“​Industrial-Tinged Pop That Has More Than a Few Hints of Legendary Metal

Total Page:16

File Type:pdf, Size:1020Kb

“​Industrial-Tinged Pop That Has More Than a Few Hints of Legendary Metal ::WHAT PEOPLE ARE SAYING. “Industrial-tinged pop that has more than a few hints of legendary ​ metal-adjacent bands Depeche Mode and Nine Inch Nails. Plus they still work in the noise blasts of their earlier material, and what metalhead doesn’t like a little noise?” - BrookynVegan / Invisible ​ Oranges (2016’s #1 Non-Metal Band Metalheads Should Be Listening To) “HEALTH has actually made a very loud pop album, one that is turned ​ up to daring extremes.” - The New Yorker ​ "A band turning heavy rock, club music and edgy pop inside-out.” - LA Times ​ “A monstrous album on which its electronic and industrial mystique has matured to represent an absorption of the band’s discography, injected with a serum of growth hormones.” - Onion A/V Club ​ (A-) ::RECENT MUSIC -/ HEALTH remix of Ghost’s “He Is” (click to listen) ​ ​ -/ HEALTH soundtrack cover of New Order’s Blue Monday for Atomic Blonde film (click to listen) ​ ​ ::RECENT HIGHLIGHTS AND BREAKS -/ On tour with The Neighborhood (Spring / Summer 2018) ​ ​ -/ Adult Swim “Single Series” for (click to listen) ​ ​ -/ Triple J (AUS) fully supporting album, “STONEFIST” added and one of their most played records of 2015 ​ ​ -/ STONEFIST single named Pitchfork BEST NEW TRACK ​ -/ Sundance Next Festival film premiere with the legendary Pablo Ferro ​ ​ ::RADIO HIGHLIGHTS -/ Sirius XMU premiered “NEW COKE”, peaked 30+ spins per week ​ ​ -/ BBC Radio 1 Dan P Carter premiered and supported “STONEFIST” ​ ​ -/ #4 most added on CMJ, peaked #8 on CJM 200 ​ ​ ​ -/ KEXP session and XMU takeover week of release ​ ​ ​ ​ ::PRESS AND TV HIGHLIGHTS -/ Features in The New Yorker, NPR “First Listen”, Billboard, LA Times (Arts cover), LA Weekly, Pitchfork, ​ FADER, Noisey, Stereogum, DIY, FACT, and more ​ -/ Glowing reviews from The Onion A/V Club (A-), Best of Line Fit (9/10), Alternative Press (4/5), NME (4/5), and more. ::MARKETING HIGHLIGHTS -/ Rock Star Games LiveStream on June 10, premiered STONEFIST online ​ ​ -/ Giorgio Testi (dir. Guitar Hero, The Killers) filming STONEFIST live concert clip ​ ​ ​ ​ ​ ::TOURING -/ Performed at Coachella, Austin Psych, Primavera, and FYF ​ ​ ​ -/ Two sold out US tours .
