DOCSLIB.ORG

Perception Research

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Perception Research Innovation and Change in Community Music Proceedings of the XV International Seminar of the ISME Commission on Community Music Activity Edinburgh College, Edinburgh, Scotland 19-23 July 2016 Editor Mary L. Cohen i All abstracts presented at the 2016 CMA Conference in Edinburgh, Scotland, were peer refereed before inclusion in the Conference program. Editorial Board Brydie Leigh-Bartlett Flavia Candusso Mary L. Cohen Magali Kleber Peter Moser Mari Shiobara National Library of Australia Cataloguing-in-Publication Author: ISME Community Activity Commission International Seminar (XV: 2016: Edinburgh, Scotland) Title: Innovation and Change in Community Music: Proceedings of the XV International Seminar of the Commission on Community Music Activity, Edinburgh, Scotland [electronic resource] ISBN: 978-0-6481219-1-6 (ebook) Notes: Includes bibliographical references. Subjects: Music--Congresses. Music in education--Congresses. ISME Commission on Community Music Activity Dewey Number: 780.7 ©International Society for Music Education 2016 www.isme.org ii The Community Music Activity Commission Delegates are grateful to the following people who provided expert support in the planning and hosting of the 2016 Pre-conference seminar of the ISME World Conference. Seminar Host Institution and contact: Edinburgh College, Jess Abrams Sage Gateshead, Dave Camlin Sound Sense, Kathryn Deane Commissioners 2014-2016 Brydie Leigh-Bartlett, Co-Chair, Australia Flavia Candusso, Brazil Mary L. Cohen, United States of America Magali Kleber, Brazil Peter Moser, England Mari Shiobara, Co-Chair, Japan Mary L. Cohen was an Obermann Fellow at the University of Iowa which provided support for her to complete the editing process of these proceedings in the fall of 2016. Vision We believe that everyone has the right and ability to make, create, and enjoy their own music. We believe that active music-making should be encouraged and supported at all ages and at all levels of society. Community Music activities do more than involve participants in music- making; they provide opportunities to construct personal and communal expressions of artistic, social, political, and cultural concerns. Community Music activities do more than pursue musical excellence and innovation; they can contribute to the development of economic regeneration and can enhance the quality of life for communities and contribute to economic regeneration. Community Music activities encourage and empower participants to become agents for extending and developing music in their communities. In all these ways Community Music activities can complement, interface with, and extend formal music education. iii Mission The commission was established in 1982 (Einar Solbu, Norway, chair) following previous formations as the Education of the Amateur Commission (1974), with Magdalena Stokowska (Poland) as Chair. The name changed to the Out of School Activities Commission in 1976 and was chaired by André Ameller (France) from 1976-1982. The first independent seminar was held in 1988. The commission aims to: Facilitate the exchange of information on areas relevant to the field of community music; Encourage debate and dialogue on different international perspectives on community music and on current issues within the field; Encourage international cooperation; Where possible enter into dialogue with musicians and music educators in related fields; Disseminate research and other information. iv TABLE OF CONTENTS Page Acknowledgements................................................................................................................ iii Commissioners…………………………………………………………………………….. iii Community Music Activity Vision Statement……………………………………………… iii Community Music Activity Mission Statement……………………………………………. iv Introduction from Brydie Leigh Bartlett………………………………………………….... 1 Seminar Themes Theme One: Becoming a Community Musician in the Twenty-First Century……... 2 Theme Two: The Nexus of Practice and Research in Community Music………….. 2 Theme Three: Community Music at the Interface of Interdisciplinary and International Developments……………………………………………….. 2 Editorial Mary L. Cohen…………………………………………………………………….. 