The Archaeology of Household Activities

Total Page:16

File Type:pdf, Size:1020Kb

The Archaeology of Household Activities Chapter Five Labels for ladles: Interpreting the material culture of Roman households Penelope M.Allison INTRODUCTION On a general level, Roman domestic behaviour is perceived to be a relatively well understood phenomenon. It is widely believed that problems which face investigations of household behaviour in other archaeologies are easily solved for the Roman world (e.g. Ascher 1961: 324 n.21; McKay 1977:6; Schiffer 1987:237). To some extent this is true. Textual references abound and the extraordinary site formation processes at Pompeii and Herculaneum provide an archaeological record of domestic material which inspired generations of scholars to concern themselves with Roman social life. In fact, in times when other branches of archaeology had been restricted—by the nature of their data, the state of their methodology and the impetus of their theories—from concerning themselves with such mundane and specific levels of inquiry as household behaviour, the nature and extent of the material remains of the Roman world were leading scholars to confront questions concerning the domestic lives of individuals in the past. However, I would like to demonstrate that this wealth of data and this long history of research has resulted in current perspectives of Roman domestic life which are still entrenched in antiquarian approaches to material culture, and which, to a large extent, have tended to ignore changing approaches to the archaeological record (see Hijmans 1996). While other disciplines (e.g. social history and anthropology) and other branches of archaeology have been re-evaluating the principles behind their own perceptions on past domestic life, these antiquarian approaches to Roman domestic life have continued to be embellished unquestioningly. I would also like to demonstrate that such traditional perspectives of Roman domestic life do not fully exploit the available archaeological data, but that they are based on levels of analogy- based inference which, in branches of archaeology which are less well-endowed with data, would have been the subject of much critical soul-searching (e.g. Wylie 1985; Davidson 1988). At the same time, I would like to emphasize that these perspectives continue to present a static view of domestic life in the Roman world—a view based on nineteenth- and early twentieth- century perspectives that a named and identified culture, i.e. a Roman culture, is a unified phenomenon with a specific historical relevance, which can even be used to set up parameters for the investigation of domestic behaviours of other cultures (e.g. the foundation of anthropological kinship studies in Roman law: see Saller 1997). On the contrary, the term ‘Roman culture’ must surely stand for what was a very multicultural society spanning many continents and many centuries. •58• Penelope M.Allison In this chapter, I want to discuss the roles of nineteenth-century scholarship, textual analogy and contemporary analogy in current identifications of Roman household objects, and the importance of such identifications in interpretations of Roman household space and Roman household activity. I want to show, particularly, that the material culture of South Italian towns of the first century AD, like Pompeii, has been taken to represent a concept of Roman domestic life which displays little sensivity to regional, social or chronological differentiation. I would also like to demonstrate that little consideration has been given to the role of the archaeological context of this material culture in providing a fuller picture of household behaviour in this specific region, before these archaeological remains can be employed for any credible presentations of more generalized perspectives of Roman domestic life. POMPEIAN HOUSEHOLD ASSEMBLAGES I am specifically concerned with the investigation of household assemblages in Pompeian houses towards a better understanding of Pompeian domestic life. I have carried out a study of the artefact assemblages in a sample of thirty Pompeian houses (Allison 1992b),1 and, more recently, I have been carrying out a detailed study of the artefacts in the assemblages from one urban block in Pompeii, the Insula del Menandro. This block of residential and, possibly, non-residential units was excavated in the 1930s (Maiuri 1933; Elia 1934) and is now being reinvestigated by the British Pompeii Research Committe (Ling 1997). The purpose of my study of these finds is to produce a detailed catalogue and an analysis of the room and house assemblages from the units in this insula, towards a better comprehension of the use of space and of the state of occupancy in these buildings at the time of the eruption of Mt Vesuvius in AD 79. The presentation of material culture from excavations of Roman settlement sites usually consists of the allocation of the loose finds to specialists to write typological catalogues of each artefact category, with the objective of facilitating studies concerned with the production and trade patterns of each category (e.g. Stead and Rigby 1986; Sackett et al. 1992; Harris 1993). The aim of my current project is to present the finds as they were excavated, in the location of their end-use. Rather than a typological catalogue, it will include a provenance- oriented catalogue which is concerned with the specific context and with the consumption of each artefact. Thus, the objective of employing this format is to systematize these artefacts according to house floor assemblages and to use these for investigations of the spatial distribution of activities around the houses. To