The Winonan - 2010S the Winonan – Student Newspaper
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Volume 9 No. 22 YOUR UNIVERSE Thursday, June 6th 2013 LOVING CARE - Ron Gould, whose great grandfather, Jesse, was the brother of Uxbridge’s legendary founding Quaker father, Joseph Gould, waters the decorations at the township’s oldest building, the Quaker Meeting House on the Sixth Concession, in preparation for the building’s 204th Anniversary Service Sunday at 2:30. All are welcome to take part in this rare opportunity to see the inside of the oasis on the hill. Photo by Conrad Boyce Sandpiper, Pefferlaw River by John Cavers Inside This Week’s Cosmos Coffee with a comedienne... 3 Stewing in the Barbados... 4 An encounter with Monteverdi... 6 Freemasonry unveiled... 7 Where are the bees?... 11 The Uxbridge Cosmos 2 Thursday, June 6th 2013 51 Toronto Street South The Corporation of P.O. Box 190, Uxbridge L9P 1T1 Tel: 905-852-9181 The Township of Uxbridge Fax: 905-852-9674 www.town.uxbridge.on.ca Council and Committee VOLUNTEERS OF UXBRIDGE! Employment Opportunities Tourism Centre UXBRIDGE Meeting Schedule for June • North Durham Relay For Life ~ June 7th and 8th PUBLIC LIBRARY Monday, June 10th June 26th - September 1st COUNCIL 9:30 a.m. • Canada Day Uxbridge ~ July 1st 30 hours / week • Rib Fest ~ July 18th-22nd Program Director, Pamela Noble, 7:30 p.m. Public Meeting • Highlands of Durham Games ~ July The Township of Uxbridge is seeking a 905-852-9747, ext. 24 re: Proposed Firearms By-law 25th-29th responsible, enthusiastic person to work OPENS at 10:00 am (previously 9:30) • Uxbridge Fall Fair ~ September 27th at the Uxbridge Historical Centre and Monday, June 17th • Uxbridge Scugog Animal Shelter ~ Tourism Centre. -
Sirens Call Ezine, the Literary Hatchet, Riding Light Review, and the Anthology out of Phase
1 Contents Fiction 5 The Secret Staircase — Joshua Skye 9 The Lik’ichiri — DJ Tyrer 12 Cornflower Farms — Kenya Moss-Dyme 18 Urban Legend #9 — Michael Thomas-Knight 21 Behind The Mask — John C. Adams 26 Fight or Fuck — Jaap Boekestein 28 Upping the Production Values — Ken MacGregor 34 Such a Good Girl — Brian Burmeister 36 True Calling — John Collins 41 Heel — Nina D’Arcangela 44 Fear — Mark Steinwachs 47 The Gap Girl — Kevin Holton 51 Nothing — Otis Moore 52 The Shadows in Regina Court — Matthew R. Davis 64 The Unlucky Ones — Paul Edward Fitzgerald 68 Driver, Surprise Me — Azzurra Nox 70 The Room Between the Seconds — Josie Dorans 75 The Resurrection of Doddy Lean — Jeff C. Stevenson 79 Blood Family — Christopher Hivner 85 Sole Survivor — Cat Voleur 87 Paint — Kathleen Wolak 91 Baby Killer — Rivka Jacobs 96 The Lady in White — Linda Burkey Wade 98 Caballo El Diablo — Maynard Blackoak 103 I Dream of Death — Steven Nicholas Marshall 106 Hell’s Bell — Dusty Davis 108 Obey — B.E. Seidl 2 110 Children Should Not Play in the Graveyard at Night — Winnona Vincent 114 Shift — Brian Burmeister 116 Mama Spider — Dave Ludford 119 Questions — Domenic Betters 127 Birth of a Ripper — Olivia Martinez 129 The Promise — Larry W. Underwood Poetry 57 Urban Macabre — Lance Oliver Keeble 59 Forest Spirit — Olivia Martinez 59 Lights Out — Olivia Martinez 60 Trapped — Olivia Martinez 63 Dark Secret — DJ Tyrer Features 134 An Interview with Author Craig McGray 136 Excerpt from The Somnibus Photography by Thomas Sawyer 4 Spooky 35 Barrier of the Dead 67 Long Road Ahead 95 Overlying Fog 128 Atmospheric 140 Credits 3 4 The Secret Staircase | Joshua Skye There was a staircase under Lincoln’s bed that only he could see. -
Gsci Firth 2010 Junior Teetlit Gw
