The Insula of the Menander at Pompeii: Interim Report
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Summary of the Periodic Report on the State of Conservation, 2006
State of Conservation of World Heritage Properties in Europe SECTION II discovered, such as the Central Baths, the Suburban Baths, the College of the Priests of ITALY Augustus, the Palestra and the Theatre. The presence, in numerous houses, of furniture in carbonised wood due to the effects of the eruption Archaeological Areas of Pompei, is characteristic of Herculaneum. Hercolaneum and Torre The Villa of Poppea is preserved in exceptional way Annunziata and is one of the best examples of residential roman villa. The Villa of Cassius Tertius is one of Brief description the best examples of roman villa rustica. When Vesuvius erupted on 24 August A.D. 79, it As provided in ICOMOS evaluation engulfed the two flourishing Roman towns of Pompei and Herculaneum, as well as the many Qualities: Owing to their having been suddenly and wealthy villas in the area. These have been swiftly overwhelmed by debris from the eruption of progressively excavated and made accessible to Vesuvius in AD 79, the ruins of the two towns of the public since the mid-18th century. The vast Pompei and Herculaneum are unparalleled expanse of the commercial town of Pompei anywhere in the world for their completeness and contrasts with the smaller but better-preserved extent. They provide a vivid and comprehensive remains of the holiday resort of Herculaneum, while picture of Roman life at one precise moment in the superb wall paintings of the Villa Oplontis at time. Torre Annunziata give a vivid impression of the Recommendation: That this property be inscribed opulent lifestyle enjoyed by the wealthier citizens of on the World Heritage List on the basis of criteria the Early Roman Empire. -
T2-H-5271-Pompeii-Photo-Information-Powerpoint Ver 1.Pdf
This colonnade forms part of the forum. The forum was a public square which would have been used for meetings, criminal trials, public speeches, and markets. Colonnade Many streets remain in Pompeii. Here you can see cobbled streets with pavements on each side. In the distance is Mount Vesuvius – the volcano that destroyed Pompeii. Street In ancient Pompeii, there were many types of entertainment. One popular pastime was the theatre where people went to watch plays. This theatre had space for 1,000 spectators. Odeon – small theatre The Romans worshipped many gods. This temple is dedicated to Apollo, the god of music, and was built on a high platform to make it look more impressive. Temple of Apollo The House of the Vettii was one of the most impressive and richly decorated houses in Pompeii. It was named after the owners, Aulus Vettius Conviva and Aulus Vettius Restitutus. House of the Vettii The Romans use mosaics to decorate wealthy houses and public buildings. Each mosaic used thousands of tesserae (small pieces of tile or stone) to create a picture or pattern. Mosaic Another popular way of decorating rooms was with wall paintings (frescoes). This one, in the Casa del Menandro (House of Menander) shows a hunting party. Can you see the dogs and the man with a bow and arrow? Paintings in Casa del Menandro Myths and legends were a common source of inspiration for Roman artists. This painting depicts Narcissus who was so beautiful that he fell in love with his own reflection. Painting of Narcissus Archaeologists at Pompeii have found so many artefacts, it is not possible to have them all on display at once. -
Herculaneum Archaeology
The Fifth Herculaneum Congress - Robert Fowler Talks at the Villa Maiuri as part of the Fifth Herculaneum Congress - Richard Janko Other News Suburban Baths - tetrastyle atrium - herm of Apollo the newsletter of the Friends of Herculaneum Society - Issue 18 Summer 2014 of the Friends Herculaneum the newsletter herculaneum archaeology herculaneum The Fifth Herculaneum Congress1 Robert Fowler Henry Overton Wills Professor of Greek Bristol University One first-timer commented that you can tell this meeting is a success by the number of return attendees. Several veterans thought the Fifth was the best yet, and so it was said about all the previous ones. We like to think it’s because we are learning to do things better, rather than that an Olympic- style ritual declaration of the ‘best ever Games’ is taking hold. Yet that would be no bad thing, either; the pronouncement, however much expected, always meets with gleeful and often justified assent. Things nearly got off to a very bad start. Something not far short of an official hurricane (‘poco ci mancava’, said my taxi driver, ‘there wasn’t much in it’) struck the Monday before arrival and, though it miraculously harmed no one in Ercolano and damaged no archaeology, it did uproot trees, mangle safety barriers and create other hazards such that the site had been closed all week, only opening again on the morning we intended to visit. The Superintendency, which this year has been particularly disorganised in the matter of issuing permits, had not yet issued ours, and there was much anxiety Thursday night as to what would happen the next day. -
Herculaneum Archaeology