3 Wednesday 20 July 2016 Jess Abrams & Colleagues Featured Session: Welcome to Scotland! Edinburgh Youth Music Forum…………6 Theme Three: International Developments Alicia Banffy-Hall Developing Community Music in Munich: Critical Reflections on a Process. .6 David Knapp Al-Bustan Seeds of Culture: Arab American Music and Dialogue………….. .7 Carol Frierson-Campbell & Hala Jaber Places for Music: Connecting the National to the Community in Palestine…. .8 Theme Two: Practical Insights Naomi Cooper Becoming a Community Choir Director in Australia in the 21st Century…..15 Emma Nixon Scottish Fiddle in Australia: An Exploration of Community Endeavour……22 Josephine Miller Is Scottish Traditional Music Community Music? Aspects of Practice in a Community-Based Traditional Music Organization…………………………23 Theme Two: Critical Insights Dave Camlin Whatever You Say I Am, That’s What I’m Not: Developing Dialogical and Dissensual Ways of Conceiving of and Talking About Community Music…24 Kathryn Deane & Phil Mullen The Workshop Is Not Enough………………………………………………..31 v Theme One: Educational Insights Gena Greher Teaching Outside the Box: Community Music Pathways as a Lens for Re- Imagining, Re-Defining, Re-Invigorating Music Teacher Education……….. 32 Ikuko Shitamichi The Study of the College Song Activities as the Synergies between Practitioners and Researchers in Japan…………………………………………………...... 39 Diljeet Kaur Bhachu Learning to Facilitate Musical Learning: Exploring the Journeys of Inclusive Music Practitioners………………………………………………………….. 40 Workshop Kohei Nishikawa The Oral Method of Teaching Japanese Transverse Flutes, Focusing on Noh- kan, to Comprehend the Culture of Noh-Gaku, and Grasp the Meaning of Shohga……………………………………………………………………….. 46 Symposium Phil Mullen, Donald R. DeVito, Arthur Gill, Gilian Howell Transnational Working and Learning in Community Music…………………47 Thursday 21 July 2016 Feature: Panel and Workshop Ruth Currie, Jo Gibson, Mary Murata, Lee Higgins Lines of Flight: International Centre for Community Music as a Crucible for PhD Research………………………………………………………………… 49 Theme One: Becoming a Community Musician Lee Willingham Community Music and Higher Education……………………………………60 Graham Dowdall Who, What, Where, and Why: Training Community Musicians in the 21st Century……………………………………………………………………….. 61 Anne Power Becoming a Community Musician: One Year on in a Community String Project………………………………………………………………… 62 Workshops Pete Moser, Kathryn MacDonald, & Ruth Currie Deeper Local: The Hothouse in the West End of Morecambe………………. 63 Caroline McCluskey The Orff Schulwerk Approach within Community Music Practice…………. 66 Posters Evan Dawson & Kathryn Deane A Choir in Every Care Home……………………………………………… 67 William Dabback Musical Practices, Geassenheit, Communitas, and the Role of Ritual within the Pink Menno Movement……………………………………………………. 68 vi Eric Sons Critical and Practice Theory: An Analytical Framework for Theorizing Musical Activities………………………………………………………… 69 Anita Kumar The Evolving Identity of a Community Band in North Seattle…………… 70 Matthias Rietschel Refugees in Kray Music Workshops with Small Children………………… 71 Theme Two: Case Studies Benjamin Leske Exploring Social Inclusion and Exclusion in a Community Choir: Hermione’s Experiences with the Melbourne Gay and Lesbian Youth Chorus……….... 72 Christine D’Alexander Voices and Values in a Community Orchestra Setting: Perspectives from the Child Musician…………………………………………………………….. 81 Theme Three: Interdisciplinary Insights Debbie Rodgers & Maria Varvarigou Mental Health and Wellbeing through Active Music Making: The Me2/Orchestra…………………………………………………………..…..89 Elizabeth Scott-Hall Singing for Asylum-seeking Mothers and Babies: The Potential for a Music Group to Support Increased Social and Psychological Well-Being, Language Learning, and Cultual Understanding……………………………………… 99 Rosanna Mead Live Music and Levels of Agitation Observed in Patients with Dementia… 107 Workshop Nic Coffman and Don Coffman Connected Instruments for Community Musicians and Music Educators….108 Couch Session Julie Tiernan, Alicia De Banffy-Hall, Brydie-Leigh Bartleet Remember When?.......................................................................................... 110 Theme Three: International Developments Katherine Palmer Place-Based Education, the Third Sector, and Community Music: Merging Music and Conservation Education in Tanzania…………………………... 