Recommended publications
  • GAVIN FRIDAY Peek Aboo
    edition October - December 2012 peek free of charge, not for sale 07 music quarterly published music magazine aboo magazine GAVIN FRIDAY BLANCMANGE AGENT SIDE GRINDER THE BOLLOCK BROTHERS THE BREATH OF LIFE + MIREXXX + SIMI NAH + DARK POEM + EISENFUNK + IKE YARD + JOB KARMA + METROLAND + 7JK + THE PLUTO FESTIVAL - 1 - WOOL-E-TOP 10 WOOL-E-TIPS Best Selling Releases DARK POEM (July/Aug/Sept 2012) TALES FROM THE SHADES 1. DIVE STACKS Dive Box (8CD) VOICES 2. SONAR Cut Us Up (CD) 3. VARIOUS ARTISTS Miniroboter (LP) 4. TROPIC OF CANCER Permissions Of Love (12”) 5. VARIOUS ARTISTS Something Cold (LP) 6. SSLEEPING DESIRESS Because we can’t choose not one, but two Wool-E A Voice (7”) tips!!! ‘Tales From The Shades’ is the debut CD by Ant- 7. VARIOUS ARTISTS werp-based ‘Fairyelectro’ band Dark Poem. Doomy tribal The Scrap Mag (CD) pop with heavenly voices set to a dark ambient-like under- 8. LOWER SYNTH DEPARTMENT score, with enough rough hooks to keep you wandering through their fairy wood. Beware of the Forrest Nymphs!!! Plaster Mould(LP) Our second tip also resides in Antwerp, ‘Voices’ is the 9. BONJOUR TRISTESSE debut LP of Stacks aka Sis Mathé of indie noiserockers On Not Knowing Who We Are (LP) White Circle Crime Club. Touches of John Maus, Molly 10. GAY CAT PARK Nilsson, Future Islands or even Former Ghosts come to mind. So if you like your synthpop bombastic and emo- Synthetic Woman (LP) tional, straight from the heart, then Stacks is your man or your band ;-) The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654
    [Show full text]
  • JAGOS MUSIC Is Pleased to Present the Wavos! Scramble up the Killers, Green Day and Depeche Mode and You're Getting a Taste for the Wavos
    JAGOS Music LLC PO Box 70730 Myrtle Beach, SC 29572 (347) 837-5515 JAGOS MUSIC is pleased to present The Wavos! Scramble up The Killers, Green Day and Depeche Mode and you're getting a taste for The Wavos. Their live show is all-out rocktronic dance-pop, powerpop meets goth electronica, an authentic ‘80s & ‘90s new wave alterna-rock dance party that won’t quit. The Wavos specialize in colliding musical styles, blurring the lines between rock & dance music, pop & darkwave, guitar trio & synthpop, never forgetting that great songs are what it’s all about. Ride the wave, it’s what you crave! Contact & Bookings: Gordon Smith (347) 837-5515 [email protected] Web Sites: www.thewavos.com www.facebook.com/thewavos www.youtube.com/jagosmusic www.twitter.com/thewavos www.myspace.com/thewavos www.itunes.com www.cdbaby.com/Artist/thewavos http://www.thewavos.com [email protected] FACT SHEET Ride the wave, it’s what you crave! Scramble up The Killers, Green Day, Depeche Mode, you're getting a taste for The Wavos: rocktronic dance-pop with a chewy ‘80s alternawave center. Artist Information Biography “Make no mistake, these guys are more than a cover band,” says the Sun News. The Wavos have a fantastic time playing their favorite songs by Billy Idol, The Killers, Beastie Boys, Depeche Mode, Green Day, The Cars, New Order, Devo, Ramones, Nine Inch Nails and so many more. Then they'll throw in a couple of original WAVOS songs and you'll just know it's a new wave band that you can't quite name… Or, depending on the venue, the band will treat its audience to a full set of their own songs.
    [Show full text]
  • MTO 20.2: Heetderks, Review of S. Alexander
    Volume 20, Number 2, March 2014 Copyright © 2014 Society for Music Theory Review of S. Alexander Reed, Assimilate: A Critical History of Industrial Music (Oxford, 2013) David Heetderks NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.14.20.2/mto.14.20.2.heetderks.php KEYWORDS: industrial, post punk, electronic music, EBM, electronic body music, futurepop, cut-up, Throbbing Gristle, Cabaret Voltaire, Nitzer Ebb, Front 242, Skinny Puppy, Laibach, Burroughs Received March 2014 [1] The genre of industrial music is long-lived and, as is evident from comparing Audio Clip 1 and Audio Clip 2, encompasses a broad range of styles. Audio Clip 1, from “Hamburger Lady” (1978) by Throbbing Gristle, is a collage of noisy sounds and a spoken text that has been electronically modified to near indistinguishability. The only suggestion of a beat is provided by a distant thump, perhaps suggesting a heartbeat. The text assaults common notions of good taste: it describes the medical care of a severely burned woman, forcing listeners to confront a figure that civilized society would keep hidden. Audio Clip 2, from “Headhunter” (1988) by Front 242, features a driving dance beat that, in contradistinction to “Hamburger Lady,” is crisp and motoric. The lead singer shouts out the story of a bounty hunter, performing an aggressive form of masculinity. The sounds of industrial music have appeared even in recent years: the harsh and abrasive synthesizer beats in Kanye West’s 2013 album Yeezus have galvanized critics, leading some to describe a masochistic form of listening that is reminiscent of responses to industrial music.
