01 15FEBCover_v3_covertemplate12/02/1317:38Page1 W of both rival players.of bothrival end upbeing80%ormore ahead place. However, Universal could market share raceforsecond narrow the willsharply Floyd Coldplay, andPink DavidGuetta repertoire from thelikesof suggests theaddition of Music Week sales, compared to controlled end ofDecember2012. It 2011tothe beginning ofJanuary the covering fortheperiod Sony third place behindUniversal and in theUK, Warner wasadistant CompanyOfficial data. Charts sales intheUK, according to two years ofsinglesandalbums EMI to Warner basedon thelast headingfromcatalogue whatwas frontline repertoire andback of addingthevastarray in theUK. asUniversal’sSony biggest rival it withintouchingdistanceof I ANALYSIS PARLOPHONE BUYOUT WILLDRAMATICALLY CLOSE THEGAPBETWEENRIVAL MAJORLABELS young professionals working in Music Week todayreveals the30 Universal and big thingsinthecomingyears. thatwe’rethe industry tippingfor while ithad includes leading executives from includes Music Week’s 30Under 30revealed Warner and Sony set for battle THE BUSINESSOFMUSIC Outstanding ContributionOutstanding Award accepts hisMPG Martin The legendary NEWS 05 BY PAUL WILLIAMS On bothsinglesandalbums studylookedattheeffect Our That’s according toexclusive Our 30Underfeature Our Group (PLG) willput of Parlophone Label arner’s £487mbuyout 12.7% research, which 14.3% 19.0% of allalbum 32.1% Sir George of asingles for Sony, for nominations for young talent hundreds of following oflabels,the world live, and plenty more besides. and plenty publishing, management, media shifted nearly 580,000copies, nearly shifted with a market headedby Universal with narrowly outperformed Mylo narrowly outperformed VersionOur OfEvents, which 2011 and2012: EmeliSande’s on EMI’s topsellerbetween with around 420,000sales. Tempah’sand Tinie Disc-overy Nothing But The Beat, which DavidGuetta’s include period joining Warnerthis within bigsellersbyOther acts now 1.4million UKcopies. nearly years,two calendar shifting top-selling albumover thelast wasEMI’s Xyloto Mylo second ranks willbeColdplaywhose obvious powerful addition toits share ofabout on singleswithamarketSony around thesamedistance behind Sony, whileitwould have been half percentage pointsbehind albums market, justone anda around claimed 2011 and2012itwould have repertoire coming from PLG in controlled and theartists has beenforced todivest allof Universal, whichbesides Virgin of sheisnow part artist Xyloto. Records Asa Virgin 35.0% It hasbeencompiled The major, though, missesout However, had Warner On thealbumsside, themost 20.8% share second andSony . 19.5% 17.5% www.musicweek.com . of the biggest sellersofthepasttwo control halfofEMI’s exactly 40 in theventure. which already owns a50%share bybe soldseparately Universal, the lasttwo years. This stakewill EMI’s 10topalbumsellersover which wasresponsible forsixof Now ICallMusic, That’s What EMI’sinclude 50%stakein Mute toBMGRights. PLG to Warnerincluding and EMI’s andlabels, UKartists will berepeatedwill in2014, with age working intheUKtoday. professionals under30years of reflects thecream ofmusic andtruly across theindustry
ahead fortheUniversal label Smith discussapromising year UK bossesJasonIleyandMike BIG INTERVIEW 12 On singles Warner will Warner’s purchase doesnot The special featureThe -which EMI thetwo years singlesduring of the10highest-performing was responsibleGuetta forfour in theUKby theendof2012. had soldaround 975,000copies Sia’sfeaturing Titanium, which years, ledby DavidGuetta (£1.2bn) EMI deal, despite itsown $1.9bngreater after market withitscontrol now even utter domination oftheUK to face, however, isUniversal’s provided two ofthem. in question, whileColdplay I Media ( & specialist Arts recruitment was sponsored by music industry for under-30s to be included - for under-30stobeincluded another round ofopportunities 30 Under 30: Pages 21-25 30 Under30: What WarnerWhat willcontinue artsandmedia.org ). I last two years, theaddition of divestments. Againbasedon the share toaround up Universal’s UKalbumsmarket it isretaining would have pushed andotherEMI repertoireVirgin singles would have gone upto from and thelikesofBMG/Sony second-placed Sony. about acquire PLG lastweek. Fuller Blackwell to andChris headedbya consortium Simon Wayne Hector songwriting goldenboy Music Week talksto pop ANALYSIS 27 Full analysisnextweek Warner foughtoffrivalry 15.02.13 40% , doublethatof nearly 35% , while £5.15 07
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2 Music Week 15.02.13 www.musicweek.com NEWS EDITORIAL Sony promotes Mark Two’s company Collen as Shack exits when you’re ONE DIRECTION’S GLOBAL EXEC STEPS UP AT LABEL
chasing Universal ony Music UK has S promoted Mark Collen to “ASSUMING EVERYTHING goes through the regulatory hurdles - and the role of SVP of I’m confident it should - I think we could be a force to be reckoned international operations. Former with, quite frankly.” VP of international Dave Shack When Music Week caught up with Parlophone Label Group UK will be leaving the company. chief Andria Vidler just hours after pen had inked paper on Collen (pictured right) joined WMG’s £487m cash (cash!) buyout of her employer last week, she Sony in June 2012 as global seemed in buoyant mood. Internally, the best outcome for an ex- marketing consultant for One EMI staff headcount of around 800-900 at PLG Europe was widely Direction. A former MD of considered to be a Warner’s buyout. The Access-owned major has Chrysalis Records, he also served made convincing sweet talk of international and strategic synergies in a number of senior roles at with Parlophone - and is now likely to draft in many of the key EMI Music, including as SVP of employees attached to its new subsidiary’s hottest talent. global marketing for Capitol As Warner Music global CEO Steve Cooper significantly noted as where he drove strategy for key part of the company’s official acquisition announcement: “We are artists including Norah Jones, committed to making this a great outcome for Parlophone’s artists Kylie and Coldplay. is the ideal executive to continue and its employees, who will find in WMG a similar spirit and culture Collen became SVP of EMI and build on this success. He that is dedicated to providing the most supportive and innovative Music UK & Ireland in 2005, played a pivotal role in driving the home for recording artists.” creating the Angel Music Group, global One Direction where he repositioned the EMI phenomenon and his all-round Classics business in the UK, knowledge of the international “We have seen palpable relief over the Warner signing artists such as Alfie Boe. market place is second to none. I deal, both from PLG staff and the indies. But few As MD of Chrysalis, Collen firmly believe Mark has the seem to be asking what Sony will do next” merged the label with EMI experience and tenacity to drive Records to form EMI: Chrysalis our international breakthrough If the scandal and intrigue around the deal wasn’t to be found in where in addition to signing strategy and deliver success for the instability of PLG staff contracts, perhaps the independents Starsailor and attracting artists the UK business worldwide. It is would provide it - railing against the acquisition like they did when such as Doves and Beth Orton, VP of international in 2001. with great pleasure I welcome Universal’s £1.2bn takeover of EMI Music was first announced? he helped guide the careers of Gatfield said: “Our key him to the role. Not this time: even Beggars co-founder Martin Mills, the Robbie Williams, Pink Floyd strategic initiative is to sign and “I also want to thank Dave staunchest recent critic of Universal, just seemed relieved that the and Iron Maiden. develop the best new artists and Shack for all he has contributed to joint bid for PLG by BMG/Sony had been scuppered by WMG’s In his new role, Collen will break them globally and it is the company over many years and spending power. (Time will tell if Warner’s fiscal generosity stops at lead Sony UK’s international essential that we have a proactive, wish him well for the future.” its intriguingly high cash - cash! - bid for PLG, or if there are also team. He will report directly to tenacious and ambitious Collen said: “It’s a privilege to pre-agreed treats coming to the independent sector.) chairman and CEO of Sony international team to spearhead be asked to lead the international Celebrating Sony’s loss more than WMG’s gain, IMPALA chief Music UK, Nick Gatfield. this challenge and deliver best- strategy for the next generation Helen Smith said of the deal: “We would expect to see a significant Dave Shack (pictured inset) in-class service to our artists. of Sony UK’s artists. re-balancing effect [of industry power] as a result of this. After all, started his career in music on “2012 saw incredible global “It is essential that we provide two’s company, three’s a crowd.” Kerrang! magazine in 1986 success for One Direction, Olly the very best international Interesting that few - either inside or outside PLG - are asking before working his way up the Murs and Paloma Faith and organisation to meet the what’s next for Sony. Long used to standing proud as the industry’s ranks at BMG to head we’ve had an excellent response to demands and needs of our No.2 label in seismic terms, I for one can’t see last week’s trade marketing and promotions. our new and developing roster of artists, managers and partners shift not triggering some potentially gigantic consequences. When the German company artists such as Tom Odell, Laura worldwide and that’s exactly what It might currently be lacking in profits, but Sony Corporation has merged with Sony, Shack became Mvula, Kodaline and Peace. Mark we intend to do.” neither a deficiency of cash nor, importantly, pride - and as one of the few reliably profitable divisions at its core, it is not likely to blithely stand for Sony Music losing market power. As pointed out on our front page today, those celebrating a more Official Chart rules change level playing field amongst the majors may do well to remember that Universal’s UK album market share is now roughly double that The Official Chart Supervisory the past, only the a la carte sales unanimously by the CSC of both nearest rivals - a daunting chasm to close organically. Committee has passed a change were allowed to count. committee which comprises If Sony’s goliath parent is now irked into exercising some power to the chart rules governing The rule change means that retailers and labels and brings the of its own, those merger headlines could be set to get even instant grat single sales. Starting songs sold as album pre-order UK’s Official Singles Chart in more shocking - and, for those currently celebrating last week’s from this week, providing pre- incentives on the likes of iTunes line with charts in most markets news, even more aggravating. On a greater scale than the agreed criteria are met, instant - as seen last month with David across the rest of the world. imagined financial boundaries of this marvellous industry, Sony grat sales will be allowed to Bowie track Where Are We The rule comes into effect in Corp may be set to demonstrate just how frank a force to be contribute to the Official Singles Now? - will now be counted Week 7, 2013 (w/c February 10) reckoned with it can be. Chart, combined with the a la towards the Official Singles and will be reviewed periodically Tim Ingham, Editor carte sales of the same single. In Chart. The change was passed to assess its impact. Do you have views on this column? Feel free to comment by emailing [email protected] 02 NEWS_v6 2_News and Playlists 12/02/13 17:48 Page 1
www.musicweek.com 15.02.13 Music Week 3
MUSIC WEEK CHART REVEALS 2012’S HIGHEST-SELLING BRITISH ALBUMS OUTSIDE THE UK Adele cracks Japan as 21 rules globe SALES I BY PAUL WILLIAMS “[Our partners] really had to think outside the box in Japan dele’s 21 sold nearly 10 and, in fairness, they did” A million copies overseas in 2012 to top an exclusive JONATHAN DICKINS, SEPTEMBER MANAGEMENT Music Week chart of the UK’s top annual sellers globally. It is the second successive time the XL release has headed the countdown, which ranks the biggest-selling albums by UK- signed acts according to how many copies they sold in the year outside the UK. The album’s high numbers came in a year in which it surpassed 25 million sales in total worldwide and when it finally became a top seller in Japan. In its release year of 2011, 21 - which is distributed by Beggars partner Hostess in the territory - failed to even crack the weekly Japanese Top 50. But Adele’s manager Jonathan on Japanese dramas so it definitely All Night finish in second and among the UK’s top global sellers live version of Set Fire To The Dickins explained to Music Week connects far more with a domestic third places respectively on our of 2012, are the third British act Rain. Other British winners how a combination of her six audience than would just the chart, while Gentlemen Of The to have won the Grammy Album included Paul McCartney who 2012 Grammy wins and other traditional international channels Road/Island’s Mumford & Sons category in the last six years collected a fifth solo career activity helped to send it into the for Western music,” he said. are fourth with Babel, which following Adele (2012) Grammy as Kisses on The Top Five in the country. “I always look at the numbers. should see a significant lift in and Robert Plant with Alison Bottom was named Best “The Grammys resonate It was like, ‘You’ve got the global sales after it was named Krauss (2009). Traditional Pop Vocal Album. everywhere for sure, but last July wooden spoon here Japan, what Album Of The Year at this year’s Adele’s own win at last Fun. won two Grammys for we licensed Someone Like You can we do - let’s think out of the Grammy Awards. Polydor’s UK- Sunday’s ceremony at the Staples Song Of The Year (We Are and Set Fire To The Rain to a box a bit’ - and in fairness they signed Lana Del Rey is fifth with Center in Los Angeles was her Young) and Best New Artist. primetime TV drama called [Hostess] did.” Born To Die. ninth in total as she picked up Breathless Summer. It’s very rare Syco act One Direction’s two Mumford & Sons, whose first the night’s first presented award, I See Music Week’s Business for Western music to be featured albums Take Me Home and Up album Sigh No More was also Best Pop Solo Performance for a Analysis: Pages 16 to 18 [PIAS] set to release new Texas LP
Multi-platinum-selling Scottish Hits (6 x platinum). [PIAS] studio album and a brand new band Texas have signed to In total, they have sold more Recordings label partner.” MD Peter [PIAS] Recordings, with a brand than 20 million albums, Thompson, [PIAS] Recordings GM new album The Conversation alongside the worldwide hits I Sharleen Geoff Muncey added: “From the Spiteri and coming in May 2013. Don’t Want A Lover, Say What [PIAS] CEO moment we heard the new songs The album sees founding You Want, Black Eyed Boy, Kenny Gates they had been recording, we knew members Sharleen Spiteri and Summer Son and Getaway. we wanted to work with them. Johnny McElhone emerge from Following their temporary split, This is a band at the top of their a six-year hiatus. The Spiteri embarked on a solo career game and sounding as special as Conversation is their first studio in 2006, releasing two albums - ever. We are in the entertainment album since 2005’s Red Book, 2008’s Melody and 2010’s The business and all our meetings and the eighth of their career. Movie Songbook. The band are with Sharleen and Johnny have Formed in 1986, Texas still managed by long-term been very entertaining. Dealing previously enjoyed 20 years of partners Rab Andrew and Gerry with experienced managers in global success, including a hat McElhone at GR Management. Rab and Gerry made it even trick of number one albums – Sharleen Spiteri said: “When more appealing. We are looking 1997’s White On Blonde (6 x we started talking with [PIAS] our new music and how they “We are really excited forward to being a part of the platinum), 1999’s The Hush (3 x we were really impressed by work in a very modern and about starting a brand new phase next chapter in Texas’ platinum) and 2000’s Greatest their enthusiasm and passion for artist-friendly way. of our career with our eighth distinguished career.” 04 NEWS_v3_News and Playlists 12/02/13 15:36 Page 6
4 Music Week 15.02.13 www.musicweek.com NEWS
BEST-SELLING CROSSOVER ARTIST CAPS DECADE-OLD CAREER WITH MOVE NEWS IN BRIEF
