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Pascas Foundation
1 “Peace And Spirit Creating Alternate Solutions” PASCAS FOUNDATION (Aust) Ltd Em: [email protected] ABN 23 133 271 593 Em: [email protected] Pascas Foundation is a not for profit organisation Queensland, Australia www.pascasworldcare.com www.pascashealth.com 2 For centuries, a small number of families have being drawing together and perfecting absolute control of all of humanity without humanity being aware. There stealth has now been revealed – read on if you want to unlock their hold over you and your family! 3 Complete list of banks owned or controlled by the Rothschild family https://jdreport.com/complete‐list‐banks‐owned‐or‐controlled‐by‐the‐rothschild‐family/ Gepubliceerd 8 augustus 2017 ∙ Bijgewerkt 26 februari 2019 “Give me control over a nations currency, and I care not who makes its laws” – Baron M.A. Rothschild https://www.youtube.com/watch?v=jYZksdzVxic Before proceeding, I suggest you reading the following list of articles: 1. The Complete History of the ‘House Of Rothschild’ 2. The Complete History of the Freemasonry and the Creation of the New World Order 3. The Entire ILLUMINATI History 4. Everything about the Rothschild Zionism 5. How the Rothschilds Became the Secret Rulers of the World 4 https://www.google.com/amp/s/jdreport.com/complete‐list‐banks‐owned‐or‐controlled‐by‐the‐ rothschild‐family/ NWO: Secret Societies and Biblical Prophecy Vol. 1 https://www.youtube.com/watch?v=jYZksdzVxic ROTHSCHILD OWNED & CONTROLLED BANKS: Afghanistan: Bank of Afghanistan Albania: Bank of Albania Algeria: Bank of Algeria -
JUN 1 9 1984 Archive$
CENTERS AND CENTRALITY: REFLECTIONS ON FRENCH CITY DESIGN by OLIVIER LESER Architecte Diplome Par"Le Gouvernement Ecole Nationale Superieure Des Beaux-Arts (UPI) June 1982 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 1984 c OlivierLeser 1984 The author hereby grants to M.I.T. permission to reproduce and to distribute publicly copies of this thesis document in whole or in part. A Signature of autho r Olivier Leser, Defartment of Architecture May 11, 1984 I Certified by lian Beina jProf. of Architecture, Thesis Supervisor Accepted by N. John Habraken, Chairman Departmental Committee for Graduate Studies MAt'SSACHUSETTS iNSTiTUTE OF TECHNOLOGY JUN 1 9 1984 Archive$ LIBRARIES Room 14-0551 77 Massachusetts Avenue Cambridge, MA 02139 Ph: 617.253.2800 MILibraries Email: [email protected] Document Services hftp://Iibrardes.mit.edu/docs DISCLAIMER OF QUALITY Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. If you are dissatisfied with this product and find it unusable, please contact Document Services as soon as possible. Thank you. Some pages in the original document contain text that runs off the edge of the page. CENTERS AND CENTRALITY: REFLECTIONS ON FRENCH CITY DESIGN by OLIVIER LESER SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT MASSACHUSETTS INSTITUTE OF TECHNOLOGY MAY 1984 ABSTRACT This research looks at the tradition of centralizm in France and its implications on city design. -
Aesthetics in Ruins: Parisian Writing, Photography and Art, 1851-1892
Aesthetics in Ruins: Parisian Writing, Photography and Art, 1851-1892 Ioana Alexandra Tranca Faculty of Modern and Medieval Languages University of Cambridge This dissertation is submitted for the degree of Doctor of Philosophy Trinity College March 2017 I would like to dedicate this thesis to my parents, Mihaela and Alexandru Declaration I hereby declare that this dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. This dissertation does not exceed the prescribed word limit of 80000, excluding bibliography. Alexandra Tranca March 2017 Acknowledgements My heartfelt gratitude goes to my Supervisor, Dr Nicholas White, for his continued advice and support throughout my academic journey, for guiding and helping me find my way in this project. I also wish to thank Dr Jean Khalfa for his insights and sound advice, as well as Prof. Alison Finch, Prof. Robert Lethbridge, Dr Jann Matlock, and Prof. -