111 Amy Swietlik Critical Pedagogy, Place-Centered Education, and Learning from an NGO in Recife, Brazil………………………………………………………………. 117 Mari Shiobara Community Music Activity and Social Capital: Bonding and Bridging through Music………………………………………………………………………. 123 Workshop Simon Glenister Exploring Integration with Local Authority Frontline Teams (and their funding) Made Possible through the Effective Use of Impact Capture, Specifically Social Media………………………………………………….. 124 vii Symposium Flavia Maria Cruvinel, Joel Barbosa, Cristina Tourinho, and André Felipe The Roles of the Music University Courses and the Community Musician Training in Brazil…………………………………….…………………….. 125 Joel Barbosa and André Felipe Engaged Community Music in a Brazilian Psychosocial Care Center for Alcohol and Drugs………………………………………………………… 126 Symposium Deanna Yerichuk, Thomas Johnston, and Colleagues Policy Directions for Community Music: Looking Back, Looking Forward.132
Load more

Recommended publications
  • From the Inside: Getting Down to Business
    the WEB EXCLUSIVE: Check thebreeze. org this weekend for Justin Thurmond's next movie review BreezeJames Madison University's Student Newspaper Volume 84, Issue 54 1 Thursday. April 24, 2008 From the Inside: Getting Down to Business BY AMY PASSAKEni Ihtitmt After whal fell like the most dit ticult semester of their lives, th- 1 BY TIM CHAPMAN members of Key Free Security ean Iht tmit walk away with a sense of ■ccoru plishment. a prestigious a Ward and most notably. $6,ooo. At about ±:'SO in the morning last Friday, an unlikely fig- This team ofsh business mtjoi ure toted a ratty old broom and dustpan through the V.I.P. won the sixth annual ('()B {on Bud lounge of the Rorktnwn Bar and Grill. ness Plan Competition. Sponsored With his hulking 6-foot-2, 240-pound-frame, Lov^H by JMU's College of Business and pears a bit out of place with the cleaning materials. I*t ir» the Executive Ad\isor> Council, tin just another "perk" to being the head of security ,it Harri- competition provides an opportu sonburg's hottest spot on Thursday nights. nit\ to win more than $25,000 in "It's peaceful now at least," JMU senior Drew I.oy says scholarships between each of th after releasing a long sigh. "Cleanup takes awhile, hut it feels top live teams. Nearly 150 poesfl>l like nothing compared to dealing with the people." teams, from over three Mm can be nominated or submit their The people, JMU students, age 21 or older, have left what own proposals for review.
    [Show full text]
  • Seniors Say Goodbye to KDS
    The Sun Devils’ Advocate Volume XLI, Number 6 Kent Denver School, 4000 East Quincy Avenue, Englewood, CO 80113 June 4, 2019 Seniors Say Goodbye To KDS Soul band SOUL’D OUT plays “I Want You Back” at Coffee House. Photo by Mika Fisher Student Run Continuation & Crisis in Service Commencement Venezuela Organization Awards See Page 5 See Page 11 See Page 13 Arts & Entertainment Winter. Is. Here. enemy to Winterfell after bending the knee to Bran out of a tower window many seasons ago. by Rachel Wagner warrior Christina Aguilera (thank you, Jona- Slightly awkward. than Van Ness). The northerners are quite con- *Spoilers ahead! You’ve been warned.* Tormund and his Wilding friends take a servative because they want their borders shut quick jaunt to the Least Hearth and find the Alright, “Game of Thrones” fans. Season and sealed. Even after Bran informs everyone White Walkers have beat them there. There is a seven left us with several cliff hangers. Jon that the Night King is about to stroll in with his big Fibonacci-like display of dismembered hu- and Dany were in some kind of relationship, undead army, the Winterfellians are still wary man arms surrounding an undead boy. Cheer- but we found out some disturbing information of their “guests.” A few reunions that are rather ing, right? about their familial relationship. All of the ma- sweet are that of Sansa and Tyrion and Jon and jor camps of people came together in King’s Arya. Some people have complained that this Landing in an attempt to get everyone to fight first episode was disappointing.