I MAMA GROUP: The live music company has announced that Global Jamie Cullum signs to Island Records Gathering owner Angel Music Group will operate under the name of TALENT GlobalGathering Group, which will I BY TINA HART expand its international business. GlobalGathering Group will continue ulti-platinum selling to operate the GlobalGathering, M jazz crossover artist FutureGods and Ec-lectricity brands. Jamie Cullum has I GREAT ESCAPE: Rough Trade's signed a new record deal with Stephen Godfroy and Arts Council Universal-housed Island Records. England chief executive Alan Davey The deal is for the world have been announced as keynote outside of the US, although speakers for The Great Escape 2013, Music Week understands Island is tackling the topics of High Street retail also close to signing Cullum and arts funding respectively. Davey across the Atlantic. will also officially launch the first ever Commenting on the deal, artist-centric music funding initiative - Island label president Darcus The Music Industry Talent Beese said: “Jamie Cullum is Development Fund. Executive without doubt one of the most director of PRS for Music Foundation talented musicians and enduring Vanessa Reed will administer and artists this country has produced manage the new scheme and will in years. He writes great songs, also be on hand at the convention. has sold over 6 million records, for over 10 years now and I really Decca-released studio album, an award-winning broadcaster as The Great Escape this week and is one of the most amazing felt like Island were the right label The Pursuit. Love For $ale will his weekly BBC Radio 2 jazz announced its first wave of live music live performers I’ve ever seen. to help me start a new chapter. feature on Cullum’s new LP, show picked up the Silver acts for 2013 including Bastille, Tom “At our first meeting it “They’re a fearless label with details of which will be Trophy in the Best Jazz Format Odell and AlunaGeorge. quickly became clear how excited an rich heritage and I always try announced in due course. category at the New York I SPOTIFY: The streaming platform and genuinely delighted Jamie to have one foot in the past and Since previous album The Festivals International Radio has launched in three new European was to be signing to Island one in the future - so it’s the Pursuit was released, Cullum has Awards in 2012. markets: Italy, Poland and Portugal. Records. That, coupled with the perfect fit. I’m proud to join their written the Golden Globe- Cullum self-released his first The expansion takes the total number man’s talent, was all I needed to roster of great artists.” nominated song Gran Torino for album, Heard It All Before, in of Spotify markets to 20. hear. The deal was done there To coincide with the move, the Clint Eastwood film of the 2009 before reportedly signing a I PANDORA: The firm’s share of total and then. He also happens to be from Valentine’s Day the popular same name, and has worked with £1 million recording contract and US radio listening now stands at one of the most genuine and artist is giving away a free track now-labelmates Rizzle Kicks, releasing four further LPs 8.03%, an increase of 5.55% YoY, with charming people in the business.” from his website called Love Tim Minchin and Pharrell, through Candid Records (a listener hours at 1.39 billion. Its Cullum, who was previously For $ale (featuring Roots amongst others. subsidiary of New York base label monthly music metrics for January signed to Universal’s Decca, Manuva) – his first release in Aside from his recording Cadence), Universal Classics and 2013 show listening hours have added: “I’ve been releasing records three years, following the 2009 career, Cullum has also become Jazz (UCJ) and Decca. increased 47% - up from 952 million during the same period last year. I PRS: The royalty collection group has introduced Amplify, a new Sam Gray initiative which aims to bring together DMS supports Music electronic music writers, producers, publishers and labels to ensure they added to are benefiting fully from their tracks. I AMAZON: A patent for re-selling Breakout Week Awards 2013 digital content - including music files - has been granted to the online February’s Music Week Breakout CD, DVD, vinyl and packaging said: “During a time of huge retailer. The patent describes a service event will take place on specialist Disc Manufacturing upheaval and change in our similar to ReDigi in the US, which has Thursday, February 21 at Services (DMS) will sponsor the industry we are committed to raised copyright concerns. London’s Dingwalls. Independent Label of the Year showing our support for the I YOUTUBE: Google has signed a deal The respected up-and-coming category at the Music Week individuals and teams of people with Freesat for a YouTube television artist showcase night will feature Awards 2013. that are capable of innovation, app, to be launched by the end of performances from The Won last year by London- determination and creative nous March and accessed through the TV Moulettes - recently named Best based indie Bella Union, the and commercial bravery. operator's connected service. British Group in the BBC’s 2013 prize is voted for by retailers “Throughout our last ten I FACEBOOK: The firm is testing a ‘Buy Alternative BRIT Awards - and that are members of Record years it has been the independent Tickets’ button for its events pages – classic soul-influenced singer Store Day. labels that have been the “It is our pleasure to be leading to some speculation that it Sam Gray, who is signed to The Music Week Awards lifeblood of DMS as we have involved in recognising the labels could enter the live music market. Transmission Recordings. 2013 will take place at The steered through the changing that shall take this industry Industry execs can get free Brewery in Central London on landscape of new technologies forward, focusing on the For all of the latest Music entry to Breakout nights before Thursday, April 11. The finalists and other challenges as well exclusivity of physical formats, Industry news, bookmark 8.30pm by signing up to the for the Awards will be as the resurgence in the embracing new consumption .com guest list, which is available on announced in next week’s edition popularity of vinyl, and have habits of the listener and picking the Music Week site at of Music Week. been thrilled to be a part of so out the artists and bands that will MusicWeek.com/Breakout DMS MD David Summers many exciting releases. soundtrack our next ten years.” 05 NEWS_v4_News and Playlists 12/02/13 14:59 Page 6
www.musicweek.com 15.02.13 Music Week 5 NEWS
BEATLES PRODUCER RECOGNISED FOR UK MUSIC CONTRIBUTION, EPWORTH ACCEPTS BRIT Sir George Martin ‘thrilled’ by Outstanding MPG honour he UK music industry shape or form.” T lifted the roof off of Epworth, who automatically London’s Café de Paris at wins this year’s BRIT Award for the MPG Awards 2013 last best producer as a result of Thursday in a minute-long claiming the MPG prize, paid standing ovation for Sir George tribute to fellow nominee Jake Martin who graced the stage in Gosling who he said had been person to be honoured for an “smashing it out of the park for Outstanding Contribution to the last couple of years” and UK Music. “setting the bar really high”. The award, sponsored by “I don’t know what to say PPL, was presented to the really,” the Adele and Florence former Beatles producer by the producer added. “I just want to collection society’s chairman Fran thank the MPG, firstly, for the Nevrkla who said that others process that they go through. It’s could learn “charm, humility and a lot of the older guys who’ve respect for others” from Martin. done what we do years before, Sir George indeed displayed supporting, helping and advising that humility on stage in a short younger talent and I think that’s speech when he said, “I must say really important.” that I’m so thrilled by this Epworth also took the because I never thought I'd get opportunity to highlight the any more awards. campaign that’s being fought by “I didn't know you gave the production community for awards to 80-year-old people, recognition and adequate and I’ve been out of work for a remuneration for work done on few years,” he said, provoking a release. Above: Fran Nevrkla, Sir George Martin and Paul Epworth laughter from the industry “We’re fighting a battle for “Without getting into a rant, Year Charlie Andrew, crowd. “But it will look good on credit where it’s due,” he said. I love what the MPG stands for Recording Engineer of the Year Year Charlie Hugail. my mantelpiece,” he concluded. “When we recorded proper and to receive these awards from Al O’Connell, Mastering Rebecca la Porta and Paul Similarly humble was UK records, we could see who my elders and my peers… I’m Engineer of the Year Matt Walmsley were 2013’s Unsung Producer of the Year winner Paul mastered it, who produced it, very humbled,” he concluded. Colton, Mix Engineer of the Heroes, Glyn Johns won the Epworth who said, “I totally who mixed it, who played on it Other winners included Year Alan Moulder and Inspiration Award and Richard didn’t expect that in any way and now we can’t. Breakthrough Producer of the Breakthrough Engineer of the Russell took the A&R Award. Labels ‘must think beyond radio playlists’
Record labels are being urged to whose output includes for major which is doing things on a important and I accept that for promotional gain is EMI work more closely with indie Radio 1 Benji B and Diplo and more commercial basis,” he said. completely, but there are other Music promotion and publicity radio production companies to for 6 Music Craig Charles’ Critchlow has been chair of ways artists can grow their Senior Vice President Kevin secure airplay promotion for their Funk & Soul Show, and rivals RIG since last July, with leading brand which aren’t just about McCabe who worked closely artists beyond station playlists. Somethin’ Else, UBC, radio production players UBC’s whether their record is played with TBI on documentaries The call comes from Phil Whistledown and Wise Buddah Simon Cole, Wise Buddah’s on a given radio station or TV about Blur and Coldplay. Critchlow who chairs trade body - were already making Mark Goodier, USP’s Rob Jones station,” he argued. “Kevin is a wonderful record the Radio Independents Group programmes “very relevant” to and Somethin’ Else’s Jez Nelson “There are certain people I company executive,” said (RIG) and whose own company the music industry, but more having since all joined its board. deal with in the record industry Critchlow. “He’s very honest. TBI Media has won a number of could be achieved. Part of his aim in the role is to who have a really good, open He’s a great ideas person. He honours for its music radio “The independent sector is bring about a “growing dialogue” mind and are great ideas people really understands what the programming, including picking becoming increasingly important with the music industry with and they are pretty inspirational. artists will like and, candidly, up Sony Radio Academy Awards to the record industry in the regards to working closer and There are others who perhaps what the artist won’t probably be Golds for projects on John widest sense of the phrase and to more frequently together. need to grow that part of what into. It was Kevin’s open mind Bonham, Blur and Coldplay. people who make music and “It’s keeping minds open to they do a little bit more.” that led to those artists becoming Critchlow argued the want to get it out there, whether the value of content-driven One example of an executive really engaged and, I believe, independent radio producers it’s an individual band who do it marketing. It isn’t just about who has successfully utilised really enjoying the process of such as his own company - themselves or whether it’s a playlists. Playlists are really independent radio production working on great storytelling.” Project1_Layout 1 12/02/2013 14:52 Page 1 WARNER/ CHAPPELL MUSIC PROUDLY PRESENTS AT THE BRIT AWARDS 2013
BEN HOWARD MUSE JIM DUGUID Nominated for Best British Nominated for Best British Nominated for Best British Single Breakthrough Act Group and Best British “Too Close” and Best British Male Live Act performed by Alex Clare Project1_Layout 1 12/02/2013 14:56 Page 1
TOM ODELL Winner of the Critics Choice Award
MICHAEL BUBLE´ FUN CLAUDE KELLY Nominated for Best Nominated for Best Nominated for Best British Single International Male International Group “Domino” performed by Jessie J Nominated for Best British Single “Troublemaker” performed by Olly Murs 08-09 DATA DIGEST - Spread1_v12_News and Playlists 12/02/13 12:21 Page 6
8 Music Week 15.02.13 DATA DIGEST
BREAKOUT musicweek.com/playlist JAMES BLAKE SALES STATISTICS Retrograde (Polydor) CHART WEEK 06 (single, available now) Compiled from Official Charts Company sales data by Music Week Contact: Ruth Drake, Toast VS LAST WEEK SINGLES ARTIST ALBUMS COMPILATIONS TOTAL ALBUMS [email protected] SALES 3,491,066 1,415,766 341,730 1,757,496 ROBERT VINCENT PREVIOUS WEEK 3,522,200 1,493,436 323,252 1,816,688 The Liverpool THE FAMILY RAIN singer/songwriter’s mix of “folk, rock % CHANGE 0.9% 5.2% +5.7% 3.3% Carnival (Bigger Splash) and country” have YEAR TO DATE SINGLES ARTIST ALBUMS COMPILATIONS TOTAL ALBUMS (single, March 18) Contact: Ash Collins, Bigger Splash him tipped as a SALES 21,527,586 8,958,544 1,909,569 10,868,113 “Mersey Van [email protected] PREVIOUS YEAR 20,656,028 8,572,142 1,707,832 10,279,974 Morrison or a Scouse Springsteen” by Q Magazine. % CHANGE +4.2% +4.5% +11.8% +5.7% CHVRCHES Vincent’s been Recover (Virgin) playlisted at BBC THE CULTURE SHOW – SWINGING INTO THE BLITZ (single, out now) Radio 2 and 6 Music APPOINTMENT Contact: Adrian Read, Inside Out with tracks from Saturday, February 16 – BBC2, 6pm – 7pm A special on Black British Swing and the West Indian musicians who [email protected] debut album Life In made it happen in London in the 1930s and 1940s. Easy Steps - out TO VIEW now. Catch him at LET’S DANCE FOR COMIC RELIEF JUSTIN TIMBERLAKE February’s Breakout Saturday, February 16 – BBC1, 6.50pm – 8.10pm event at Camden’s Alex Jones and Steve Jones host the charity competition in which famous Mirrors (RCA) faces re-create classic dances of stage and screen, hoping to make it Dingwalls venue on through to the final in three weeks' time. There are also musical perform- (free download, available now) the 21st. ances by Kimberley Walsh and the Script. Contact: Imran Malik, Sony Music Get on the guest list [email protected] at musicweek.com/ TCHAIKOVSKY: PIQUE DAME breakout Sunday, February 17 – Sky Arts 2, 8pm – 11pm Barcelona's Gran Teatre del Liceu stages an operatic production of the tale of a tormented soldier who is obsessed with gambling and in love RUEN BROTHERS TAGGED with the grand-daughter of formerly the most beautiful woman in Moscow. Aces (Unsigned) (demo) Contact: Rupert Stansall NUMBER OF ILLEGAL FILES FOUND BY MUSO.com [email protected] PIRATES’ BAY OF TOP 10 ALBUMS ON february 11 2013
FTSE FEATURING KENZIE MAY The latest most 178 Les Miserables Motion Picture Cast Recording Float (Unsigned) popular Shazam 254 Jake Bugg Jake Bugg (demo) new release chart: 145 Biffy Clyro Opposites Contact: Sarah Richardson, Anorak 1641 Rihanna Unapologetic 1 DISCLOSURE 519 Emeli Sande Our version Of Events [email protected] 382 Fleetwood Mac Rumours White Noise 97 The Courteeners Anna 2 WILEY Reload 201 Andrea Bocelli Passione 3 BASTILLE Pompeii 578 Rihanna Unapologetic NINA NESBITT 4 DUKE DUMONT 210 Frightened Rabbit Pedestrian Verse 567 Calvin Harris 18 Months Stay Out (Island) FEAT. A*M*E* Need U (single, April 8) 5 THE SATURDAYS Contact: Alix Wenmouth, Wasted Youth Source: Muso.com 0 100 200 300 400 500 600 [email protected] What About Us GIG OF THE WEEK CRITICAL MASS BLAENAVON Into The Night (ParadYse) (single, March 11) Contact: Sinead Mills, Anorak [email protected]
EVERYTHING EVERYTHING Keeping score of entertainment. Who: Josh Taerk Duet (RCA Victor) Where:The Water (single, March 24) The average review [email protected] scores of the biggest Contact: Beth Drake, Toast Rats, London When: releases – all 82 [email protected] February 20 Why: The 22-year- courtesy of Metacritic 81 old Canadian www.metacritic.com singer/songwriter LAURA MVULA brings his 78 Green Garden (RCA) Americana rock to (single, February 25) the UK ahead of Contact: Laura Sinclair, Dawbell debut single release FRIGHTENED RABBIT EELS COHEED AND CAMBRIA [email protected] Smell The Roses. Pedestrian Verse Wonderful, Glorious The Afterman: Descension For all A&R enquiries and demo submissions contact submissions and demo A&R enquiries all For 08-09 DATA DIGEST - Spread1_v12_News and Playlists 12/02/13 12:21 Page 7
15.02.13 Music Week 9 »For daily news visit musicweek.com