date, studies concerned with spatial function in Roman houses have been dominated by investigations which concentrate on the relationship of architectural remains and their decoration to textual references to Roman houses (e.g. Thébert 1987; Clarke 1991:1–30; Wallace-Hadrill 1994:3–41). The actual house contents, which constituted the house floor assemblages, have long been removed for typological catalogues. At the same time, at sites like Pompeii and Herculaneum, it has been assumed by non-Romanists (e.g. Schiffer 1985:18) that these house floor assemblages constitute ‘artefacts of a systemic inventory’ which give valuable insights into human activity (cf. Allison 1992a). However, these artefacts have actually received little attention in studies of Roman household activity. As Dunbabin has noted (1995) in her review of Wallace-Hadrill (1994) ‘a history of Pompeii and Herculaneum which makes full use of the archaeological material’ has yet to be written. In order to employ artefacts and artefact assemblages in an assessment of the spatial distribution of household activities, a reliable system for ascertaining the functions of the artefacts in these assemblages is required. Through my assessment of prior research into Roman The material culture of Roman households •59• artefacts and their functions, for such usable resources, I have become sceptical of the process by which Roman, and Classical, artefacts have been ‘labelled’ and thereby given a function. In addition, I have also been frustrated by the attitudes of more recent scholars who, in their studies of Roman artefacts, may justifiably claim to have abandoned such labelling, but who have chosen to limit their investigations on questions concerning artefact production and have not considered artefact consumption as an important part of their inquiry (Allison 1997b). APPROACHES TO ROMAN MATERIAL CULTURE The concentration on the use of Roman artefacts for production-oriented studies was part of a mid-twentieth-century shift in Roman archaeological research from antiquarianism towards an increased concern for the impact of presumed Roman technological achievements and innovations on the Roman political and economic world. However, as seems to be the main problem for Roman archaeology and its wealth of data, while archaeologists in other branches of the discipline have since moved on to concern themselves more with social contexts, the Romanists seem to feel too weighed down with these quantities of data to absorb and apply fully and successfully new lines of inquiry to it. On the other hand, Roman archaeologists have always been concerned with social history. Since the first excavations in the Campanian region revealed objects of daily life, scholars have been isolating individual artefacts, usually of intrinsic or aesthetic value, for antiquarian study. However, during this ‘ransacking’ of the ancient remains of Pompeii and Herculaneum in particular, the excavators could not help but be aware that these sites were not merely repositories of ancient works but that they represented the materialization of ancient daily life (e.g. Marquardt 1886). A relationship between Roman material culture and the contribution it can make to understanding social systems of the past has long been part of Roman archaeology. It is just that much past scholarship and many of its methodologies are still being used to investigate this relationship, without critical reappraisal. The following discussion has arisen from problems and frustrations which I, personally, am facing in trying to use the Pompeian catalogues, and the mountains of past scholarship in Roman archaeology, to produce a meaningful study of the distribution of Pompeian household material culture. If I appear to be criticizing terms and scholarship, considered outmoded by some Romanists, it is because more recent scholarship hasn’t dealt more usefully with this material and these questions. If the last twenty years of research
Recommended publications
  • T2-H-5271-Pompeii-Photo-Information-Powerpoint Ver 1.Pdf
    This colonnade forms part of the forum. The forum was a public square which would have been used for meetings, criminal trials, public speeches, and markets. Colonnade Many streets remain in Pompeii. Here you can see cobbled streets with pavements on each side. In the distance is Mount Vesuvius – the volcano that destroyed Pompeii. Street In ancient Pompeii, there were many types of entertainment. One popular pastime was the theatre where people went to watch plays. This theatre had space for 1,000 spectators. Odeon – small theatre The Romans worshipped many gods. This temple is dedicated to Apollo, the god of music, and was built on a high platform to make it look more impressive. Temple of Apollo The House of the Vettii was one of the most impressive and richly decorated houses in Pompeii. It was named after the owners, Aulus Vettius Conviva and Aulus Vettius Restitutus. House of the Vettii The Romans use mosaics to decorate wealthy houses and public buildings. Each mosaic used thousands of tesserae (small pieces of tile or stone) to create a picture or pattern. Mosaic Another popular way of decorating rooms was with wall paintings (frescoes). This one, in the Casa del Menandro (House of Menander) shows a hunting party. Can you see the dogs and the man with a bow and arrow? Paintings in Casa del Menandro Myths and legends were a common source of inspiration for Roman artists. This painting depicts Narcissus who was so beautiful that he fell in love with his own reflection. Painting of Narcissus Archaeologists at Pompeii have found so many artefacts, it is not possible to have them all on display at once.