    [Show full text]
  • M Usic , M Oviesand M
    Nov.Nov. 3,3, 20052005 Music,M u s i c , MMovieso v i e s anda n d MoreM o r e ‘Saw II’ rips through theaters MUSIC: Neil YYoungoung, GZA and AAshleeshlee Simpson brbringing new music ttoo fanfanss MOVIE: ‘L‘Legendegend of ZZorro’orro’ makes marmark,k, ‘Nor‘Northth CCountry’ountry’ ttouchesouches audiencaudienceses MORE: RReadead fforor yyourour ststomach,omach, plus the lalatesttest enentertainmenttertainment newnewss 2 THE BUZZ the cover of the December-Janu- ary 2006 … Barbara Walters will Contents ary issue of Teen People. Jessica be presenting her “10 Most Fasci- Simpson, 25, a self-proclaimed nating People of 2005.” Some of THE ditz, tells the magazine she went to the infl uential people who made The Inside Buzz therapy during her publicity over- the cut include Kanye West, Sec- 02 I N S I D E load; sister Ashlee opens up about retary of State Condoleezza Rice her recent singing fl ops, like the and even Tom Mesereau, Michael 03 Girls That Rock Series - Part 3 infamous “Saturday Night Live” Jackson’s lawyer. The show will BUZZ lip-synching debacle and the Or- air on Nov. 29 on ABC at 10 p.m. ange Bowl fi asco … 33-year-old … Notable CD releases out Tues- 04 New Movie Reviews actress Gabrielle Union has sepa- day were Santana All That I Am rated from husband, Chris How- … Rammstein Rosenrot [Import] 05 New Movie Reviews ard, a former Jacksonville Jaguar … John Fogerty The Long Road running back. … Mary J. Blige Home: Ultimate John Fogerty 06 Flashback Favorite will receive the VLegend Award Creedence Collection … new By MAHSA KHALILIFAR from Vibe at the 3rd annual awards DVD releases this week include Daily Titan Asst.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI _____________ , 20 _____ I,______________________________________________, hereby submit this as part of the requirements for the degree of: ________________________________________________ in: ________________________________________________ It is entitled: ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ Approved by: ________________________ ________________________ ________________________ ________________________ ________________________ SCRAPBOOK A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2001 by C. Lynn Shaffer B.A., Morehead State University, 1993 M.A., Morehead State University, 1995 Committee Chair: Don Bogen C. Lynn Shaffer Dissertation Abstract This dissertation, a collection of original poetry by C. Lynn Shaffer, consists of three sections, predominantly persona poems in narrative free verse form. One section presents the points of view of different individuals; the other sections are sequences that develop two central characters: a veteran living in modern-day America and the historical figure Secondo Pia, a nineteenth-century Italian lawyer and photographer whose name is not as well known as the image he captured
    [Show full text]
  • Utopian Ecomusicologies and Musicking Hornby Island
    WHAT IS MUSIC FOR?: UTOPIAN ECOMUSICOLOGIES AND MUSICKING HORNBY ISLAND ANDREW MARK A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENVIRONMENTAL STUDIES YORK UNIVERSITY TORONTO, CANADA August, 2015 © Andrew Mark 2015 Abstract This dissertation concerns making music as a utopian ecological practice, skill, or method of associative communication where participants temporarily move towards idealized relationships between themselves and their environment. Live music making can bring people together in the collective present, creating limited states of unification. We are “taken” by music when utopia is performed and brought to the present. From rehearsal to rehearsal, band to band, year to year, musicking binds entire communities more closely together. I locate strategies for community solidarity like turn-taking, trust-building, gift-exchange, communication, fundraising, partying, education, and conflict resolution as plentiful within musical ensembles in any socially environmentally conscious community. Based upon 10 months of fieldwork and 40 extended interviews, my theoretical assertions are grounded in immersive ethnographic research on Hornby Island, a 12-square-mile Gulf Island between mainland British Columbia and Vancouver Island, Canada. I describe how roughly 1000 Islanders struggle to achieve environmental resilience in a uniquely biodiverse region where fisheries collapsed, logging declined, and second-generation settler farms were replaced with vacation homes in the 20th century. Today, extreme gentrification complicates housing for the island’s vulnerable populations as more than half of island residents live below the poverty line. With demographics that reflect a median age of 62, young individuals, families, and children are squeezed out of the community, unable to reproduce Hornby’s alternative society.
