A Guide to the Pompeii Excavations
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The Rough Guide to Naples & the Amalfi Coast
HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index. -
Ancient Greece and Rome
Spartan soldier HISTORY AND GEOGRAPHY Ancient Greece and Rome Reader Amphora Alexander the Great Julius Caesar Caesar Augustus THIS BOOK IS THE PROPERTY OF: STATE Book No. PROVINCE Enter information COUNTY in spaces to the left as PARISH instructed. SCHOOL DISTRICT OTHER CONDITION Year ISSUED TO Used ISSUED RETURNED PUPILS to whom this textbook is issued must not write on any page or mark any part of it in any way, consumable textbooks excepted. 1. Teachers should see that the pupil’s name is clearly written in ink in the spaces above in every book issued. 2. The following terms should be used in recording the condition of the book: New; Good; Fair; Poor; Bad. Ancient Greece and Rome Reader Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. -
Some Representative Examples of Romano-British Sculpture Author(S): F
Some Representative Examples of Romano-British Sculpture Author(s): F. Haverfield and H. Stuart Jones Source: The Journal of Roman Studies, Vol. 2 (1912), pp. 121-152 Published by: Society for the Promotion of Roman Studies Stable URL: http://www.jstor.org/stable/295954 . Accessed: 08/05/2014 23:47 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for the Promotion of Roman Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Roman Studies. http://www.jstor.org This content downloaded from 169.229.32.137 on Thu, 8 May 2014 23:47:48 PM All use subject to JSTOR Terms and Conditions SOME REPRESENTATIVE EXAMPLES OF ROMANO-BRITISH SCULPTURE. (Plates IV-IX.) By PROFESSOR F. HAVERFIELD, LL.D. D.LITT. and H. STUART JONES, M.A. The collection of casts lately prepared by the Roman Society, and described in the following pages, was designed to include representative sculptures and architectural decorations of the Roman period in Britain. It had originally been hoped that these casts might find a place in the Archaeological Exhibition held in Rome in I9II and eloquently described by Mrs. -
Place Saint-Michel the Place Saint-Michel Is
Place Saint-Michel The Place Saint-Michel is simple – a triangle between two streets, uniform buildings along both, designed by the same architect, a walk of smooth cobblestone. The centerpiece is St. Michael defeating a devil; far above them are four statues symbolizing the four cardinal virtues of prudence, fortitude, temperance, and justice. This monument came to be because of the 1848 Revolution and a cholera epidemic in Paris that followed it which killed thousands. This idea of abstract concepts given human form had been popular during the Revolution, the big one, representing the kind of big virtues – like the Four Cardinal Virtues – that everyone could strive for, instead of a single human being whose actions and legacy would turn people against each other. Simultaneous with the creation of Place Saint-Michel, Napoleon III’s renovation brought the Boulevard Saint-Michel into being, and that is the next part of our walk. Facing the fountain with the river at your back, walk on Boulevard Saint-Michel, it’s the street to your left. Walk away from the river along that street. Ultimately, you’ll be turning left on Rue des Écoles, but it’ll be about five minutes to get there, and you can listen to the next track on the way. Boulevard Saint-Michel The character of the street you’re on – wide-open space lined with trees and long, harmonious buildings, plus, often, a view of some landmark in the distance – was a central part of the renovation plan, or the Haussmann plan, as it’s also known. -
Political Crisis in Rhetorical Exercises of the Early Roman Empire Shunichiro Yoshida the University of Tokyo
ISSN: 2519-1268 Issue 2 (Spring 2017), pp. 39-50 DOI: 10.6667/interface.2.2017.34 Political Crisis in Rhetorical Exercises of the Early Roman Empire SHUNICHIRO YOSHIDA The University of Tokyo Abstract The ancient Romans experienced a great political crisis in the first century B. C. They fought many civil wars, which ended the republic and led to the establishment of the empire. The nature of these civil wars and the new regime was a politically very sensitive question for the next generation and could not be treated in a direct manner. In this paper I shall examine how literature in this age dealt with this sensitive problem. Special attention will be paid on declamations (rhetorical exercises on fictitious themes), which discussed repeatedly themes concerned with political crises such as domestic discord or rule of a