MPTA Legacy Reporting at a Glance
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Executive Director
Executive Director www.riverton.org www.ballingerleafblad.com Executive Director of Riverton Community Housing Ballinger|Leafblad is pleased to conduct the search for Executive Director at Riverton Community Housing, a student housing cooperative in Minneapolis, Minnesota. ORGANIZATIONAL OVERVIEW Riverton Community Housing exists to assist in making the pursuit of student’s educational goals more accessible. With the trend on college campuses toward “luxury” apartment buildings with high rents, Riverton Community Housing is committed to providing a cooperative housing model to provide quality, affordable housing to students at the University of Minnesota and other schools in the area. Co-op housing is member-controlled housing. Residents who live here are members, not “tenants”. Every year the membership elects a board of directors that governs the co-op. The board makes decisions regarding budget planning and building improvements in addition to planning social and cultural events for co-op members. Everyone can participate! As a premiere network of student housing cooperatives in North America, Riverton has a strong record of teaching and leading college students toward the housing cooperative model. As a nonprofit, Riverton provides both a hands-on educational experience for student leaders, and a financial model that offers attractive rental rates in well-maintained properties. ORGANIZATIONAL HISTORY In 1945, as soldiers returned to the University of Minnesota, 30 veterans sought to create a social venture where affordable meals would be served. This entity became known as the Chateau Co-op Dining Club. In addition to meals, the Club included a recreation room with table tennis and pool tables, a TV room and a reading lounge. -
Minnesota Statutes 2020, Section 138.662
1 MINNESOTA STATUTES 2020 138.662 138.662 HISTORIC SITES. Subdivision 1. Named. Historic sites established and confirmed as historic sites together with the counties in which they are situated are listed in this section and shall be named as indicated in this section. Subd. 2. Alexander Ramsey House. Alexander Ramsey House; Ramsey County. History: 1965 c 779 s 3; 1967 c 54 s 4; 1971 c 362 s 1; 1973 c 316 s 4; 1993 c 181 s 2,13 Subd. 3. Birch Coulee Battlefield. Birch Coulee Battlefield; Renville County. History: 1965 c 779 s 5; 1973 c 316 s 9; 1976 c 106 s 2,4; 1984 c 654 art 2 s 112; 1993 c 181 s 2,13 Subd. 4. [Repealed, 2014 c 174 s 8] Subd. 5. [Repealed, 1996 c 452 s 40] Subd. 6. Camp Coldwater. Camp Coldwater; Hennepin County. History: 1965 c 779 s 7; 1973 c 225 s 1,2; 1993 c 181 s 2,13 Subd. 7. Charles A. Lindbergh House. Charles A. Lindbergh House; Morrison County. History: 1965 c 779 s 5; 1969 c 956 s 1; 1971 c 688 s 2; 1993 c 181 s 2,13 Subd. 8. Folsom House. Folsom House; Chisago County. History: 1969 c 894 s 5; 1993 c 181 s 2,13 Subd. 9. Forest History Center. Forest History Center; Itasca County. History: 1993 c 181 s 2,13 Subd. 10. Fort Renville. Fort Renville; Chippewa County. History: 1969 c 894 s 5; 1973 c 225 s 3; 1993 c 181 s 2,13 Subd. -
Having It All
Having It All How Public Radio Stations Can Provide Great Service and Live Within Their Means A report on the financial health of Public Radio, commissioned by the Corporation for Public Broadcasting BWB SOLUTIONS Table of Contents Executive Summary. 5 Methodology . 8 System-Wide Financial Health Trends . 9 Analysis of Financial and Audience Data. 10 Programming Expenses . 13 Financial Health Strategies. 15 Impact of Producing Programs Distributed Nationally . 17 Recommendations for Action . 19 Areas for Further Exploration . 21 Appendix A: National Producers . 22 Appendix B: Benchmark Studies . 23 Notes . 25 Having It All, Page 3 Acknowledgements This paper summarizes the work of many people Mark Handley, New Hampshire Public Radio and organizations in the public radio field. We would Earl Johnson, WABE-FM have been unable to complete this work without the Roger Johnson and Karen Olstad, KWSU-FM/AM generous commitments of time and information sup- John McCormack and Bill Miller, WUTC-FM plied by so many public radio industry leaders, con- Bill McGinley, WOI-AM sultants, heads of national organizations, and station Deborah Onslow, WMHT-FM managers. We would especially like to acknowledge Joan Rose, WUNC-FM the contributions of the members of the Project Greg Schnirring, Wisconsin Public Radio (now at CPB) Team at the Corporation for Public Broadcasting: Quyen Shanahan, WXPN-FM Vincent Curren, Duffy Winters, Jay Youngclaus, and Cary Smith, WBJC-FM Ted Coltman. Bruce Theriault of Bolder Strategies, John Stark, KNAU-FM Inc. provided valuable advice and counsel to the JoAnn Urofsky, WUSF-FM Project Team. Their collective insightful comments Stewart Vanderwilt, KUT-FM and careful guidance helped shape the study and the JoAnne Wallace, KQED-FM paper. -
The Displaced Hindu Gods Trilogy