    [Show full text]
  • Workshop Proceedings Here
    1st International Workshop on Entity-Oriented Search (EOS) Balog, K., de Vries, A.P., Serdyukov, P., Wen, J-R. Proceedings of the ACM SIGIR Workshop “Entity-Oriented Search (EOS)” held in conjunction with the 34th Annual International ACM SIGIR Conference 28 July 2011, Beijing, China ISBN: 978-94-6186-000-2 TU Delft, The Netherlands contact: [email protected], [email protected] workshop url: http://research.microsoft.com/sigir-entitysearch/ Preface Both commercial systems and the research community are displaying an increased interest in returning “objects,” “entities,” or their properties in response to a users query. While major search engines are capable of recognizing specific types of objects (e.g., locations, events, celebrities), true entity search still has a long way to go. Entity retrieval is challenging as “objects,” unlike documents, are not directly represented and need to be identified and recognized in the mixed space of structured and unstructured Web data. While standard document retrieval methods applied to textual representations of entities do seem to provide reasonable performance, a big open question remains how much influence the entity type should have on the ranking algorithms developed. This ACM SIGIR Workshop on Entity-Oriented Search (EOS) seeks to uncover the next research frontiers in entity-oriented search. It aims to provide a forum to discuss entity- oriented search, without restriction to any particular data collection, entity type, or user task. The program committee accepted 11 papers (6 selected for full and 5 selected for short oral presentation) on a wide range of topics, such as learning-to-rank based entity finding and summarization, entity relations mining, spatio-temporal entity search, entity-search in structured web data, and evaluation of entity-oriented search.
    [Show full text]
  • SEM Student News Vol 4
    SEM{STUDENTNEWS} An initiative of the Student Concerns Committee of the Society for Ethnomusicology IN THIS ISSUE Welcome! Letter from the Editor 1 SCC Update 2 Community News 3 Applied + Activist Ethno Redefining “Applied” Ethnomusicology 4 A Community of Writers 5 The State of the Field 6 Dear SEM 7 Responsibility and the Ethnomusicologist 8 Working in the Applied Sector 10 Want to stay in the Volume 4 | Spring/Summer 2012 Volume A Musical Exploration in Rhythmic Immersion 11 SEM Student News loop? Join your Organizations + Resources 12 peers by ‘liking’ us on Facebook, and Our Staff 16 get the latest updates and calls for submissions! Being a _______ Ethnomusicologist choosing our adjectives Welcome to the fourth volume of and social engagement is one I our research, but also strengthens SEM Student News. In this issue, constantly face in both my it? we highlight the subfields of professional and personal lives. applied and activist Colleagues often ask me why I Many of our teachers and mentors ethnomusicology, questioning how bother with all the ethics reviews, are conducting community-based, our work as scholars can be community meetings, and collaborative research and writing connected to the broader social, collaborative editing. Community that specifically seeks to address educational, and research members often ask me why my this question. And yet, so many communities in which we find work should matter to them, what times we hear how experimental ourselves. As a medical greater purpose I can serve, and writing, social engagement, or ethnomusicologist researching what results I can guarantee. How public scholarship had to wait until indigenous health and an activist can we reconcile these two often- they were post-dissertation, post- working in educational opposing positions, and foster a job, post-book, post-tenure, post-I- documentary media, the productive and meaningful have-already-proven-myself-as-an- relationship between academics dialogue that not only facilitates continued on next page..
    [Show full text]
  • MUSIC AS a GLOBAL RESOURCE: Solutions for Cultural, Social, Health, Educational, Environmental, and Economic Issues
    MUSIC AS A GLOBAL RESOURCE: Solutions for Cultural, Social, Health, Educational, Environmental, and Economic Issues COMPENDIUM – 5TH EDITION A SPECIAL EDITION IN HONOR OF THE UNITED NATIONS 75TH ANNIVERSARY 2020 ISBN 978-0-6450322-9-1 FRONT COVER IMAGE © YUKAKO, “I AM A BIRD” (Acrylic on Canvas) Website: yukakoart.com Email: [email protected] Information contained in this publication may be copied or reproduced for study, research, information or educational purposes, subject to inclusion of an acknowledgement of the source (suggested citation follows). SUGGESTED CITATION Hesser, B., & Bartleet, B. L. (Eds.). (2020). Music as a global resource: Solutions for cultural, social, health, educational, environmental, and economic issues (5th Edition). New York: Music as a Global Resource. FOR ADDITIONAL INFORMATION Music as a Global Resource Website: www.musicasaglobalresource.org Email: [email protected] MUSIC AS A GLOBAL RESOURCE: Solutions for Cultural, Social, Health, Educational, Environmental, and Economic Issues COMPENDIUM, FIFTH EDITION EDITORS Professor Barbara Hesser New York University Professor Brydie-Leigh Bartleet Queensland Conservatorium Research Centre Griffith University ASSOCIATE EDITOR Dr. Peter Jampel New York University EDITORIAL ASSISTANTS Caitlin Bell, Camila Casaw, Sonora Dolce, Ethan Meyer, and Renate Rohlfing New York University Helen Glindemann, Rachel Howley, and Charulatha Mani Queensland Conservatorium Research Centre, Griffith University Table of Contents Acknowledgements ............................................................