    [Show full text]
  • Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition.
    [Show full text]
  • Industrial Music and Fascism
    ASSIMILRELEASEATE A Critical History of Industrial Music PUBLIC S. ALEXANDER REED FOR NOT 1 13. Back and Forth: Industrial Music and Fascism 1. Extremism as the Norm Industrial music’s pan-revolutionary streak isn’t just fond of extreme imagery; it relies on it. Te Debordian tyranny of the spectacle, with its aligned control machines and hegemonies, is perceived as so all-encompassing that industrial music ofen takes neoliberal moderation as useless. In particular, the genre’s imagery of totalitarianism is pervasive enough to have rightly become a recur- ring topic of curiosity, caution, prurience, and debate within industrial music’s communities of fans and commentators. Graphically in videos, performances, and on record sleeves; sonically in the music’s unforgivinglyRELEASE quantized march rhythms and samples of political events, news, and flms; and discursively in bands’ lyrics and interviews, industrial music borrows from, enacts, mocks, documents, and embraces signifers of political and ideological extremism from seemingly every corner of human belief. Tis makes a certain sense given that the purported enemies on whom the genre fxes its crosshairs take so many forms. Instead of surveying and cataloguing industrial music’s extremist rheto- ric, this chapter looks deeply at how and why musicians use these signs (both theoretically and functionally),PUBLIC as well as how audiences have interpreted them. Troughout its entire history, the industrial music scene has been home to socialist ideologues, Randian libertarians, anarchists, academics, mistrusters of western intellectualism, utopian mystics, racial purists, nihilists with nothing to lose, and a substantial crowd who either hold aestheticized and underdeveloped ideologies or denyFOR any interest in politics, culture, and the discourse thereof, and who just want to dance.
    [Show full text]
  • AXS TV Schedule for Mon. April 10, 2017 to Sun. April 16, 2017 Monday
    AXS TV Schedule for Mon. April 10, 2017 to Sun. April 16, 2017 Monday April 10, 2017 6:00 PM ET / 3:00 PM PT 8:00 AM ET / 5:00 AM PT Presents Phil Collins - Going Back Rock Legends Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Bryan Ferry - Rock Legends Bryan Ferry tells the story of one of Britain’s most enduring rock icons chance to get up close and personal as Phil Collins faithfully recreates the soul and Motown and features music videos and archive material. classics that he loved as a teenager. 8:30 AM ET / 5:30 AM PT 7:00 PM ET / 4:00 PM PT Rock Legends Nothing But Trailers Rod Stewart - Rod Stewart took to the blues circuit early in his career and became the first solo Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers. artist to achieve the number 1 position in both the US and the UK after releasing his 3rd album, See the best trailers, old and new, in AXS TV’s collection. Every Picture Tells A Story. Rock Legends Rod Stewart tells the story of one of Britain’s enduring rock stars. Premiere 9:00 PM ET / 6:00 PM PT 9:00 AM ET / 6:00 AM PT Revolutionary Road Nothing But Trailers A young couple living in a Connecticut suburb during the mid-1950s struggle to come to Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers.
    [Show full text]
  • Too Loud in ‘Ere
    1 Too Loud In ‘Ere A Tale of 20 Years of Live Music Jonny Hall, June 2017 (c) Jonny Hall/DJ Terminates Here, 2017. Some rights reserved. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. 2 Introduction Every live gig I’ve ever been to has given me some kind of story to tell. You could ask me about any of them and I could come up with at least one occurrence that captured the spirit of the night. But not every live show has been truly ‘special’. I’ve seen excellent performances by bands with crowds numbering in their thousands that were simply ‘very good nights out’. No more, no less. No, it’s those gigs that leave you buzzing all the way home that count, the ones where you really felt part of something special and years later, need only think of that occasion to be right back there, in soul if not in body. Sometimes the whole gig doesn’t have to be brilliant, a single ‘magic moment’ is all you need. And it’s those events that have kept me coming back for more. Most people just settle for a few favourites and watch them every time they come round. I’m not like that. I’ve rolled the dice on catching relatively unknown bands plenty of times (especially at festivals). You never know what you might discover. It doesn’t always work. I’ve had my share of dead nights, shitty soundsystems and line-ups that seem to shift every time you look at them.