Compiled by William G. Firth Illustrated by Billy C. Wilson © 1991 by William G. Firth and Department of Culture and Communications, Government ofthe NorthwestTerritories. All rights reserved. First edition 1991, second printing, 2010 The research and original publication of this dic tionary were made possible under funding from the Department of Culture and Communications, Government of the Northwest Territories. Reprinted by Gwich'in Social and Cultural Institute, 2010. ISBN- 978-1-896337-12-8 1 Dedication 2 Acknowledgment 3 Introduction 4 Nouns 5 Verbs, Particles and Postpositions 54 Verb Paradigms 172 Alphabet Chart 209 2 I would like to dedicate this book to all my grandmothers and grandfathers, past and present, without whose help this work would not have been possible. Thank you very much for your strength, wisdom and patience. GUUVEENJIT 'IDINUUTt H jii dlnehH'eh shltsuu ts'at shltsii kat yeenoo gwlnlindhat shits'at tr'inohnjik geenjit mahsl' choo nihthan. Aii ts'at jii dlnehH'eh nakhweenjit edinidhihti'oh. "Nakhwat'aii, nakhwegwizhli ts'at nagoodhoh'in' geenjit h~!' choo nih than." -William G. Firth 3 I would like to express my sincere appreciation to all those who assisted in any way with the publication of this book. Being one of the first books done by a Dinjii Zhuh, I hope it will encourage others to appreciate our distinct culture and to strive to be the best in whatever you may set your minds to. This, being a life time dream, has given me strength and pride in whatever I may accomplish next. Again, I would like to say how grateful I am to those who patiently gave their precious time. -
Proquest Dissertations
Singing to Remember, Singing to Heal: Ts'msyen Music in Public Schools Anne B. Hill B.G.S., Simon Fraser University, 1999 A.R.C.T., Royal Conservatory of Music, 2006 Thesis Submitted in Partial Fulfillment Of The Requirements For The Degree Of Master of Arts In Interdisciplinary Studies The University of Northern British Columbia April 2009 © Anne B. Hill, 2009 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-48789-1 Our file Notre reference ISBN: 978-0-494-48789-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Workshop Proceedings Here
1st International Workshop on Entity-Oriented Search (EOS) Balog, K., de Vries, A.P., Serdyukov, P., Wen, J-R. Proceedings of the ACM SIGIR Workshop “Entity-Oriented Search (EOS)” held in conjunction with the 34th Annual International ACM SIGIR Conference 28 July 2011, Beijing, China ISBN: 978-94-6186-000-2 TU Delft, The Netherlands contact: [email protected], [email protected] workshop url: http://research.microsoft.com/sigir-entitysearch/ Preface Both commercial systems and the research community are displaying an increased interest in returning “objects,” “entities,” or their properties in response to a users query. While major search engines are capable of recognizing specific types of objects (e.g., locations, events, celebrities), true entity search still has a long way to go. Entity retrieval is challenging as “objects,” unlike documents, are not directly represented and need to be identified and recognized in the mixed space of structured and unstructured Web data. While standard document retrieval methods applied to textual representations of entities do seem to provide reasonable performance, a big open question remains how much influence the entity type should have on the ranking algorithms developed. This ACM SIGIR Workshop on Entity-Oriented Search (EOS) seeks to uncover the next research frontiers in entity-oriented search. It aims to provide a forum to discuss entity- oriented search, without restriction to any particular data collection, entity type, or user task. The program committee accepted 11 papers (6 selected for full and 5 selected for short oral presentation) on a wide range of topics, such as learning-to-rank based entity finding and summarization, entity relations mining, spatio-temporal entity search, entity-search in structured web data, and evaluation of entity-oriented search. -
The Christened Chinaman a Novel
