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My Morning Racket Is a Weekly Two-Hour Radio Show Produced in Penticton British Columbia at Peach City Radio (CFUZ-FM)
My Morning Racket is a weekly two-hour radio show produced in Penticton British Columbia at Peach City Radio (CFUZ-FM). Host Dave Del Rizzo thumbs his nose at the conventional kid gloves used to wake folks via radio music by playing loud unapologetic distortion-laden music for breakfast. Mix in a little talk and the occasional interview, and voila, welcome to My Morning Racket. Email: [email protected] Frequency: Weekly Release: Mondays after 0900h Pacific Time Season 4 Episode 3 Serial 134 Original Air Date: January 15, 2021 Length: 118:00 Title: Dirtying Up the Airwaves Host: Dave Del Rizzo Guests: None Bonus track(s) - only appear in repeat/podcast broadcast * - language 1 Parquet Courts Wide Awake! Wide Awake! 2.40 2 Extraworld Starless Radial Velocity 5.37 3 Stillness & Stars Three Rideau 4.08 4 butter city poster boys toploft idlejoy high noon 4.09 5* TOBACCO Hot Wet & Sassy Body Double 2.52 6 OH SEES Panther Rotate Don't Blow Experiment 5.09 7 Front Line Assembly Mechanical Soul Purge 5.23 8 Nine Inch Nails Pretty Hate Machine Down In It 3.46 9 Hex Beat A Series of Kicks Earning 3.43 10 LIGHTSOCKET At issue with everything It's never a good time 3.05 11 applewhite New Bohemia Absurd 4.45 12* Random Ideas We Met In The Womb Leave Me Alone 3.17 13 The Pack A.D. Positive Thinking Sorrow 4.01 14 Property Think Electric! In Gloom 3.33 15 Real Estate In Mind Stained Glass 3.54 16* J. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
“Industrial-Tinged Pop That Has More Than a Few Hints of Legendary Metal
::WHAT PEOPLE ARE SAYING. “Industrial-tinged pop that has more than a few hints of legendary metal-adjacent bands Depeche Mode and Nine Inch Nails. Plus they still work in the noise blasts of their earlier material, and what metalhead doesn’t like a little noise?” - BrookynVegan / Invisible Oranges (2016’s #1 Non-Metal Band Metalheads Should Be Listening To) “HEALTH has actually made a very loud pop album, one that is turned up to daring extremes.” - The New Yorker "A band turning heavy rock, club music and edgy pop inside-out.” - LA Times “A monstrous album on which its electronic and industrial mystique has matured to represent an absorption of the band’s discography, injected with a serum of growth hormones.” - Onion A/V Club (A-) ::RECENT MUSIC -/ HEALTH remix of Ghost’s “He Is” (click to listen) -/ HEALTH soundtrack cover of New Order’s Blue Monday for Atomic Blonde film (click to listen) ::RECENT HIGHLIGHTS AND BREAKS -/ On tour with The Neighborhood (Spring / Summer 2018) -/ Adult Swim “Single Series” for (click to listen) -/ Triple J (AUS) fully supporting album, “STONEFIST” added and one of their most played records of 2015 -/ STONEFIST single named Pitchfork BEST NEW TRACK -/ Sundance Next Festival film premiere with the legendary Pablo Ferro ::RADIO HIGHLIGHTS -/ Sirius XMU premiered “NEW COKE”, peaked 30+ spins per week -/ BBC Radio 1 Dan P Carter premiered and supported “STONEFIST” -/ #4 most added on CMJ, peaked #8 on CJM 200 -/ KEXP session and XMU takeover week of release ::PRESS AND TV HIGHLIGHTS -/ Features in The New Yorker, NPR “First Listen”, Billboard, LA Times (Arts cover), LA Weekly, Pitchfork, FADER, Noisey, Stereogum, DIY, FACT, and more -/ Glowing reviews from The Onion A/V Club (A-), Best of Line Fit (9/10), Alternative Press (4/5), NME (4/5), and more. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
The Sound of an Album Cover: Probabilistic Multimedia and IR
The Sound of an Album Cover: Probabilistic Multimedia and IR Eric Brochu Nando de Freitas Kejie Bao Department of Computer Science Department of Computer Science Department of Computer Science University of British Columbia University of British Columbia University of British Columbia Vancouver, BC, Canada Vancouver, BC, Canada Vancouver, BC, Canada [email protected] [email protected] [email protected] Abstract We present a novel, flexible, statistical approach to modeling music, images and text jointly. The technique is based on multi-modal mixture mod- els and efficient computation using online EM. The learned models can be used to browse mul- timedia databases, to query on a multimedia database using any combination of music, im- ages and text (lyrics and other contextual infor- mation), to annotate documents with music and images, and to find documents in a database sim- ilar to input text, music and/or graphics files. 