TIMOTHY SCOTT: SHADOW ISLAND Action, Adventure, Fantasy Tobey Alexander

Total Page:16

File Type:pdf, Size:1020Kb

TIMOTHY SCOTT: SHADOW ISLAND Action, Adventure, Fantasy Tobey Alexander TIMOTHY SCOTT: SHADOW ISLAND Action, Adventure, Fantasy Tobey Alexander Gavin Skevington 28 James Street, Kimberley, Nottingham, England, NG162LP +44 7793 109122 [email protected] 2020 INT. DARK CAVE - NIGHT. 1. INT. DARK CAVE - NIGHT. The cave is dark, minimal detail of the rocks can be made out. At first all we hear is water DRIPPING somewhere in the distance. DARK ENTITY (O.S.) Back again little Timothy Scott? I see you walking in the dark, blind as always. I can smell your fear. Footsteps ECHO as something draws near, we cannot see what. TIMOTHY (nervous) Who, who are you? TIMOTHY (12) a timid-looking boy with messy red hair looks around t he room. DARK ENTITY (O.S.) I am a vision to you...the one who knows you better than you know you rself. You will never escape me, never escape this place. It is your destiny to remain in the dark...forever. Glowing red eyes ap pear in a cloud of smoke hovering in the air. The voice comes from the eyes but we see no mouth. DARK ENTITY (O.S.) I see into the depths of your soul, you are not Pa rtum. Stay safe where you are, far away from me. If you seek me out, it will be your end. A blood-curdling roar fills the aire as the sound of FIRE grows. TIMOTHY Leave me alone! The eyes lurch towards us and we are in - 2. INT. FAMILY HOME, TIMOTHY'S BEDROOM - NIGHT. The room is small, illuminated by a flickering night-light. Timothy sits up in bed dreanched in sweat, panting. The room is suddenly bathed in light as the door opens. SUSAN Timothy? Calm down honey, I'm here. SUSAN (30s) a middle-aged mother with brown hair looks tired 2. SUSAN (30s) a middle-aged mother with brown hair looks tired as she moves to comfort her son on the bed. SUSAN Same dream again? Timothy nods. GERARD Hey Little Man, same thing? GERARD (30s), a smilar age to Susan with short-cropped blonde hair fills the doorway. GERARD I know what'll help. Get yourself changed, I'll be back in a sec. Gerard l eaves and Susan helps Timothy get changed, upon Gerard's return, Timothy looks up at him. GERARD Get yourself back to bed honey, I'l l settle with Tim and be with you in no time. They exchange a kiss leaving Gerard and Timothy in the room. Timothy takes the glass of milk as Gerard sits down. GERARD Want anything else to go with that? Gerard hands over a half empty packet of biscuits and takes on himself. GERARD (CONT.) Just don't tell your mum! TIMOTHY Thanks dad. They eat and finish their drinks. GERARD Night buddy. TIMOTHY Night dad. The light goes out and the room is dark again. Timothy looks around the room as we hear the same eerie voice from the dream. DARK ENTITY (O.S.) Until next time. Sleep well Timothy Scott. Timothy hides beneath the covers as we - 3. Timothy hides beneath the covers as we - FADE TO BLACK The screen is black, the sound of fire rises as the title "TIMOTHY SCOTT: SHADOW ISLAND" emerges from a wall of fire. The fire dies and the letters are left shimmering silver, blue and gold. 3. INT. DR LIVE'S WAITING ROOM - DAY. Timothy and his parents sit on chairs as Timothy stares at a dog-eared comic. GERARD You know your brother didn't mean anything this morning don't you? TIMOTHY I suppose. SUSAN He shouldn't pick on you for coming her e. Doctor Live is only trying to help. GERARD He's grounded when we get back. TIMOTHY Don't dad! That'll just make it worse. GERA RD He shouldn't be calling you names. TIMOTHY Please. The door on the far side of the room opens. DR INGRID LIVE (40s) a middle-aged woman older than his parents woman with jet-black hair in a pony-tail looks stern and serious stands in the doorway. She COUGHS to get their attention. DR LIVE Timothy! Good morning young man, come through. Dr Live's demenour changes and her face softens. GERARD Morning Doc, Tim's a bit moody today. DR LIVE 4. DR LIVE (playful) What do you say Timothy, are your parents allowed to come in today? TIMOTHY I suppose they can, if they promise to behave! SUSAN (laughing) We'll try. GERARD Cheeky! Gerard ruffles Timothy's head as they walk into the office. 