    [Show full text]
  • Improving Online Music Communities of Practice Through the Mashup of Web 2.0 Technologies
    IMPROVING ONLINE MUSIC COMMUNITIES OF PRACTICE THROUGH THE MASHUP OF WEB 2.0 TECHNOLOGIES Ian Poor A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF EDUCATION May 2011 Committee: Dr. Terry Herman, Advisor Dr. Gary Benjamin Dr. Larry Hatch © 2010 Ian Poor All Rights Reserved iii ABSTRACT Dr. Terry Herman, Advisor Working in collaboration with panels of Ableton Live professionals and scholarly experts in fields related to the study the researcher developed a model for an online music community of practice for users of the music production and performance software Ableton Live. The model for an online music community of practice that this study developed proposes the design of a virtual community that provides its members with an improved learning, communication and collaboration experience over currently available alternatives. This is achieved through an all-inclusive, simple, clean user interface that provides members with all the communication and collaboration tools necessary to successfully collaborate online. The model’s design also stresses the importance of providing new members of the community with adequate scaffolding in the form of tutorials. These tutorials teach members how to successfully use all the communication and collaboration tools provided by the site. This scaffolding support system is a key component of any community of practices’ success. It helps facilitate the new members’ transition from new, and inexperienced user to expert. Facilitating this transition is also beneficial to the community as a whole because it helps raise the communal knowledge base. The more experts available in the community, the more knowledge can be transferred between community members.
    [Show full text]
  • Acoustic Events 2015 Copy 2.Pages
    Dichtomy, LLC DJs Acoustic Events Some Devil: the music of Dave Matthews 936 Marguerite Drive Winston-Salem, NC 27106 336.602.3357 www.dichotomyllc.com Our mission to you… The aim of Dichotomy Entertainment is to provide the highest quality musical entertainment for any event in the greater Triad area. This idea was born from the need to incorporate the freelance entities of Joshua Moyer and DJ Dichotomy who -- strictly by word of mouth advertising, excellent customer service, and exemplary performances -- have built a strong foundation in the arts community of Winston-Salem over the past seven years. Primarily DJing weddings, private and corporate events; Joshua keeps an intensely full schedule. Coming from the club/ EDM style of DJing; he is known for his prowess on the microphone as an MC, smooth mixing & great energy and flow throughout your event. The recipient of the Forsyth County Entertainment Award for 2013 Rock/Pop Artist of the Year, Joshua was also nominated in categories for Best Male Musician and Best DJ. He performs at various venues in the Triad in the solo acoustic medium, always incorporating plenty of looping and improvisation into his sets. Mixing original music with a myriad of covers (including rock, blues, reggae, and singer/songwriter) is his specialty. Previous Performance Venues: 10-0-1 Artistika Azul Ultra Lounge Benton Convention Center Brewski’s Tavern Bridger Field House, WFU Bucked Up Super Saloon Burke Street Pub Castle McCullogh Cellar 4201 Club Therapy Crown Station (CLT) District Roof Top Bar & Grille Downtown Brody’s Fox & Hound Grassy Creek Vineyards Graylyn Conference Center Halo (CLT) Millenium Center Milton Rhodes Center for the Arts Mod Bar O.
