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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Pandoras Box CD-List 06-2006 Short
Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
Stephen W Tayler Selected Works Recording - Mixing - Production - Composition - Sound Design - Post-Production - Visual Art
stephen w tayler selected works recording - mixing - production - composition - sound design - post-production - visual art artist - project title work project label - company year tommy bolin private eyes m album columbia 1976 gong gazeuse m album virgin 1976 brand x moroccan roll r-m album island 1976 bill bruford feels good to me r-m album e g records 1976 city boy 5 7 0 5 m single cbs 1977 claude francois quelquefois etc m album disques fleche 1977 u. k. u. k. cp-r-m album e g records 1977 voyage from east to west m album polydor 1977 bill bruford one of a kind cp-r-m album e g records 1978 brand x masques r-m album island 1978 peter gabriel 2nd album ‘scratch’ m tracks charisma 1978 rod argent moving home r-m album mca 1978 stomu yamashta go too m album arista 1978 voyage fly away r-m album polydor 1978 peter gabriel i don’t remember cp-r-m single charisma 1979 edward reekers the last forest cp-r-m album a&m 1980 rupert hine immunity cp-r-m album a&m 1981 the planets intensive care r-m single rialto 1980 the fixx the shuttered room r-m album mca 1981 jonah lewie heart skips beat r-m album stiff 1981 the models local and/or general cp-r-m album a&m 1981 caravan the album r-m album independent 1982 chris de burgh the getaway r-m album a&m 1982 phil collins don’t let her steal your heart away m single virgin 1982 phil collins live at perkins palace m vhs virgin 1982 the waterboys the waterboys r-m tracks ensign 1982 rupert hine waving not drowning cp-r-m album a&m 1983 saga worlds apart r-m album cbs 1983 the fixx reach the beach r-m album mca 1983 the little heroes watch the world r-m album emi/capitol 1983 the lords of the new church the lords of the new church r-m album irs 1983 the waterboys a pagan place m tracks ensign 1983 chris de burgh man on the line r-m album a&m 1984 honeymoon suite honeymoon suite m album wea canada 1984 howard jones human’s lib. -
OUR SEMI-ANNUAL BLUE PENCIL DRESS GOODS, SILKS And
XJLXXU AVJ JJ-IU JIV AJJA/) UUi>iJ li/U f. — r_ ■ ■ ■■■ I.— ■■ ■■■ ■ II. II II — T Prize for Early Attendants who come in our The doors open promptly at 8:30 a. m. The first hundred women “EAST” entrance will be given a ticket with a number between 1 and 100. The first hundred women who come in our “WEST” entrance will be given a number between Blue Pencil Sales are the Blue 101 and 200. A duplicate set of numbers will be “SHAKEN UP” in a box and a number drawn out. The woman the lucky number gets.her You Know It Too! Bloods of “Saledom” holding A more “Up-Spring-ie” Spring has not been sprung in are the article. come twice a They genuine They only Choice of Skirt in the Store rears, but the Steele-Smith way is to take the bitter with the A store with the kind of don’t need more. any $10 year. right goods sweet and do the best we can always. We anticipated a Of course there are “talk” sales, bnt broad, deep, lasting Fitted, Absolutely Free larger business than weather permitted and bought to back foundations can’t be built on clatter. Properly up” our convictions. The surplus is going in June and the June will be brimful of "Blue Pencil" sales, and we specially urge “Blue Pencil Sales” are here to do it. thrifty women and men to visit the store often and watch our ads closely. BE HERE WHEN THE DOORS OPEN! OUR SEMI-ANNUAL BLUE PENCIL SALES Begin Monday, June 3rd at 8:30 A- M. -
To Loads of People Who Happy with This’
Bangor University Students’ Union May 2013 English Language Issue No. 232 Newspaper FREE @SerenBangor Seren.Bangor.ac.uk IRON MAN SPECIAL WHAT TO DO NEXT... INTERVIEW: LJ TAYLOR Student Summer Sessions Students’ Union organise summer activity sessions Various activities available including sports, days out and geo-caching by LJ TAYLOR tivities Development Co-ordinator at to take part in activities that may not team, making sure that everyone’s looking forward to launching this the Students’ Union. be readily accessible to them” said Mr equipment was up to scratch and that project and making the most of the new Bangor Students’ Union e project is the brainchild of the Barnard. there were no language barriers in resources that we now have available.” scheme hopes to keep Ban- Union’s activities team: AU President Strong links have been formed with the way. Quali ed coaches taught the Other planned activities include gor students active during the Emyr Bath, VP Societies and Com- the International O ce in preparation