    [Show full text]
  • SPRING 1989 9:00 Smiling Fiend Schedule/Spring 1989 Habit of Thought; Habit of Action, Alternative Music to Satisfy All Your Vinyl Fetishes
    KUCI 88.9 FM Nufc'; : M.e ' .~ 'News 7 Seconds .Rap Music Rap Reviews: NitzerEbb " Front 242 :In:nian Death . Rockets . Cure .. KUCIMANAGEMENTSTAFF General Manager Jeanette Grimm What's Up, CrazyPup? Program Director Mark Baker Music Director Gary Downs Director Rachel Shishido hen I'm not masquerading as a per­ ing. We've included record reviews, inter­ Promotions Marketing Director Danielie Michaelis son who looks like he knows what views, and as much humor as our planned Production Director Glenn Habas W he's doing, I'm assaulting the air­ community can handle. Public Service Director Christina Larsen waves on KUCI as The Industrial PowerHour, Iwould Iike to express my thanksCor condo­ News Director Dave Mathieson Fridays at midnight. athought I should plug lences) to all those groovy folks that helped Sports Director Dave Desmond Training Director Carol Moore my show before someone plugs for me!) put the Guide together. Special thanks to Jim Development Director Eric Nusbaum Our last program guide-Fall 1988-came "Magic Fingers" Miller, who typed this stuffup. Traffic Director David Boyns out looking slick as ever. Thanks to Bill "Skee­ He would have made Liberace proud. Interview Coordinator Adeela Zuhuruddin tor" Derouchy. Well, that's all over now since If you have any questions or comments Cor UCRN Representative Mark Sugars Program Guide Editors Juris Zinbergs I decided to do it. Hopefully the next issue­ complaints) please feel free to contact KUCI. Jim Neuroses Miller Summer 1989-will come out much sooner. I'll be sure to disavow any knowledge. If you Gross Things Director Phlegm McMucus JNM Note- You man.,.
    [Show full text]
  • Ivardensphere Porcelain / Glamour Massiv in Mensch Anticipation / Coats Gowns Bibian Blue Kelleth
    enchanted evening fetish / boots heels iVardensphere porcelain / glamour massiv in mensch anticipation / coats gowns bibian blue kelleth DECEMBER/JANUARY 2010/2011 editor‘ s letter mission statement It’s our two-year anniversary! I can’t believe we’ve made it this far. Thanks for Auxiliary Magazine. auxiliary = alternative, supplementary, to provide what is reading and for your support over the last two years. We feel so lucky to have the missing, to give support. support we do and to work with the people we have. A great issue is ahead of you, contents bibian blue : 35 full of enchanting fashion for the winter season, festive features for the holidays, We have always had a love for the different, the unique, the creative. But from all massiv in mensch : 37 and the best music of the year. We have a lot of great plans in store, so look out sides we’ve heard what we love is on its way out, is suffering, is dying, is dead. for exciting things in the next year. Keep in touch and stay current by joining our Today an alternative aesthetic is seen more than ever. Yet the core, the base, the iVardensphere : 30 mailing list, following us on twitter, liking us on facebook, and looking for us in scene; everyone is telling us is in a sad state. Reality is what you make it. kelleth : 21 the sea of all those other social networks out there. We couldn’t have done it with- out you! As we grow over the next year we are looking for feedback, so please Our goal is to provide high quality fashion editorials, photographs, and articles; fetish .
