indeed, the state's most convincing buildings are found on its farms with their unpretentious, vernacular, agricultural buildings. Disciplines Architectural History and Criticism Comments This article is from Frank Lloyd Wright Quarterly 19 (2008): 4–9. Posted with permission. This article is available at Iowa State University Digital Repository: http://lib.dr.iastate.edu/arch_pubs/54 a (Photos above and opposite page, top right) The Lowell and Agnes Walter hy "Wright in Iowa?" Are House, "Cedar Rock," Quasqueton, W there ways that Wright's Iowa. -
One Man's Quest to Photograph Every Frank Lloyd Wright Structure Ever Built
One Man's Quest to Photograph Every Frank Lloyd Wright Structure Ever Built architecturaldigest.com /story/frank-lloyd-wright-photographer-andrew-pielage Chris Malloy There are 532 Frank Lloyd Wright structures standing in the world. Phoenix-based photographer Andrew Pielage is on a mission to shoot every one of them. The 39-year-old is the unofficial photographer of the Frank Lloyd Wright Foundation. So far, he has shot about 50 Wright structures. His quest to shoot Wright’s oeuvre began in 2011, when he first toured Taliesin West, Wright’s former winter home and studio outside Phoenix. Photography wasn’t allowed on that tour. But later a friend connected Pielage with the folks at Taliesin West, and for them Pielage shot the sprawling stone-and-wood compound. The Frank Lloyd Wright Foundation loved his work, and he became its unofficial photographer. Since then, Pielage has shot Wright’s Hollyhock House (Los Angeles), Unity Temple (Illinois), Taliesin (Wisconsin), and Fallingwater (Pennsylvania), where he did a three-week residence. “When you have that much time to shoot a property, you get to know the ins and outs,” he says. What impressed him was how, against the grain of the bright shots one typically sees of the house, Fallingwater, on cloudy days, “turns gray so that the building’s personality changes with the environment.” The spirit of Wright’s organic style, of structures inspired by and seamlessly integrated into the natural world, whether desert or city or forest, has challenged Pielage. How can one properly capture this architectural titan’s work? Pielage has developed tricks. -
Preserving Graycliff:An Examination of the Colors,Fabrics and Furniture of the Frank Lloyd Wright Designed Summer Residence of I
Figure 1. Graycliff exterior. 2001 WAG Postprints—Dallas, Texas Preserving Graycliff:An Examination of the Colors, Fabrics and Furniture of the Frank Lloyd Wright Designed Summer Residence of Isabelle Martin Pamela Kirschner Abstract Information was gathered in a study of the interior color scheme, fabrics and furni- ture of the Frank Lloyd Wright designed house Graycliff. The house is situated on a cliff overlooking Lake Erie in Derby, New York. It was designed by Wright in 1926 for Isabelle Martin, the wife of the industrialist Darwin Martin. Wright designed both freestanding and built-in furniture for the house interior and also suggested colors and fabrics. Extensive written documentation and original photographs found in the archives of the State University of New York at Buffalo have been utilized to determine the colors, materials and furniture original to the house. Physical evidence found on the remaining original furniture, moldings and upholstered pillows provides informa- tion about fi nishes, construction and show cover fabrics. Information on historic methods and materials from the period is provided for comparison with the physi- cal evidence along with scientifi c analysis of fi nishes. The conservation treatment methods are also discussed. This technical and historical information is helpful for conservators and curators to better understand the materials and construction used in Frank Lloyd Wright designs during this time period. It also promotes the proper care and conservation treatment of these objects while preserving original fi nishes and the historic intent of the house. Introduction Graycliff was the summer estate of Isabelle R. and Darwin D. Martin and is located on the cliffs above Lake Erie in Derby, New York, fourteen miles south of Buffalo. -
Oak Park Area Visitor Guide
OAK PARK AREA VISITOR GUIDE COMMUNITIES Bellwood Berkeley Broadview Brookfield Elmwood Park Forest Park Franklin Park Hillside Maywood Melrose Park Northlake North Riverside Oak Park River Forest River Grove Riverside Schiller Park Westchester www.visitoakpark.comvisitoakpark.com | 1 OAK PARK AREA VISITORS GUIDE Table of Contents WELCOME TO THE OAK PARK AREA ..................................... 4 COMMUNITIES ....................................................................... 6 5 WAYS TO EXPERIENCE THE OAK PARK AREA ..................... 8 BEST BETS FOR EVERY SEASON ........................................... 13 OAK PARK’S BUSINESS DISTRICTS ........................................ 15 ATTRACTIONS ...................................................................... 16 ACCOMMODATIONS ............................................................ 20 EATING & DRINKING ............................................................ 22 SHOPPING ............................................................................ 34 ARTS & CULTURE .................................................................. 36 EVENT SPACES & FACILITIES ................................................ 39 LOCAL RESOURCES .............................................................. 41 TRANSPORTATION ............................................................... 46 ADVERTISER INDEX .............................................................. 47 SPRING/SUMMER 2018 EDITION Compiled & Edited By: Kevin Kilbride & Valerie Revelle Medina Visit Oak Park -
Frank Lloyd Wright