tyrant. Keywords: Latin Oratory, Rhetorical Training, Early Roman Empire, Roman Politics © 2017 Shunichiro Yoshida This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. http://interface.ntu.edu.tw/ 39 Political Crisis in Rhetorical Exercises of the Early Roman Empire 1. Politics in Rome in the 1st Century B.C. Rome experienced its greatest political change in the 1st century B.C. Since the latter half of the previous century, its Republican system, which was established in the late 6th century B.C. according to the tradition, proved to contain serious problems. This led to repeated fierce civil wars in Rome. In the middle of the 1st century B.C., Caesar fought against Pompey and other members of the senatorial nobility who tried to defend the traditional system and defeated them completely. -
Journal Pre-Proof
Journal Pre-proof From Historical Seismology to seismogenic source models, 20 years on: Excerpts from the Italian experience Gianluca Valensise, Paola Vannoli, Pierfrancesco Burrato, Umberto Fracassi PII: S0040-1951(19)30296-3 DOI: https://doi.org/10.1016/j.tecto.2019.228189 Reference: TECTO 228189 To appear in: Tectonophysics Received date: 1 April 2019 Revised date: 20 July 2019 Accepted date: 5 September 2019 Please cite this article as: G. Valensise, P. Vannoli, P. Burrato, et al., From Historical Seismology to seismogenic source models, 20 years on: Excerpts from the Italian experience, Tectonophysics(2019), https://doi.org/10.1016/j.tecto.2019.228189 This is a PDF file of an article that has undergone enhancements after acceptance, such as the addition of a cover page and metadata, and formatting for readability, but it is not yet the definitive version of record. This version will undergo additional copyediting, typesetting and review before it is published in its final form, but we are providing this version to give early visibility of the article. Please note that, during the production process, errors may be discovered which could affect the content, and all legal disclaimers that apply to the journal pertain. © 2019 Published by Elsevier. Journal Pre-proof From Historical Seismology to seismogenic source models, 20 years on: excerpts from the Italian experience Gianluca Valensise, Paola Vannoli, Pierfrancesco Burrato & Umberto Fracassi Istituto Nazionale di Geofisica e Vulcanologia, Rome, Italy Contents 1. Introduction 1.1. Why Historical Seismology 1.2. A brief history of Historical Seismology 1.3. Representing and exploiting Historical Seismology data 2. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
The Roman Baths Complex Is a Site of Historical Interest in the English City of Bath, Somerset
Aquae Sulis The Roman Baths complex is a site of historical interest in the English city of Bath, Somerset. It is a well-preserved Roman site once used for public bathing. Caerwent Caerwent is a village founded by the Romans as the market town of Venta Silurum. The modern village is built around the Roman ruins, which are some of the best-preserved in Europe. Londinium Londinium was a settlement established on the current site of the City of London around 43 AD. Its bridge over the River Thames turned the city into a road nexus and major port, serving as a major commercial centre in Roman Britain until its abandonment during the 5th century. Dere Street Dere Street or Deere Street is what is left of a Roman road which ran north from Eboracum (York), and continued beyond into what is now Scotland. Parts of its route are still followed by modern roads that we can drive today. St. Albans St. Albans was the first major town on the old Roman road of Watling Street. It is a historic market town and became the Roman city of Verulamium. St. Albans takes its name from the first British saint, Albanus, who died standing up for his beliefs. Jupiter Romans believed Jupiter was the god of the sky and thunder. He was king of the gods in Ancient Roman religion and mythology. Jupiter was the most important god in Roman religion throughout the Empire until Christianity became the main religion. Juno Romans believed Juno was the protector of the Empire. She was an ancient Roman goddess who was queen of all the gods. -
Waters of Rome Journal
