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Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Filmverleih- Unternehmen in Europa
Filmverleih- unternehmen in Europa André Lange und Susan Newman-Baudais unter Mitarbeit von Thierry Hugot Einleitung .............................................................................................................................................. 3 Hinweise zur Benutzung ........................................................................................................................ 5 Kapitel 1 Filmverleihunternehmen in Europa .........................................................................9 1.1 Ein Überblick 1.2 Wirtschaftliche Analyse INHALT Kapitel 2 Individuelle Gesellschaftsprofi le ............................................................................ 23 AT Österreich ..............................................................25 BE Belgien ...................................................................29 BG Bulgarien ...............................................................41 CH Schweiz ..................................................................45 CZ Tschechische Republik ............................................51 DE Deutschland ...........................................................59 DK Dänemark ..............................................................67 EE Estland ...................................................................73 ES Spanien ..................................................................79 FI Finnland .................................................................95 FR Frankreich ............................................................101 -
MY KING (MON ROI) a Film by Maïwenn
LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel). -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
12 Big Names from World Cinema in Conversation with Marrakech Audiences
The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction. -
Liste De Films Autour De La Nourriture Ou De La Cuisine
Liste de films autour de la nourriture ou de la cuisine Il y a un intérêt au cinéma pour des films s’intéressant en grande partie à la nourriture, à la cuisine, à la gastronomie, à la restauration et/ou à l’industrie agroalimentaire ou l’on y retrouve une scène marquante. En voici une liste : Année Titre du film Réalisateur Principaux acteurs / actrices 1895 La charcuterie Louis Lumière - mécanique 1899 Au cabaret Alice Guy - 1900 Chapellerie et Alice Guy - charcuterie mécaniques 1900 Le repas fantastique Georges Méliès - 1905 La charité du Alice Guy - prestidigitateur 1906 Madame a des envies Alice Guy - 1907 La course à la saucisse Alice Guy - 1907 Le billet de banque Alice Guy - 1914 Charlot et les saucisses Mack Sennett Charlie Chaplin, Mabel (Mabel’s Busy Day) Normand, Chester Conklin 1914 Charlot mitron Charlie Chaplin Charlie Chaplin, Chester (Dough and Dynamite / Conklin The Doughnut Designers) 8 2 janvier 2019, François Brouard [Liste de films autour de la nourriture ou de la cuisine] 1 Année Titre du film Réalisateur Principaux acteurs / actrices 1916 Karzy Kat & Ignatz Frank Moser et - Mouse Discuss the Leon Searl Letter ‘G’ 1928 A la soupe Edgar Kennedy Stan Laurel, Oliver Hardy (From Soup to Nuts) 1929 Piccadilly Ewald André Gilda Gray, Anna May Wong, Dupont Jameson Thomas 1932 The Whoopee Party Wilfred Jackson (Mickey Mouse) 1933 Ham and Eggs Walter Lantz et (Oswald and the girl beagle) Bill Nolan 1934 The Hot Chocolate Walt Disney - Soldiers 1935 Carnaval des gateaux Ben - (The Cookie Carnival) Sharpsteen 1938 La femme -
Louise Monot Photo: Unknown