    [Show full text]
  • The Insula of the Menander at Pompeii: Interim Report
    THE INSULA OF THE MENANDER AT POMPEII: INTERIM REPORT By ROGER LING, F.S.A. INTRODUCTION THE British project in the Insula of the Menander at Pompeii was instituted in 1978 by the late Dr. J. B. Ward-Perkins in consultation with the then Superintendent of Antiquities for Campania, Professor Fausto Zevi. Funding has until now been provided by a generous grant from Imperial Tobacco Ltd., a proportion of the profits of the exhibition 'Pompeii 79' held at the Royal Academy of Arts, London, in 1976-7. To these mentors and sponsors the author is deeply indebted—to Imperial Tobacco for their enlightened patronage of archaeological research, to Professor Zevi for first suggesting a programme of recording and analysis in the Insula of the Menander, and above all to Dr. Ward-Perkins for taking up the suggestion and largely shaping the present project. This project is in a very real sense his brainchild, and it is as a tribute to his memory that we intend to continue with it and bring it to completion in the manner that he would have wished. Special thanks must also be given to Dr. Stefano De Caro, the Director of the site at Pompeii, who has been unfailingly courteous and helpful over the past five years, and to his henchmen, Dr. Federico, the assistant director, Sig. Pelli, the technical director, Sig. Cirillo, his assistant, and Sig. Sicignano, the head foreman, for their invaluable practical assistance. Finally, mention must be made of the chief members of the team. After a brief exploratory season in September 1978, full programmes of work have been conducted in August-September 1979, 1980, 1981 and 1982.
    [Show full text]
  • Roman Domestic Religion : a Study of the Roman Lararia
    ROMAN DOMESTIC RELIGION : A STUDY OF THE ROMAN LARARIA by David Gerald Orr Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements fo r the degree of Master of Arts 1969 .':J • APPROVAL SHEET Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia Name of Candidate: David Gerald Orr Master of Arts, 1969 Thesis and Abstract Approved: UJ~ ~ J~· Wilhelmina F. {Ashemski Professor History Department Date Approved: '-»( 7 ~ 'ii, Ii (, J ABSTRACT Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia David Gerald Orr, Master of Arts, 1969 Thesis directed by: Wilhelmina F. Jashemski, Professor This study summarizes the existing information on the Roman domestic cult and illustrates it by a study of the arch­ eological evidence. The household shrines (lararia) of Pompeii are discussed in detail. Lararia from other parts of the Roman world are also studied. The domestic worship of the Lares, Vesta, and the Penates, is discussed and their evolution is described. The Lares, protective spirits of the household, were originally rural deities. However, the word Lares was used in many dif­ ferent connotations apart from domestic religion. Vesta was closely associated with the family hearth and was an ancient agrarian deity. The Penates, whose origins are largely un­ known, were probably the guardian spirits of the household storeroom. All of the above elements of Roman domestic worship are present in the lararia of Pompeii. The Genius was the living force of a man and was an important element in domestic religion.