MARKET SHARES BY CORPORATE GROUP INK SPOTS THE MAGIC CHART WEEK 06 Too busy to read the music press? NUMBERS ARTIST SINGLES ARTIST ALBUMS Don’t worry, we’ve done it for you. Amaze colleagues and Universal Universal The cover of bamboozle rivals with 51.6% 52.9% this month’s Sony these head-spinning facts Sony 23.4% 16.5% Songlines and figures... Warner 6.6% Warner 22.7% magazine EMI EMI 2.6% features 2.7% Balkan Others 15.7% Others 5.3% superstar 4 Goran Awards (including Producer Bregović. The mag asks if of the Year) for Dan hip-hop is taking over the world and Auerbach of The Black Keys DIGITAL plays tribute to late musician and VS PHYSICAL composer Ravi Shankar. at the 2013 Grammys - this 100 WkS 02-06 Inside, musicians share their year’s biggest winner favourite food-related songs and 80 41.5% 36.4% 34.8% 36.5% 35.3% The UK market share for all recipes in support of Refugee Action. Young singer Fidan Hajiyeva 60 albums in the has been named the new World 4.1% past five weeks Routes Academy protégé. While 40 Raised of the total goal DIGITAL elsewhere the coming year looks for- 20 ward to the June Songlines amount for Björk's 59% 62.9% 64.6% 62.9% 64% CD Encounters Festival, featuring artists Kickstarter campaign to 0 such as the Baladi Blues Ensemble and Lokkhi Terra. Bregović says his crowdfund a new version of approach to music-making is like her Biophilia album-app and mixing ingredients to cook. “Sure, I the project is scuppered ten TOP 5 STORIES ON MUSIC WEEK POLL borrow from traditional material; This week we asked... everybody does, from Stravinsky days after launch. 263 MUSICWEEK.COM Do you think Warner will be a suitable parent for down…it’s kleptomaniac work,” backers contributed he explains. Musicweek.com’s most-read stories for period ending February 11 Parlophone? £15,370, the campaign was In the reviews pages, Philip Confirmed: Warner buys Parlophone Label Group for £487m Vote at www.musicweek.com Sweeney welcomes Arab singer Lili looking to raise £375,000 01 cash Thursday, February 7 Boniche’s “long overdue appear- HMV announces 66 store closures ance” with Anthologie, giving the 02 Thursday, February 7 album five stars. Cubanito’s My Grammys 2013: all 81 winners World only manages two, best lis- £41,000 03 Monday, February 11 tened to in a club rather than at Is the amount Adele report- London's Bull & Gate to shut on May 4 home, where it risks sounding 04 Wednesday, February 6 “repetitive and banal”, edly earns per day according Ministry asks Music Week readers: help save our club according to Songlines crit- to accounts filed for the 05 ic Nigel Williamson. Friday, February 8 YES: 72% NO: 28% singer’s company Melted Stone Ltd LIFE IS TWEET WE FOLLOW THE INDUSTRY’S FINEST @Johnny_Marr If you read that I said @StantonWarriors Congrats to the UK @JakeGosling Big love to @paulep- 25 I'm reforming The Smiths don't blame Government for allowing Gay people worth for winning @BRITAwards the poor journalists. I said “I've bought to get drunk at their own weddings & @MPGawards (Jake Gosling, produc- Billionth iTunes download a Poodle”. It sounds really similar. ignoring religious killjoys. (Dominic B er) Thursday, February 7 was house music track (Johnny Marr) Monday, February 4 & Mark Yardley, producers) Wednesday, Monkey Drums (Goksel February 6 @SimonMusic Watching Foxygen at @adamcoltman Music Piracy would Vancin Remix) by British DJ the Lexington, ruddy good band. @nofnregrets Gay marriage legal in be alot less popular if it didn't have and producer Chase Buch. Simultaneously remind me of The Britain: about time! #stepintherightdi- such a badass name (Adam Coltman, The landmark figure is Doors, Velvet U, Fleetwood Mac and rection (Corinna Kearney, Eagle Rock producer/songwriter) Thursday, the flower people.. (Simon Rugg, Entertainment) Wednesday, February February 7 roughly equal to three-and-a- PIAS) Monday, February 4 6 half songs for every person @SoundCity Seen as we keep winning @georgia_la Janet Jackson turned up, @GregCochrane Dude who looks like all the Grammys; is it not time to com- on Earth Beyonce gig plans with the girls on a city banker but drums like an Andy C bine them with the Brits & have an whatsapp & out the door for back to b-side outside Angel always makes uber ceremony? The Grits? The back interviews today. HULLO! #hap- me smile @TheDruMachine (Greg Brammys? (Liverpool Sound City) th pytuesday (Georgia Anderson, SBTV) Cochrane, BBC Radio 1) Wednesday, Monday, February 11 6 Tuesday, February 5 February 6 Studio album from Queens @LouisaWorskett apparently the key @adamnonfiction Some of @theeviluncle Controversial I know, to getting more followers is just to con- of the Stone Age will feature @TheStoolPigeon's finest articles up but I always sort of hated the Bull & tinuously tweet about Depeche Mode. a collaboration with Elton on their homepage now. The Marilyn Gate. Rude staff, random listings and Effective. (Louise Worskett, Outside John. Other reported con- Manson one's particularly fun. grumpy ass promoters won't be Organisation) Friday, February 8 http://www.thestoolpigeon.co.uk (Adam Brooks, missed. (Austen Cruickshank, Visible tributors include Trent Warp Records) Wednesday, February 6 Noise) Wednesday, February 6 Reznor and Scissor Sisters' Follow us on Twitter for up-to-the-minute alerts @MusicWeekNews Jake Shears 10-11 DATA DIGEST - Spread2_v12_News and Playlists 12/02/13 17:01 Page 8
10 Music Week 15.02.13 DATA DIGEST PICTURE OF THEPHOTO WEEK COURTESY OF THE RECORDING ACADEMY ® /WIREIMAGE.COM © 2013 - PHOTOGRAPHED BY: STEVE GRANITZ
MUMFORD’S THE WORD Staples Centre, Los Angeles Brit boys Mumford & Sons pull faces in the press room following their Grammy Award wins for Album of the Year for Babel and Best Long Form Video for Big Easy Express THE TASTEMAKERS Today’s opinion formers predict tomorrow’s headline acts SYNC JACK RACH MANALOGUE STORY Yolanda Be Cool . Before Midnight /Ladies & Mentalman (Sweat It Out) The tale behind a standout sync deal in the industry this week… The majority of mixes of Yolanda Be Cool’s latest release, Before Midnight, happily aim their monumental lasers squarely at the universal clubbing nation, but Sharam Jay’s remix has a different target. Slowing the tempo and harnessing abstractions from funky 80s basslines, he thickens it with a delicate layer of sophistication. DAVID SPENCER MUSIC NEWS Bowie Jane . Luv Bomb (Mondotunes) As the older more famous Bowie makes a comeback – this youngster arrives treading a very different musical path. Energetic and frighteningly catchy – Bowie Jane’s Luv Bomb will be bounding its way into your life very soon.
ROB HUGHES UNCUT/CLASSIC ROCK/PROG/THE TELEGRAPH/BBC 6 MUSIC Super Best Friends Club . Super Best Friends Club (Hakisac) Anyone seeking a new year fix of wiggily brilliant weirdness need look no further than this London sextet. Their self-titled debut is a polyphonic pile-up of The Cardiacs, Everything Everything and the skronkier end of early Soft Machine. All delivered with the breathless excitement of a six-year-old on Christmas morning. LEES BEEVERS MY DAD ROCKS Artist/Composer Phil Collins . Track In The Air Tonight Alex Ross-Iver Fire Inside (Unsigned) The half Georgian, half Russian Alex Ross-Iver has teamed up with Gisli Campaign Dead Space 3 Kristjansson and Eliza Newman to compose the experimental, multi-dimensional Publisher Philip Collins Limited / Imagem Music Fire Inside. Alex combines majestic vocals with a sense provoking array of layers to Client EA Games take the listener on a journey. Prepare to delve into the unknown! Usage 1 year of internet and 3 months of TV
A bespoke version of Phil Collins’ most recognisable work provides the Cooking Vinyl’s specialist rock Cooking Vinyl has signed The soundtrack to the advertising campaign for the third iteration of the SIGNS O’ THE TIMES imprint DoubleCross has signed D.O.T. (the musical project of Dead Space series. Finnish band HIM to a record Mike Skinner from The Streets Draft FCB (the agency) and Matt Bendett (EA’s global director of deal for the UK and Ireland. The and Rob Harvey from The Music) Marketing) were looking for an emotional, arresting and universally band have a highly-anticipated to a worldwide services agree- recognisable piece of music to fit the game’s compelling and appearance at Download lined ment that covers their new album dramatic narrative. up for 2013, as well as their new plus a further album. While the original recording ticks all the boxes, the developers were album, Tears On Tape, due for Rob Collins, CV director said: keen for a contemporary version which would appeal to the game’s release on April 29. “I’ve been a big fan of Mike’s target market. DoubleCross GM Phil since Original Pirate Material. The resulting cover version features a build which hints at recognition Hopwood, said of the signing: “It's Hungry & Woods introduced me before the signature drums and anthemic chorus kick in. so exciting to be working with to his management just before Imagem Creative Services negotiated the use of the piece as the such a great band. HIM are a well Xmas and the deal came togeth- department’s third international video game trailer in as many months, respected cornerstone of the er really quickly. We’re excited to following on from spots for Hitman: Absolution (Kavinsky) and Far Cry 3 genre and the new album deliv- be working with two great artists (The Jezabels). ers on every level. We will make a and they are enjoying the creative Its use shows that a hugely well-known piece of pop music still has lot of new fans with this record.” freedom the deal allows.” the power to surprise. 10-11 DATA DIGEST - Spread2_v12_News and Playlists 12/02/13 17:01 Page 9
15.02.13 Music Week 11
ON THE RADAR ESSENTIAL INFO RANDOM IMPULSE RELEASES There has been a buzz building on stage, as he recalls: “I just ran of music he listened to, “so I just Comber-produced 12-track Out now:Overload EP February 25 Single: Overload around Random Impulse, real on and was like ‘My name’s went on YouTube and typed ‘how collection due for release later Autumn 2012: De but album name Jovel Walker, for some time. Random Impulse and I’m really to play the this year. LABEL Brille Records Recounting the process of late!’ and because of the guitar’. Then I taught myself It’s made up of an assortment MANAGEMENT Sebastian Smith seeking out a record deal, which adrenaline it turned out to be a drums, guitars, bass and synth”. of tracks and features no LIVE he eventually did at the turn of wicked set!” Just six months later his EP collaborators, something Walker is Feb 28 Cargo, London 2012, Walker said: “Everyone was Always keen on writing stories, Overload was released to a recep- staunchly proud of: “The beautiful March 8 The Cockpit, Leeds just kind of dipping their toes in Walker was introduced to writing tive audience who helped him thing is, every single bit of but Leo [Silverman, label founder] rhymes by friends. “Later on I become the only independent music you hear is from me, from Brille was like ‘I like it, I want started to really get into music and artist in the national top 200 so every single sound you it’. The joke is, when I was treat it like an art form rather than iTunes chart. hear comes from either my supposed to sign [the deal], I got something you just do socially”, As for a career highlight so far, guitar, my drums, my synth three offers from three different he says. it’s finally being able to record an my bass or my voice”. labels on the same day!” Speaking about the genesis of album on a professional level. Looking forward, his sin- Since then Walker has played at his genre-meshing mix of hip hop “Everything before was just from gle Overload is set for a host of festivals, living up to his and indie music, Walker told Music my personal studio so I really can’t release on February 25, moniker at Wakestock where he Week that he wanted his songs to wait for everyone to hear it”, he with more releases and a arrived with just ten minutes to go better represent the full spectrum says. The LP in question is a Neil tour promised “very soon”.
HE SAID / SHE SAID TAKE A BOW TEAM EVERYTHING EVERYTHING Label: RCA Victor National press: Beth Drake, Please be sure that Toast Press “ General manager: buttocks and female breasts are Colin Barlow Regional press: Carl adequately covered. Thong type Delahunty, Big Mouth Publicity costumes are problematic… A&R: Peter McGaughrin / Will Street Online press: Lorraine Long, Please avoid sheer see-through Charm Factory clothing that could possibly Manager: Duncan Ellis, expose female breast nipples. Scruffybird MGMT National radio: Brad Hunner, Radar An extract from a Standard And Please be sure the genital Marketing: Practice Wardrobe Advisory region is adequately covered Anna Derbyshire / Regional radio: memo sent out by CBS in relation so that there is no visible Murray Rose Lynn Swindlehurst & Lee THE LOWDOWN Morrison, Escalate Promo to the 55th Grammy Awards “puffy” bare skin exposure Album: Arc ” Highest chart position: No.5 TV: Rob Clark
MUST-SEE MUSIC TICKETING INFORMATION THE BEST LIVE HALL&NOTES VENUES IN THE UK HITWISE Primary Ticketing Chart LATEST SECONDARY TICKETING PRICES POS PREV EVENT Coming up 1 1 Fleetwood Mac 2 NEW Beyoncé 17/02 Lee ‘Scratch’ Perry 3 4 One Direction 01/03 Ezio 4 5 Boyzone 03/03 Hot 8 Brass Band 5 NEW Mumford and Sons 05/03 La Busta Gialla Tour: 6 2 Bon Jovi Il Sogno Del Marianio + 7 13 Jake Bugg Mike Watt ERIC’S 8 NEW Emeli Sandé 10/03 The Travelling Band, 9 20 McFly 9 Mathew Street plus special guests Ellen and 10 9 Bastille the Escapades and Thomas 11 Liverpool 8 Paloma Faith J. Speight 12 L2 6RE 11 Olly Murs TWO DOOR CINEMA CLUB THE STONE ROSES 11/03 The Men They 13 14 Robbie Williams Edinburgh Corn Exchange, Apr 25 Finsbury Park, Jun 8 t 0151 236 9994 Couldn’t Hang 14 12 Stereophonics w ericslive.com FACE VALUE £18.50 FACE VALUE £55.00 13/03 The Magic Band, plus 15 NEW Girls Aloud Bands contact special guest Edgar Jones 16 NEW Justin Bieber [email protected] SEATWAVE £22.40 - £103.17 SEATWAVE £55.48 - £438.00 05/04 Bootleg Blondie Night! 17 16 Rihanna 18 07/04 The House Of Love 7 V Festival VIAGOGO £29.99 - £116.54 VIAGOGO £45.28 - £53.41 Capacity 10/04 Steve Conte Band 19 NEW Little Mix 500 20 19 Biffy Clyro STUBHUB £44.99 - £135.00 STUBHUB £70.81 - £439.00 12-14 BigInterview_v5_News and Playlists 12/02/13 15:33 Page 1
12 Music Week 15.02.13 www.musicweek.com THE BIG INTERVIEW MERCURY RECORDS BUBBLING AWAY NICELY
Mercury has just surprised the industry by closing one of the hottest young artist signatures of the year, The Strypes - and the two execs at the top of the firm say there’s plenty more to come LABELS I BY TIM INGHAM
013 was always going to be a big year for Mercury Records UK. 2 With the anticipated return of pop goliaths like Metallica, U2, Noah & The Whale, Arcade Fire, Chase & Status and Elton John, the iconic label has lined up some of the biggest blockbuster releases of the next 12 months. Yet you could be forgiven for thinking the company - which recently lanced a reputation for over-reliance on international artists by breaking Jake Bugg and Maverick Sabre’s debut albums to over 200,000 sales apiece - doesn’t have too much up its sleeve in terms of fresh British talent for the coming year. Notable by its absence on the BBC Sound Of 2013 longlist and the BRIT Critics’ Choice nominees, has Mercury’s well of domestic hitmakers started to run dry? Don’t be daft. The label last year hired ex- Columbia MD Mike Smith to help it snag some of the tastiest talent in the land and the exec, alongside label president Jason Iley, hasn’t wasted any time. Alongside Smith’s first signing, Hackney rapper Mikill Pane, the company is readying debut records from artists such as ‘1D with guitars’ The Vamps plus UK-signed Australian hip-hop oddball Iggy Azalea, tipped by Iley as “simply brilliant”. But surely the hottest new signature sitting on Mercury’s books is The Strypes; the mop-haired four-piece of Irish teenagers whose London Hawley Arms show last year created a laughably madcap industry-wide scrum, and subsequent major label scrabble. Other signed acts that are getting Mercury’s internal decision-makers giddy include LA rappers ABOVE the world; that you could be back watching the Earning their “When I started here, we had Fame Oddience (who are “hugely exciting” with Strypes: Mike Rolling Stones or the Beatles. “something of The Fugees about them”, according Smith (left) and Academy and a hugely exploited to Smith), as well as South East London teenage Jason Iley (right) Mike Smith: In contrast to an artist like One say they are catalogue. We’ve spent seven years mash-up mistress Rainy Milo, singer/songwriter Direction, The Strypes are not just a vocal harmony forging a changing the perception of Mercury” Fred Page and The Family Rain - a grown-up formidable pop group - they’re brilliant musicians and really JASON ILEY, PRESIDENT, MERCURY psychedelic British guitar band that the NME is partnership good songwriters. They’re a proper band with good when chasing already cooing over. artists against taste in music. It’s very rare to see talent like this in Defying the major label boss stereotype, Iley says other labels The Strypes deal was crazily competitive - loads of any band, let alone a band of teenagers. that Mercury is refusing to rush all four of these senior execs turned up to the Camden gig last year artists - giving Smith and his team the time they before you signed them… How do you anticipate your performance this year need to develop each act’s sound and presence for Jason Iley: They’re quite funny, these ‘hot’ live as a label will play out? album releases way into 2014. events, because you see all these different label JI: If you look at last year, around 15 brand new This is an unhurried, confident Mercury that presidents and we’re all looking down at our drinks. acts broke to gold across the UK industry. Half of says it is refusing to snatch at market share at the We all know we're all trying to sign the act - there's those were Universal artists, a third of which were detriment of quality. Bolstered by the arrival of no point in not talking to each other! But you're Mercury’s. We had seven No.1 albums, which we've Smith as president of music, Iley is attempting to right, it was incredibly competitive and in the end it never had in our history, plus 19 Top Ten albums, fashion a label which gives creative youngsters the was between us and Atlantic, which is always half of which were domestic, so our strike rate was time they need to mature without risk of extremely tough. That show was absolutely very good. This year, we will launch The Vamps, over-exposure - whilst ensuring that today’s pipe of incredible. At the age of 15 - 17 they’re brilliant The Strypes and Iggy. Underneath that, we can hit Mercury records never runs dry. musicians; if they were 25 you'd think the same. spend time developing and setting up our new It’s no easy balancing act, but Smith and Iley - There's no rush from our side. They are a really signings [The Family Rain, Fred Page and Rainy previously great rivals - believe the melding of their exciting act to watch, not just for this year but for Milo] for 2014. Sometimes you see labels being personalities and skills hold the secret to a the next 20. Seeing them, you definitely get the forced to release an album in Q4, but we’re not prosperous future. sense that this could be one of the biggest bands in going to put a record out just to hit a bottom line 12-14 BigInterview_v5_News and Playlists 12/02/13 15:33 Page 2