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Louise Monot Photo: Unknown Showreel available at: http://www.olivia-bell.co.uk/clients_cv.php?id=142 Height: 5'7" (170cm) Location: Paris, Île-de-France, France Playing Age: 30 - 40 years Film Film, Marie Laurencin, LA BANDA PICASSO, Fernando COLOMO Film, Marie, PLAN DE TABLE, Christelle RAYNAL Film, Cecile, GIRL ON A BICYCLE, Jeremy LEVEN Film, Lea, LES PETITS MOUCHOIRS, Guillaume CANET Film, Nathalie, PIECE MONTEE, Denys GRANIER-DEFERRE Film, Dolores Koulechov, OSS 117: LOST IN RIO, Michel HAZANAVICIUS Film, Blandine, MR 73, Olivier MARCHAL Film, Mirlinda, TATT AV KVINNEN, Petter NAESS Film, Maxine, PRETE MOI TA MAIN, Eric LARTIGAU Film, Victoria, HELL, Bruno CHICHE Film, L'actrice, A POIL, E. BERCOT Film, Constance, Le General Du Roi, Nina Companeez Television Television, Gigi (series lead), THE AFTER, Amazon Studios, Chris Carter Television, Benedicte Drot de Fezinzac, MADEMOISELLE DROT, Christian FAURE Television, Florianne, LES AMES BATEES - COLLECTION SABLE NOIR, B. HOLMSTEEN Television, L'actrice, DE QUOI MOURIR DE RIRE, J-P MOCKY Television, Cathy Vaillant, BETHUNE SUR NIL, Jerome FOULON Television, Estelle Esperanza, LA PROPHETIE D'AVIGNON, David DELRIEUX Television, Mariane, L'AVARE, Christian DE CHALLONGE Television, Lola Sorel, ANGE DE FEU, Philippe SETBON Television, Sara/Yvonne/Petite-fille de Sara, UN AMOUR A TAIRE, Christian FAURE Television, Juliette Tuille/Scarlett, NOS VIES REVEES, Fabrice CAZENEUVE Television, Charlie, LA DEUXIEME VERITE, Philippe MONNIER Television, Zoe, LA LIGNE NOIRE, Jean-Teddy FILIPPE Television, Marine Lavor, LA VIE DEVANT NOUS, Dir: Vincenzo MARANO Television, L'actrice, LE COMPLEXE D'OLYMPE, Laurence KATRIAN Stage Stage, BROOKLYN BOY, Theatre Comedie des Champs Elysees, Paris, M. -
François Cluzet in 11.6
Pan-Européenne Presents In Association with Wild Bunch François Cluzet in 11.6 A film by Philippe Godeau Starring Bouli Lanners and Corinne Masiero Written by Agnès de Sacy and Philippe Godeau Loosely based on Alice Géraud "Toni 11.6 Histoire du convoyeur" 1h42 - Dolby SRD - Scope - Visa n°133.508 High definition pictures and press kit can be downloaded from www.wildbunch.biz SYNOPSIS Toni Musulin. Security guard. Porsche owner. Loner. Enigma. An ordinary man seeking revenge for humiliation at the hands of his bosses. A man with a slow-burning hatred of the system. And the man behind "the heist of the century". Q&A with Philippe Godeau After ONE FOR THE ROAD, how did you decide to make a film about this one-of-a-kind €11.6 million heist? From the very beginning, what mattered to me wasn't so much the heist as the story of that man who'd been an armoured car guard for ten years with no police record, and who one day decided to take action. How come this punctual, hard- working, seemingly perfect, lonely employee, who kept his distance from unions, ended up pulling off the heist of the century and went to the other side? With the screenwriter Agnès de Sacy, this was our driving force. What was it that drove him to take action? We did a lot of research, we visited the premises, and we met some of his co-workers, some of his acquaintances, his lawyers… What about the real Toni Musulin? Did you actually meet him? I didn't. -
Téléchargez LE CATALOGUE 2021
DU 9 AU 13 JUIN 2021 3 ORGANISATION 5 ÉDITORIAUX 15 COMPÉTITION LONGS MÉTRAGES 33 COMPÉTITION COURTS MÉTRAGES 43 PANORAMA PRIX DU PUBLIC 55 LE MONDE ÉMOIS PRIX DU PUBLIC 63 JEUNESSE 67 PAR AMOUR SALLE DE JEUX DE LA MUSIQUE 71 CATLEYA LOUNGE BAR 75 CINÉ SWANN & PREMIERS RENDEZ-VOUS BRASSERIE VUE MER 83 RENCONTRES PROFESSIONNELLES 89 PROMENADE MARCEL PROUST - 14390 CABOURG INDEX 95 CASINO - ÉVÉNEMENTS REMERCIEMENTS RESTAURANT - BAR Entrée en salle de jeux réservée aux personnes majeures non interdites de jeux, sur présentation d’une pièce d’identité en cours de validité ou d’une carte Players Plus. Casino Partouche