    [Show full text]
  • Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting
    MARBLE, MEMORY, AND MEANING IN THE FOUR POMPEIAN STYLES OF WALL PAINTING by Lynley J. McAlpine A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Art and Archaeology) in the University of Michigan 2014 Doctoral Committee: Professor Elaine K. Gazda, Chair Professor Lisa Nevett Professor David Potter Professor Nicola Terrenato Emeritus Professor Norman Yoffee The difference between false memories and true ones is the same as for jewels: it is always the false ones that look the most real, the most brilliant. Salvador Dalí, The Secret Life of Salvador Dalí © Lynley McAlpine All Rights Reserved 2013 Acknowledgements This project would have been impossible without the guidance of my advisor and dissertation chair, Elaine Gazda, who has provided unflagging support for all aspects of my work. I am grateful to have been able to work under the supervision of someone who I consider a model for the kind of scholar I hope to become: one who has a keen critical eye and who values collaboration and innovation. I have also benefited greatly from the sensible advice of Lisa Nevett, who has always helped me to recognize the possibilities and limitations of my approaches and evidence. David Potter’s perspective has been indispensable in determining how literary and historical sources could be employed responsibly in a study that focuses mainly on material culture. Nicola Terrenato has encouraged me to develop a critical and rigorous approach, and his scholarship has been an important model for my own. Finally, Norman Yoffee has been a continual source of advice and guidance, while opening my eyes to the ways my research can reach across disciplinary boundaries.
    [Show full text]
  • The Casa Della Regina Carolina (CRC) Project, Pompeii: Preliminary Report on 2018 and 2019 Field Seasons
    The Journal of Fasti Online (ISSN 1828-3179) ● Published by the Associazione Internazionale di Archeologia Classica ● Palazzo Altemps, Via Sant’Appolinare 8 – 00186 Roma ● Tel. / Fax: ++39.06.67.98.798 ● http://www.aiac.org; http://www.fastionline.org The Casa della Regina Carolina (CRC) Project, Pompeii: Preliminary Report on 2018 and 2019 Field Seasons Caitlín Barrett - Kathryn Gleason - Annalisa Marzano - with additional contributions on palynology by Dafna Langgut Questo articolo presenta i risultati delle prime due campagne di scavo (2018-2019) condotte nel giardino della “Casa della Regina Carolina’ a Pompei (VIII.3.14) nell’ambito di un progetto scientifico multidisciplinare che investiga la relazione tra cultura materiale, ruoli sociali e cambiamenti storici. La domus oggetto di studio fu scavata nel XIX secolo, ma il giardino, tra i più ampi giardini domestici di Pompei, non fu investigato e questo ha consentito di effettuare vari saggi stratigrafici mi- rati, da un lato, ad individuare la superficie coltivata in antico e dall’altro a chiarire come lo spazio fosse utilizzato e vissuto da parte dei vari ‘utenti’ dal diverso ceto sociale (ad es. il padrone di casa, lo schiavo-giardiniere, etc.). Lo scavo ha restitui- to non solo dati interessanti sulla natura del giardino distrutto nel 79 d.C., ma ha anche rivelato i resti monumentali di una domus a peristilio di età sannitica. Il diverso orientamento di questa domus che, date le dimensioni e vicinanza al foro pro- babilmente apparteneva ad un membro di spicco della Pompei repubblicana, indica che l’intera insula subì un drastico ri- maneggiamento. I dati attualmente a nostra disposizione suggeriscono che tale rimaneggiamento risalga al periodo suc- cessivo al terremoto del 62 d.C.