www.musicweek.com 15.02.13 Music Week 13
ABOVE number. Running parallel to this we have our but when you look at the acts they have, it doesn't “Radio 1 feels about 15 years younger Looking up: established acts coming back. That allows Mike and The Strypes match up. Look at what we've got: Chase & Status, his team the opportunity to find and sign exactly than it did this time last year” have already Nero, Noah & The Whale, Arcade Fire, Metallica won famous what they want, which will have an impact in late MIKE SMITH, PRESIDENT OF MUSIC, MERCURY fans including and Jake Bugg. We’ve got a lot of very important, 2014/2015. Noel Gallagher, creatively brilliant acts here. We're starting to get them the time they need to develop - the first two Elton John and recognised for that now. And we’re fortunate Dave Grohl How is the A&R team shaping up? albums have both gone gold and the third album’s enough, through our relationship with Def Jam, that MS: The A&R team here: Adrian [ Jolly], Semtex, reached 400,000. The new record is wonderful, we work with Kanye West, Jay-Z, Rihanna and Tom [Graham], Joe [Kentish] - they’re fantastic another progression, and I’m looking forward to others... Sometimes people forget that we’re not just people. We have the core of a brilliant A&R team subsequent albums way into the future. a great label for international artists – which of and we’re hoping to expand it a little bit. You never course we are. We get our acts to No.1, whether it's know when you come in to run a new team what MS: To me, success with an artist can be judged on Taylor Swift, Rihanna or The Killers: I'm proud it’s going to be like, or what the loyalty’s going to be signing an option to make another album. With that we spent our time nurturing those acts as if like to the previous regime. [Former Vertigo MD] great artists you’ll always be growing creatively. A they were signed in the UK. I’m also incredibly Paul Adam had been here for an awful long time, lot of people look back to the 1970s and 1980s and proud of our relationship with the team at Island Jamie [Nelson, now at Polydor] had brought in say labels were better at sticking with artists - well, Def Jam, as well as [US execs] Steve Bartels, David Tom and Adrian. But today everyone’s gelling one of the reasons for that was because a lot of the Massey, Barry Weiss and Matt Voss. We also have a together and is really excited about the music we’re time they spent no money; acts were signed for next very strong relationship with the managers of our making. I feel really privileged to be here when to nothing, marketing and promotion costs were international acts. The Killers, Rihanna or Kanye all artists like Noah & The Whale and Arcade Fire are minimal and the records sold for £15. We just have know that they’ve got a home at Mercury in the making career-best records. to be sensible with our budgets, obviously ensuring UK and they treat us that way. we can make money, but having momentum and Can you battle that age-old view that majors can’t encouraging artists to move forward too. Jake Bugg’s album is selling very steadily and looks develop artists long-term? like it’s going to reach platinum very soon… JI: Yes. Noah & The Whale will release their fourth Mercury seems to have a lot cooler acts on its UK JI: Again, what I’m pleased at with Jake is that we album this year. We've worked with [Noah’s] roster than it used to… just took our time. We put out a couple of EPs and Charlie Fink since he was 21. [Debut LP] Peaceful, JI: Everything takes time. Over the last seven years, word of mouth started to run. The global reaction The World Lays Me Down went gold. On his we’ve signed and developed acts that are now on has been amazing, with sales already at 100,000 second album, Charlie wanted to write a personal their third, fourth or fifth albums. When I started [ex-UK]. America will release the album in April. album [First Days Of Spring], which might not here, we had Fame Academy acts, Darius, Lucy There’s no pressure from us, but Jake is just going to have been so commercial. He asked me to back him Silvas and a catalogue that had been hugely keep growing. All the major territories are saying, on it and of course I said, “Absolutely.” exploited. The first act we signed was Arcade Fire “We love the record, we love him.” People will be Sometimes record company execs think only in and I remember [band manager Scott Rodger] talking about Jake for many years to come. terms of sales: “First album’s gold, second album’s asking why on earth he should sign to Mercury. platinum, third album’s double-platinum...” But the Luckily he was able to believe in how the label was As a label, you’re known for doing 360 deals with irony is that what is considered a non-commercial going to change and develop. We’ve spent the last artists. What can Mercury bring to the table? album is often the one that people will play again seven years changing the perception of Mercury. JI: It’s interesting. Some people question how much and again. A record like First Days of Spring is a Now you just have to meet the team or look at our labels can contribute to the non-recorded side of critically acclaimed and is a very important record roster to know what we are about. There are certain things, but Universal’s Creative and Commercial for Noah & The Whale’s career. We've allowed labels that have a perceived coolness by their name, division incorporates everything from sync, brand 12-14 BigInterview_v5_News and Playlists 12/02/13 15:33 Page 3
14 Music Week 15.02.13 www.musicweek.com THE BIG INTERVIEW MERCURY RECORDS
RIGHT partnership and content with Globe TV, plus we Whale of a time: Charlie have [merchandising arm] Bravado. We work very Fink’s Noah & closely with managers and make sure that both The Whale will sides bring opportunities. To say that the managers release their fourth album or we as a label can do it all alone really doesn’t on Mercury work anymore. The industry’s changed - we can all this year work together or we can fight over it, but it’s really all about collaboration.
How much has acceptance changed of 360 deals? JI: Hugely. Ten years ago it was unthinkable but now that we are investing so much in artists and their development, again the atmosphere is all about collaboration. It doesn’t matter what genre of music it is – let’s just share our resources and work out how we can do this together as a united team. It's working. It definitely feels like a partnership now.
What’s happening with Vertigo? JI: It is still a Mercury imprint with acts signed to it. Mike and I will develop it in the future - he’s only been here since September. Finding and developing new acts will be Mercury’s focus over the next six months to a year.
Let’s talk On-Air/On-Sale: Rihanna pipped One Direction in the Official Singles Chart last year after an OAOS release… JI: On-Air/On-Sale was debated a lot within Universal. David [Joseph, Universal UK CEO] really wanted to do it. To be completely honest, initially I wasn’t convinced. But now if you look at the Top 10 singles on iTunes they’re all day and JI: More than ever, I believe in Radio 1’s, ‘In new date. I actually think that the debate overtook the music we trust’ mantra. The changes they’ve made DOUBLE TROUBLE: implementation: Universal and Sony were on board across all the different shows are having a great effect MERCURY’S TOP EXECUTIVES ON but others weren’t, Radio 1 were getting their heads and targeting the younger audience successfully. around it, Global weren't sure about it and suddenly EACH OTHER’S CREDENTIALS everyone was arguing. Now, while no-one’s making There’s a lot of internal competition at Universal - a song and dance of it, it's happening: will.i.am, does that help motivate you? 50 Cent, Fall Out Boy, Disclosure, Timberlake. I JI: I’m pretty motivated anyway - our main can’t remember the last time we deliberately didn’t competition is ourselves. As for Universal, the support it. And whilst I debated it with my boss - industry knows this is a very competitive company and didn’t necessarily agree with him at the time - and Virgin will join us in being a part of that he was absolutely right. competition. It’s healthy competition. It keeps us all on our toes, something that Lucian [Grainge] Are you sure it doesn't hurt the singles? probably originally introduced and David hasn’t JI: David’s issue was, why have a record on-air that stopped - the heads of each label haven’t stopped it you can’t buy, that will just lead to piracy. Then the either [laughs]! But at the same time, we all get on. flip side was: “Oh, you’ve got to pull the elastic band back before you go for the No.1 single.” As you Why would an act sign to Mercury UK rather than JASON ILEY ON MIKE SMITH: pointed out, Rihanna beat 1D to No.1, Taylor Swift any other label out there? “From his publishing history [MCA, EMI] to went Top 3, selling 350,000 singles before her JI: That’s a difficult question to answer from the running Columbia, Mike has had an incredibly album came out. If we'd shifted her single release by inside. In the end, I suppose it comes down to successful career. Look at the diversity of the two weeks, would it have sold more or made any chemistry. What happens within Universal, which is acts he’s signed: he has impeccable taste. And difference to the sales of her album? Not at all. no big secret, is that if Island [or any UMG UK while he says that I'm competitive, he’s incredibly [Swift’s album charted at No.1.] label] put an offer out I can only match it. That competitive too. Going back to signing The ensures it doesn’t become about the deal, it Strypes, we were two centre forwards together. What is your feeling on Radio 1, especially since ultimately becomes about the label, the A&R He has incredible passion and an amazing ability the presenter shake-up that saw Nick Grimshaw executive and whether there’s a relationship. For me to hear and identify hit songs.” arrive at Breakfast? that’s always going to be the biggest part of it. MS: It’s fantastic - I’m loving all of the changes People might like Island’s palm tree, the great MIKE SMITH ON JASON ILEY: that have been implemented. Like record labels, stories of Bob Marley or Grace Jones or maybe they “The great thing about working with Jason is that radio has to keep refreshing itself. I’ve always loved go for Lana Del Rey or Take That and lean to he’s brilliant at encouraging everyone around Nick Grimshaw. To have the balls to put him into Polydor but in the end it’s about what fits. We all him to raise their game, and that includes me. I Radio 1’s most important slot has set the tone for agree on that. think we’re becoming an amazing team. I really the whole station. His passion for the artists when hope that between us we can present the most he speaks to them absolutely shines through. It feels Is it better for you lose a signing to Island than to attractive proposition of any label in the UK to like Radio 1 has put music absolutely at the core of lose one to RCA or Atlantic? any act. That’s our aim. We didn’t leave a stone what it provides, and as a result it feels about 15 JI: That’s a good question. We’d still prefer it in the unturned when it came to signing The Strypes.” years younger than it did last year. Universal family. Project2_Layout 1 12/02/2013 15:02 Page 1
Congratulations George . . . always a gentleman and a scholar.
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16 Music Week 15.02.13 www.musicweek.com BUSINESS ANALYSIS UK ACTS ABROAD IN 2012
EDITORIAL
Global singles sales rocket after slow start for UK acts
WHEN MUSIC WEEK started annually clocking the UK’s top global album sellers back in 2000 it would have been ludicrous to have created an accompanying singles chart. In the first year of the century the single, then mainly selling on CD, was in most countries largely or totally irrelevant. Even in the US, the world’s leading music market, the single had long stopped mattering with its sales on CD there that year shrinking by 39%, a fall the IFPI attributed then in part to the availability of so much free music. What a turnaround there has been since then. Apple last week acclaimed iTunes’ 25th billionth track sale and, while some of those purchases would have happened as albums, the vast majority of them occurred one track at a time. Last year in the States, despite digital album sales hitting another annual high, for every download album bought 11 individual tracks were acquired, while in the UK the ratio was “In 2012, a remarkable 13 tracks by UK artists sold more than 2 million copies overseas - and not all of them were by Adele” six digital singles sold for every digital album. For a variety of UK-signed acts, at a time when multi-million- selling albums are scarcer than a 1970s TV star free of suspicion, the one-track digital single is making a huge difference to their sales profiles. In 2012 a remarkable 13 tracks by UK-signed acts sold more than 2m copies overseas, compared to six the year COOL before – and not all of them were by Adele. Among those enjoying this new golden era of the single are One Direction whose top three singles alone last year collectively generated 7.8 million sales outside the UK, the BRITANNIA equivalent of 780,000 albums sold if you convert every 10 tracks bought into an album purchase. That is quite a figure when you consider just how rare it has become for a UK act to sell more than a million copies of their album overseas. RULES GLOBE For some artists, selling a decent number of one-track downloads makes an even bigger difference to their commercial well-being. Although her album numbers are more Rod Stewart, Led Zeppelin, Adele, One Direction and moderate, Ellie Goulding achieved 3m sales abroad last year via just two singles, while Cher Lloyd’s lack of albums business many more reached a million album sales in 2012 was partially compensated by more than 2 million takers for her track Want U Back. TOP UK-SOURCED ALBUMS WORLDWIDE 2012 SALES & CHART PEAK None of this singles success, however, should detract from the YEAR ARTIST/ TITLE / LABEL / SALES USA JAPAN GERMANY FRANCE CANADA AUSTRALIA fact that UK acts last year punched above their weight when it 1 ADELE 21 XL 9.8m 1 4 1 1 1 1 came to global album blockbusters. Even without Adele, the nation 2 ONE DIRECTION Take Me Home Syco 3.6m 1 4 2 3 1 1
was heavily represented among 2012’s top sellers worldwide with 3 ONE DIRECTION Up All Night Syco 3.2m 1 8 16 15 1 1
nearly 8m ex-UK sales generated alone by One Direction via two 4 MUMFORD & SONS Babel Gentlemen Of The Road/Island* 2.2m 1 – 2 81 1 2 albums and a DVD, while Ed Sheeran was just short of a million 5 LANA DEL REY Born To Die Polydor 2.0m 2 35 15 15 4 3 overseas album sales even before his profile-boosting Grammy 6 ADELE 19 XL 1.4m 4 38 15 15 4 3 performance with Elton John last weekend. 7 1.3m For Sheeran and the UK’s other Grammy winners and MUSE The 2nd Law Helium/Warner Bros 2 5 2 1 2 2 performers another spike in sales was on the cards this week. 8 COLPLAY Mylo Xyloto Parlophone 1.2m 1 3 1 1 1 1 That yet again showed our continuing ability to produce world- 9 THE ROLLING STONES GRRR! Polydor 1.1m 19 12 1 5 1 7
beating talent, even if consumers these days will more likely 10 MUMFORD & SONS Sigh No More Gentlemen Of The Road/Island* 0.9m 2 – 29 173 2 1 buy the acts’ single than album. 10 ED SHEERAN + Asylum/Atlantic 0.9m 5 – 12 44 5 1 Paul Williams, *Album released by Glassnote in North America. Sales figures represent global shipments for albums by UK-signed acts for 2012, excluding sales from the UK. Figures Head of Business Analysis Sales source: Do you have views on this column? Feel free to comment by emailing [email protected] rounded up or down to one decimal place. Music Week research/record company data. Chart sources: Billboard/Nielsen SoundScan (US and Canada), Oricon (Japan), Media Control (Germany), Snep (France), Aria (Australia) 16-18 Business Analysis_v6_News and Playlists 12/02/13 15:12 Page 15
www.musicweek.com 15.02.13 Music Week 17