Ekonomski Vpliv Rodbine Rothschild
UNIVERZA V LJUBLJANI EKONOMSKA FAKULTETA DIPLOMSKO DELO EKONOMSKI VPLIV RODBINE ROTHSCHILD Ljubljana, maj 2010 ALEŠ RECEK IZJAVA Študent/ka ________________________________ izjavljam, da sem avtor/ica tega diplomskega dela, ki sem ga napisal/a pod mentorstvom ________________________ , in da dovolim njegovo objavo na fakultetnih spletnih straneh. V Ljubljani, dne____________________ Podpis: _______________________________ KAZALO UVOD ........................................................................................................................................ 1 1 PREDSTAVITEV RODBINE ROTHSCHILD.................................................................. 2 1.1 VIDNI PREDSTAVNIKI RODBINE ROTHSCHILD NEKOČ IN DANES................. 5 1.1.1 Mayer Amschel (Bauer) Rothschild.......................................................................... 5 1.1.2 Nathan Mayer Rothschild.......................................................................................... 7 1.1.3 David René de Rothschild......................................................................................... 8 1.2 RODBINA ROTHSCHILD SKOZI ČAS........................................................................ 9 1.2.1 Doba od 1798 do 1820 – začetki rodbine Rothschild ............................................... 9 1.2.1.1 Frankfurtska podružnica..................................................................................... 9 1.2.1.2 Londonska podružnica ...................................................................................... -
Rothschild Frères, Maison De Commerce Et Banque, Fondée À Paris En 1817, Et Nationalisés En 1982 (Loi N°82-155 Du 11 Février 1982)
ARCHIVES NATIONALES DU MONDE DU TRAVAIL BANQUE ROTHSCHILD 132 AQ (1995 057) Introduction INTRODUCTION Activités banque, finances Présentation de l’entrée Ce fonds est entré aux Archives nationales, site de Paris, en 1972. Relevant d'un contrat de dépôt officiellement signé le 28 juin 1972 par la Banque Rothschild, il a été transféré au Centre des archives du monde du travail à Roubaix en 1995, sous le numéro d'entrée 1995 057. La gestion du fonds est passée successivement de la Banque Rothschild (1972-1982), à l'Européenne de Banque (1982-1990), à la Barclays qui rachète la précédente (1991-1994), à Eric de Rothschild (1994-2004), à The Rothschild Archive (Londres) depuis 2004. Il s'agit du fonds Rothschild qui se compose de deux sous-fonds : – le sous-fonds Rothschild Frères, maison de commerce et banque, fondée à Paris en 1817, et nationalisés en 1982 (Loi n°82-155 du 11 février 1982). Bien que formellement devenus publics (loi Archives de 1979), ces documents relèvent d'activités bancaires privées remontant au XIXe siècle et à la première moitié du XXe siècle et sont communiqués sous l'égide du contrat de dépôt stipulant l'accord préalable du déposant. – le sous-fonds Archives familiales contenant des archives privées de différents membres de la famille Rothschild, obéissant aux mêmes règles de communication. Très volumineux, il a fait l'objet de plusieurs opérations successives de classement depuis les années 1950 : Le classement des Archives nationales, site de Paris Il commence bien avant le dépôt aux Archives nationales, soit dès les années 1950, suite à la prospection de Bertrand Gille, conservateur à la Section des archives économiques et sociales des Archives nationales. -
Maîtres Anciens & Du Xixe Siècle | 13.11.2019