    [Show full text]
  • Great Pompeii Project
    Archaeological Area of Pompeii, Herculaneum and Torre Annunziata, Italy, n. 829 1. Executive summary of the report Soon after the collapse of the Schola Armaturarum, UNESCO carried out several missions, involving ICOMOS and UNESCO experts, at the sites of Pompeii, Herculaneum and Torre Annunziata, specifically on 2-4 December 2010 and 10 – 13 January 2011, on 7-10 January 2013 and 8-12 November 2014. These inspections led to the formulation of a set of recommendations, which have ultimately been summarised in decision 39 COM 7B, adopted at the 39th meeting of the World Heritage Committee, to which this report is a reply. Over the years, many steps forward have been made in the conservation and management of the property. Regarding the Grande Progetto Pompeii (Great Pompeii Project), the State Party has ensured its continuation with a further European financing of 45 M€ and by maintaining the General Project Management organisation and the Great Pompeii Unit until 31 December 2019. A further two items of funding have been received: 40 M€ from the Italian government and 75 M€ from the Special Superintendency of Pompeii, which has been granted financial, administrative and management autonomy. The more recent inspection by UNESCO/ICOMOS identified 5 buildings at risk in the site of Pompeii: Casa dei Casti Amanti, Casa delle Nozze d’argento, Schola Armaturarum, Casa di Trebius Valens and Casa dei Ceii. Conservation interventions were then planned for all these buildings, which, to date, are either still underway or have been completed, or which will soon start. Almost all the legal problems that prevented the start of the works have been solved and now it will be possible to carry out the safety works on and restore the structures of the Schola Armaturarum; open the Antiquarium to the public; and continue the improvement works on the Casina dell’Aquila.
    [Show full text]
  • Appendices Bibliography
    Cover Page The handle http://hdl.handle.net/1887/33706 holds various files of this Leiden University dissertation. Author: Mol, Eva Martine Title: Egypt in material and mind : the use and perception of Aegyptiaca in Roman domestic contexts of Pompeii Issue Date: 2015-05-27 APPENDIX A Aegyptiaca from Pompeii AEGYPTIACA FROM POMPEII object subject database no. location house name wall painting nilotic scene 1 I 2,24 painting nilotic scene 2 I 6,2 Casa del Criptoportico wall painting nilotic scene 3 I 6,15 Casa dei Ceii wall painting nilotic scene 4 I 7,11 Casa dell'Efebo mosaic nilotic scene 5 I 7,1 Casa di Paquius Procolus table support sphinx 6 VI 12,2 Casa del Fauno mosaic nilotic scene 7 VI 12,2 Casa del Fauno wall painting nilotic scene 8 I 7,11 Casa dell'Efebo wall painting nilotic scene 9 I 10,4 Casa del Menandro mosaic emblema nilotic scene 10 I 10,4 Casa del Menandro wall painting nilotic scene 11 II 4,2 praedia di Giulia Felice wall painting nilotic scene 12 II 4,2 praedia di Giulia Felice wall painting nilotic scene 13 II 4,2 praedia di Giulia Felice painting nilotic scene 14 II 9,2 wall painting nilotic scene 15 II 9,4 wall painting nilotic scene 16 V 2,i Casa delle Nozze d'Argento wall painting nilotic scene 17 V 2,i Casa delle Nozze d'Argento wall painting nilotic scene 18 V 2,i Casa delle Nozze d'Argento wall painting nilotic scene 19 V 2,i Casa delle Nozze d'Argento wall painting nilotic scene 20 VI 2,4 Casa di Sallustio wall painting nilotic scene 21 VI 2,4 Casa di Sallustio wall painting Egyptian gods 22 VI 2,14 Casa delle
    [Show full text]
  • Pompeii 1A the Physical Environment - Geographical Setting, Natural Features and Resources Text Chapter 1 "The Physical Environment of Campania" Pp.2-8
    Pompeii 1a The physical environment - geographical setting, natural features and resources Text Chapter 1 "The Physical Environment of Campania" pp.2-8 Describe the geographical setting and natural features of Pompeii and Herculaneum. Refer to sources in your answer. Outline the resources of Pompeii and Herculaneum. Refer to sources in your answer. Geographical setting . Pompeii and Herculaneum are in Campania: a volcanic plain which stretches from the Voltuno R. in the north to the Sorrentine Peninsula in the south. The plain divided by Mt Vesuvius into two regions, the northern region drained by the Volturno Riverand the southern region drained by the Sarno River. Pompeii was built on a volcanic spur, 25-40m above sea level, overlooking the mouth of the Sarno R. Pompeii was at a crossroads from North to South and to the east. Herculaneum was built on a steeply sloping spur which ended in a cliff, bounded on both sides by deep ravines. Its views and moderating maritime influence made it an ideal resort town. Strabo commented on Herculaneum. Phlegraean Fields – a volcanic area near Puteoli . The main Roman naval station was at Misenum. The next town is Herculaneum, which occupies a cape jutting out into the sea, where it feels the southwest wind to such an amazing extent that the settlement is a healthy one. Strabo, Geography 5.4.8 It is an area “incredibly favoured by nature.” Michael Grant, Cities of Vesuvius p.15 How [to describe] the Campanian coast and its happy, indeed blessed delightfulness, plainly the handiwork of Nature in her favourite spot! Pliny the Elder, Natural History Bk III 40 .