INTERNATIONAL I BY PAUL WILLIAMS K-signed acts defied the shrinking albums U market last year by achieving more million sellers internationally than since 2008. Nine albums by artists signed to UK record companies sold at least one million copies overseas during the calendar year, more than double the number achieved in 2010 when Syco act Susan Boyle’s The Gift was the top seller with 3.7 million sales. From that low point Adele has led a British revival of blockbuster releases in international markets, helping to take the tally of million-selling albums by UK-signed acts abroad back up to eight in 2011 and increasing that total still further last year. On top of that another two albums by British acts signed to overseas labels – Rod Stewart and Led Zeppelin – also achieved seven-figure sales abroad in 2012. While all that is clearly positive, the presence yet again of Adele at the top of Music Week’s annual chart of the year’s biggest UK-sourced albums globally and return appearances for the likes of Coldplay and Mumford & Sons underline that only a select few British acts are now reaching these levels of sales. However, fresh blood did come convincingly from One Direction who, in their first ABOVE ever year as an act released globally, had the UK’s where it had not been a big seller. Having in 2011 Mumford & Sons: debut, released by independent Glassnote in North British band’s second and third top sellers overseas of 2012. only reached 51 on Oricon’s weekly Japanese Babel sold 2.2m America and Universal elsewhere, makes a third Predictably ahead of the Syco quintet is Adele albums chart, 21 leapt up to a peak of 4 in the same across the world appearance with another 0.9 million copies shifted last year who provides two of the Top 10 sellers worldwide week after the Grammys last February as it shifted enough to place it joint 10th with Asylum/Atlantic by UK-signed acts for a second successive year with a new weekly sales high of 730,000 copies in the act Ed Sheeran’s +. Ahead of it at No 4 is the 21 at No 1 and her XL debut 19 in sixth place. In US. The album in 2012 also sold more copies in follow-up Babel, which shifted 2.2 million copies 2011 21 headed the chart by a record margin, South America than it did during the year of its overseas by the end of 2012, including nearly 1.5 having sold 14.5 million copies outside the UK by release, scoring No 1s in markets including million in the US where it topped the Billboard 200 the end of the year, according to her record Argentina and Brazil. for three weeks and this week won Album Of The company, matching the sales of the rest of the Top One Direction’s appearances at Nos 2 and 3 in Year at the Grammys. 10 put together. For the 2012 chart the album the chart clearly stand them out as the biggest new scores another comprehensive victory, having sold a global music force of the year from the UK. UK’S TOP GLOBAL SELLERS 2000-2012 further 9.8 million copies abroad, more than double Although the Syco act had already achieved some YEAR ARTIST/ TITLE / LABEL / SALES 2000 13.5m the next top seller Take Me Home by One international success the previous year with Up All THE BEATLES 1 Apple/Parlophone Direction with 3.6 million ex-UK sales. Night, having come out early in parts of Europe 2001 ENYA A Day Without Rain WEA 7.3m Once UK sales are also factored in 21 has now and in Australasia, the debut album’s release was 2002 U2 The Best Of 1990-2002 Island 5.2m sold more than 25 million copies globally as it last held back in most international markets until 2012. 2003 DIDO Life For Rent Cheeky 5.4m year became the century’s top studio album and This included Italy going with it in February, 2004 U2 How To Dismantle An Atomic Bomb Island 7.5m overall only trailing The Beatles retrospective 1, Germany in May and Japan in August, while a 2005 COLDPLAY X&Y Parlophone 6.2m which has achieved more than 30 million sales. The North American release in March famously made 2006 JAMES BLUNT Back To Bedlam Atlantic 4.3m Adele album’s run last year included finishing as the One Direction the first UK band with a debut to 2007 AMY WINEHOUSE Back To Black Island 3.4m US’s top calendar seller for a second successive year, enter the US albums chart at No 1. 2008 COLDPLAY Viva La Vida... Parlophone 5.7m a first in the Nielsen SoundScan era dating back to The album had an even better first week in 2009 SUSAN BOYLE I Dreamed A Dream Syco 6.0m 1991, as it shifted another 4.4 million copies there. Canada where it topped the chart after selling 2010 3.7m Despite having been released near the start of 35,000 copies, a far higher number per capita than SUSAN BOYLE The Gift Syco 2011 14.5m 2011, 21 continued to be a chart fixture globally in the States where it started with 176,000 sales and ADELE 21 XL 2012 9.8m across the whole of last year, helped by Adele’s six- reached 1.6 million by year’s end, around half of its ADELE 19 XL trophy haul at the Grammy Awards. These wins 3.2 million sales achieved outside the UK last year. TOP ALBUMS BY UK NATIONALS WORLDWIDE 2012 were also hugely significant in the album finally Unlike its predecessor, One Direction’s second taking off in Japan, the only leading music market album Take Me Home had a simultaneous release POS ARTIST/ TITLE / LABEL / SALES 1 9.8m globally and resulted in 35 instant No 1s. In some ADELE 21 XL EXECUTIVE SUMMARY key markets the album achieved new chart highs, 2 ONE DIRECTION Take Me Home Syco 3.6m 3 3.2m I Adele’s 21 top UK-sourced album globally for second including in Germany where it charted at 2, some ONE DIRECTION Up All Night Syco 4 2.2m successive year with 9.8 million copies sold 14 places better than Up All Night managed and by MUMFORD & SONS Babel Gentlemen Of The Road/Island* I One Direction have second and third top global sellers by UK- the end of 2012 it had outsold its predecessor to sit 5 ROD STEWART Merry Christmas, Baby 2.1m signed acts, while selling 1.1 million copies overseas of their DVD at No 2 on our global chart of UK sellers. The band 6 ADELE 19 XL 1.4m also shifted 1.1 million copies of their DVD Up All I Mumford & Sons’ Sigh No More in Top 10 UK worldwide 7 MUSE The 2nd Law Helium/Warner Bros 1.3m Night – The Live Tour overseas last year. sellers for third successive year as Babel finishes fourth 8= COLPLAY Mylo Xyloto Parlophone 1.2m For Mumford & Sons this is the third successive I One Direction’s What Makes You Beautiful top UK single 8= LED ZEPPELIN Celebration Day Atlantic 1.2m year they have been among the UK’s top sellers globally of 2012, ahead of rivals The Wanted’s Glad You Came 10 1.1m globally, having been ranked at No 3 in 2010 with THE ROLLING STONES GRRR! Polydor I A total of 13 UK singles sold more than 2 million copies Sigh No More and No 4 a year later with the same *Album released by Glassnote in North America. Sales figures represent global shipments for albums by artists of overseas last year UK nationality for 2012, excluding sales from the UK. Figures rounded up or down to one decimal place album. Incredibly, their Gentlemen Of The Road Source: Music Week research/record company data 16-18 Business Analysis_v6_News and Playlists 12/02/13 15:12 Page 16
18 Music Week 15.02.13 www.musicweek.com BUSINESS ANALYSIS UK ACTS ABROAD IN 2012
Besides One Direction, the other big new name SALES THRESHOLD FOR TOP GLOBAL SELLERS 1 million units abroad in the last six weeks of 2012. on Music Week’s chart is Lana Del Rey in fifth place 2.0 The Rolling Stones are at 9 with the Universal- with Born To Die. The American is signed to issued compilation GRRR!, while two other music Polydor UK, which directly benefitted last year from legends register in a separate year-end global chart 2.0 million sales of her album outside of Britain. 1.5 ranking albums by UK nationals rather than UK- Just missing out on a million overseas album sales signed acts: Rod Stewart is at No 5 after achieving last year, Ed Sheeran occupies joint 10th place with + 1.0 2.1 million overseas sales of his Verve/Universal with more than one-third of its non-UK total last debut Merry Christmas, Baby and Led Zeppelin year having been achieved in the US where it joint eighth with the Atlantic-issued live album debuted and peaked at 5 last June. In seventh 0.5 Celebration Day. position Muse last year reached a new US chart peak ‘00 ’01 ‘02 ’03 ‘04 ’05 ‘06 ’07 ‘08 ’09 ‘10 ’11 ‘12 Meanwhile, Robbie Williams’ Island/Universal The above shows number of sales needed to be the 10th biggest UK-sourced album of 2 with the Helium/Warner Bros title The 2nd globally each year. Source: Source: MW research/record company data release Take The Crown shifted nearly 700,000 Law, which sold 1.3 million copies overseas in 2012, copies abroad, a similar tally to 14th Floor/Atlantic topping the chart in the likes of France and Italy. shifted 1.2 million more copies overseas. Returning in act Birdy’s self-titled debut. Mercury-winning XL Coldplay’s Mylo Xyloto makes our Top 10 for a eighth position, it has now sold more than 5 million act The xx’s second album Coexist sold more than second successive year after the Parlophone album copies, while the Coldplay Live 2012 DVD sold 600,000 units ex-UK. SINGLES FOCUS: ONE DIRECTION, THE WANTED, GOULDING AND ADELE SELL BIG OUTSIDE THE UK One Direction’s What Makes You Beautiful shifted 4.8 million copies overseas in 2012 to become the year’s top single by a UK-signed act. The sales of the top one-track download seller were significantly down on the 8.4 million total achieved by 2011’s No 1 Rolling In The Deep by Adele, but overall far more UK- sourced releases sold in the multi-millions compared to 12 months ago. In fact, the sales threshold to qualify for Music Week’s Top 10 chart of the leading UK-sourced singles of the year doubled between 2011 and 2012. On the 2011 countdown Parlophone act Coldplay’s Every Teardrop Is A Waterfall and the Phonogenic-issued For The First Time by The Script shared ninth place after each selling 1.3 million copies overseas, but 2012’s bottom rung track Domino by Island/Lava’s Jessie J needed 2.6 million sales to attain 10th place. The big lift in sales of the top sellers within the space of a year was largely down to UK-signed acts having their most successful singles run in the States for two decades. As the world’s top digital music market with more than 1.3 billion one-track downloads sold in 2012, according to Nielsen SoundScan, the US has by far the greatest influence on shaping the chart with the entire Top 10 having been substantial retail sellers there. What Makes You Beautiful itself was the top one-track download by a UK-signed act in the States in 2012 with nearly 3.9 million units sold there by the end of December. That represented around 80% of its calendar year sales outside the UK with its other big overseas markets including Australia, Canada and Mexico. The group’s One Thing and Live While We’re Young also shifted more than 1 million copies abroad TOP UK-SOURCED SINGLES WORLDWIDE 2012 3.6 million sales were Parlophone act Coldplay with the Mylo in 2012. In 2011 One Thing’s 1.8 million sales abroad would Xyloto cut Paradise. POS ARTIST/ TITLE / LABEL / SALES have been enough to have ranked it as the seventh biggest In the cases of Someone Like You and Rolling In The Deep, 1 ONE DIRECTION What Makes You Beautiful Syco 4.8m UK single overseas of the year, but 12 months on the sales both had already commercially peaked in 2011, but had 2 3.9m threshold is so much higher it misses out, as does the 1.3 THE WANTED Glad You Came Global Talent/Island enough life left to respectively sell 3.2 million and 2.9 million million-selling Live While We’re Young. 3= ADELE Set Fire To The Rain XL 3.6m more units overseas the following year. Set Fire To The Rain One Direction’s boy band rivals The Wanted are around 3= ALEX CLARE Too Close Island 3.6m only reached its retail high in 2012 when it became Adele’s 900,000 sales behind in second place with the Global 3= ELLIE GOULDING Lights Polydor 3.6m third Hot 100 chart-topper, while her only brand new release Talent/Island release Glad You Came with the vast majority of 3= COLDPLAY Paradise Parlophone 3.6m of the year, the Bond theme Skyfall, shifted 3.0 million copies its 3.9 million overseas total having occurred in the US. The 7 ADELE Someone Like You XL 3.2m to make it to eighth position on our chart. band were unable to match this high number with album Third in 2011 with Price Tag, Island/Lava’s Jessie J turns 8 ADELE Skyfall XL 3.0m sales with their Stateside-issued self-titled mini-album up in 10th place this time with Domino after it sold 2.6 million 9 ADELE Rolling In The Deep XL 2.9m managing just a solitary week in the Billboard Top 10. copies outside the UK. 10 JESSIE J Domino Island/Lava 2.6m Polydor-signed Ellie Goulding’s singles sales were led by Three singles could not make our year-end Top 10, Sales figures represent global shipments for singles by UK-signed acts for 2012, excluding Lights, which was one of four singles by UK-signed acts to have sales from the UK. Figures rounded up or down to one decimal place. Source: Music Week even though they sold more than 2 million copies overseas. sold around 3.6 million copies overseas last year. She also research/record company data Asylum/Atlantic’s singer/songwriter Ed Sheeran achieved 2.2 achieved more than 700,000 sales overseas of Anything Could The third single accumulating 3.6 million overseas sales last million overseas sales of The A Team, Syco’s Cher Lloyd Happen. Sharing third spot on our chart with Goulding’s Lights, year was Set Fire To The Rain, one of an incredible four cuts attracted 2.2 million takers for her US Top 20 hit Want U the Island-issued Too Close by Alex Clare was like Lights a by Adele in our Top 10. On the 2011 countdown the XL signing Back, and Calvin Harris drew 2.5 million sales for the Billboard Hot 100 Top 10 hit, while reaching No 1 in Germany. had three of the top four sellers. Also reaching Columbia-issued Feels So Close. Project2_Layout 1 12/02/2013 15:05 Page 1
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www.musicweek.com 08.02.13 Music Week 21 FEATURE 30 UNDER 30 in association with
No-one can know quite what the British music industry of tomorrow will look like - but we have a decent inkling about who will be its brightest executives. Below, Music Week names the 30 young professionals working in the UK music business of 2013 that we’re tipping for mighty things in the years and decades to come. Don’t have nightmares, but they might just end up with your job
Abernethy has already proved that she has a brilliant Despite his tender years, Abrahams has built up a strong career ahead of her. Among many other achievements, client base at SSB across various genres - all of whom she signed both Grimes and Tune-Yards to the label - he has advised from the very early stages of their who have both gone on to become stars not only of careers. These artists include Angel Haze, Ms D, 4AD, but of the entire Beggars stable. With Tune-Yards, Lewis Watson, Deaf Havana, Don Diablo, Benny Banks and the exec signed the artist (Merill Garbus) for her debut Lower Than Atlantis. Abrahams also handles business record, but soon ended up managing her and her tour by affairs for on-the-rise music company Turn First Records default. In addition, Abernethy was heavily involved in and indie label du jour Black Butter Records. A very the signing of Bon Iver to the indie label, who has gone popular 30 Under 30 nominee, praise for his work has on to score two Grammys, as well as racking up a pair of come from no lesser execs than SSB’s Paul Spraggon, Red JANE ABERNETHY LAURENCE ABRAHAMS acclaimed and high-selling albums. 4AD general Light’s Matt Johnson, Turn First’s Nadia Khan and Sarah Age: 29 Age: 25 A&R/Product Manager, manager Rich Walker said of Abernethy: “She's awesome Lawyer, Stennett, Trust Management’s Nigel Templeman and 4AD and fully deserves the recognition from Music Week.” SSB Solicitors Sony/ATV/EMI’s EU boss Guy Moot.
At just 25, Armitage is a dynamic member of the With a co-credit on Delilah's Top 5 album From the Roots Metropolis team and runs projects for the group. The Up and remix credits officially affiliated with Plan B ‘s last exec was the driving force behind Metropolis' two critically-acclaimed albums, Barbe is very much one involvement in the 2012 Christmas No.1, He Ain’t Heavy, to watch in the A&R world. The young exec, who works He's My Brother by The Justice Collective which was within Warner’s Atlantic offices in South-West London, released on Metropolis' own label with Metropolis Creative recently signed a young songwriter and vocalist named completing the artwork for the single. Armitage was Zak Z as well as his first management client, producer instrumental in the successful campaign to raise funds Alby Daniels. Meanwhile, he is working alongside for the legal costs incurred by the families of Hillsborough innovative dance acts such as multi-instrumental and his management of the project was inspirational as collective Clean Bandit plus dubstep pioneers Flux LUKE ARMITAGE he led the co-ordination between a large number of NAME: JOE BARBE Pavilion and Doctor P. His first step into the industry was Age: 25 Age: 29 partner companies, the artists, Members of Parliament forming a DJ/MC collective and landing a slot on the Head of Special Projects, A&R Scout/Artist Manager, Metropolis Group and the distributor, Universal. Atlantic Records biggest pirate radio station Rinse FM.