group the basics of kayaking before Geo-Caching and trips to Pu n Asummer months. munity Ash Kierans and Clubs and for the scheme which hopes to attract they toured the sheltered parts of the Island as well as a range of more Summer Sessions, which will launch Activities Development Co-ordinator International students who may be lake. traditional sports. at the end of term, will consist of a Steve Barnard. e team have worked staying in Bangor over summer and “Facilitating this activity had a fan- number of di erent activities which solidly throughout the year on in- may have less options during the qui- tastic reception, students from many will be available to any remaining stu- creasing participation and access to all eter part of the year. -
The Scottish Highlanders and the Land Laws: John Stuart Blackie
The Scottish Highlanders and the Land Laws: An Historico-Economical Enquiry by John Stuart Blackie, F.R.S.E. Emeritus Professor of Greek in the University of Edinburgh London: Chapman and Hall Limited 1885 CHAPTER I. The Scottish Highlanders. “The Highlands of Scotland,” said that grand specimen of the Celto-Scandinavian race, the late Dr. Norman Macleod, “ like many greater things in the world, may be said to be well known, and yet unknown.”1 The Highlands indeed is a peculiar country, and the Highlanders, like the ancient Jews, a peculiar people; and like the Jews also in certain quarters a despised people, though we owe our religion to the Hebrews, and not the least part of our national glory arid European prestige to the Celts of the Scottish Highlands. This ignorance and misprision arose from several causes; primarily, and at first principally, from the remoteness of the situation in days when distances were not counted by steam, and when the country, now perhaps the most accessible of any mountainous district in Europe, was, like most parts of modern Greece, traversed only by rough pony-paths over the protruding bare bones of the mountain. In Dr. Johnson’s day, to have penetrated the Argyllshire Highlands as far west as the sacred settlement of St. Columba was accounted a notable adventure scarcely less worthy of record than the perilous passage of our great Scottish traveller Bruce from the Red Sea through the great Nubian Desert to the Nile; and the account of his visit to those unknown regions remains to this day a monument of his sturdy Saxon energy, likely to be read with increasing interest by a great army of summer perambulators long after his famous dictionary shall have been forgotten, or relegated as a curiosity to the back shelves of a philological library. -
JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected]
JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected] List of Addendums First Addendum – Middle Ages Second Addendum – Modern and Modern Sub-Categories A. 20th Century B. 21st Century C. Modern and High Modern D. Postmodern and Contemporary E. Descrtiption of Categories (alphabetic) and Important Composers Third Addendum – Composers Fourth Addendum – Musical Terms and Concepts 1 First Addendum – Middle Ages A. The Early Medieval Music (500-1150). i. Early chant traditions Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian Church. The simplest, syllabic chants, in which each syllable is set to one note, were probably intended to be sung by the choir or congregation, while the more florid, melismatic examples (which have many notes to each syllable) were probably performed by soloists. Plainchant melodies (which are sometimes referred to as a “drown,” are characterized by the following: A monophonic texture; For ease of singing, relatively conjunct melodic contour (meaning no large intervals between one note and the next) and a restricted range (no notes too high or too low); and Rhythms based strictly on the articulation of the word being sung (meaning no steady dancelike beats). Chant developed separately in several European centers, the most important being Rome, Hispania, Gaul, Milan and Ireland. Chant was developed to support the regional liturgies used when celebrating Mass. Each area developed its own chant and rules for celebration. In Spain and Portugal, Mozarabic chant was used, showing the influence of North Afgican music. The Mozarabic liturgy survived through Muslim rule, though this was an isolated strand and was later suppressed in an attempt to enforce conformity on the entire liturgy. -
Jean-Louis Schuller / Cinematographer