    [Show full text]
  • Cultural Resiliency at Pompeii: the Spatial Relationship Between Painted Fountains and Private Water Access, 62-79 Ce
    CULTURAL RESILIENCY AT POMPEII: THE SPATIAL RELATIONSHIP BETWEEN PAINTED FOUNTAINS AND PRIVATE WATER ACCESS, 62-79 CE A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Erin Elizabeth Wright December 2017 © 2017 Erin Elizabeth Wright ABSTRACT This thesis examines the spatial relationship between painted fountains and private water access as a maker of human resilience at Pompeii. Seventeen years prior to the 79 CE eruption that sealed the city, Pompeian citizens experienced an earthquake that disrupted the city’s water system. Over the course of the city’s remaining years, its people attempted to return the city to its former standards, including renovating public and private water systems and restoring the décor of their homes. Were fountain paintings created when actual fountains could not be used? Using chi-square analysis to calculate the relationship between variables, the results indicates there is no statistically significant relationship between painted fountains and private water access. Instead, painted fountains represent a realistic representation of gardens as a psychological mechanism to bring order to the chaotic natural world in the aftermath of the earthquake. BIOGRAPHICAL SKETCH Erin Wright received her Master’s degree in Archaeology from Cornell University in 2017. She graduated from Indiana University of Pennsylvania (IUP) in 2015 with a Bachelor’s degree in Anthropology with a concentration in Archaeology and a minor in History. She has participated in field work at a French and Indian War site, Hanna’s Town, near Greensburg, Pennsylvania. Her research interests include the collection, storage, and manipulation of water in ancient urban settings.
    [Show full text]
  • The Roman Courtesan. Archaeological Reflections of a Literary Topos,” Organized in Collaboration with the Deutsches Archäologisches Institut Rom
    ACTA INSTITUTI ROMANI FINLANDIAE ACTA ACTA INSTITUTI ROMANI FINLANDIAE VOL. 46 IRF 1. Sylloge inscriptionum Christianarum veterum Musei Vaticani 22. Female Networks and the Public Sphere in Roman Society 46 Ediderunt commentariisque instruxerunt sodales Instituti Romani edited by PÄIVI SETÄLÄ and LIISA SAVUNEN, 1999. Finlandiae curante HENRICO ZILLIACUS, 1-2, 1963. 23. The Roman Middle Republic 2. 1. Onomastic Studies in the Early Christian Inscriptions of Rome Politics, religion, and historiography c. 400 - 133 B.C. and Carthage by IIRO KAJANTO, 1963. [Out of print] edited by CHRISTER BRUUN, 2000. [Out of print] 2. Biometrical Notes by HENRIK NORDBERG, 1963. [Out of print] 3. A Study of the Greek Epitaphs of Rome 24. Magistrates and Assemblies. A Study of Legislative Practice in by IIRO KAJANTO, 1963. [Out of print] Republican Rome by KAJ SANDBERG, 2001. 3-4. Graffiti del Palatino 25. Women, Wealth and Power in the Roman Empire raccolti ed editi sotto la direzione di VEIKKO VÄÄNÄNEN. by PÄIVI SETÄLÄ, RIA BERG et al., 2002. 3. Paedagogium a cura di HEIKKI SOLIN e MARJA ITKONEN-KAILA, 1966. 4. Domus Tiberiana 26. Vettius Agorius Praetextatus. A senatorial Life in Between a cura di PAAVO CASTRÉN e HENRIK LILIUS, 1970. by MAIJASTINA KAHLOS, 2002. THE ROMAN COURTESAN 5. Studies in the Romanization of Etruria 27. Ostia e Portus nelle loro relazioni con Roma by PATRICK BRUUN et al., 1975. [Out of print] a cura di CHRISTER BRUUN e ANNA GALLINA ZEVI, 2002. ARCHAEOLOGICAL REFLECTIONS 6. Le iscrizioni della necropoli dell’Autoparco Vaticano 28. The Roman Curia, the Apostolic Penitentiary and the Partes in edite sotto la direzione di VEIKKO VÄÄNÄNEN, 1973.