Alec Boateng - also known as Twin B - is the co-owner of With early experience at Manchester United FC and management and entertainment group Levels Ent, which concert promoters Aiken Promotions in Ireland, Casey got boasts a joint venture with EMI Music Publishing and a off to a great start - and it’s only gotten better. Landing a contracted record outlet with Ministry of Sound. Levels job as talent booker at Vince Power’s Feis Festival in 2011, sold a million singles under its Ministry deal during 2011- she helped book the 60+ performers at the event, which 2012 (Gyptian, Wretch 32, Vato Gonzalez & Yasmin) whilst was headlined by all-time legends Bob Dylan and and Thin the company publishes Wiley via its JV with EMI and Yogi. Lizzy. In 2012, she became headline talent Boateng’s A&R career started fresh out of university in co-ordinator for the Opening and Closing Olympic and 2005 under Ben Cook at Asylum Records, where he Paralympic Ceremonies - which showcased the best of signed hit tracks including Wiley's Wearing My Rolex. Now headline British music talent - before moving to the ALEC BOATENG (TWIN B) he presents the BBC Radio 1Xtra Breakfast Show and SARAH CASEY Leighton-Pope Organisation, where she is helping build a Age: 29 manages Universal Republic/Polydor artist Daley, Atlantic Age: 26 roster that already includes Billy Ocean, Heather Small, Co-Founder, writer Maiday and recording artist Jacob Banks. Agent, The Gypsy Queens, Hayley Westenra and Mica Paris. Levels Ent Leighton-Pope Organisation 21-26 30under30_v14_News and Playlists 12/02/13 11:31 Page 2
22 Music Week 15.02.13 www.musicweek.com in association with FEATURE 30 UNDER 30
Austin Daboh started his career in Radio with the BBC, One of the most-nominated names on our list, popular first at Radio 5 Live and later as head of music at 1Xtra. young executive Chris Dyer has already chalked up 10 Since then has has founded The Hub Entertainment, an years of experience in the music industry, in areas such artist management, PR, promotions and live booking as artist management, live events, label management agency specialising in urban music, sports and digital. In live, he has worked with Coldplay, Destiny's representation and radio/TV talent management. A Child, Elton John, Enrique Iglesias and Westlife. Now UK rapidly growing company, Daboh currently employs manager for Believe Digital’s Zimbalam Digital Music seven full time staff in its Canary Wharf office. Recent Distribution, he has negotiated high-level digital content achievements include scoring Stooshe their first ever deals with major record labels and larger independent radio play, whilst regular clients include US rapper Nas aggregators of video and music content. The Hook-Up AUSTIN DABOH (PR), N-Dubz star Fazer (radio plugging), and new CHRIS DYER Consultancy’s Jonny Goodwillie said of Dyer: “He has done Age: 28 Universal signing Stylo G (live bookings). On radio, Daboh Age: 29 wonders for the artists that I put through Zimbalam and is UK Manager, Zimbalam Founder & CEO, helped break Ed Sheeran, Wretch 32 and Tinie Tempah. one of the best people I work with.” The Hub Entertainment Digital Distribution
Jai Francois was the youngest A&R manager at FitzGerald currently works with artists such as Tiësto, Warner/Chappell when, aged 23, he joined the publisher in Young Guns, Alt-J, Enter Shikari, Andy Burrows and the summer of 2011. Since then he has signed a roster of Soulwax. He oversees the global sync and brand teams exciting young, up-and-coming artists and songwriters and actively works across the [PIAS] repertoire forming who we believe will become stars of the future. global partnerships. He was recently featured in Music Key signings to date have been True Tiger (cuts with Week’s Sync of the Week spotlight and was nominated Professor Green, Ed Sheeran, Dot Rotten, Mikill Pane and for the Best Music Placement award at MIDEM 2013. One Direction) and S-X (cuts with Tinie Tempah and FitzGerald was previously employed at ATM Artist Dappy). Before joining Warner/Chappell, the executive Management, working with Swedish House Mafia. He also founded his own management business aged 21, before worked at Indie Mobile as head of marketing, creating CHARLES FITZGERALD NAME: JAI FRANCOIS briefly joining Levels Entertainment. Until recently campaigns for Dizzee Rascal, Fatboy Slim, The O2, Oasis, Age: 25 Age: 29 Francois ran ‘London's biggest monthly pop music’ night Katy Perry and more. FitzGerald is also part of Triumvirate A&R Manager, Head of Artist Partnerships, Warner/Chappell Love Machine, which he co-founded. [PIAS] Group Artist Management, looking after global artists and DJs.
For one so young, Hales has achieved an awful lot. Harper is involved with many promising projects at Heading up the entire PR and communications team at Sony/ATV/EMI, including chart-topping group Rudimental, Mercury Records UK, her Loud campaign for Rihanna and who he signed in 2011. The band’s Feel The Love feat. her Turn It Up Campaign for Pixie Lott were both John Newman was one of just five tracks in last year’s nominated for PR Campaign Of The Year at the Music Top 100 sellers to be solely written by their performer. Week Awards, whilst she has helped the label break Harper also signed Sian Evans, who co-wrote Louder with domestic acts such as Amy MacDonald, Chase & Status DJ Fresh - a track which has gone on to sell in excess of and Nero. Hales became head of publicity at Mercury in 600,000 units in the UK. Harper previously worked for 2011, aged just 25, and now looks after publicity for two several years with now-London Records boss team of the world’s biggest stars: Justin Bieber and Rihanna. Jo Charrington and Nick Raphael at Epic Records UK. LAUREN HALES The exec oversaw the headline-grabbing 777 campaign WILL HARPER Sony/ATV A&R Yasmin Lajoie credited the young exec Age: 26 for Rihanna last year - which helped the Barbadian claim a Age: 25 years old with being “enthusiastic with a great ear and a bright Head of Press, A&R, UK and US No.1 with album Unapologetic. future ahead of him”. Mercury Records Sony/ATV/EMI
Okay, oldies - brace yourselves. Luke Hood is astonishingly Jackson joined Classic FM at the tender age of 21, initially young for an executive who has achieved quite so much, as an assistant producer. After being promoted to a and taught the traditional music industry a thing or two in producer, then to the role of executive producer of music the process. In 2009 he setup the YouTube channel UKF and events, Global Radio executive director Richard Park aged 16, simply to share his favorite music with college last year appointed him to the role of managing editor, friends. With new subscribers joining daily, he quickly Classic FM. Jackson has already introduced changes to realised the potential it had and has spent the last three the station, signing new presenters such as Alan years developing it into a worldwide brand that now Titchmarsh, Joan Bakewell, Ben Fogle and Simon Callow, comprises music compilations, ticketing, a music label, as well as adding a newly-commissioned jingle package to live streaming and exclusive content for its massive the regular output. Jackson has also helped introduce LUKE HOOD audience. Now boasting over a billion views and 3 million SAM JACKSON more live, exclusive concert programming to Classic FM Age: 20 Age: 29 subscribers, the channels have also spawned a series of and worked very closely with Decca on the albums Owner/Founder, Managing Editor, sell-out live events across the UK. released on the Classic FM/Decca joint venture label. UKF Classic FM 21-26 30under30_v14_News and Playlists 12/02/13 11:31 Page 3
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Kreisler has overseen the recent integral re-development In 2007, Lancaster secured work experience at Warner of the Official Charts brand and implemented a new and before long was taken on as a temp in the communications strategy. She has helped the business international department. After a month he was offered a deliver a successful new Official Charts website, the full-time role as a marketing assistant for Rhino that Official No.1 Award and a very wide media focus on the covered catalogue, compilations and special projects. He introduction of the weekly streaming chart. In 2012, she has worked on several gold/platinum records, whilst his amplified the company’s profile through the ‘60 Years of biggest project to date has been his involvement in The the Official Singles Chart’ celebrations and has helped to Smiths Complete marketing campaign - the boxset that manage a significant improvement in the Official Charts went on to win both NME and Music Week Awards. Now Company’s relationship with Radio 1’s Official Chart Show working at ADA, he serves as label manager to partners LAUREN KREISLER team. Her boss Martin Talbot called her “a delight to work GARY LANCASTER including Epitaph, Because, Rise and Vice. Lancaster has Age: 29 with – a highly valued, much admired and extremely Age: 27 also been involved in the launch and development of Label Marketing Manager, Brand Manager, popular member of the team”. Warner Music Artist & Label Services. Official Charts Company ADA
Levine has raised the profile of UK Music and achieved Meehan co-founded and launched Sentric - billed as the substantial support from musicians and politicians. She industry's first online music publishing business available helped set up the All Party Parliamentary Group for Music, to any songwriter - in 2006. The online portal allowed any organises the UK Music Summer Party and delivers popular artists to easily register songs with a PRO, and Sentric to live music events at the Party Political Conferences. She is administer the works and collect royalties on their behalf. currently managing a new music education project with He raised initial capital to grow the business, representing the Intellectual Property Office and, with the help of the 4,000 UK based songwriters by 2008 - and then led the MU, is developing a series of UK-wide roundtables with company through further financing to represent over venue owners and local musicians to help promote the 10,000 UK-based songwriters by 2010. Since then, new Live Music Act. UK Music CEO Jo Dipple said: “Dot is a Meehan’s completed a sub-publishing deal with DOT LEVINE huge asset to UK Music, the members and the industry. CHRIS MEEHAN Downtown Music Publishing for the US, Canada & South Age: 27 Age: 26 Her love of music, passion for politics and enthusiastic America and launched Sentric Music Services – the Head of Campaigns and CEO, can-do attitude make working with her a pleasure.” company’s synchronisation/licensing division. Communications, UK Music Sentric Music
Morgan has taken the creative flow of Beggars’ Publishing Tom Paul joined Epic UK on work experience in 2008 division from a standing start early 2010 to one of the contibuting to campaigns alongside the label’s head of most innovative collections of UK talent in the industry. marketing Murray Rose. Paul moved on to become Not content with signing the super-cool SBTRKT together product manager for JLS, during a period in which they with vocalist Sampha, Morgan has proven herself won two BRIT Awards and four MOBOs - and sold 5 million instrumental in controlling the creative policy of Beggars records. He also handled Olly Murs’ first two multi-platinum sub-companies like Young Turks Music and 4AD Songs, albums (including Paul’s idea for an X Factor performance which have both flourished following her input. The latter with the Muppets). He now works at London Records with has just completed its first signing, Indians, whose album ex-Epic bosses Nick Raphael and Jo Charrington, who told is released this month. Big things are anticipated. Music Week: “Tom is dedicated, full of ideas and excellent AMY MORGAN Meanwhile, Morgan has also signed Serafina Steer and Bo TOM PAUL at executing and delivering coherent and creative Age: 29 Ningen to Stolen recordings - and taken a major creative Age: 28 campaigns. He is also great at dealing with both artists Creative Director, role on their exciting new project. Marketing Manager, and managers in a sensitive and productive way." Beggars Music London Records
In addition to her core role, Playle finds the time to look Poston is responsible for signing, developing and creating after JHO’s day to day roster for founder Jho Oakley, opportunities for writers and artists at BMI. The talent including recent signing Zane Lowe. Her achievements he’s brought in includes Ed Sheeran, Gotye, Avicii, Conor include helping to facilitate the success of Pendulum, Maynard, Rita Ora, Example and Anna Calvi. Poston is also Chase & Status, Sub Focus and - most recently - Knife founder/director of an A&R tipping site, whilst he Party. Nominated by various industry bigwigs for this previously headed up US copyright for Kobalt Publishing list, Playle has been widely praised by Music Week readers and helped orchestrate the firm’s live system. Grant for her multi-tasking skills, her personable demeanor Heinrich from agency X Artist Management said: “He's the and a can-do attitude. “I would love it if this feature could glue that holds the UK industry together, particularly for give her some of the recognition she so deserves,” said the younger guys.” Jonas Vebner from Music Norway ED POSTON AMANDA PLAYLE Oakley of his general manager. “Case in point… I think called him simply “an absolutely brilliant individual”. And Age: 26 Age: 28 you'd struggle to find another 26-year-old manager that Flash Taylor told Music Week: “If you don't consider Ed General Manager, Writer & Publisher Relations, JHO Entertainment could take you through an arena tour budget.” BMI Poston, you're not in touch.” Fear not, Flash. We did. 21-26 30under30_v14_News and Playlists 12/02/13 11:31 Page 4
24 Music Week 15.02.13 www.musicweek.com in association with FEATURE 30 UNDER 30
Potts came through the graduate scheme at Warner, Rhiney-James was drafted onto Warner Music’s Graduate quickly earning a full-time job in the major’s radio Placement Scheme in 2005 before being ultimately promotions team. Five years ago, he moved to Columbia promoted to digital marketing manager aged just 23, where he has leapt through the ranks from radio managing a roster of acts that included Madonna, Muse, promotions manager onto head of radio. He now runs a Michael Buble and The Streets. By 2010, she had moved highly committed and successful radio team who look to Universal, working now in the business development after Tom Odell, Rita Ora, Calvin Harris, Foo Fighters, Kings team, before a brief stint at Sony, managing campaigns of Leon, Bruce Springsteen, MGMT and many more. for Beyonce, Will Young and Kelly Clarkson. She then Director of press and promotions for Columbia Label joined Live Nation, running the firm’s digital division, where Group, Epic, and Sony’s Associated Labels, Peter Black, she managed online marketing for UK Tours including SAM POTTS EBONY RHINEY-JAMES said: “Sam’s an invaluable part of the team with a great Watch The Throne, Nicki Minaj, Drake, Lady Gaga, Age: 29 Age: 28 understanding of his media outlets. His judgement and Kasabian and Wireless Festival. She recently left to head Head of Radio, Head Of Digital Marketing, Columbia instinct is highly valued.” Sony Music UK up the digital marketing team at Sony Music UK.
A music maker himself, Scarr joined Island in 2007 as an Andrew Tansey was hired by Ian Neil, Sony’s director of intern in the marketing department which at the time synch, in June of 2010 as a creative synch co-ordinator. was working releases such as Amy Winehouse’s Back To The young exec has gone on to become a driving force Black and Mika’s Life In Cartoon Motion. He impressed, but within the Sony team. His solid relationships with always knew his real home was in the A&R department. advertising agencies and music supervisors are the He got his break months later when he moved over to integral make-up in a business that is becoming A&R assistant - helping the head of A&R at the time, increasingly more valuable to the music industry. Tansey Darcus Beese, who is now president of the label. When he will be familiar to some Music Week readers: we’ve met Tinchy Stryder, Scarr felt very passionately that the featured his vital work on Paloma Faith’s cover of Never artist should be Island's next signing. He convinced the Tear Us Apart by INXS in the John Lewis Campaign, as well BENJAMIN SCARR ANDREW TANSEY Universal label to back the act, a deal which paved the as his pitch of the Sleigh Bells track Kids for Kopparberg Age: 28 Age: 29 way for the crop of hot UK grime/urban talent such as ads. He recently placed Kasabian’s Switchblade Smiles in A&R Manager, Creative Synch Manager, Island Records Tinie Tempah, Chipmunk, Professor Green and others. Sony Music UK a worldwide Hugo Boss campaign that airs this month.