TIBER RIVER BRIDGES AND THE DEVELOPMENT OF THE ANCIENT CITY OF ROME Rabun Taylor [email protected] Introduction arly Rome is usually interpreted as a little ring of hilltop urban area, but also the everyday and long-term movements of E strongholds surrounding the valley that is today the Forum. populations. Much of the subsequent commentary is founded But Rome has also been, from the very beginnings, a riverside upon published research, both by myself and by others.2 community. No one doubts that the Tiber River introduced a Functionally, the bridges in Rome over the Tiber were commercial and strategic dimension to life in Rome: towns on of four types. A very few — perhaps only one permanent bridge navigable rivers, especially if they are near the river’s mouth, — were private or quasi-private, and served the purposes of enjoy obvious advantages. But access to and control of river their owners as well as the public. ThePons Agrippae, discussed traffic is only one aspect of riparian power and responsibility. below, may fall into this category; we are even told of a case in This was not just a river town; it presided over the junction of the late Republic in which a special bridge was built across the a river and a highway. Adding to its importance is the fact that Tiber in order to provide access to the Transtiberine tomb of the river was a political and military boundary between Etruria the deceased during the funeral.3 The second type (Pons Fabri- and Latium, two cultural domains, which in early times were cius, Pons Cestius, Pons Neronianus, Pons Aelius, Pons Aure- often at war. -
The Ptolemies: an Unloved and Unknown Dynasty. Contributions to a Different Perspective and Approach
THE PTOLEMIES: AN UNLOVED AND UNKNOWN DYNASTY. CONTRIBUTIONS TO A DIFFERENT PERSPECTIVE AND APPROACH JOSÉ DAS CANDEIAS SALES Universidade Aberta. Centro de História (University of Lisbon). Abstract: The fifteen Ptolemies that sat on the throne of Egypt between 305 B.C. (the date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII) are in most cases little known and, even in its most recognised bibliography, their work has been somewhat overlooked, unappreciated. Although boisterous and sometimes unloved, with the tumultuous and dissolute lives, their unbridled and unrepressed ambitions, the intrigues, the betrayals, the fratricides and the crimes that the members of this dynasty encouraged and practiced, the Ptolemies changed the Egyptian life in some aspects and were responsible for the last Pharaonic monuments which were left us, some of them still considered true masterpieces of Egyptian greatness. The Ptolemaic Period was indeed a paradoxical moment in the History of ancient Egypt, as it was with a genetically foreign dynasty (traditions, language, religion and culture) that the country, with its capital in Alexandria, met a considerable economic prosperity, a significant political and military power and an intense intellectual activity, and finally became part of the world and Mediterranean culture. The fifteen Ptolemies that succeeded to the throne of Egypt between 305 B.C. (date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII), after Alexander’s death and the division of his empire, are, in most cases, very poorly understood by the public and even in the literature on the topic. -
Ennius Or Cicero? the Disreputable Diviners at Cic
ACTA CLASSICAXLIV(200/) 153-166 ISSN 0065-1141 ENNIUS OR CICERO? THE DISREPUTABLE DIVINERS AT CIC. DE DIV. 1.132 A.T. Nice University of the Witwatersrand ABSTRACT At the end of the first book of Cicero's De Divir1atior1e, Quintus remarks that, even though he believes in divination, there are some diviners whom he would not trust to give accurate predictions. These comments are followed by a quotation from Ennius' Telamo. Most modem scholars have assumed, therefore, that the previous lines also contain an echo, if not a paraphrase of Ennius' work. This supposition does not seem to be supported by the language or style employed by Cicero. The lines should rather be understood as embodying the parochial view that elite Romans had towards forms of divination that were foreign, rustic or mercenary and not practised by the Roman state. I At the end of the first book of De Divinatione ( 1.132), Quintus completes his argument in favour of divination by denying the respectability of certain kinds ofdiviners: Nunc illa testabor, non me sortilegos neque eos, qui quaestus causa hariolentur, ne psychomantia quidem, quibus Appius, amicus tuus, uti solebat, agnoscere; non habeo denique nauci Marsum augurem, non vicanos haruspices, non de circo astrologos, non Isiacos coniectores, non interpretes somniorum; non enim sunt ii aut scientia aut arte divini. 1 The lines that follow, '(sed)2 superstitiosi vates inpudentes harioli ... de his di vitiis sibi deducant drachmam, reddant cetera,' are normally attributed to Ennius. Some previous commentators considered that the Ennius quotation should begin earlier, specifically from 'non habeo denique nauci.' 3 In favour 1 I use here the Teubner edition of R.