    [Show full text]
  • Street Activity, Dwellings and Wall Inscriptions in Ancient Pompeii
    Paper Information: Title: Street Activity, Dwellings and Wall Inscriptions in Ancient Pompeii: A Holistic Study of Neighbourhood Relations Author(s): Eeva-Maria Viitanen, Laura Nissinen, and Kalle Korhonen Pages: 61–80 DOI: http://doi.org/10.16995/TRAC2012_61_80 Publication Date: 27 March 2013 Volume Information: Bokern, A., Bolder-Boos, M., Krmnicek, S., Maschek, D., and Page, S. (eds) 2013. TRAC 2012: Proceedings of the Twenty-Second Annual Theoretical Roman Archaeology Conference, Frankfurt 2012. Oxford: Oxbow Books. Copyright and Hardcopy Editions: The following paper was originally published in print format by Oxbow Books for TRAC. Hard copy editions of this volume may still be available, and can be purchased direct from Oxbow at http://www.oxbowbooks.com. TRAC has now made this paper available as Open Access through an agreement with the publisher. Copyright remains with TRAC and the individual author(s), and all use or quotation of this paper and/or its contents must be acknowledged. This paper was released in digital Open Access format in July 2017. Street Activity, Dwellings and Wall Inscriptions in Ancient Pompeii: A Holistic Study of Neighbourhood Relations Eeva-Maria Viitanen, Laura Nissinen and Kalle Korhonen Introduction Many ordinary activities in the Roman world required exiting the home and going to the streets. Poor cooking facilities made it often necessary to buy and consume food and drink in cauponae or tabernae. Water was available from public fountains in the street and neighbourhood religion was practiced at the crossroads shrines. Maintaining social relationships was also probably more pleasant outdoors and the many necessary activities connected with the streetscape made meeting neighbours and friends outside a natural occurrence.
    [Show full text]
  • Cubicula Diurna, Nocturna – Revisiting Roman Cubicula and Sleeping Arrangements
    Arctos 43 (2009) 85–107 CUBICULA DIURNA, NOCTURNA – revisiting ROMAN CUBICULA AND SLEEPING ARRANGEMENTS LAURA NISSI N E N Introduction One third of the human life is spent sleeping. It is thus timely that sleeping ar- rangements, sleeping conditions and sleep related problems have attracted atten- tion in recent years; indeed, research into sleep is becoming one of the fastest advancing branches in science. Alongside the study of the medical, physiological and psychological aspects of sleep and dreaming, social science has also taken an interest in the sociological characteristics of sleeping arrangements. The major theme within sociological research of sleeping is "that how we sleep, when we sleep, where we sleep, and with whom we sleep, are all influenced by social, cultural and historical factors".1 From the point of view of cultural history, some pioneering work on sleeping in the Greco-Roman world has been done as well.2 Yet many issues remain un-addressed; in particular, the ways sleeping was ar- ranged in ancient Roman houses, or cultural and sociological aspects this reveals of the society in case. To find out the factors defining the sleeping habits in Ro- man society, an extensive analysis of the written evidence in comparison with archaeological material is needed. This paper is concerned principally with Roman cubicula, the most com- mon term for resting spaces in Latin literary sources. First, it is necessary to establish what can be concluded of the different functions and users of cubicula known from the literary record. Secondly, a brief re-assessment of archaeological 1 E.g.
    [Show full text]