Cabourg, 300 000€, promenade Marcel Proust 14390 Cabourg, RCS 409268786 CAEN JOUER COMPORTE DES RISQUES : ISOLEMENT, ENDETTEMENT... APPELEZ LE 09 74 75 13 13 (APPEL NON SURTAXÉ) ORGAnIsATIOn FESTIVAL DU FILM DE CABOURG AssOCIATIOn LOI 1901 HÔTEL DE VILLE, PLACE BRUNO COQUATRIX, 14390 CABOURG PRÉsIDEnT DÉLÉGUÉE GÉnÉRALE RÉGIE AUDIOVIsUELLE Guillaume Laurant Suzel Pietri Hervé Drezen TRÉsORIER DIRECTRICE ARTIsTIQUE PROJECTIOnnIsTEs Olivier Pétré Marielle Pietri Sébastien Aubert Sylvain de Cressac sECRÉTAIRE REsPOnsABLE Sébastien Dumont Christophe Rivière DEs PARTEnARIATs Marco Redjil Sixte de Nanteuil MEMBREs BUREAU DE PRESSE Christine Citti REsPOnsABLE Alexandre Di Carlo Fabienne Henrot DEs JURYs ET TALEnTs Audrey Le Pennec Leslie Ricci Manuela Justine Brigitte Béliveau Jean-Louis Ripamonti REsPOnsABLE COMMUnICATIOn DIGITALE sECTIOn COURT MÉTRAGE Marie Grouin-Rigaux MEMBREs BIEnFAITRICEs COORDInATIOn CATALOGUE Emmanuelle Béart -
Jürgen Doering Costume Designer
Jürgen Doering Costume Designer Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Film Production Company Notes WASP NETWORK CG Cinéma / Nostromo Dir: Olivier Assayas 2019 Pictures / RT Features / Prods: Charles Gillibert, Rodrigo Scope Pictures Teixeira, Lourenço Sant'Anna ROADS Missing Link Films Dir: Sebastian Schipper 2019 Prods: David Keitsch, Sebastian Schipper L'ADIEU À LA NUIT (FAREWELL Curiosa Films Dir: André Téchiné TO THE NIGHT) Prod: Olivier Delbosc 2019 With Catherine Deneuve UNE JEUNESSE DORÉE (GOLDEN Macassar Productions Dir: Eva Ionesco YOUTH) Prods: Damien Couvreur, Mélita 2019 Toscan du Plantier, Marie-Jeanne Pascal, Julien Rouch With Isabelle Huppert DOUBLES-VIES (NON-FICTION) CG Cinéma Dir: Olivier Assayas 2018 Prod: Charles Gillibert With Juliette Binoche and Guillaume Canet United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes L'AMOUR EST UNE FÊTE (PARIS Curiosa Films / Sunrise Dir: Cédric Anger PIGALLE) Films / Umedia Prods: Olivier Delbosc, Anne 2018 Rapczyk With Guillaume Canet TOUS NOUS SÉPARE (ALL THAT Les Films du Kiosque / Dir: Thierry Klifa DIVIDES US) Nolita Cinema Prods: Maxime Delauney, 2017 François Kraus, Denis Pineau- Valencienne, Romain Rousseau With Catherine Deneuve and Diane Kruger POLINA Everybody on the Deck Dirs: Valérie Müller | Angelin 2016 Preljocaj Prods: Maxim Ajjawi, Gaëlle Bayssière, Didier Creste VOR DER MORGENRÖTE (STEFAN Dir: -
Box Office Du Cinéma Français En Russie En 1999
Box Office du cinéma français en Russie en 1999 29/09/21 08:24:18 tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Bilan Russie 1999 Bilan Russie 1999 tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Données cinéma des films français - Russie Détails des sorties - 1999 Titre du film Recettes (€) Nombre de Nombre de Exportateurs Distributeurs spectateurs copies locaux 1 Adultère (mode 13 355,96 85 500 13 Most-Media d'emploi) 2 Romance 8 697,24 7 627 1 Pyramide Argos Films International Russie 3 La Dilettante 4 552,65 8 186 8 France tv Ama distribution 4 Le Dîner de 4 134,89 2 490 1 Gaumont Carmen Film cons Company 5 Bimboland 1 697,42 1 228 1 Gaumont Carmen Film Company 6 La Vérité si je 1 362,15 8 720 0 SND Groupe Most-Media mens ! M6 7 Une femme très 802,92 5 140 0 Most-Media très très amoureuse 8 Carmin profond 381 250 2 mk2 films Intercinema tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Les films français achetés (année de production : 1999) Titre du film Sociétés d'export / Distributeur local Etat de sortie Distributeurs internationaux Tout sur ma mère Pathé Films Paradise/MGN Film acheté Les Enfants du siècle Tamasa Distribution Paradise/MGN Film acheté Belle Maman Pathé Films Paradise/MGN Film acheté Peut-être Pyramide International Central Partnership Film acheté Le Sourire du clown Most-Media Film