Temple worked at the Ruby Lounge before he joined SJM Sarah Thomas has been in artist management since she last year. He has already picked up some very exciting was 18. She worked at Z Management and at new talent at the firm, and is booking shows with Angel Xenomania, managing the in-house artists, before Haze, Deap Vally, Little Green Cars, Hudson Taylor and joining Richard Griffiths and Harry Magee at Modest! Skaters amongst others. He has also continued his pre- Management in 2009. After working with Lemar, she SJM involvement with acts including Jake Bugg and The took on Olly Murs as soon as he'd graduated from The X Joy Formidable. SJM’s Matt Woolliscroft said: “Luke’s Factor and has managed him through three multi- potential as a straightforward, likeable and hard-working platinum albums and four No.1 singles. Thomas also member of staff was obvious to all of us who had manages her brother Ben, who is Adele's guitarist, and is dealings with him. Add to that an enthusiasm for music developing him as an artist and writer under the LUKE TEMPLE that is enviable and a seemingly encyclopaedic SARAH THOMAS Modest! umbrella. Modest! co-founder Harry Magee said: Age: 25 knowledge of new bands and he’s got a great potential Age: 27 “Sarah has great instincts, empathy and awareness. She Promoter / Booker, future in the live music industry.” Manager, Modest! has developed into a first class manager." SJM Concerts
Black Butter won Best Small Label at the AIM Awards Jos Watkin is already an experienced A&R professional 2012. Releases so far include Rudimental, Syron, Lulu at Parlophone Records – home to Coldplay, Lily Cooper James, Clean Bandit, Kidnap Kid, The Other Tribe, Jessie (Allen), Blur and Gorillaz amongst others. He’s been Ware and P Money; names that have not only crossed there man and boy; starting off working in promotions over onto radio in a big way, but which largely caught the six years ago – across TV, radio and press – before traditional music industry napping. Henry Village signed officially moving into A&R after three years as a scout. Rudimental to Black Butter Records in 2011 and had a Now A&R manager at the label, he works with Gabrielle 2012 summer No.1 UK single with the smash Feel The Aplin and The Good Natured – two artists whose careers Love, which has sold over a million copies worldwide to are only just beginning but of whom great things are date. The act is now signed to Atlantic, but is on the expected. Aplin’s The Power Of Love cover reached No.1 HENRY VILLAGE roster of Stack House Management, also founded by JOS WATKIN in the Official Singles Chart last year. A&R director at Age: 28 Village. Other clients include Kidnap Kid (BB Records), Age: 29 Parlophone Elias Christidis called Watkin "one of the Co-Founder/Director, Loadstar (RAM Records) and Joel Compass (Polydor). A&R Manager, best young A&R executives in the business". Black Butter Parlophone 25 30under30_v14_News and Playlists 14/02/13 12:08 Page 1
www.musicweek.com 15.02.13 Music Week 25
in association with
THE BEST OF THE REST... Alas, not everyone can make it into our final list - but Music Week has been hugely impressed with a whole host of other young business talent this year. Here are just a handful of the excellent professionals under 30 in the UK music industry that have come to our attention…
KATHLEEN ALDER, Founder, WildKat PR STEPHEN HUGHES, Senior Brand Experience Executive, MATT POSNER, Producer, Metropolis TASHA ANDERSON , Director, House Of 27 MTV Networks TERIY KEY S (aka Smurfie Syco), Executive Producer, ROBBIE ASHDOWN , MD, Neighbourhood Music CHRISTOPHER IBBS , Agents Assistant, Primary Talent Dirtee Stank RICHARD AUSTEN-SMITH Co-Founder, Giant JULIAN JACKSON , Lead Booking Agent / Business GUILLERMO RAMOS , Product Manager, Men Management Manager, Maximum Boost Island Records JONO BALL, Manager, Turn First Artists JORDAN JAY, Director, Karma Artists Music Group JAMES RICHARDSON, Digital Solutions Intern, Universal ANDY BAKER, MD, Resound Media HENRY JONES, Senior Marketing Manager, Mercury DAVID RILEY, Founder, Good Lizard Media / LARA BAKER, Marketing & Events Manager, AIM DAVID RYAN JORDAN, Membership, ASCAP UK Signature Brew TOBY BAKER, Product Manager, Warner Bros. Records ALEX KATTER, Manager, Twenty First Artists BEN RIMMER, Key Accounts Manager, Believe Digital WILL BEARDMORE, Senior Digital Creative Producer, EMI CHERISH KAYA, Founder & MD, Kaya Kaya Records MICHAEL RIVALLAND, Senior Marketing Manager, ANDY BELL, Publicist, Dawbell TOBY LANGLEY, Co-Creative Director, LoveLive Mercury Records CARINA BERTHET , Manager, The League International MARK LEVIN , Junior Synchronisation Manager, BMG MEL RUBEN, Account Manager Outpost PR BEN BISHOP , Marketing, PIAS Chrysalis UK NAVID SALIMIAN, Social Media Manager, Lateral JOSH BRANDON , Senior Talent Manager, Insanity Group JAMIE LILLYWHITE, Artist Manager Management DANIELLE BUCKLEY , Music & New Events Executive, ADAM LYNCH, Digital Marketing Manager, Crown JAMILA SCOTT, A&R Scout, Polydor/Outsiders Wembley Stadium. CHRIS MANNING, Director of International Client STEPH SEAGER, Founder, Stellar PR CLEMENTINE BUNEL , Director, 2 For The Road Productions Relations, The Orchard CHARLIE SHAWCROSS, Campaign Manager, ANDY COOK , Agent, CAA SUMMER MARSHALL, Agent, CAA Mercury Records UK RUSSELL CRANK, Director, Bad Life SHARON MATHESON, Manager of Client Services, HIROKI SHIRASUKA, Co-Founder, Giant LILY CROCKFORD , Management Assistant, Crown INgrooves Men Management ALEX DARLING, Press Officer, Atlantic Records LYNNE MCDOWELL, Senior Communications PHIL SIMPSON, Director, Regent Music ROBERT DAVIES, MD, Click Media Manager, BPI ALASTAIR SMITH , eCommerce & Artist Partnerships JACK DELANEY , Online Publicist, EMI ALEX MCCLOY, Now! Music Digital Marketing Manager, Island Records, ACHAL DHILLON, MD, Killing Moon Manager, EMI Music STEVEN STONE, Radio Promotions Executive, LIZZIE DICKSON , Campaign Manager, Mercury RACHEL MCWHINNEY , Label Manager, Moshi Moshi Decca Records TAS ELIAS, Creative Producer, Script GREGORY MEAD, CEO, MusicMetric ANYA STRAFFORD, UK Product Manager, Columbia WILL EVANS , Director/A&R, Tape Club Records LAWRENCE MONTGOMERY, Founder, Rise Music RENE SYMONDS, Founder, Gotham SAM EVITT/JACK STREET, Managers, Method Music CALLUM NEGUS FANCEY , Founder, Let’s Go Crazy WILL TALBOT, Founder, Tubby Management RYAN FARLEY, A&R Manager, Warner/Chappell Music WILLIAM NICHOLS , Visual Content Manager, MATT THORNE, Co-Founder, GRM Daily/BiG! KATIE FRENCH, Director, Be Sharp PR EMI Music KIERAN THURGOOD, Senior Product Manager, JACK FRYER, UK Insight Lead, EMI DAVID OLUSEGUN , Founder, DO Entertainment Decca/Universal CHARLES GADSDON, Founder, QE CLAIRE O'NEILL, General Manager of AIF / Co Founder of RYAN WALTER , Artist Manager CHARLIE GARDNER, Promotion/Management, CGI Music A Greener Festival / Aerial performer STUART WHEELEY, Catalogue Manager, Rhino SOPHIE HALL , Label Manager, MTA Records UK MARK ORR, Director & Founder, LAB Records MATTHEW ZWECK , Manager, Partnership Sales, WILL HAMBLETON , Social Media and Online Promotions JAMES PASSMORE, MD & Founder, Plugged In PR AEG Live Manager, Eagle Rock Entertainment DAN PARKER, MD, 84 World GREGORY WELLS, Radio Promo Manager, Peermusic MICHAEL HANSON, Digital Creative Manager, EMI BHAVESH PATEL, Creative Manager, Z Management HOLLY WILLIAMS , Marketing Manager, Parlophone A BRIEF WORD FROM OUR SPONSOR: MUSIC RECRUITMENT SPECIALIST ARTS & MEDIA
Since its inception in 1999, recruitment specialist Arts & “We have proved time and time again that we are Media has invested in developing strong relationships able to place the right staff with the right experience within the music and media industries, both with our into the right jobs at every level from managing clients and our candidates. directors to temporary receptionists, successfully In recruiting for a wide range of businesses including adapting to the changing needs of the businesses we major record companies, independents, booking agents, serve and varying economic climates,” said publishing houses, studios, management and promotions managing director Helen Ward, who established the agencies, the group has performed consistently for its company in 1999. “For more than 20 years, we clients for over 10 years. have served the great and the good in recruiting for In response to increasing demand for its services from a the music and media industries. Our knowledge, wider client base, Arts and Media also now provides the experience and an enviable address book ensure same standard of service for film companies, TV that Arts & Media remains at the very forefront of broadcasters, media groups, advertising agencies, media recruitment.” publishers, digital and mobile companies. For the latest jobs: ArtsandMedia.org Project2_Layout 1 12/02/2013 15:07 Page 1
A LIFETIME OF ACHIEVEMENT ‘THE OUTSTANDING CONTRIBUTION TO UK MUSIC’ Congratulations Sir George Martin CBE 27-29 Profile Wayne_v6_News and Playlists 11/02/13 11:33 Page 1
www.musicweek.com 15.02.13 Music Week 27 PROFILE WAYNE HECTOR WAYNE’S WORLD One of the globe’s leading pop songwriters on what makes a hit, the music business and why he craves to work with bands after a successful 2012 with credits on a number of chart-topping tracks
SONGWRITING ABOVE Paloma Faith, Christina Aguilera and Girls Aloud, while Smash hits: The closing the year with writing sessions with Enrique Iglesias “Working with bands is something I’ve I BY PAUL WILLIAMS songwriter has penned tracks and rising star Gabrielle Aplin. wanted to do but very few invite ven by his own high standards hit songwriter for the likes of But nearly two decades after his first hit the man behind somebody else in on the lyrical side, you Wayne Hector hit a purple patch in 2012 with Nicki Minaj, The countless smashes for the likes of Westlife, JLS and others Wanted, have to build the trust” co-writes for Nicki Minaj and The Wanted has one burning ambition still inside of him – to start E Westlife and JLS WAYNE HECTOR becoming two of the biggest global smashes of writing with bands. the year. “Working with bands is something I’ve wanted to do, had another lyricist in. You have to build the trust.” Between them Starships, penned with Minaj, RedOne but the problem is unless you’re invited into the circle there’s Despite those hurdles, Hector says he has had some and Swedes Rami Yacoub and Carl Falk, and Glad You not really any way you can get in there,” says the approaches in the past year and is now set to work with Came, written with Ed Drewett and his long-time Warner/Chappell-signed songwriter. “For most people who How To Save a Life hitmakers The Fray, which will see collaborator Steve Mac, have sold something like 12 million are writers inside a band it’s a very personal thing for them them joining a growing trend of once self-contained groups downloads. And that is in addition to him landing songs on to write a song so to invite somebody else in on the lyrical reaching out to established hit songwriters. Such a move has latest albums by the likes of One Direction, Olly Murs, side most of them have never done it or very few have ever worked extraordinarily well for Maroon 5 whose careers 27-29 Profile Wayne_v6_News and Playlists 11/02/13 11:33 Page 2
28 Music Week 15.02.13 www.musicweek.com PROFILE WAYNE HECTOR
were instantly revived when frontman Adam Levine wrote ABOVE “If you do a record that’s for a younger crowd the thing enormously since Hector first broke through – his first Top Chart success Moves Like Jagger with Shellback, Benny Blanco and Hector co-wrote that happens as a writer is a lot of the time the sound 10 hit was Forever by Damage in 1996 – with now Ammar Malik and for US rock band Train who are now Starships for changes and what’s young is not what was young back in the sometimes a dozen or more writers named on the credits. Minaj and The scoring regular international hits after singer Pat Monahan day so you’re displaced. You no longer recognise what “In the R&B genre that’s a regular thing. Lots of people Wanted’s Glad started collaborating with Norwegian writing and You Came, two constitutes a hit now. Fortunately, which has a lot to do with get together in a room and throw ideas at each other and get production duo Espionage. of the biggest the people I work with, that hasn’t happened to me just yet.” something,” he says. “It means you get more things going tracks of 2012 “Train are a great band anyway from some of their older In fact, Hector last year had one of his most successful on. Sometimes as a writer [on your own] it will take you six which between stuff, but definitely you can see what Espionage have them have sold periods yet with Starships and Glad You Came, in months to perfect a song.” brought to the picture,” says Hector. “They’ve made it around 12 particular, demonstrating his continuing abilities to write The other side of the coin is the re-emergence of the million youthful, given it that modern sound that radio loves so downloads big hits. lone singer-songwriter and nobody could be more happy you’ve got a band who were a really good band who people “I always say I look at a hit record as a lease of life in about this turn of events than Hector who suggests things knew who are now a major international act and I think it terms of your songwriting career so for every big record you were getting a bit samey with artists working with the same is important to have that contact.” have it’s like another five years plastered on. I find it as writers and producers. The Brit is well aware himself of the importance of enjoyable having a hit now as I did 20 years ago. It just feels “Over the last few years there’s been a real identity crisis staying alert to what kind of songs and production still work really good and you feel vindicated because certain records because you are kind of guessing who the artist is a lot of the with a young audience. He reckons too many once very you say to yourself, ‘That’s a hit record’ and you are happy time. There have been so many good bands – Mumford & successful songwriters stop creating hits because they lose you still know what a hit record looks like.” he says. Sons, Fleet Foxes, plus Ed Sheeran – a lot of great stuff out touch with that. The songwriting and production scene has changed there for you to listen to at the moment that’s not your
HECTOR ON: THE X FACTOR AND THE FUTURE OF HIS JOINT-VENTURE WARNER/CHAPPELL PUBLISHING COMPANY
The X Factor has been very good to Wayne Hector’s career have seen the process and say, ‘You were nuts to get rid of have with his publisher Warner/Chappell. The JV already over the years having resulted in him penning songs for that person. I’m interested in that person.’” appears to be bearing fruit. JLS, One Direction and Olly Murs. However, he reckons the Hector himself watches the programme with an eye on “We have a couple of lyricists who are signed to us and 2012 season was not one of the strongest. seeing if there are any potential writing opportunities. I always think to myself, ‘There are lots and lots of “With a talent show contest of any kind there are going “There have been a couple of times where I’ve gone, producers.’ The hardest thing to find is a really good top to be years where you have an abundance of talent and ‘Find out what you can about that girl or that guy and have liner. There are probably loads of them out there, but years it’s a little weaker field. I thought this year was a bit a meeting and see if they can really pull it off live and see always the focus is on, ‘Let’s get great producers’, so a lot of a weaker field, but there’s always hope for next year. if you can work a situation for it.’ Sometimes people will of lyricists are stuck out there in the dark, but we’ve got a Undoubtedly, there will be another X Factor next year.” say, ‘There’s no story.’ Everything has to have a story now couple of really good people and one of them has started Despite this, he was impressed with winner James and I think, ‘Why not make the story? Why not take to make a bit of noise already – Kingsley Brown.” Arthur, noting: “I like him a lot. I think potentially he could someone who is incredibly talented, put them out on the He particularly enjoys the mentoring side of having his be really good and I’d love to work with him. road and create the story?’ own company, working with new talent and sharing his 20- “If The X Factor has proved anything at all it’s proved “My hope is to find someone like a Damien Rice or an years plus experience of working at the top of his game. there is a lot of undiscovered, great talent out there that Ed Sheeran I believe in so much that I’m willing to put my “I want to get in the room with them and explain to would never have an opportunity to find its way to the money in and make this happen. They are one in a million. them what to look for, how to think about a song and as light, whether or not it is somebody who makes it to the Maybe you see one of them a year, if that. Most years it’s you see that development, whether it’s a year or two-year final three. There were a couple of people I thought the same people coming back with another album.” period, that is a great feeling. Then they start getting their shouldn’t have been in the final 10, but at the end of the This he will look to realise through a joint-venture first cuts and you think, ‘Yes, they’ve got it’ and then after day there’s going to be a lot of industry people who would publishing company he and his manager Jackie Davidson that you are hoping they have a nice hit.” 27-29 Profile Wayne_v6_News and Playlists 11/02/13 11:33 Page 3