ANDREI BELY THE CHRISTENED CHINAMAN TRANSLATED, ANNOTATED AND INTRODUCED BY THOMAS R . BEYER, JR. Hermitage Publishers 1991 Andrei Bely The Christened Chinaman A novel Translated from Russian by Thomas R. Beyer, Jr. Copyright @ 1991 by Thomas R. Beyer, Jr. All rights reserved Library of Congress Cataloging-in-Publication Data Bely, Andrey, 1880-1934. [Kreshchenyi kitaets. English] The christened Chinaman I Andrei Bely; translated, annotated, and introduced by Thomas R. Beyer, Jr. p. em. Translation of: Kreshchenyi kitaets. ISBN 1-55779-042-6 : $12.00 I. Title. PG3453.B84K713 1991 91-32723 891.73'3--dc20 CIP A sketch by Sergei Chekhonin "Woman with flower" (1914) is used for front cover Published by HERMITAGE PUBLISHERS P.O. Box 410 Tenafly, N.j. 07670, U.S.A. CONTENTS Translator's Introduction 1 The Text and the Translation IX THE CHRISTENED ClllNAMAN The Study 1 Papochka 1 3 This and That's Own 25 Granny, Auntie, Uncle 40 Roulade 53 Mamochka 69 Mikhails 77 Ahura-Mazda 88 Papa Hit the Nail on the Head 97 The Scythian 106 Phooeyness 109 Spring 127 Fellow Traveler 133 Om 147 Red Anise 152 Notes 161 TRANSLATOR'S INTRODUCTION The Christened Chinaman (KpeU�eHblli'l KHTa9L4),or iginally entitled The Transgression of Nikolai Letaev: (I: Epopee), appeared in 1921 to mixed reviews. A. Veksler called it "one of the most artistically vibrant and complete works of Russian literature, if not the most vibrant work of A. Bely."1 Viktor Shklovsky, the well known Formalist critic, wrote: "I don't think that he himself [Bely] knows what in the world an 'Epopee' is."2 Critics have also variedwidely in their evaluations of the stylistic innovations of the work. -
MPTA Legacy Reporting at a Glance
Table of Contents Introduction .........................................................................................................................................3 MPTA Legacy Reporting at a Glance .................................................................................................4 WDSE•WRPT, Duluth/Superior/The Iron Range ................................................................................5 Twin Cities Public Television, Minneapolis/Saint Paul ........................................................................7 Prairie Public Broadcasting, Moorhead/Crookston ............................................................................9 Pioneer Public Television, Appleton/Worthington/Fergus Falls .......................................................11 Lakeland Public Television, Bemidji/Brainerd ...................................................................................13 KSMQ Public Service Media, Austin/Rochester ...............................................................................15 APPENDIX .......................................................................................................................................17 Appendix A - WDSE•WRPT, Duluth/Superior/The Iron Range ...........................................18 Financial Reports (07/01/2012 - 06/30/2013 and 07/01/2013 - 06/30/2015) ..............30 Appendix B - Twin Cities Public Television Raw Data ........................................................35 Financial Reports (07/01/2012 - 06/30/2013 and 07/01/2013 -
Jim Denomie B
2123 w 21st Street | Minneapolis mn 55405 | 612 377 4669 | www.bockleygallery.com Jim Denomie b. 1955 Education 1995 BFA, University of Minnesota, Minneapolis Grants and Awards and Residencies 2019 McKnight Distinguished Artist Award, Minneapolis 2018 McKnight Artist Fellowship, Minneapolis National Artist Fellowship, Native Arts & Cultures Foundation, Vancouver WA Artist Initiative Grant, MN State Arts Board 2017 Joan Mitchell Center Residency, New Orleans LA 2015 Joan Mitchell Foundation Painters and Sculptors Grant NYC 2012 McKnight Artist Fellowship, Minneapolis 2011 Crow’s Shadow Institute of the Arts Print-making Residency, Pendleton OR 2009 Native American Fine Art Fellowship, Eiteljorg