RTCURIAL MAÎTRES ANCIENS e & DU XIX SIÈCLE Tableaux, dessins, sculptures SIÈCLE Mercredi 13 novembre 2019 - 18h e 7 Rond-Point des Champs-Élysées 75008 Paris MAÎTRES ANCIENS & DU XIX DU & ANCIENS MAÎTRES MAÎTRES ANCIENS & DU XIXe SIÈCLE Mercredi 13 novembre 2019 - 18h artcurial.com Mercredi 13 novembre 2019 - 18h 3949 RTCURIAL RTCURIAL lot n°38, École italienne, probablement Milan, vers 1600, Saint Ambroise (détail) p.67 MAÎTRES ANCIENS & DU XIXe SIÈCLE Tableaux, dessins, sculptures Mercredi 13 novembre 2019 - 18h 7 Rond-Point des Champs-Élysées 75008 Paris lot n°38, École italienne, probablement Milan, vers 1600, Saint Ambroise (détail) p.67 lot n°109, Cornelis Kick, Bouquet de fleurs sur un entablement (détail) p.170 Assistez en direct aux ventes aux enchères d’Artcurial et enchérissez comme si vous y étiez, c’est ce que vous offre le service Artcurial Live Bid. Pour s’inscrire : www.artcurial.com 13 novembre 2019 18h. Paris RTCURIAL Maîtres anciens & du XIXe siècle 3 INDEX lot n°66, Allemagne du Sud, première partie du XVIe siècle, La Vierge à l'Enfant (détail) p.106 ÉCOLE VÉNITIENNE DU XVIe S. – 35 MOLENAER, Bartholomeus - 92 A ÉCOLE VÉNITIENNE DU XVIIIe S. – 54 MONOGRAMMISTE JF – 82 ADAM, Franz – 167 EHRENBERG, Wilhelm Schubert - 119 MOREAU, Auguste – 173 AELST, Willem van – 80 Espagne, 2nde PARTIE DU XVIIe S. - 42 MOREAU, Mathurin – 170 ALLEMAGNE DU SUD, XVIe siècle - 66 EUROPE CENTRALE FIN DU XVIe – DÉBUT MOUCHERON, Frederik de - 94 ANDALOUSIE DÉBUT DU XVIIe S. – 41 DU XVIIe S. - 57 ANQUETIN, Louis – 185 AST, Balthasar van der - 76 O F ORLEY, Richard van - 118 FAES, Peter – 135 B FLEURY, Antoine-Claude – 24, 25 BARYE, Antoine-Louis – 146, 149, FORNENBURGH, Jan Baptist van – 90 P 150, 151, 152 FRAGONARD, Jean-Honoré – 19, 20 PAYS-BAS, XVIe S. -
Vincent De Paul
SAINT VINCENT DE PAUL CORRESPONDENCE VOLUME I Reproduction of a painting which had once belonged to Queen Anne of Austria and then to the Hotel des Invalides. It is now in the possession of the Motherhouse of the Priests of the Mission, of Saint 95 rue de Sevres, Paris. In the opinion of experts, this portrait was painted in the time Vincent de Paul by an artist who had the Saint before him. SAINT VINCENT DE PAUL CORRESPONDENCE CONFERENCES, DOCUMENTS I CORRESPONDENCE VOLUME I (1607 - 1639) NEWLY TRANSLATED, EDITED, AND ANNOTATED FROM THE 1920 EDITION OF PIERRE COSTE, C.M. TO VERY REVEREND JAMES W. RICHARDSON, C.M. WHO AS SUPERIOR GENERAL OF THE CONGREGATION OF THE MISSION AND OF THE COMPANY OF THE DAUGHTERS OF CHARITY INITIATED AND ENCOURAGED THIS WORK VI Edited by: SR. JACQUELINE KILAR, D.C Translated by: SR. HELEN MARIE LAW, D.C. SR. JOHN MARIE POOLE, D.C. REV. JAMES R. KING, C.M. REV. FRANCIS GERMOVNIK, C.M. (Latin) Annotated by: REV. JOHN W. CARVEN, C.M. NIHIL OBSTAT Rev. John A. Grindel, C.M Censor Deputatus IMPRIMATUR Rev. Msgr. John F. Donoghue Vicar Generalfor the Archdiocese of Washington May 25, 1983 © 1985, Vincentian Conference, U.S.A. Published in the United States by New City Press 206 Skillman Avenue, Brooklyn, N.Y. 11211 Printed in the United States of America Library of Congress Catalog Card Number 83-063559 ISBN 0-911782-50-8 TABLE OF CONTENTS Preface to the English Translation xix Letter of Father Verdier xxiii Introduction to the French Edition xxv Introduction to the English Edition xlix 1. -
Rothschild Family - Wikipedia
2/29/2020 Rothschild family - Wikipedia Rothschild family The Rothschild family (/ˈrɒθstʃaɪld/) is a wealthy Jewish Rothschild family originally from Frankfurt that rose to prominence with Mayer Amschel Rothschild (1744–1812), a court factor to the Jewish noble banking family German Landgraves of Hesse-Kassel in the Free City of Frankfurt, Holy Roman Empire, who established his banking business in the 1760s.[2] Unlike most previous court factors, Rothschild managed to bequeath his wealth and established an international banking family through his five sons,[3] who established themselves in London, Paris, Frankfurt, Vienna, and Naples. The family was elevated to noble rank in the Holy Roman Empire and the United Kingdom.