4. INT. DR LIVE'S OFFICE - CONTINUOUS. Dr Live takes her seat opposite the family. DR LIVE So tell me Timothy, have we had any more of those dreams we talked about last time? TIMOTHY Yes. DR LIVE When was the last time? GERA RD Last night. DR LIVE Interesting, was it the same as all the other times? TIMOTHY It's been the same since last time. The dark cave and all I can hear is water before it talks to me. DR LIVE Still the red eyes? TIMOTHY They come later. It always talks to me first, then the eyes appear. Timothy fidgets. TIMOTHY 5. TIMOTHY Aiden says I'm a baby, that I should have grown out of nightmares by now. GERARD His older brother has been picking on him, we're trying to keep a lid on it. DR LIVE Boys will be boys. I expect Timothy knows his brother doesn't mean it. He just doesn't understand things the way you do. TIMOTHY I tried telling myself it was a dream, like you told me to, but it didn't work. The more I tried to fight, the stornger it got. Timothy is comforted by Susan as he appears upset. DR LIVE How does it make you feel? TIMOTHY Cold! The more I fight, the colder it gets. It's hard to concentrate. DR LIVE And then what? TIMO THY It tells me if I go to it, it will be my end. Timothy wipes away his tears. SUSAN It's ok sweety. TIMOTHY That's when it attacks me and I...I wake up. SUSAN It's getting more frequent doctor. GERARD Almost every night now. Dr Live retrieves a leather journal from a bookshelf. DR LIVE 6. DR LIVE It's ok Timothy, nothing about what you're telling me is not fixable. We just need to find you a way to cope with whatever goes on in your head. TIMOTHY I don't want to be scared anymore. DR LIVE Take this Timothy. Dr Live hands him the book. TIMOTHY What's this? DR LIVE It's a journal, like the one on my desk. I want you to write down all the amazing things that go on in your head. That way you can help your parents and me see the world as you do. Timothy inspects the book as his parents talk to Dr Live. GERARD Is there anything we can do for him? I hate to see him so withdrawn. DR LIVE Timothy sees t he world from a different perspective than you or I Mr Scott. We need to find a way for him to express himself so we can understand and help. SUSAN Will he grow out of it? DR LIVE The dreams? Perhaps. I expect there is more to this than just the dream. We need to find a way to help take the fear and pressure away. Timothy's mind wanders, we hear his brother's voice as he admires the journal. AIDEN (O.S.) I thought kids were supposed to grow out of bad dreams? (MORE) AIDEN (CONT'D) 7. AIDEN (CONT'D) Maybe one day you'll grow up enough baby brother. Timothy is brought back to the room as his parents stand from their seats. DR LIVE We'll get you through this Timothy, I promise. I have lots of little tricks that we can use, we just have to find the right one for you. TIMOTHY Thank you doctor. DR LIVE (whispers) The things you see and feel are yours and yours alone. They are your world. It is a magical place, we just need to find a way for you to realise you're strong enough to not be afraid. TIMOTHY I am trying. DR LIVE I know y ou are, just don't let Aiden make you feel you're wrong for being you. You're special Timothy, you're by far and away my most favourite patient. GERARD There's nothing wrong with you Little Man. Look at it this way, you're almost as mad as your old man! Timothy is last to leave the room as Dr Live scribbles in her notebook. 5. INT. FAMILY HOME, PLAYROOM - LATER. Timothy is occupied with a pile of Lego toys. The sound of a door slamming snatches his attention. TIMOTHY Aiden! As Timothy tidies, the door bursts open. AIDEN (O.S.) 8. AIDEN (O.S.) You'd better not be messing up my stuff Tim. AIDEN (14) resembles Timothy but has a head of neatly trimmed mousy hair. He carries himself with more confidence and is dressed in school uniform. Didn't miss much at school, picked a good day to bunk off. TIMOTHY I wasn't! I was at the doctor again. AIDEN Your special head doctor? Did they manage to find your brain or is it still missing? Aiden c hanges into a football kit as they talk. TIMOTHY She said you need to be nicer to me.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road  Ridgefield, Connecticut 06877 (203) 994-7244  [email protected]
    JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected] List of Addendums First Addendum – Middle Ages Second Addendum – Modern and Modern Sub-Categories A. 20th Century B. 21st Century C. Modern and High Modern D. Postmodern and Contemporary E. Descrtiption of Categories (alphabetic) and Important Composers Third Addendum – Composers Fourth Addendum – Musical Terms and Concepts 1 First Addendum – Middle Ages A. The Early Medieval Music (500-1150). i. Early chant traditions Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian Church. The simplest, syllabic chants, in which each syllable is set to one note, were probably intended to be sung by the choir or congregation, while the more florid, melismatic examples (which have many notes to each syllable) were probably performed by soloists. Plainchant melodies (which are sometimes referred to as a “drown,” are characterized by the following: A monophonic texture; For ease of singing, relatively conjunct melodic contour (meaning no large intervals between one note and the next) and a restricted range (no notes too high or too low); and Rhythms based strictly on the articulation of the word being sung (meaning no steady dancelike beats). Chant developed separately in several European centers, the most important being Rome, Hispania, Gaul, Milan and Ireland. Chant was developed to support the regional liturgies used when celebrating Mass. Each area developed its own chant and rules for celebration. In Spain and Portugal, Mozarabic chant was used, showing the influence of North Afgican music. The Mozarabic liturgy survived through Muslim rule, though this was an isolated strand and was later suppressed in an attempt to enforce conformity on the entire liturgy.
    [Show full text]
  • The Cure — Wikipédia
    The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980.
    [Show full text]
  • The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE MUSIC OF THE GOTH SUBCULTURE: POSTMODERNISM AND AESTHETICS By CHARLES ALLEN MUELLER A Dissertation submitted to the College of Music In partial fulfillment of the Requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2008 Copyright 2008 Charles Mueller All Rights Reserved The members of the Committee approve the dissertation of Charles Allen Mueller defended on June 12, 2008. __________________________ Charles E. Brewer Professor Directing Dissertation __________________________ Barry Faulk Outside Committee Member __________________________ Denise Von Glahn Committee Member __________________________ Douglass Seaton Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOLEDGEMENTS I would like to extend my most sincere gratitude to the Presser Foundation who funded my research in Great Britain. I would also like to thank journalist Mick Mercer and the staff at Rough Trade in London who provided me with important insights into the development of goth music. All of the past and present goth participants and musicians who took the time to share with me their passion for music and life experiences also
    [Show full text]
  • Psaudio Copper
    Issue 94 SEPTEMBER 23RD, 2019 Welcome to Copper #94! As this issue goes live, I'll have just returned from a quick trip to NY and back----so sorry, no analysis of the Phil Collins song. I'll leave that to our busy friend, Christian James Hand. In this issue, Professor Larry Schenbeck looks at copycats---long before the "My Sweet Lord" debacle; Dan Schwartz examines an amazing gift from a famous friend; Richard Murison explores his family tree; Roy Hall remembers his (very active!!) dating life; Anne E. Johnson’s Off the Charts brings us lesser-known cuts from Siouxsie and the Banshees; J.I. Agnew goes into meticulous detail on the meticulous process of record quality control; Woody Woodward begins a new series on guitar god Jeff Beck; Anne’s Something Old/Something New brings us several recent recordings of Haydn Symphonies; the batting average of Tom Gibbs' record reviews drops from .800 last issue to .666 in this issue; and I look at inevitability in The Audio Cynic, and examine direct-drive turntables in Vintage Whine. I'm pleased to welcome a new contributor: Bob Wood will be telling stories of his long career in radio, and as a voice-over artist. I think you'll enjoy Bob's True-Life Radio Tales. Rocky Mountain Audio Fest is the subject of a feature, written by moi. And finally---- Copper #94 wraps up with Charles Rodrigues on divine intervention, and another stunning Parting Shot from our friend, James Schrimpf. Until next time, Leebs. In The Beginning TRUE-LIFE RADIO TALES Written by Bob Wood Believe it or not, several people have encouraged me to write about my time in radio.