'SBOL-MPZE8SJHIU )JTUPSJD"NFSJDBO #VJMEJOHT4VSWFZ '$#PHL)PVTF $PNQJMFECZ.BSD3PDILJOE Frank Lloyd Wright Historic American Buildings Survey Sample: F. C. Bogk House Compiled by Marc Rochkind Frank Lloyd Wright: Historic American Buildings Survey, Sample Compiled by Marc Rochkind ©2012,2015 by Marc Rochkind. All rights reserved. No part of this book may be transmitted or reproduced in any form or by any means (including electronic) without permission in writing from the copyright holder. Copyright does not apply to HABS materials downloaded from the Library of Congress website, although it does apply to the arrangement and formatting of those materials in this book. For information about other works by Marc Rochkind, including books and apps based on Library of Congress materials, please go to basepath.com. Introduction The Historic American Buildings Survey (HABS) was started in 1933 as one of the New Deal make-work programs, to employ jobless architects, draftspeople, and photographers. Its purpose is to document the nation’s architectural heritage, especially those buildings that are in danger of ruin or deliberate destruction. Today, the HABS is part of the National Park Service and its repository is in the Library of Congress, much of which is available online at loc.gov. Of the tens of thousands HABS buildings, I found 44 Frank Lloyd Wright designs that have been digitized. Each HABS survey includes photographs and/or drawings and/or a report. I’ve included here what the Library of Congress had–sometimes all three, sometimes two of the three, and sometimes just one. There might be a single photo or drawing, or, such as in the case of Florida Southern College (in volume two), over a hundred. -
Graycliff – a Truly American Story “In His Unshakable Optimism
Graycliff – A Truly American Story “In his unshakable optimism, messianic zeal, and pragmatic resilience, Wright was quintessentially American.” ‐ Smithsonian magazine tribute on the occasion of the 50th anniversary of the Guggenheim. Just as it is often said that Frank Lloyd Wright was truly American in spirit and style, the Graycliff story is woven out of strands that also have a truly American flavor. The American Dream, embodying the notion of opportunity for all, takes shape here in the true-to-life rags-to-riches story of Darwin Martin. The close cousin to the American Dream – the one that holds that through gumption and perseverance one may triumph – is on display as well. Perseverance, resilience, and the comeback story are all in evidence at various stages in Graycliff’s 90 years – for the Martins, for Wright himself, for the house, the region, and for the Graycliff Conservancy as an organization. Win-win relationships where all parties pragmatically get their needs met are both a hallmark of American history and culture and a defining characteristic of relationships at Graycliff where all the key players compromised a little while holding onto their defining principles in the end. One of the most enduring and distinctive American values is the lure and promise of nature, wilderness, and the frontier and the potential of new beginnings that are implicit in the purity of nature and the fresh start that movement to a new place makes possible. This is evident in both the post-retirement reboot for the Martin family at Graycliff and the property’s roots in organic architecture in which the house rose from the lands on which it sits. -
JOHNSON WAX Building I. G. FARBEN Offices Site
Johnson Wax Building I. G. Farben Offices Frank Lloyd Wright Hans Poelzig Racine, Wisconsin Site Frankfurt, Germany, 1936-39 c. 1928-31 the site of the two buildings are vastly different; the johnson wax building is in a suburben area and takes un the entire block on which it is located. Con- versely, the ig farben building reads as a building in a landscape, the scale of the site is much larger than wright’s. Both building’s however are part of a larger complex of buildings. Prairie/streamline international era Social context Both buildings were built for rapidly expanding companies: IG Farben, at the time, was the largest conglomerate for dyes, chemicals and drugs and Johnson Wax, later SC Johnson. adam morgan danny sheng Johnson Wax Building I. G. Farben Offices Frank Lloyd Wright Hans Poelzig Racine, Wisconsin Composition Frankfurt, Germany, 1936-39 c. 1928-31 Both buildings are horizontally dominated compositions research tower office towers administration building connecting wing entrance hall building is almost bilaterally symmetrical Bilateral symmetry entry is similar to that of Unity Temple and Robie House. The Entry is on the transverse axis along entry is hidden from view and which the building is bilaterally symmetri- approached on the transverse cal. This classical approach is further axis, this leads to a low dark enforced by the “temple-like” portico on space just prior to entry which the front of the building opens up into a well lit expan- “temple Front” entrance sive space making the entry adam morgan danny sheng Johnson Wax Building I. G. -
A Dialogue Restored Rooms Open at Robie House
For Members of the Volume 45 : Issue 2 Summer – Fall 2018 Frank Lloyd Wright Trust Wright Angles: A DIALOGUE RESTORED ROOMS OPEN AT ROBIE HOUSE From the President & CEO In August the Trust completed phase 1 restoration of the Robie House interior, and visitors began touring the restored front entry hall, main stairway, billiard room and living room. Refreshed wall and ceiling plaster and vibrant original coloration have transformed the rooms, and the reinstallation of lighting and leaded glass windows illuminate the space with a balanced mixture of natural and incandescent light. With renewed excitement, we welcome guests from around the world to see Robie House restored to Wright’s 1910 vision. Unanimously recognized by European critics in 1930 as the precursor to international modernism, Robie House today is Photo: James Caulfield Photo: re-evaluated by contemporary audiences. A grant from the Getty The restored Robie House living room open for tours. Foundation has facilitated our preparation of a Robie House Conservation Management Plan that will establish guiding principles and policies for generations to come. A value-based assessment is part of this plan. I hope you will participate in the 2018 Board of Directors survey described on pages 10-11. John M. Rafkin, Chairman Join us on Tuesday, October 2, for the Trust’s 7th annual Robert Miller, Vice-Chair and Chair, Executive Committee Thinking into the Future: Robie House Series on Architecture, David Dunning, Treasurer Design and Ideas. This year’s speaker, Mark Sexton, will discuss Graham J. Rarity, Secretary Architect / Artist Collaborations, a hallmark of his distinguished Peter R.