JEAN-LOUIS SCHULLER / CINEMATOGRAPHER DIRECTOR OF PHOTOGRAPHY 2008 Bonobo / Dir. Jacques Molitor (35mm, Frakas Productions) X on Map / Dir. Jeff Desom (35mm Anamorphic, LUCIL Film Productions) FEATURE FILM DRAMA Elephants / Dir. Sally Pearce (D-21 HD Arri, NFTS Production) 2019 Hytte / Dir. Jean-Louis Schuller, Prod. aBahn, Les films Fauves Madrugada / Dir. Michael Pearce (S16mm, NFTS Production) 2013 Mammejong / Dir. Jacques Molitor (35mm, Lucil Films) 2009 House of Boys / Dir. Jean-Claude Schlimm (35mm, DELUX Productions) (Moroccan crew) 2007 Look what you have done to my heart / Dir. Michael Pearce (HD Video, NFTS Production) 2008 KIN / Dir. Brian Welsh (High Definition Video, A10 Film Productions) Launderette / Dir. Matti Harju (S16mm, NFTS Production) Ana / Dir. Theresa Von Eltz (S16mm, NFTS Production) ARTISTS’ FILM Flats / Dir. Ian Clark(S16mm, NFTS Productions) 2013 Playtime / Dir. Isaac Julien (HD, Isaac Julien Studio) 2006 Gemini / Dir. Jacques Molitor (DVcam/Pro35, IAD Production) The Remembered Film / Dir. Vicki Thornton (S16mm, Grand Duke Films) La chaire est tendre / Dir. Olivier Grinnaert (S16mm, IAD Production) 2012 Murder in Three Acts / Dir. Asli Çavusoglu (Video, Frieze Film) L’ouest est en aval / (S16mm, IAD Prod.) (camera operator) Entanglement II / Dir Ergin Çavusoglu (Video, Puma Films 4 Peace) 2011 Comma39 / Dir. Stuart Croft (S16mm, Royal College of Art) SHORT FILM DOCUMENTARY 2010 Find me loose me find me / Dir. Stuart Croft (HD, Royal College of Art) 2010 Jonsí “go live” tour (teaser) / Dir. Aneil Karia (HD, 59 Productions) 2009 The Stag Without a Heart / Dir. Stuart Croft (35mm, Royal College of Art) 2008 Yonder Stomp / Dir. Sean Clark (HDV, Goldsmith Productions) The Space Inbetween / Dir. -
Valid List by Yacht Name Page 1 of 25
October 19, 2012 2012 Valid List by Yacht Name Page 1 of 25 This Valid List is to be used to verify an individual boat's handicap, and valid date, and should not be used to establish a handicaps for any other boat not listed. Please review the appilication form, handicap adjustments, boat variants and modified boat list reports to understand the many factors including the fleet handicapper observations that are considered by the handicap committee in establishing a boat's handicap Yacht Name Last Name First Name Yacht Design Sail Nbr Date Fleet Racing Cruising Gartner Gerald Island Packet 370 R052212 BWS2 192 207 Minelli Bob Ranger Fun 23 174 N062012 JBE2 177 183 "Sloopy" Melcher Dwayne Lacoste 42 S E 40779 R042212 BSN2 72 84 5 H T P Rudich Api J 105 96 R081812 JBE2 90 96 Acadia Keenan Burt H. Custom 1001 R062912 GOM2 123 123 Acadia Biebesheimer Fred J 34 C 69 R052412 JBE2 123 132 Adagio Thuma Mark O Day 30 N040512 MAT2 186 198 Adajio Doherty David Tartan 31 S D R061612 COD2 165 180 Adhara Jones Patrick Tartan 41 14459 R040212 GOM2 93 108 Advance Delaney Ged Avance 33 33524 R021312 SMV2 150 159 Aegis Gaythwaite John Cape Dory 36 141 R051012 BWS2 198 201 Aequoreal Rasmussen Paul O Day 34 51521 R032212 MRN2 147 159 Aerial Gray Doug Pearson 30 777 N061612 COD2 189 204 Affinity Desmond Jack Swan 48-2 50007 R042312 MRN2 33 36 Africa Smith Jud Taylor 45 50974 R030812 MHD2 9 21 Aftica Mac Kenzie Hugh Irwin 31 Citation S D 234 R061512 COD2 183 198 Agadou Mayne Roy Tartan 34 C 22512 R061812 MAN2 180 195 Agila Piper Michael E 33 18 R050912 MHD2 -
ALEXANDER's DEPARTMENT STORE - TT Pendleton's Largest and Best Store Announces a 10 Days Sale on Greatest Collection of Bargains Ever Offered by Any Ml Institution
EIGIIT PAGES. DAILY EAKT oaKGONIAN, PENDLETON, OREGON. THURSDAY, JUNE , 110. PAGK TURKIC AND COMPETITIVE SALE AT - ALEXANDER'S DEPARTMENT STORE - TT Pendleton's Largest and Best Store announces a 10 days sale on greatest collection of bargains ever offered by any Ml institution. On account of lack fo space it is impossible to tell you on this page of all the June White Day and Competitive offerings. In addition to this full page advertisement, you will find innumerable unadvertised specials throughout the store. Unparalleled reductions on all white articles. Substantial Savings on Suits, Shoes, Gloves, Hosiery Corsets, Men's Furnishings at lowest prices. Dress Skirts Great Bargains in Our Clothing Dep't. Childrens and Misses Wash All at sale prices. You will find here the Suits and Dresses very latent styles and patterns, including white Prices that are absolutely lower than others. We quote a Both white and colors. servos and black voiles. $5.00 Values $3.00 $2.00 Values $1.25 number of special bargains in the list below. $4.50 Values $2.25 $1.75 Values $1.00 $12.50 Val $8.75 $6.00 Val $4.75 $3.50 Values $1.75 $1.50 Values 85?-- $5.50 Val. $10.00 Vaul $6.75 $4.00 Our great Clothing Sale, which we have $3.00 Values $1.50 $1.25 Values.-- .. 75 $5.00 Val.. $3.75 $2.50 Values $1.50 $1.00 Values...... 60 $7.75 v. .$U.OO $15 0Q Va $1150 been running for three weeks will be continued $0.75 Val $5.00 $10.50 Val. -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980.