I In this edition: Ercolano Meeting, June 2010 - report by Robert Fowler, Trustee Herculaneum: an Ancient Town in the Bay of Naples - Christopher Smith, Director of the British School in Rome Pompeii and the Roman Villa: Art and Culture around the Bay of Naples. Report on the exhibition by Carol Mattusch House of the Relief of Telephus, Herculaneum herculaneum archaeology herculaneum Society - Issue 12 Summer 2010 of the Friends Herculaneum the newsletter Suburban Baths, not normally open to the public, and a peak inside the Bourbon tunnels in the Basilica—this was The Third Herculaneum a particular treat, as one could see some quite breathtaking original frescoes in situ, untouched by any restoration. The Conference narrow space could accommodate only three or four tightly Robert Fowler squeezed people at a time. 2. 3. 4. The Suburban Baths 1. The Gardens of the Miglio d’Oro The Friends met 11–13 June for their third gathering in Campania since 2006, in what is now an established biennial tradition. For repeat attenders it felt like a reunion, while at the same time it was gratifying to welcome a good number of newcomers. For the first two meetings we resided in Naples (hence the First and Second ‘Naples’ Congresses), but for this one we moved out to Ercolano itself, a prospect made enticing by the opening of the four-star Miglio D’Oro hotel, a spectacular, done-over 18th-century villa which made up in atmosphere—especially the garden—what it (so far) lacks in abundance of staff (in some areas). The experiment was judged successful both for its convenience and for the benefit we were able to deliver to the local economy, not just the Miglio D’Oro but to B&Bs and local businesses. -
Pompeii and Herculaneum: a Sourcebook Allows Readers to Form a Richer and More Diverse Picture of Urban Life on the Bay of Naples
POMPEII AND HERCULANEUM The original edition of Pompeii: A Sourcebook was a crucial resource for students of the site. Now updated to include material from Herculaneum, the neighbouring town also buried in the eruption of Vesuvius, Pompeii and Herculaneum: A Sourcebook allows readers to form a richer and more diverse picture of urban life on the Bay of Naples. Focusing upon inscriptions and ancient texts, it translates and sets into context a representative sample of the huge range of source material uncovered in these towns. From the labels on wine jars to scribbled insults, and from advertisements for gladiatorial contests to love poetry, the individual chapters explore the early history of Pompeii and Herculaneum, their destruction, leisure pursuits, politics, commerce, religion, the family and society. Information about Pompeii and Herculaneum from authors based in Rome is included, but the great majority of sources come from the cities themselves, written by their ordinary inhabitants – men and women, citizens and slaves. Incorporating the latest research and finds from the two cities and enhanced with more photographs, maps and plans, Pompeii and Herculaneum: A Sourcebook offers an invaluable resource for anyone studying or visiting the sites. Alison E. Cooley is Reader in Classics and Ancient History at the University of Warwick. Her recent publications include Pompeii. An Archaeological Site History (2003), a translation, edition and commentary of the Res Gestae Divi Augusti (2009), and The Cambridge Manual of Latin Epigraphy (2012). M.G.L. Cooley teaches Classics and is Head of Scholars at Warwick School. He is Chairman and General Editor of the LACTOR sourcebooks, and has edited three volumes in the series: The Age of Augustus (2003), Cicero’s Consulship Campaign (2009) and Tiberius to Nero (2011). -
Roman Domestic Religion : a Study of the Roman Lararia
ROMAN DOMESTIC RELIGION : A STUDY OF THE ROMAN LARARIA by David Gerald Orr Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements fo r the degree of Master of Arts 1969 .':J • APPROVAL SHEET Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia Name of Candidate: David Gerald Orr Master of Arts, 1969 Thesis and Abstract Approved: UJ~ ~ J~· Wilhelmina F. {Ashemski Professor History Department Date Approved: '-»( 7 ~ 'ii, Ii (, J ABSTRACT Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia David Gerald Orr, Master of Arts, 1969 Thesis directed by: Wilhelmina F. Jashemski, Professor This study summarizes the existing information on the Roman domestic cult and illustrates it by a study of the arch eological evidence. The household shrines (lararia) of Pompeii are discussed in detail. Lararia from other parts of the Roman world are also studied. The domestic worship of the Lares, Vesta, and the Penates, is discussed and their evolution is described. The Lares, protective spirits of the household, were originally rural deities. However, the word Lares was used in many dif ferent connotations apart from domestic religion. Vesta was closely associated with the family hearth and was an ancient agrarian deity. The Penates, whose origins are largely un known, were probably the guardian spirits of the household storeroom. All of the above elements of Roman domestic worship are present in the lararia of Pompeii. The Genius was the living force of a man and was an important element in domestic religion. -
Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting
MARBLE, MEMORY, AND MEANING IN THE FOUR POMPEIAN STYLES OF WALL PAINTING by Lynley J. McAlpine A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Art and Archaeology) in the University of Michigan 2014 Doctoral Committee: Professor Elaine K. Gazda, Chair Professor Lisa Nevett Professor David Potter Professor Nicola Terrenato Emeritus Professor Norman Yoffee The difference between false memories and true ones is the same as for jewels: it is always the false ones that look the most real, the most brilliant. Salvador Dalí, The Secret Life of Salvador Dalí © Lynley McAlpine All Rights Reserved 2013 Acknowledgements This project would have been impossible without the guidance of my advisor and dissertation chair, Elaine Gazda, who has provided unflagging support for all aspects of my work. I am grateful to have been able to work under the supervision of someone who I consider a model for the kind of scholar I hope to become: one who has a keen critical eye and who values collaboration and innovation. I have also benefited greatly from the sensible advice of Lisa Nevett, who has always helped me to recognize the possibilities and limitations of my approaches and evidence. David Potter’s perspective has been indispensable in determining how literary and historical sources could be employed responsibly in a study that focuses mainly on material culture. Nicola Terrenato has encouraged me to develop a critical and rigorous approach, and his scholarship has been an important model for my own. Finally, Norman Yoffee has been a continual source of advice and guidance, while opening my eyes to the ways my research can reach across disciplinary boundaries. -
The Casa Della Regina Carolina (CRC) Project, Pompeii: Preliminary Report on 2018 and 2019 Field Seasons
The Journal of Fasti Online (ISSN 1828-3179) ● Published by the Associazione Internazionale di Archeologia Classica ● Palazzo Altemps, Via Sant’Appolinare 8 – 00186 Roma ● Tel. / Fax: ++39.06.67.98.798 ● http://www.aiac.org; http://www.fastionline.org The Casa della Regina Carolina (CRC) Project, Pompeii: Preliminary Report on 2018 and 2019 Field Seasons Caitlín Barrett - Kathryn Gleason - Annalisa Marzano - with additional contributions on palynology by Dafna Langgut Questo articolo presenta i risultati delle prime due campagne di scavo (2018-2019) condotte nel giardino della “Casa della Regina Carolina’ a Pompei (VIII.3.14) nell’ambito di un progetto scientifico multidisciplinare che investiga la relazione tra cultura materiale, ruoli sociali e cambiamenti storici. La domus oggetto di studio fu scavata nel XIX secolo, ma il giardino, tra i più ampi giardini domestici di Pompei, non fu investigato e questo ha consentito di effettuare vari saggi stratigrafici mi- rati, da un lato, ad individuare la superficie coltivata in antico e dall’altro a chiarire come lo spazio fosse utilizzato e vissuto da parte dei vari ‘utenti’ dal diverso ceto sociale (ad es. il padrone di casa, lo schiavo-giardiniere, etc.). Lo scavo ha restitui- to non solo dati interessanti sulla natura del giardino distrutto nel 79 d.C., ma ha anche rivelato i resti monumentali di una domus a peristilio di età sannitica. Il diverso orientamento di questa domus che, date le dimensioni e vicinanza al foro pro- babilmente apparteneva ad un membro di spicco della Pompei repubblicana, indica che l’intera insula subì un drastico ri- maneggiamento. I dati attualmente a nostra disposizione suggeriscono che tale rimaneggiamento risalga al periodo suc- cessivo al terremoto del 62 d.C. -
NACCP News Fall 10.Indd
NEWSLETTER No. 40, Autumn 2010 What a Week at the Shore with the Caecilians! July workshop participants find a shady spot for a photograph in the atrium of Caecilius’ house. Photo from Shannon Stieg. Below, Melody Hannegan, NACCP Workshop Coordinator, reports on the success of this ambitious project. Only a year and a half has passed since the inception of our work on the NACCP Castellammare-based workshop, and I cannot believe it is now a fond memory. My initial goal was to offer an affordable opportunity for Cambridge Latin Course teachers to experience an intensive week in the area that Caecilius called home and that so many of us call home today in our classrooms. As is the case with any trip to the shore, we encountered unavoidable circumstances such as excessive heat, a lack of air-conditioning, lost luggage and sometimes-noisy neighbors countered by gorgeous scenery, breezes in the shade, newly-discovered sights, and mouth-watering culinary delights. What really made the trip, however, were the people involved. I would like to acknowledge Audrey Fastuca and the staff at the Vesuvian International Institute in Castellammare di Stabia for housing and feeding us so graciously during our stay in Italy. In addition, Audrey led our tour of the two Stabian villas and arranged for a wonderful presentation by Synaulia, an in-residence group of musicians and dancers of ancient music. Many thanks to Domenica Luisi at Georgia Hardy Tours for arranging air transportation. Giovanni Fattore served as our able Italian tour guide at most of the archaeological sites. -
The Archaeology of Household Activities