Museum, Indianapolis IN 2008 Bush Artist Fellowship, Bush Foundation, St. Paul 2002 55th Arrowhead Biennial, First Place, Duluth Art Institute 2001 The Return to the Swing, a gathering of indigenous artist participants, hosted by The Evergreen State College, Olympia WA 1999 Jerome Study and Travel Grant, Jerome Foundation, St. Paul Solo Exhibitions 2019 Jim Denomie: Standing Rock Paintings, Bockley Gallery, Minneapolis (Feb 22–Apr 6) Jim Denomie: Fearless, Minnesota State University, Mankato (Jan 14–Feb 4) 2017 Oz, the Emergence, Bockley Gallery (May 5–June 10) 2016 Jim Denomie, Nemeth Art Center, Park Rapids, MN (July 21–Sept 30) 2015 Jim Denomie: Paintings, Projek Traum, Friedrichshafen Germany (Sept 29–Oct 25) 2014 Jim Denomie: Dialogues, Bockley Gallery (Nov 1–Dec 13) 2013-14 Slightly Disturbed, Miller Family Building Center for Visual Research, -
Acoustic Events 2015 Copy 2.Pages
Dichtomy, LLC DJs Acoustic Events Some Devil: the music of Dave Matthews 936 Marguerite Drive Winston-Salem, NC 27106 336.602.3357 www.dichotomyllc.com Our mission to you… The aim of Dichotomy Entertainment is to provide the highest quality musical entertainment for any event in the greater Triad area. This idea was born from the need to incorporate the freelance entities of Joshua Moyer and DJ Dichotomy who -- strictly by word of mouth advertising, excellent customer service, and exemplary performances -- have built a strong foundation in the arts community of Winston-Salem over the past seven years. Primarily DJing weddings, private and corporate events; Joshua keeps an intensely full schedule. Coming from the club/ EDM style of DJing; he is known for his prowess on the microphone as an MC, smooth mixing & great energy and flow throughout your event. The recipient of the Forsyth County Entertainment Award for 2013 Rock/Pop Artist of the Year, Joshua was also nominated in categories for Best Male Musician and Best DJ. He performs at various venues in the Triad in the solo acoustic medium, always incorporating plenty of looping and improvisation into his sets. Mixing original music with a myriad of covers (including rock, blues, reggae, and singer/songwriter) is his specialty. Previous Performance Venues: 10-0-1 Artistika Azul Ultra Lounge Benton Convention Center Brewski’s Tavern Bridger Field House, WFU Bucked Up Super Saloon Burke Street Pub Castle McCullogh Cellar 4201 Club Therapy Crown Station (CLT) District Roof Top Bar & Grille Downtown Brody’s Fox & Hound Grassy Creek Vineyards Graylyn Conference Center Halo (CLT) Millenium Center Milton Rhodes Center for the Arts Mod Bar O. -
Native Art, Native Voices a Resource for K–12 Learners Dear Educator: Native Art, Native Voices: a Resource for K–12 of Art
Native Art, Native Voices A Resource for K–12 Learners Dear Educator: Native Art, Native Voices: A Resource for K–12 of art. Designed for learners in grades K–12, the Learners is designed to support the integration lessons originate from James Autio (Ojibwe); Gordon of Native voices and art into your curriculum. The Coons (Lac Courte Oreilles Band of Lake Superior resource includes four types of content: Chippewa Indians of Wisconsin, Chippewa/Ojibwa, Ottawa); Dyani White Hawk (Sičháŋğu Lakȟóta 1. Artist interviews [Brulé]); Marlena Myles (Spirit Lake Dakota, Mohegan, 2. Essays about artworks in Mia’s collection and Muscogee); and Margaret Swenson, a visual arts questions to support deep looking, critical educator and collaborator with Heid Erdrich (Ojibwe thinking, and discussion enrolled at Turtle Mountain) in the creation of a Native artist residency program at Kenwood Elementary 3. Art lessons developed by and with Minnesota School in Minneapolis. Native artists 4. Reading selections for students to help provide Video Interviews environmental context for the artworks. Video interviews with eight Native artists allow your This resource includes