    [Show full text]
  • What Is Post-Punk?
    What is Post-Punk? A Genre Study of Avant-Garde Pop, 1977-1982 Mimi Haddon Schulich School of Music McGill University, Montréal April 2015 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Ph.D. in Musicology © Mimi Haddon 2015 iii TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Résumé ......................................................................................................................................... vii Acknowledgements ..................................................................................................................... viii List of Musical Examples ................................................................................................................ x List of Diagrams and Tables ........................................................................................................... xi List of Figures ............................................................................................................................... xii INTRODUCTION ........................................................................................................................... 1 Historiography and Genre ........................................................................................................ 4 Genre as Musical Style ..........................................................................................................
    [Show full text]
  • Notre Dame Scholastic, Vol. 133, No. 02
    COME SEE ............ · THE JUGGLING VARIETY ACT OF: WEDNESDAY SEPTEMBER 11 WASHINGTON HALL 8:00 PM TICKETS ON SALE AT THE LAFORTUNE INFO. DESK-$3 BROUGHT TO YOU BY STUDENT UNION BOARD 1867 - 1992 CONTENTS A century ahead of the competition. NOTRE DAME'S STUDENT MAGAZINE' ENTERTAINMENT Parents - Alumni - Fans 5 Music 6 Movies Subscribe to NEWS 7 Off-Campus Crime I 10 Durgans Pressured to l I Resign I i olastic ! I SPORTS II Notre Dame's Weekly Student Magazine ! ~ i 14 Another Chapter Begins !" Follow the Fighting Irish 17 The Battle For Bragging and keep up with caJnpus events as Rights Scholastic celebrates our 125th anniversary! 18 National Champions: 1'920 Your subscription includes our annual football review issue, published in February 1992. DEPARTMENTS ~----------------------------------~---- 2 Editor's Notes Please send years of Scholastic to: 4 CampusWatch Name: ________________ 12 Coming Distractions 19 On Other Campuses Address: ______~ _______~ 20 Behavior Modification City: _______ State: __ ZIP code: ___ 21 Week In Distortion Enclosed is a check payable to Scholastic Magazine for $25.00 x __ years = $, __ 22 ~Iancing Back , , 24 Final Word , i Please send this form with payment to: Business Manager : ! , j Scholastic Magazine , I , j 303 LaFortune Student Center On The Cover: The Notre Dame football team will ,take on Indiana Notre Dame, IN 46556 University this Saturday. Cover photo by Ian Johanson. SEPTEMBER 5, 1991 1 ;". • ...... ";~: .;: .!•. -:, 1867 - 1992 CONTENTS A century ahead of the competition. NOTRE DAME'S STUDENT MAGAZINE' ENTERTAINMENT Parents - Alumni - Fans 5 Music 6 Movies Subscribe to NEWS 7 Off-Campus Crime I 10 Durgans Pressured to l I Resign I i olastic ! I SPORTS II Notre Dame's Weekly Student Magazine ! ~ i 14 Another Chapter Begins !" Follow the Fighting Irish 17 The Battle For Bragging and keep up with caJnpus events as Rights Scholastic celebrates our 125th anniversary! 18 National Champions: 1'920 Your subscription includes our annual football review issue, published in February 1992.