[4][5] The family's documented history starts in 16th century Frankfurt; its name is derived from the family house, Coat of arms granted to the Barons Rothschild, built by Isaak Elchanan Bacharach in Frankfurt in Rothschild in 1822 by Emperor 1567. Francis I of Austria During the 19th century, the Rothschild family possessed the Current Western Europe largest private fortune in the world, as well as in modern world region (mainly United history.[6][7][8] The family's wealth declined over the 20th Kingdom, France, and century, and was divided among many various descendants.[9] Germany)[1] Today their interests cover a diverse range of fields, including Etymology Rothschild (German): financial services, real estate, mining, energy, mixed farming, "red shield" winemaking and nonprofits.[10][11] This article is illustrated Place of Frankfurter throughout with their buildings, which adorn landscapes across origin Judengasse, Frankfurt, northwestern Europe. Holy Roman Empire The Rothschild family has frequently been the subject of Founded 1760s (1577) [12] conspiracy theories, many of which have antisemitic origins. -
Final Market Analysis D2.4
FP7-SMARTCITIES-2013(ICT) Objective ICT-2013.6.2 Data Centres in an energy-efficient and environmentally friendly Internet DC4Cities An environmentally sustainable data centre for Smart Cities Project Nº 609304 Final Market Analysis D2.4 Responsible: Sonja Klingert [UNIMA] Contributors: Sonja Klingert, Thomas Schulze, Torben Möller, Nicole Wesemeyer [UNIMA]; Wolfgang Duschl, Florian Niedermeier, Hermann de Meer [UNIPASSAU]; Federico Lombart Badal, Francesc Casaus, Eduard Martín [IMI]; Silvia Sanjoaquin Vives, Elena Alonso Pantoja, Gonzalo Jose Diaz Velez [GN]; Mehdi Sheikhalishahi [CREATE-NET]; Frederic Wauters, Maria Perez Ortega, [FM]; Marta Chinnici [ENEA] Document Reference: D2.4 – Final Market Analysis Dissemination Level: PU Version: 3.0 Date: 30 Nov 2015 Project Nº 609304 D2.4 – Final Market Analysis 29.11.2015 DC4Cities EXECUTIVE SUMMARY The final market analysis, D2.4, builds on the findings of the first market analysis, D2.2, where regions in Europe offering good starting conditions for marketing a DC4Cities based tool were identified. Now, for the second stage of the analysis, the plan was to evaluate these findings for specific cities, which at the same time play a major role in the data centre industry and are among the most advanced smart cities in Europe. The analysis therefore included Barcelona, as DC4Cities partner, and the data centre “Big Five” cities in Europe: London, Frankfurt, Amsterdam, Paris, and Madrid. The results partly reinforced the conclusions of the first market analysis, but some findings also came as a surprise once urban agglomerations were analysed in more detail: The most thorough analysis could be executed for Barcelona, due to a good data basis as Barcelona partners belong to the consortium of DC4Cities. -
Grace Phelan Final/Diss
UNIVERSITY OF CALIFORNIA SANTA CRUZ ANTOINE FRANÇOIS MOMORO “First Printer of National Liberty” 1756-1794 A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY by Grace M. Phelan September 2015 The Dissertation of Grace M. Phelan is approved: _______________________________ Professor Jonathan Beecher, Chair _______________________________ Professor Mark Traugott _______________________________ Professor Marilyn Westerkamp ___________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Grace M. Phelan 2015 Table of Contents List of Illustrations iv Acknowledgments viii Introduction 1 1. From Besançon to Paris: Momoro's transition from Old Regime libraire to "First Printer of National Liberty" 14 2. Momoro's Political Ascendancy in Sectional Politics 84 3. Traité Elémentaire de l'Imprimerie: Conservative Instruction from the "First Printer of National Liberty" 177 4. Letters from the Vendée: Momoro's Narrative of Revolution and Counter- Revolution 