    [Show full text]
  • The Representation of the Feminine, Feminist and Musical Subject in Popular Music Culture
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2001 The eprr esentation of the feminine, feminist and musical subject in popular music culture Emma Mayhew University of Wollongong Recommended Citation Mayhew, Emma, The er presentation of the feminine, feminist and musical subject in popular music culture, Doctor of Philosophy thesis, Faculty of Arts, University of Wollongong, 2001. http://ro.uow.edu.au/theses/1743 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] THE REPRESENTATION OF THE FEMININE, FEMINIST AND MUSICAL SUBJECT IN POPULAR MUSIC CULTURE A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from UNIVERSITY OF WOLLONONG By EMMA MAYEW B.A. (Hons) ARTS FACULTY 2001 CERTIFICATION I, Emma Mayhew, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, at the University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Emma Mayhew 18 August 2001 CHAPTER TWO FEMINIST POSTSTRUCTURALISM, THE POPULAR MUSICAL TEXT AND THE AUDIENCE - THEORETICAL DEBATES 58 Introduction 58 General Concepts and Debates 58 Discourse, Power and Agency 62 Patriarchy and Power 72 Theorising Music as Social Text 74 Musical Discourses
    [Show full text]
  • Dominion01.Pdf
    Griffinvox’s Lord Athanor with his Sirens Dark Arts Ltd - would you buy a used green bin from this lot?! Unit 36, 10-50 Willow Street, London EC2A 4BH, UK Tel: 020 7729 7666 PUBLISHER Miranda Yardley [email protected] EDITOR Joy Lasher [email protected] DESIGN Darrell Mayhew [email protected] WITH SPECIAL THANKS TO John Biscomb, Louise Brown, Charlie Hall, James Hoare, James Minton PRINTING Wyndeham Heron ©2009 Dark Arts Ltd. ISSN # 2042-1885 German electrowave act are materials. “It didn’t cost any more to like Nomads and American Apparel are spearheading a new campaign produce,” Athanor says, “and the same happily producing ethical wares with a thatA encourages goths to go green and goes for our t-shirts, which are made dark theme and mineral-based make-up it’s being supported by Greenpeace. from bamboo fibres.” companies are starting to realise not COVER PICTURE Ester Segarra Griffinvox, fronted by the delightfully- On the surface, goth culture is everyone wants to wear pastel shades. COVER MODEL Maleficent Martini (see page 5) named Lord Athanor, are behind Goth about as eco-unfriendly as possible Griffinvox hope more artists will HAIR BY For Earth which they hope will inspire – for starters aerosol-based hairsprays follow their lead and so far they’ve Marino Lambrix www.myspace.com/marino.lambrix us all to do our bit for the planet. But might not contain CFCs anymore but generated interest from a number of it’s not just about using energy-saving the propellant used in them is still underground acts including VNV Nation lightbulbs and recycling, Lord Athanor damaging to the environment.
    [Show full text]
  • Influence in Early Electronic Dance Music: an Audio Content Analysis Investigation
    INFLUENCE IN EARLY ELECTRONIC DANCE MUSIC: AN AUDIO CONTENT ANALYSIS INVESTIGATION Nick Collins University of Sussex [email protected] ABSTRACT throughout the 1980s mainstream). The cities are enshrined in the genre names Chicago house and Detroit techno as Audio content analysis can assist investigation of musi- two foundational pillars of later electronic dance music: cal influence, given a corpus of date-annotated works. We they form the core of the study in this paper, though we study a number of techniques which illuminate musicolog- do not assume without investigation that they are really as ical questions on genre and creative influence. By applying distinct as their names imply. machine learning tests and statistical analysis to a database Even before audio content analysis investigation, there of early EDM tracks, we examine how distinct putatively are good reasons for a musicologist to be wary of different musical genres really are, the retrospectively la- treating house and techno too individually in their 1980s belled Detroit techno and Chicago house being the core growth. Chicago is around a five hour drive from Detroit, case study. Further, by building predictive models based on and Detroit artists often went to Chicago to sell their works from earlier years, both by a priori assumed genre records in the larger market there; Derrick May sold groups and by individual tracks, we examine questions of Frankie Knuckles his TR-909 drum machine! The term influence, and whether Detroit techno really is a sort of ‘techno’ has many precedents, including track titles from electronic future funk, and Chicago house an electronic ex- Buggles, Yellow Magic Orchestra and Kraftwerk, although tension of disco.
    [Show full text]