    [Show full text]
  • ACCELERATED READER Updated On: January 19, 2018
    ACCELERATED READER Updated on: January 19, 2018 Title Color Key: Youth Fiction Teen Fiction Children Adult Fiction Non-Fiction Biography Graphic Novels Paperback Display LG = Lower Grades (K-3); MG = Middle Grades (4-8); MG+ = Middle Grades Plus (6 and up); and UG = Upper Grades (9-12). RL 0.1 - 0.9 Snow Joe Greene, Carol EN 0.3 LG 0.5 [C Rookie] Ф Ф Ф Ф Ф Ф Clifford Makes a Friend Bridwell, Norman EN 0.4 LG 0.5 Happy Cat Henry, Steve EN 0.4 LG 0.5 Ф Ф Ф Ф Ф Ф The Day I Had to Play with My Sister Bonsall, Crosby EN 0.5 LG 0.5 Hi, Clouds Greene, Carol EN 0.5 LG 0.5 [Rookie] It's Too Windy! [Noodles] Wilhelm, Hans EN 0.5 LG 0.5 The Little Runaway Hillert, Margaret EN 0.5 LG 0.5 Lucky Bear Phillips, Joan EN 0.5 LG 0.5 Mine's the Best Bonsall, Crosby EN 0.5 LG 0.5 Splat! Perez-Mercado, Mary Margaret EN 0.5 LG 0.5 [C Rookie] Tiny Goes to the Library Meister, Cari EN 0.5 LG 0.5 Ф Ф Ф Ф Ф Ф Anthony and the Girls Konnecke, Ole EN 0.6 LG 0.5 Are You Ready to Play Outside? Willems, Mo EN 0.6 LG 0.5 Boy, Bird, and Dog McPhail, David EN 0.6 LG 0.5 Can I Play Too? Willems, Mo EN 0.6 LG 0.5 Don't Cut My Hair! [Noodles] Wilhelm, Hans EN 0.6 LG 0.5 Duck, Duck, Goose! (A Coyote's on the Loose!) Beaumont, Karen EN 0.6 LG 0.5 Fireman Fred Reed, Lynn Rowe EN 0.6 LG 0.5 The Foot Book Seuss, Dr.
    [Show full text]
  • The Complete List of Named Hostas in the Hostalibrary As of June 2018
    The complete list of named Abiqua Kaleidoscope Academy Rivendell hostas in the HostaLibrary as of Abiqua Miniature Academy Shiny Vase June 2018. 7,540 Abiqua Moonbeam Academy Smiles Abiqua Pagoda Academy Speckled Caddy A 375 Abiqua Parasol Spoons 1 2 Adore Abiqua Recluse Academy Speckled Vase 1st and Ten Abiqua Solitude Academy Tousled Turkey A 1 4 The Money Abiqua Trumpet Academy Verdant Spades A 10 Hut Abiqua Zodiac Academy Verdant Verge A B-1 Bomber About Face Academy Weathertop A Dog of Flanders Abracadabra Academy Wonky Balderdash A Many-splendored Thing Abraham Lincoln Ace of Spades Aachen Abundant Love Achy Breaky Heart Aardvark Academy Ametrine Ada Reed Abana Academy Another Ada Robinson Abba Aloft Academy Aureate Piffle Admiral Halsey Abba Blue Dreams Academy Blue Funnel Adorable Abba Blue Jumbo Academy Blue Titan Adrian's Glory Abba Dabba Darling Academy Blushing Chartreuse Advance to Go Abba Dabba Do Academy Blushing Recluse Advocate Abba Dabba Don't Academy Bonfire Glade Aeon Abba Dabba Wow Academy Brobdingnagian aequinoctiiantha Abba Dew Viridity After Midnight Abba Diana Reeck Academy Celeborn Afterglow Abba Fit Academy Chetwood Afternoon Delight Abba Fragrant Centennial Academy Cockcrow Agawa Abba High Bidder Academy Cratered Blue Age Of Aquarius Abba Irresistible Academy Devon Moor Ahamo Gold Abba Showtime Academy Dimholt Ahhahabah Abba What Academy Fangorn Forest Ahhhs Abba Windows Academy Faux Sedge Ahwaneeh Abbey Pond Cascades Academy Fire Aidan Bryden Cleghorn Abby Academy Flaxen Spades Ainsley Aberdeen Mountain Academy
    [Show full text]
  • Jean-Michel Guyot Mnémosyne
    Jean-Michel Guyot Mnémosyne RAL,M Revue d’art et de littérature. musique www.ral-m.com ©2012 jean-michel guyot 1 Avertissement Une pyramide Il faut se figurer une pyramide renversée et translucide dont la base en l’air ne cesse de gagner du terrain. Terrain pris sur le ciel dont il ne cache et gâche nullement la vue, terrain qui n’apparaît que mieux à mesure que le regard arpente les possibles amoncelés, en allant de la base altière au sommet pointu fiché dans la terre féconde. Les quatre versants de la pyramide sont également abrupts. Varappes du sens pris de vertige. Difficile, sur cette surface lisse comme un miroir de granit, de trouver des aspérités auxquelles se raccrocher, le mieux étant d’oser visiter la pyramide de l’intérieur en se laissant aller dans les dédales de son questionnement. Le ciel, alors, dans sa laitance bleutée, devient ce