1 INTRODUCTION An essential part of human psychology is the ability to Figure 1: The CD cover art for “Singles” by The Smiths. identify music, text, images or other information based on Using this image as input, our querying method returns associations provided by contextual information of differ- the songs “How Soon is Now?” and “Bigmouth Strikes ent media. Think no further than a well-chosen image on Again” – also by The Smiths – by probabilistically cluster- a book cover, which can instantly establish for the reader ing the query image, finding database images with similar the contents of the book, or how the lyrics to a familiar histograms, and returning songs associated with those im- song can instantly bring the song’s melody to mind. -
Lista De Eventos Autorizados
Lista de eventos autorizados Fecha de la Productor(a) y/o Nº Resolución Nombre Evento Lugar y fecha evento Link resolución responsable DAC-DECVP-RE- Blackline Productions Overkill Y Eluveitie Wings http://reventazon.meic.go.cr/informacion/es 1 08-Ene-19 Disco Peppers Club, 10 de febrero 2019 002-19 S.A Over Latin America pectaculospublicos/2019/2.pdf http://reventazon.meic.go.cr/informacion/es DAC-DECVP-RE- Parque Viva, primera Fecha: 06 de abril de 2019 - CANCELADO pectaculospublicos/2019/5.pdf 2 15-Ene-19 Grupo Nacion GN, S.A Festival Trailero 2019 006-19 Parque Viva, segunda Fecha: 01 de setiembre de 2019 http://reventazon.meic.go.cr/informacion/es pectaculospublicos/2019/18.pdf Música Plancha, Teatro Mélico Salazar, 2 y 3 de febrero 2019 Lo Mejor de COLDPLAY, Teatro Mélico Salazar, 9 y 10 de marzo 2019 Lo Mejor de IRON MAIDEN, Teatro Mélico Salazar, 4 y 5 de mayo 2019 Remembering Michael Jackson, Teatro Mélico Salazar, 1 y 2 de junio 2019 Temporada Dos Mil DAC-DECVP-RE- Agencia Artística Lo Mejor de BEE GEES, Teatro Mélico Salazar, 13 y 14 de julio 2019 http://reventazon.meic.go.cr/informacion/es 3 16-Ene-19 Diecinueve Orquesta 007-19 Intempo S.A RANCHERAS, Teatro Mélico Salazar, 17 y 18 de agosto 2019 Filarmonica pectaculospublicos/2019/3.pdf La Música en el cine, Teatro Mélico Salazar, 5 y 6 de octubre 2019 Lo Mejor de AC/DC, Teatro Mélico Salazar, 2 y 3 de noviembre 2019 Lo Mejor de U2, Teatro Mélico Salazar, 23 y 24 de noviembre 2019 Lo Mejor de la Filarmónica, Teatro Mélico Salazar, 17 y 18 de diciembre 2019 DAC-DECVP-RE- Cocinando -
Combichrist Everybody Hates You Format 2CD / CD Label out of LINE Cat.No
Combichrist Everybody Hates You Format 2CD / CD Label OUT OF LINE Cat.No. OUT177-CD / OUT176-CD Release date 12/11/15 Genre DARK WAVE / AGGROTECH Barcode 4260158831765 / 4260158830232 Tracklist Everybody Hates You is the second full-length studio album by the American aggrotech band Combichrist. It was originally released on CD 1 March 8, 2005 through the Out of Line record label. 1.This Shit Will Fuck You Up 2.Enjoy The Abuse Originally released in 2005, Combichrist’s second album brought the well- 3.Today I Woke To The Rain Of Blood earned breakthrough for Norwegian berserker Andy LaPlegua. “Everybody 4.I'm Happy Anyway Hates You” is a ground breaking fusion of Techno, Industrial and Electronic 5.Blut Royale Body Music which has LaPlegua ignite a sonic inferno with distinct hit 6.Who's Your Daddy, Snakegirl? qualities, spiced up with provocative samples and cynical attacks. Featuring 7.Feed Your Anger club hits such as “Blut Royal” and “This Sh*it Will Fcuk You Up”, the album 8.God Bless is one of the most innovative and aggressive releases of its time and is still 9.Like To Thank My Buddies a mandatory spin at any alternative club night, roughly five years after its 10.Happy Fucking Birthday first release. An absolute hard electronic dance music classic ! 11.This Is My Rifle 12.Lying Sack Of Shit 13.Without Emotions Remember that period around 1987 or so, when a new generation of CD 2 electronic acts influenced by Throbbing Gristle, Test Department, and 1.The Undertaker Einstürzende Neubauten added heavy electronic disco beats to their noisy 2.Red Signal aggression? Skinny Puppy, latter-day Cabaret Voltaire, and any number of 3.Wreckage bands on the Wax Trax label were the leaders of this second wave until 4.Rubber Toy Trent Reznor's Nine Inch Nails watered down the mix even further by 5.Below adding palatable pop song hooks and were rewarded with superstardom. -