Excerpt terms and conditions This excerpt is available to assist you in the play selection process. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest you read the whole play before planning a production or ordering a cast quantity. © Dramatic Publishing The Displaced Hindu Gods Trilogy Brahmani, a One-Hijra Stand-Up Comedy Show The Chronicles of Kalki Shiv A collection by ADITI BRENNAN KAPIL Dramatic Publishing Company Woodstock, Illinois ● Australia ● New Zealand ● South Africa © Dramatic Publishing *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: THE DRAMATIC PUBLISHING COMPANY, INC., 311 Washington St., Woodstock, IL 60098. COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR’S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
November 2019
NOVEMBER 2019 1 This Month we Say ‘Goodbye’ to the Durrells and the Poldarks atch the series finales of these beloved Masterpiece shows on November 3 and 17, respectively. Can’t get enough? Stream both series on Passport! And tune in to W the following for special opportunities to support these programs you love. What the Durrells Did Next: A Masterpiece Special Sunday, November 10 at 6:30pm on PBS North Keeley Hawes hosts this documentary about the extraordinary lives of The Durrell family after WWII forced them to leave Corfu. There is also a special focus on Gerald’s seminal naturalist work and his visionary zoo. Poldark Series Finale Sunday, November 17 at 8pm on PBS North With their lives on the line, Ross and his friends must launch their most daring plan yet to save themselves and the country from enemies both at home and abroad. Exciting November Specials Explore something new and make a gift to support your favorites. Classic Christmas Aging Backwards 3 with This nostalgic special spotlights Miranda Esmonde-White traditional carols as well as popular Former ballerina Miranda Esmonde- standards, children’s tunes and romantic White uses groundbreaking science selections. Featuring Bing Crosby, Nat to develop a practical six-point plan King Cole, Judy Garland, Rosemary anyone can use to keep their minds Clooney, Johnny Mathis, Brenda Lee, Perry Como sharp and their bodies active using Burl Ives and many more. gentle daily movement. 4Thurs., Nov. 21 at 8pm on PBS North 4Sat., Nov. 30 at 8am and 6pm 4 4 on PBS North and 10:30am on Thurs., Nov. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
Minnesota History: Building a Legacy
January 2019 Minnesota History: Building A Legacy Report to the Governor and the Legislature on Funding for History Programs and Projects Supported by the Legacy Amendment’s Arts and Cultural Heritage Fund Letter from MNHS CEO and Director In July 2018, I was thrilled to take on the role of the Minnesota Historical Society’s executive director and CEO. As a newcomer to the state, over the last six months, I’ve quickly noticed how strongly Minnesotans value their communities and how proud they are to be from Minnesota. The passage of the Clean Water, Land, and Legacy Amendment in 2008 clearly demonstrates this. I’m inspired by the fact that 10 years ago, Minnesotans voted to commit tax dollars to bettering their state for the future, including preserving our historical and cultural heritage. I’m proud that over 10 years, MNHS has been able to oversee a surge of communities engaging with their local history in new ways, thanks to the Arts and Cultural Heritage Fund (ACHF). As of December 2018, Minnesotans have invested $51 million in history through nearly 2,500 historical and cultural heritage grants in all 87 counties. These grants allow organizations to preserve and share stories about what makes their communities so unique through projects like oral histories, digitization, and new research. Without this funding, this important history can quickly be lost to time. A great example is the Hotel Sacred Heart—explored in our featured stories section —a 1914 hotel on the National Register of Historic Places that’s sat unused since the 1990s. -
Parasocial Breakup and Twitter: the Firing of Barb Abney
Journal of Broadcasting & Electronic Media ISSN: 0883-8151 (Print) 1550-6878 (Online) Journal homepage: http://www.tandfonline.com/loi/hbem20 Understanding the Nature, Uses, and Gratifications of Social Television: Implications for Developing Viewer Engagement and Network Loyalty Jhih-Syuan Lin, Kuan-Ju Chen & Yongjun Sung To cite this article: Jhih-Syuan Lin, Kuan-Ju Chen & Yongjun Sung (2018) Understanding the Nature, Uses, and Gratifications of Social Television: Implications for Developing Viewer Engagement and Network Loyalty, Journal of Broadcasting & Electronic Media, 62:1, 1-20, DOI: 10.1080/08838151.2017.1402904 To link to this article: https://doi.org/10.1080/08838151.2017.1402904 Published online: 30 Jan 2018. Submit your article to this journal Article views: 20 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=hbem20 Understanding the Nature, Uses, and Gratifications of Social Television: Implications for Developing Viewer Engagement and Network Loyalty Jhih-Syuan Lin, Kuan-Ju Chen , and Yongjun Sung