    [Show full text]
  • Discorder Magazine Musk Waste
    BEAR MOUNTAIN | THE MOUTHS | ERIC CAMPBELL & THE DIRT | WHITE LUNG J JONATHAN DY | THE RYAN & AMY SHOW | TERRACE NOVEMBER 201M?hat^i^^p From.CiTR l$l.9 Fte£Free! | %f porting Vancouver's Impendent Mt$c Community For 30 Years HP Wmm\ 1 ¥m!m vo f i H 1 shindig Shindig starts Tuesday, September 17 and rims until December 10 at the Railway dub. Visit wwwxftrxa/slUndig for full schedule. THANK-YOUT0OURSTONSORS AMS EVENTS Fader Master Studios Nimbus School of Recording Arts Backllne Musician Services Rain City Recorders NXNE Band Merch Canada Long&McQuade VbgvWIe Recording Canadian Musk Week Mint Records Zulu Records Discorder Magazine Musk Waste UPCOMING 254 East Hastings Street SHOWS tUCKSIJAW 604.681.8915 Before Bad Brains, the Sex Pistols or even the Ramones, there was a band called Death. Punk before With Tough Age and Hag Face DEATH punk existed! Death are finally receiving their long overdue recognition as true rock pioneers, (from Detroit) Tickets at LiveAtRickshaw.com NERD FEST III: A NIGHT OF DESERT DWELLERS AND HELLCHAMBER ALBUM RELEASE RED FANG EPIC FANTASY KAMINANDA With JAR, Nihilate, Deveined With Bison and Sandrider KREATOR AND OVERKILL CATURDAYCREW:8BIT LO0T:ATRIBUTETOTOOL 1333 THE PHIL KEAGGY GUITAR WithWarbringer ADVENTURE RELOADED ss™^ ^™*NDFAMEXPt^ B9 MONSTER MAGNET M SLEIGH'R FEST WITH UONSINTHESTREET B33 BLACKJOELEWIS [jjjj With Zodiac and Royal Thunder BRIAN POSEHN With Oh No Yoko, Amble Greene, K*1*I WithRadkey With Expain, Atomis and Anchoress Factories and Alleyways LAUGHY0URASS0FF20 E3 CHURCH OF MISERY * WHITE RAVEN REVUE " EE3 DIECEMBERFEST Scott Patey with Ed Wrtty.Dino Archie.
    [Show full text]
  • Matthew Good Black Helicopter Mp3, Flac, Wma
    Matthew Good Black Helicopter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Black Helicopter Country: Canada Released: 2008 Style: Alternative Rock MP3 version RAR size: 1338 mb FLAC version RAR size: 1497 mb WMA version RAR size: 1997 mb Rating: 4.5 Votes: 975 Other Formats: MP4 AHX AU MOD WMA AC3 DTS Tracklist 1 Black Helicopter 4:43 2 Black Helicopter (Live) 7:02 3 Weapon (Live) 6:41 Notes ALL SONGS WRITTEN BY MATTHEW GOOD DUNHAROW MUSIC INC./EMI APRIL MUSIC CANADA INC. (SOCAN) +FROM THE UNIVERSAL MUSIC CD "HOSPITAL MUSIC" CAT.# 0251733753 *RECORDED LIVE AT MASSEY Hall IN TORONTO, ONTARIO CANADA ON MAY 29TH 2008 RECORDED LIVE AT MASSEY HALL BY JAMIE'S HOWIESON MIXED BY DENIS TOUGAS AT PHASE ONE RECORDING STUDIOS MASTERED BY JOAO CARVALHO AT JOAO CARVALHO MASTERING MIXING ASSISTANT: JEFF PELLETIER UNIVERSAL MUSIC CANADA MATTHEWGOOD.ORG umusic.ca this compilation Ⓟ and © 2008 universal music Canada Inc., 2450 victoria park ave., suite 1, toronto, ontario, m2j 5h3, all rights reserved. unauthorized reproduction, copying and rental of this recording is prohibited by law. GETMUSIC.CA Related Music albums to Black Helicopter by Matthew Good Shawn Hook - Analog Love João César, Fernando De Carvalho , João Barra Bexiga - Cantigas do Algarve (Acordeão) CPI - Live For Original Plumbing & Toronto Pride, 2010-07-01 Unit 731 / Marshall & Rosen - Live In Toronto TWRK - Helicopter (Remixes) Plastic Ono Band - Live Peace In Toronto Consensual Hitchhiker - Helicopter / Onterkorse Matthew Good - Hospital Music Van Der Graaf Generator - Van Der Graaf Generator At Massey Hall Keane - Hopes And Fears - Live At The Mill Street Brewery Jim Hall - Jim Hall Live! Gofuckyourself - Live @ The Boat, Toronto - 06​.​14​.​2013.
    [Show full text]