Chapter Five Labels for ladles: Interpreting the material culture of Roman households Penelope M.Allison INTRODUCTION On a general level, Roman domestic behaviour is perceived to be a relatively well understood phenomenon. It is widely believed that problems which face investigations of household behaviour in other archaeologies are easily solved for the Roman world (e.g. Ascher 1961: 324 n.21; McKay 1977:6; Schiffer 1987:237). To some extent this is true. Textual references abound and the extraordinary site formation processes at Pompeii and Herculaneum provide an archaeological record of domestic material which inspired generations of scholars to concern themselves with Roman social life. In fact, in times when other branches of archaeology had been restricted—by the nature of their data, the state of their methodology and the impetus of their theories—from concerning themselves with such mundane and specific levels of inquiry as household behaviour, the nature and extent of the material remains of the Roman world were leading scholars to confront questions concerning the domestic lives of individuals in the past. However, I would like to demonstrate that this wealth of data and this long history of research has resulted in current perspectives of Roman domestic life which are still entrenched in antiquarian approaches to material culture, and which, to a large extent, have tended to ignore changing approaches to the archaeological record (see Hijmans 1996). While other disciplines (e.g. social history and anthropology) and other branches of archaeology have been re-evaluating the principles behind their own perceptions on past domestic life, these antiquarian approaches to Roman domestic life have continued to be embellished unquestioningly. -
Great Pompeii Project
Archaeological Area of Pompeii, Herculaneum and Torre Annunziata, Italy, n. 829 1. Executive summary of the report Soon after the collapse of the Schola Armaturarum, UNESCO carried out several missions, involving ICOMOS and UNESCO experts, at the sites of Pompeii, Herculaneum and Torre Annunziata, specifically on 2-4 December 2010 and 10 – 13 January 2011, on 7-10 January 2013 and 8-12 November 2014. These inspections led to the formulation of a set of recommendations, which have ultimately been summarised in decision 39 COM 7B, adopted at the 39th meeting of the World Heritage Committee, to which this report is a reply. Over the years, many steps forward have been made in the conservation and management of the property. Regarding the Grande Progetto Pompeii (Great Pompeii Project), the State Party has ensured its continuation with a further European financing of 45 M€ and by maintaining the General Project Management organisation and the Great Pompeii Unit until 31 December 2019. A further two items of funding have been received: 40 M€ from the Italian government and 75 M€ from the Special Superintendency of Pompeii, which has been granted financial, administrative and management autonomy. The more recent inspection by UNESCO/ICOMOS identified 5 buildings at risk in the site of Pompeii: Casa dei Casti Amanti, Casa delle Nozze d’argento, Schola Armaturarum, Casa di Trebius Valens and Casa dei Ceii. Conservation interventions were then planned for all these buildings, which, to date, are either still underway or have been completed, or which will soon start. Almost all the legal problems that prevented the start of the works have been solved and now it will be possible to carry out the safety works on and restore the structures of the Schola Armaturarum; open the Antiquarium to the public; and continue the improvement works on the Casina dell’Aquila. -
Appendices Bibliography
Cover Page The handle http://hdl.handle.net/1887/33706 holds various files of this Leiden University dissertation. Author: Mol, Eva Martine Title: Egypt in material and mind : the use and perception of Aegyptiaca in Roman domestic contexts of Pompeii Issue Date: 2015-05-27 APPENDIX A Aegyptiaca from Pompeii AEGYPTIACA FROM POMPEII object subject database no. location house name wall painting nilotic scene 1 I 2,24 painting nilotic scene 2 I 6,2 Casa del Criptoportico wall painting nilotic scene 3 I 6,15 Casa dei Ceii wall painting nilotic scene 4 I 7,11 Casa dell'Efebo mosaic nilotic scene 5 I 7,1 Casa di Paquius Procolus table support sphinx 6 VI 12,2 Casa del Fauno mosaic nilotic scene 7 VI 12,2 Casa del Fauno wall painting nilotic scene 8 I 7,11 Casa dell'Efebo wall painting nilotic scene 9 I 10,4 Casa del Menandro mosaic emblema nilotic scene 10 I 10,4 Casa del Menandro wall painting nilotic scene 11 II 4,2 praedia di Giulia Felice wall painting nilotic scene 12 II 4,2 praedia di Giulia Felice wall painting nilotic scene 13 II 4,2 praedia di Giulia Felice painting nilotic scene 14 II 9,2 wall painting nilotic scene 15 II 9,4 wall painting nilotic scene 16 V 2,i Casa delle Nozze d'Argento wall painting nilotic scene 17 V 2,i Casa delle Nozze d'Argento wall painting nilotic scene 18 V 2,i Casa delle Nozze d'Argento wall painting nilotic scene 19 V 2,i Casa delle Nozze d'Argento wall painting nilotic scene 20 VI 2,4 Casa di Sallustio wall painting nilotic scene 21 VI 2,4 Casa di Sallustio wall painting Egyptian gods 22 VI 2,14 Casa delle