Nuclear Blast Qui a Dû Sentir Qu’Il Tenait Là, Un Groupe Apte À Faire Revivre Les Années Dorées Du "Classic Hard Rock"
2/32 EDITO La journée du 14 juillet, notre fête nationale, sera à marquer d’une pierre blanche. En effet, les amateurs de musique live auront le choix entre le festival Léz Arts Scéniques à Sélestat qui pour l’occasion fêtera ses 10 ans, avec une affiche à tomber par terre, le concert de Jeff Scott Soto, grand chanteur et véritable bête de scène, dans le cadre intimiste de la Galery à Pratteln, pendant que le Casino de Bâle proposera les légendes du rock sudiste, Point Blank, show qui en plus est gratuit. Enfin, c’est Bon Jovi se produira au Stadion Letzigrund à Zurich. Jamais l’offre n’aura été aussi grande, alors faites votre choix et éclatez vous ! Ce feu d’artifice de concert ne doit pas occulter le fait, que le monde musical a été touché récemment par plusieurs disparitions auxquelles Passion Rock souhaitait rendre hommage : Calvin Russel (1948 - 03 avril 2011), bluesman texan et véritable rebelle, Scott Colombus (1956 - 04 avril 2011) batteur de Manowar pendant de nombreuses années, Matt Laporte (1970 – 20 avril 2011), guitariste survolté du Jon Oliva’s Pain, Dag Stokke (1967 – 27 avril 2011), clavier de TNT, liste à laquelle il convient malheureusement de rajouter, Patrick Roy (1957 - 03 mai 2011), le député à la veste rouge et maire de Denain qui n’a eu de cesse de défendre le métal, musique qu’il adorait et qu’il souhaitait voir reconnaitre à sa juste valeur dans l’hexagone. R.I.P. Enfin, dans un registre moindre, on ne pourra que déplorer le départ KK Downing, guitariste de Judas Priest, qui quitte le navire alors que le groupe entame sa tournée d’adieu, au même titre que le chanteur norvégien Roy Khan a décidé d’abandonner Kamelot, alors que Bon Jovi annonçait récemment que son compère et guitariste Richie Sambora ne prendrait pas part à la tournée mondiale, suite à des problèmes de dépendance à l’alcool. -
Punk and Counter Culture List
Punk & Counter Culture Short List Lux Mentis, Booksellers 1: Alien Sex Fiend [Concert Handbill]. Philadelphia, PA: Nature Boy Productions, 1989. Lux Mentis specializes in fine press, fine bindings, and First Edition. Bright and clean. Orange paper, black esoterica in all areas, books that have been treasured and ink lettering and pictorial elements. 8vo. np. Illus. (b/ will continue to be treasured. As a primary focus is the building and/or deaccessioning of private collections, our w plates). Fine. Broadside. (#9910) $100.00 selections are diverse and constantly evolving. If we do not have what you are seeking, please contact us and we will "Alive at Last... // First US Tour in Five Years." Held strive to find it. All items are subject to prior sale. Shipping November 14 at Revival in Philly, it was a 'split and handling is calculated on a per order basis. Please do level' show (all ages upstairs and bar down). Held in not hesitate to contact us regarding terms and/or with any conjunction with the release of Too Much Acid? Very questions or concerns. scarce. One of our focus areas revolves around the punk/anarcho sub-culture and counter culture more broadly. Presented 2. Anarchy [does not equal] Chaos // Anarchy here is a small, diverse collection of books, zines, posters, [equals] A Social Order. Australia: [Anarchism etc. all of which are grounded in one or more counter Australia], nd [circa 1977]. First Printing. Minor culture scenes. Please note, while priced separately, the edge wear, tape remains at the four corners [text Australian anarcho/punk posters are available as a small side], else bright and clean. -
EPICA „Requiem for the Indifferent“