This study employed an online survey (N = 310) to explore how viewers’ motivations for social TV participation influence their involvement in social TV activities, their program commitment, and network loyalty. Findings show that social infotainment and social companionship are the primary motivations of social TV participation. However, only social infotainment significantly pre- dicts the intensity of viewers’ social TV usage, which has a positive influence on program commitment and network loyalty. Additionally, the relationship between social TV usage and network loyalty is partially mediated by program commitment. These findings demonstrate the value of social TV to broad- casters and provide directions for initiating and maintaining long-term relation- ships with viewers. -
Asian American Plays for a New Generation
Asian American Plays for a New Generation Asian American Plays for a New Generation Edited by Josephine Lee, Don Eitel, and R. A. Shiomi TEMple UNIVersITY Press PHIladelpHIA TEMple UNIVersITY Press Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2011 by Temple University All rights reserved Published 2011 Library of Congress Cataloging-in-Publication Data Asian American plays for a new generation / edited by Josephine Lee, Don Eitel, and R. A. Shiomi. p. cm. Includes bibliographical references. ISBN 978-1-4399-0515-9 (cloth : alk. paper) — ISBN 978-1-4399-0516-6 (pbk. : alk. paper) — ISBN 978-1-4399-0517-3 (e-book) 1. American drama—Asian American authors. 2. American drama—20th century. 3. American drama—21st century. 4. Asian Americans—Drama. I. Lee, Josephine, 1960– II. Eitel, Don, 1975– III. Shiomi, R. A., 1947– PS628.A85A885 2011 812'.54080895073—dc22 2010042421 The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48—1992 Printed in the United States of America 2 4 6 8 9 7 5 3 1 CONTENTS Introduction • Josephine Lee 1 1 Indian Cowboy • Zaraawar Mistry 11 2 Walleye Kid: The Musical • Music and Lyrics: Kurt Miyashiro • Book: R. A. Shiomi and Sundraya Kase 33 3 Happy Valley • Aurorae Khoo 101 4 Asiamnesia • Sun Mee Chomet 173 5 Sia(b) • May Lee-Yang 205 6 Bahala Na (Let It Go) • Clarence Coo 223 7 Ching Chong Chinaman • Lauren Yee 265 Afterword • R. A. Shiomi 319 Contributors 325 Asian American Plays for a New Generation Introduction Josephine Lee Tam (as a Bible Belt preacher): Born? No! Crashed! Not born. -
THE RESISTANCE - EPISODE 36 Josh Radnor - Interview Transcript
THE RESISTANCE - EPISODE 36 Josh Radnor - Interview Transcript Matt: Hello, and welcome to another episode of The Resistance. My name is Matt Conner, and I’m your host. Today I’m thrilled to sit down with actor, director, writer, songwriter, Josh Radnor. Why don’t you introduce yourself and how you normally, how do you say what you do? Josh: Oh I just say actor, writer, director, songwriter, no I don’t. You know what, you’ve hit on something that I have difficulty with, which is saying what I do. The easiest thing for me to say I do is that I’m an actor, in that I went to grad school for acting at NYU, I’ve been a professional actor for over 20 years. Most people know me as an actor. But I’ve also written and directed two films, I’ve directed music videos, I’ve written plays and prose and now I’m a songwriter and I put out albums of original music. So I guess, and I try to avoid any sort of pretentious-sounding labels, but I think I’m a storyteller, and I just tell stories in whatever form suits the story I want to tell. Sometimes it’s a 90-minute movie, and sometimes it’s a three-minute song. Matt: I love it. I love it. All within the arts in many ways. I want to get to so many things; however, we begin each of our episodes with this quote from Steven Pressfield’s book, The War of Art. -
Chasing the Light the CLOUD CULT STORY Mark Allister
Chasing the Light Chasing the Light THE CLOUD CULT STORY Mark Allister Foreword by Mark Wheat University of Minnesota Press Minneapolis • London Interview excerpts from the film No One Said It Would Be Easy are repro- duced by permission of John Paul Burgess. Cloud Cult lyrics are reproduced by permission of Cloud Cult/Craig Minowa. Photographs reproduced by permission of Cloud Cult/Craig Minowa unless otherwise credited. Thanks to Jeff DuVernay, Cody York (http://www.cody yorkphotography.com), and Stacy Schwartz (http://www.stacyannschwartz. com) for contributing photographs to the book. Copyright 2014 by Mark Allister Foreword copyright 2014 by Mark Wheat All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu {~?~IQ: CIP goes here.} Printed in the United States of America on acid- free paper The University of Minnesota is an equal- opportunity educator and employer. 20 19 18 17 16 15 14 10 9 8 7 6 5 4 3 2 1 For Meredith Coole Allister, partner extraordinaire When your life is finished burning down, You’ll be all that’s left standing there. You’ll become a baby cumulus, And fly up to the firmament. No one gets to know the purpose, We need to learn to live without knowing. But all we are saying is Step forward, step forward.