252 Epilogue 321 Appendix A: Books Sold by Momoro, 1788-1790 325 Appendix B: Momoro's Publications, 1789-1793 338 Archival Sources 356 Works Cited 357 iii List of Illustrations 1. Premier Imprimeur de la Liberté Nationale 53 2. Second portrait of Momoro by Peronard 54 iv ABSTRACT Grace M. Phelan ANTOINE FRANCOIS MOMORO: "First Printer of National Liberty" 1756-1794 Antoine François Momoro (1756-1794) appears in historiographies of the French Revolution, in the history of printing and typography and in the history of work during the eighteenth century. Historians of the 1789 Revolution have often defined Momoro as either a sans-culottes or spokesman for the sans-culottes. Marxist historians and thinkers defined Momoro as an early socialist thinker for his controversial views on price fixing and private property. -
V E R S a I L L E S
JEU DE RÔLE D E V E R S A I L L E S Peter Cobcroft Curufea Group Xi Ingredients: Palace, Memory, Currency The roleplaying game of intrigue and betrayal in the court of King Louis XV. As minor nobles of lesser families, players contend in witty repartee with the the residents of the Palace of Versailles in hopes of winning their confidences or swaying them to their causes. Tarot cards determine the success or failure of every verbal encounter. VOLUME THE SECOND - SOURCEBOOK M M. V I I. Contents Life in 18th Century France....................................... 3 Early life and accession..................................... 21 Events.............................................................................. 3 Louis's reaction to the Revolution.................... 22 Talk at the Court................................................. 3 Attempt to flee the country...............................22 News..................................................................... 3 Condemnation to death..................................... 23 Wars..................................................................... 3 Marie-Antoinette ................................................ 23 Religion................................................................ 3 Duke of Orléans, Philippe II............................. 24 Literature............................................................. 4 The King's Mistresses.................................................... 25 Timeline of Inventions.................................................... 5 Comtesse -
Love As Folly C
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS French Paintings of the Fifteenth through Eighteenth Centuries Jean Honoré Fragonard French, 1732 - 1806 Love as Folly c. 1773/1776 oil on canvas overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.) framed: 78.7 x 62.2 x 8.3 cm (31 x 24 1/2 x 3 1/4 in.) Inscription: lower center: frago Ailsa Mellon Bruce Collection 1970.17.111 ENTRY Fragonard repeated the compositions of the small pendant paintings known as Love as Folly and Love the Sentinel [fig. 1] numerous times during his career; a second pair also belongs to the National Gallery of Art (Love as Folly and Love the Sentinel). [1] In Love the Sentinel a chubby Cupid stands before a flowering rosebush at what appears to be the edge of a garden or park (a balustrade marking its outer limits is visible in the left and right middle ground). He looks out at the viewer, proffering an arrow in his right hand while holding his left hand to his lips; a quiver lies at his feet, and two doves fly away against a cloud-filled sky. Love as Folly shows a matching figure in a similar setting, although he flies jauntily through the air, raising aloft a stick topped by a fool’s cap; his action seems to frighten away a flock of doves, several more of which are visible on the ground. The paintings clearly were intended as a pair: they are of similar size, the subjects and scale of the figures are compatible, and the compositions balance nicely.