EPICA „Requiem For The Indifferent“ VÖ: 09.03.2012 Line up: Epica Online: Simone Simons – Vocals www.epica.nl Mark Jansen – Guitars & Vocals www.facebook.com/epica Coen Janssen – Synths & Piano Isaac Delahaye - Guitars Arien van Weesenbeek – Drums Yves Huts - Bass Ever since EPICA emerged on the scene at the end of 2002, the band has been living in a whirlwind of studio recordings, interviews, screaming fans, live performances and a rock 'n roll lifestyle. With every new album EPICA pushes the boundaries by reinventing their distinctive style, and nothing seems to stop the band on their rise to the top. With their previous record ‘Design Your Universe’, seen by many as a true milestone in bombastic and symphonic metal, EPICA seemed to have found the perfect musical mixture between classical and heavy music. The album entered the charts everywhere and consolidated their position among the top of today’s metal acts. An extensive tour marathon with over 200 headlining shows allover the globe proved both their ambition and their success. This time EPICA once again raises the bar with their fifth album called 'Requiem of the Indifferent’. Full of trademark hymns, significant lyrics, powerful guitar riffing alternated with cinematic interludes, Simone Simons’ angelic voice, it is a very logical step after ‘Design Your Universe’. Again it is an album which has to grow on the listener, so make sure to give it a couple of spins to get the whole picture. As with every album, EPICA mixes hard, technical and fast with intimate and slow, with as good as everything in between. -
Thematic Patterns in Millennial Heavy Metal: a Lyrical Analysis
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis Evan Chabot University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Chabot, Evan, "Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis" (2012). Electronic Theses and Dissertations, 2004-2019. 2277. https://stars.library.ucf.edu/etd/2277 THEMATIC PATTERNS IN MILLENNIAL HEAVY METAL: A LYRICAL ANALYSIS by EVAN CHABOT B.A. University of Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 ABSTRACT Research on heavy metal music has traditionally been framed by deviant characterizations, effects on audiences, and the validity of criticism. More recently, studies have neglected content analysis due to perceived homogeneity in themes, despite evidence that the modern genre is distinct from its past. As lyrical patterns are strong markers of genre, this study attempts to characterize heavy metal in the 21st century by analyzing lyrics for specific themes and perspectives. Citing evidence that the “Millennial” generation confers significant developments to popular culture, the contemporary genre is termed “Millennial heavy metal” throughout, and the study is framed accordingly. -
Czas Na Ambient Festival!
Wiadomości Piątek, 5 lipca 2019 Czas na Ambient Festival! Gorlickie Centrum Kultury serdecznie zaprasza na Międzynarodowe Prezentacje Multimedialne Ambient Festival 2019, które odbędą się w sali teatralnej GCK w dniach 12-13 lipca br. Ambient Festival to impreza prezentująca współczesne odmiany muzyki elektronicznej i elektroakustycznej oraz pokazująca wartościowe przedsięwzięcia z zakresu sztuki „Video Art”. Coraz większa popularność tej odmiany muzyki na całym świecie sprawia, że zajmuje się nią coraz większa ilość muzyków, na co dzień uprawiających jazz, folk, a także muzykę klasyczną. Ideą imprezy jest zainteresowanie szerszej publiczności niekomercyjnymi formami muzyki o najwyższych wartościach artystycznych oraz zapoznanie z najnowszymi trendami w polskiej i światowej muzyce współczesnej. Ze względu na swój „niszowy” charakter gorlicki Ambient Festival jest jedną z najważniejszych tego typu imprez w Polsce oraz jedną z coraz bardziej liczących się w Europie. W roku 2018 Ambient Festival obchodził 20-lecie swego istnienia. Przez ten okres zaprezentowaliśmy osiągnięcia wielu światowej sławy artystów zajmujących się nie tylko muzyką elektroniczną, ale także muzyką klasyczną, folkową czy jazzową. W Gorlicach wystąpili między innymi: Manuel Goetsching, Harald Grosskopff, Hans Joachim Roedelius, Christian Fennesz, Geir Jensen /Biosphere/, Richard Pinhas, Robin Guthrie, Pieter Nooten, Kouhei Matsunaga, Andres Jankowski, Eivind Aarset, Tadeusz Sudnik, Józef Skrzek, Alex Paterson /The Orb/ oraz wielu innych muzyków z niemalże całej Europy. Przez wiele lat koncerty festiwalowe prowadził red. Jerzy Kordowicz. Dyrektorem artystycznym festiwalu jest Tadeusz Łuczejko, laureat konkursu na najlepsze nagranie muzyki elektronicznej, zorganizowanego właśnie przez J. Kordowicza na antenie „Trójki”. Tradycyjnie uruchomiona zostanie giełda płyt /CD i Vinyle/, pokaz audiofilskiego sprzętu grającego. Na tegorocznym festiwalu wystąpią: 12.07 (piątek) – START GODZ.