information about Native students to learn about the artists’ lives in their own cultures both past and present and supports words and to view their art and other artworks in Mia’s Minnesota state standards for visual arts and Native art galleries. View multiple segments by indi- social studies/U.S. history. vidual artists, or mix and match to consider different artists’ responses to similar questions. Each video is less than 8 minutes. Discussion questions follow the Essays & Discussion Questions videos to guide your students’ exploration of the rich Marlena Myles (Spirit Lake Dakota, Mohegan, interview content. -
Quinn Hedges Song List 033018.Numbers
Song Ar'st Don't Follow Alice in Chains Got Me Wrong Alice in Chains Nutshell Alice in Chains Ramblin Man Allman Brothers Band When You Say Nothing at All Allison Krauss Arms of a Woman Amos Lee Seen It All Before Amos Lee Keep it Loose, Keep it Tight Amos Lee What’s Been Going On Amos Lee Violin Amos Lee The Weight Band Up On Cripple Creek Band It Makes No Difference Band Here There and Everywhere Beatles Blackbird Beatles Till There Was You Beatles Golden Slumbers Beatles Here Comes The Sun Beatles While My Guitar Gently Weeps Beatles Across The Universe Beatles In My Life Beatles Something Beatles Yesterday Beatles Two of Us Beatles The Luckiest Ben Folds Army Ben Folds Fred Jones pt. 2 Ben Folds Brick Ben Folds Forever Ben Harper Another Lonely Day Ben Harper Burn One Down Ben Harper Not Fire Not Ice Ben Harper She's Always a Woman To Me Billy Joel Hard to Handle Black Crows Can't Find My Way Home Blind Faith Change Blind Melon No Rain Blind Melon Knocking on Heaven's Door Bob Dylan Tangled Up In Blue Bob Dylan You Aint' Goin Nowhere Bob Dylan I Shall Be Released Bob Dylan Stir it Up Bob Marley Flume Bon Iver The Way it Is Bruce Hornsby Streets of Philadelphia Bruce Springsteen Mexico Cake She Aint Me Carrie Rodriguez !1 Drive Cars Trouble Cat Stevens Wild World Cat Stevens Wicked Game Chris Isaak Yellow Coldplay Trouble Coldplay Don't Panic Coldplay Warning Sign Coldplay Sparks Coldplay Fix You Coldplay Green Eyes Coldplay The Scientist Coldplay Fix You Coldplay In My Place Coldplay Omaha Counting Crows A Long December Counting Crows -
2016Augustoariasdissertationfi
Contents LIST OF EXAMPLES ........................................................................................................................ III ACKNOWLEDGEMENTS .................................................................................................................. IV ABSTRACT ......................................................................................................................................... VI OPSOMMING ................................................................................................................................... VII CHAPTER 1: INTRODUCTION ........................................................................................................ 1 1.1 Research problem ................................................................................................................................ 1 1.2 Purpose statement ............................................................................................................................ 11 1.3 Research questions ............................................................................................................................ 11 1.4 Research procedures.......................................................................................................................... 12 1.4.1 Research design ......................................................................................................................................... 12 1.4.2 Research approach ...................................................................................................................................