www.musicweek.com 15.02.13 Music Week 29
HECTOR ON: MUSIC PUBLISHERS
Wayne Hector unexpectedly found himself on a For Sale list last year as part of a collection of assets Sony/ATV had to divest to win EC regulatory approval for its EMI Publishing takeover. His catalogue created while he was at Sony/ATV – he later signed with Warner/Chappell for new works – placed him among a dozen contemporary Anglo-American songwriters who had to sever their links with the new combined powerhouse of Sony/ATV and EMI. Others in the same position included Mark Ronson, Eg White and Take That pair Howard Donald and Jason Orange. These and the Virgin and Famous UK publishing catalogues that Sony/ATV also had to sell were snapped up last December by BMG Rights, giving the rival company control over Hector’s share of songs such as the JLS chart- toppers Beat Again and Everybody In Love and
ABOVE The Wanted’s debut hit All Time Low. standardised record.” “Over the past few years there’s been a High hopes Hector takes a philosophical approach about He reserves particular praise for Ed Sheeran whom he Hector is it all. real indentity crisis. There’s so many working with says made “an amazing album”. Parlophone “I know that’s what happens and as far as “You definitely have to take your hat off to him as a good bands - Mumford & Sons, Fleet artist Gabrielle I’m concerned as long as the new company’s songwriter. I listened to that and there are several songs I Foxes, plus Ed Sheeran - for you to Aplin for her actively exploiting the catalogue it doesn’t make debut album thought, ‘Damn I wish I had written that’ and that is always listen to that’s not your standardised English Rain to any difference to me,” he says. “The thing is to the test for me personally. He deserved his Ivor Novello. I record.” WAYNE HECTOR be released in get in there and talk to them and say, ‘All right, think it’s great to see some of the young talent we have in April this year how are we going to do this going forward? What this country. I love Labrinth. He’s one of the best talents we works out about four months and this coming year I want are you going to do with the songs?’ and have. Fantastic production he does himself, great lyricist. I to do the same thing, but you have to balance it out with the hopefully they’ll be active with the catalogue.” love the song he did with Emeli Sandé. I like the way he family life.” The consolidation of Sony/ATV and EMI writes. I like what he talks about. I like the positivity.” For the US in particular he says it is very important to Publishing plus the various independents Sheeran was part of a hugely-successful 2012 for UK retain a physical presence in the market, not least so snapped up by BMG Rights mean fewer signing songwriters in the States with Billboard’s end-of-year chart industry executives remember you. options now for songwriters. of the most successful writers there topped by Calvin Harris “You really need to press the palms and so on,” he says. “The idea is to make yourself as valuable as and also including Adele and Hector himself. He suggests “You’re not in people’s thoughts unless you are in their you can,” he says. “It’s all based on success, so the market got bored by the rigid formatting of US radio eyesight, so you’ve got to get out there to make those even if there are only a few people around with hit records tending to sound very similar and this connections and let people know you feel your relationship everybody does their deals on the math of it opened the door to UK talent. with them is valuable. Also just to meet new people. You now. If you’ve had a lot of success you’ll get a “That’s the problem with formatting. Everything work with a lot of people, but you don’t always have that good deal. Of course, it was nice when people becomes the same thing and then you have just one sound. magic with a lot of them so the trick is to find new people had to fight a bit more, but you deal with the You always need the right set of circumstances, but these who you might have that magic with.” situation as it is. things are generally organic.” Back home he has been working with Parlophone artist “For me the only thing you think as the The UK success last year saw the unlikely prospect of Gabrielle Aplin whose John Lewis-synched Frankie Goes publishing company is getting bigger and bigger two boy bands in One Direction and The Wanted – both of To Hollywood cover The Power Of Love topped the UK and bigger is are they still as focused on your whom Hector has written for – breaking in a territory singles chart last December, but who is now preparing to catalogue and are they collecting properly so [my which at one time totally ruled this market with the likes of release her debut album English Rain in April. He has also manager] Jackie [Davidson] always sits on top of ‘N Sync and Backstreet Boys. been working with James Blunt and Enrique Iglesias. everything and makes sure we are getting all the “Everything is in cycles and there hadn’t been a “She’s really, really wonderful,” he says. “It’s one of those money, all the revenue we should be getting. successful boy band in America and once everything starts projects like when I heard James Morrison for the first time That’s the only concern with it.” coming from England A&Rs start saying, ‘What else can and I said, ‘I have to work on this album. Whatever you have Naturally, songwriters do on occasions we find in England?’ and these were the two things that to do you have to get me a writing session on this album’ compare their deals and sometimes find they were doing really well so they took it on board.” and, of course, it happened and the same with this young are earning less money, even if they have co- The popularity of European repertoire right now in the lady. I heard one of her songs and I was like, ‘I want to work written the same song. States – Billboard’s top four songwriters last year all came on this.’ Forget everything else. Knock out what you need to “You’ll be amazed at the kind of money you from Europe – gives Hector even more incentive to commit knock out of the diary. This is something that I have to can find when you start being picky about the part of his year working in the market. In total, he reckons work on. I like her tone. She is already making herself a star, pennies,” he says. “There have been a couple of he spends around four months of each year travelling. but you want to be part of that. If I had heard Ed Sheeran occasions in past deals where you sit there and “For me for the next 15 years I just want to be hard core, years ago I would have tried to sign him myself. He is just think, ‘You’ve got 30,000 more than me. How flying at it and doing as much as I can and then slow down,” one of those people you listen to and think, ‘This is honest.’ can that be possible?’ Then you do your he says. “When I went to LA [last year] that was a month, In my career now that’s what I want to do. I want to start chasing up and they go, ‘Oh, sorry bit of an then I’ve been to Miami that’s just a week, a couple of weeks working with artists who I feel have got that honesty when oversight here.’” here, a couple of weeks there over the year, but eventually it they write and it’s more organic as a sound.” 30-31 RETAIL DPS_v8_News and Playlists 12/02/13 16:59 Page 32
30 Music Week 15.02.13 www.musicweek.com RETAIL
BADLANDS
Give us a bit of background on all over Europe from Bruce 11 St George’s Place, the store… Springsteen collectors. Obviously Cheltenham, GL50 3LA We started trading in 1985 we’re Bruce Springsteen fans t 01242 246 242 selling our own record ourselves, so we started putting w badlands.co.uk Co-owner: Philip Jump collections on a market stall. We out a magazine and then quickly started doing record fairs running trips to see him in before getting a small unit in a concerts. Now, that’s a massive town with bands and we get help our over the counter sales market store in Cheltenham. part of what we do and we take “To have a record shop is bands to play in-store. When the but for the wider High Street it We managed to get a Sony hundreds of people to see him still something to be proud weather’s kind, everyone plays isn’t good. account when Our Price had a abroad. In fact I spend all of my out in the street and it becomes of. It’s an achievement .” dispute with them and we took time running a travel agency. a bit of a party. We have a cake What do you think the High it from there really. We’ve So, business has changed PHILIP JUMP, BADLANDS stall and it really is fantastic, not Street will look like in the next 5- been in the currently premises drastically. The Bruce just in terms of business that day 10 years? since 1988. Springsteen magazine has to be. It’s a case of if you can’t but in terms of celebrating I think if landlords reduce their obviously gone now because beat them, join them. We were having a record shop. rents then the High Street could How is business today there’s no need for fanzines lucky in that we did that early, People are already asking become full of interesting compared to previous eras? thanks to the internet, but we we’ve been selling online for what we’re doing for Record independent retailers rather than Business is good. We’ve still run the fan club, which is years now, but we’re still very Store Day this year. empty shop units. diversified a lot: we sell a lot on great because it gives us a base proud of the record shop. When Cheltenham has a pretty eBay and Amazon and of loyal customers. someone asks me what I do I What’s your take on the HMV popular shopping centre but elsewhere online. tell them I own a record shop, situation? Is it a good or bad there are plenty of empty We run a Bruce Springsteen Do you think you would have that’s the first thing. To have a thing for you? shopping units elsewhere. fan club as well. When myself had to have diversified anyway record shop is still something to It leaves an opportunity for and my brother Steven, who runs because of the way digital is be proud of. It’s an independent retailers, yes, but How confident are you about the business with me, were becoming more dominant? achievement to still be here. for the sale of physical music as the future? trying to think of a shop name Every independent shop that’s a whole it’s not great. People in If we continue to adapt to we could agree on, Badlands, still going does something What do you think of Record towns that haven’t got an change we’ll be fine. There are the Bruce Springsteen song, that’s a little bit different and Store Day? independent shop are being definitely opportunities to sell sounded cool. we’ve embraced it. We’re a It’s a brilliant day. We really driven online. There is an HMV physical products so we’ll keep We started getting letters from multi-channel retailer, we have embrace it: we arrange a gig in in Cheltenham so it’s bound to doing it.
INTERNET VS HUMA N This week’s High Street Hero Philip takes on his digital rivals ...
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FLEETWOOD MAC Rumours ELTON JOHN Elton John FIRST AID KIT The Lion’s Roar 30-31 RETAIL DPS_v8_News and Playlists 12/02/13 17:00 Page 33
www.musicweek.com 15.02.13 Music Week 31
THIS WEEK’S RETAIL CHARTS REISSUE REPACKAGE Aladdin Sane 40th Anniversary Edition Parlophone Label Group / 15th April
The 40th Anniversary Edition of Aladdin Sane is a ten-track digitally re- mastered version of David Bowie’s 1973 FOPP iTunes EMUSIC No.1 album. It features Top 10 retail chart Top 10 retail chart Top 10 streamed chart Bowie - who described POS ARTIST ALBUM POS ARTIST ALBUM POS ARTIST ALBUM the album as “Ziggy FRIGHTENED We Are the 21st 1 Pedestrian verse 1 JAKE BUGG Jake Bugg 1 FOXYGEN RABBIT Century… goes to America” - THE UNKNOWN 2 BIFFY CLYRO 2 2 playing guitar, Opposites COURTEENERS ANNA MORTAL... || harmonica, keyboards Les Misérables The Man Who Died In 3 JAKE BUGG Jake Bugg 3 VARIOUS ARTISTS 3 GROUPER (Highlights) His Boat and saxophone and is the last album with a line-up consisting Our Version Of Events of Bowie, Mick Ronson (guitar, backing vocals, piano), Trevor 4 VILLAGERS awayland 4 EMELI SANDÉ 4 EELS Wonderful, Glorious (Special Edition) Bolder (bass) and Mick Woodmansey (drums). It also marks Rumours: 35th Regions Of Light And 5 FLEETWOOD MAC 5 VARIOUS ARTISTS Acid House Anthems 5 JIM JAMES the debut of pianist Mark Garson. anniversary Sound Of God Now That's What I Waiting For Remastered by Ray Staff, the man who cut the original LP at 6 OST Les Miserables 6 VARIOUS ARTISTS 6 VERONICA FALLS Call Music! 83 Something To... Trident Studios, the album is a rockier, more chaotic album than Our Version of events: 7 EMELI SANDE 7 JUSTIN BIEBER Believe Acoustic 7 DARKSTAR News From Nowhere its predecessor The Rise And Fall Of Ziggy Stardust. Special Edition There are no deviations from the original track list: it 8 BLACK KEYS 8 ELLIE GOULDING 8 TORRES El Camino Halcyon Torres starts with Watch That Man (possibly influenced by The MUMFORD & 9 9 VARIOUS ARTISTS 9 NIGHT BEDS Rolling Stones) and finishes with the edgy Lady Grinning SONS Babel Anthems 90s Country Sleep Soul. Aladdin Sane 40th Anniversary Edition will be available EVERYTHING Rumours (Deluxe 10 Arc 10 FLEETWOOD MAC 10 RON SEXSMITH Forever Endeavor EVERYTHING Version) as a CD and iTunes download. PRE-RELEASE NEW ENTRIES GALORE INCLUDE STROKES, DEPECHE MODE, BON JOVI AMAZON PRE-RELEASE SAINSBURY’S PRE-RELEASE PLAY PRE-RELEASE THERE’S AN ABUNDANCE OF Albert Hall CD and DVD (16 at new entries across the Amazon and 18 at Play) and POS ARTIST/ ALBUM / LABEL POS ARTIST/ ALBUM / LABEL POS ARTIST/ ALBUM / LABEL pre-order charts this week, led Bastille’s Bad Blood (Amazon by highest new entry The at 19 and 17 at Play). Strokes’ Comedown Machine, which places at No.4 on the Sainsbury’s chart. Next best is Depeche Mode with Delta Machine sitting in fifth over at Amazon, followed by Stooshe with their eponymous offering at Play Other new entries see Justin landing in the sixth spot (with Hayward take No. 20 at exclusive signed copies of Amazon with Spirits Of The 1 DAVID BOWIE The Next Day 1 VARIOUS ARTISTS Now 84 1 FOALS Holy Fire their deluxe edition package) Western Sky, while 2 NICK CAVE... Push The Sky Away 2 DIDO Girl Who Got Away 2 BULLET FOR MY V... Temper Temper and Vampire Weekend’s Sainsbury’s sees new entries 3 JOHNNY MARR The Messenger 3 DAVID BOWIE The Next Day 3 DAVID BOWIE The Next Day (Deluxe) Modern Vampires Of The City from The BRIT Awards 2012 4 JOSH GROBAN All That Echoes 4 THE STROKES Comedown Machine 4 STEREOPHONICS Graffiti... (Deluxe 2CD) at No.7 at Sainsbury’s. (10), Misha B (12), Laura 5 DEPECHE MODE Delta Machine 5 FOALS Holy Fire 5 NICK CAVE... Push The.. (Deluxe CD/DVD) Mvula (13 and 17 with a 6 DIDO Girl Who Got Away 6 TOM ODELL Long Way Down 6 STOOSHE Stooshe (Signed) (Deluxe) deluxe edition) and James 7 ATOMS FOR PEACE AMOK 7 VAMPIRE...Modern Vampires Of The City 7 DIDO Girl Who Got Away (Deluxe 2CD) Arthur (16). Newbies at 8 STEREOPHONICS Graffiti on the Train 8 RICHARD THOMPSON All That Echoes 8 JOHNNY MARR The Messenger Play.com come from Richard 9 BON JOVI What About Now 9 STEREOPHONICS Graffiti On..(CDigipak) 9 VARIOUS Sound City: Real To Reel... Thompson (11) while Palma 10 STOOSHE Stooshe 10 VARIOUS ARTISTS The Brit Awards 2013 10 STEREOPHONICS Graffiti On... (Digipak) Violets, Soilwork, Bastille, 11 DEPECHE MODE Heaven 11 BON JOVI What About Now 11 RICHARD T... Electric (2CD Deluxe) Emeli Sande, Brian McFadden 12 HURTS Exile 12 MISHA B Misha B 12 JOSH GROBAN All The Echoes and Gary Clark Jr fill spots 15 13 JOHN GRANT Pale Green Ghosts 13 LAURA MVULA Sing To The Moon 13 DARWIN DEEZ Songs For... (Signed) New entries with multiple to 20 respectively. 14 IRON MAIDEN 14 PETULA CLARK Lost In You 14 IMAGINE DRAGONS Night Visions appearances across the pre- David Bowie’s The Next Day Seventh Son of a... 15 IRON MAIDEN 15 GABRIELLE APLIN 15 PALMA VIOLETS order charts this week come remains in the lead at Somewhere in Time English Rain 180 16 EMELI SANDÉ 16 JAMES ARTHUR 16 SOILWORK courtesy of Bon Jovi’s What Amazon, whilst Now 84 Live at The Royal Albert... TBC The Living..(2CD Ltd Digipack) 17 JIMI HENDRIX 17 LAURA MVULA 17 BASTILLE About Now (9 at Amazon and makes a leap from 12 to 1 at Classic Rock Presents... Sing To The... (deluxe) Bad Blood 18 EMELI SANDÉ 18 EMELI SANDÉ 11 at Sainsbury’s), Emeli Sainsbury’s and Foals rise 18 PALMA VIOLETS 180 Live At The Royal Albert... Live At The...(CD & DVD) 19 ATOMS FOR PEACE 19 BRIAN MCFADDEN Sande’s Live At The Royal from 3 to 1 at Play. 19 BASTILLE Bad Blood AMOK (Ltd Edition) The Irish Connection 20 JUSTIN HAYWARD Spirits Of The... 20 ATOMS FOR PEACE AMOK 20 GARY CLARK JR Blak & Blue 32 PEOPLE_v4_News and Playlists 11/02/13 13:25 Page 32
32 Music Week 15.02.13 www.musicweek.com PEOPLE PERSONNEL PRS FOR MUSIC HIRES NEW CHIEF ECONOMIST