tain teinté d’inconnu qu’il aurait toujours dû rester, avant que des dieux - ces grands encombrants d’un autre temps que nul éboueur du ciel n’est jamais tout à fait parvenu à faire disparaître - ne s’y agitent sous le regard complice d’ humains médusés : un miroir sans fond dans lequel puiser les énigmes à foison, alors qu’il fallait n’y voir que la fertilité abyssale du vide. Nul arrière-monde ni aucun relent de spiritualité grenouillesque ne vient jamais troubler le calme lapidaire de ce ciel amoureux de la terre bleue comme une orange. Pyramide hilare qui ne cesse de vaciller, tant sa base est solide.
    [Show full text]
  • Siouxsie Takes NYC Back in Time Banshees Offer Bitters and Sweets in Reunion Show Posted Apr 22, 2002 12:00 AM
    http://www.rollingstone.com/artists/siouxsieandthebanshees/articles/story/5934700/sGioouxsie_takes_nycM_AbaYck_iDn_EtCime JUN Close 4 captures 22 Help 12 May 06 - 4 Jun 11 2006 2007 2011 Get the Newsletter! Subscribe to Magazine Concert Tickets RSS Feeds ARTISTS NEWS REVIEWS PHOTOS VIDEOS POLITICS LISTEN Main Artist Directory ALL S E A R C H Welcome Login New User BROWSE BY NAME: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # Siouxsie and the Banshees Main | Articles | Album Reviews | Photos | Videos | Discography Articles Siouxsie Takes NYC Back in Time Banshees offer bitters and sweets in reunion show Posted Apr 22, 2002 12:00 AM Some 2,500 black-clad fans packed into New York Photo City's Roseland Ballroom on Friday night to catch a resurrected Siouxsie and the Banshees on their 7 Year Itch tour. And though the ninety-plus-minute set was heavy on the atmospherics, the Banshees' roots in punk ("art punk," as some clever music guidebook writers like to distinguish it) weren't entirely neglected, either. Contradiction, or maybe just dichotomy, has always been an element of the Banshees' appeal, both musically and especially in singer Siouxsie Sioux's Peep show More Photos demeanor and delivery. During "Night Shift," the theatrical frontwoman threaded her arms into a ADVERTISEMENT backward white long-sleeved shirt she had previously removed. Mimicking a loony in a straightjacket, she yelped "I'm out of my mind with you . .," flailing between verses. Standing, squatting, crawling, rolling, writhing, nearly floating at times, her
    [Show full text]
  • 100 Bài Báo Song Ngữ Tiếng Anh
    100 BÀI BÁO SONG NGỮ TIẾNG ANH Contents Thailand detains five Vietnamese fishing boats .................................................................................... 4 Smoggy Saigon raises health concerns .................................................................................................. 5 USA looks to create ‘startup visa’ for international entrepreneurs ....................................................... 6 You’ve got to find what you love,’ Jobs says ........................................................................................ 8 Australian amateur prospector finds massive gold nugget .................................................................. 12 Why crowls if you can walk? .............................................................................................................. 14 Starbucks dominates SE Asia, but not in Vietnam .............................................................................. 18 Female Power ....................................................................................................................................... 20 Anthony Martial uses bingo to learn English ...................................................................................... 21 Thiết bị di chuyển thông minh ............................................................................................................. 22 Poor English skills challenge Vietnamese students ............................................................................. 24 46% of Vietnamese study on YouTube
    [Show full text]