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B2 Woodstock – the Greatest Music Event in History LIU030
B2 Woodstock – The Greatest Music Event in History LIU030 Choose the best option for each blank. The Woodstock Festival was a three-day pop and rock concert that turned out to be the most popular music (1) _________________ in history. It became a symbol of the hippie (2) _________________ of the 1960s. Four young men organized the festival. The (3) _________________ idea was to stage a concert that would (4) _________________ enough money to build a recording studio for young musicians at Woodstock, New York. Young visitors on their way to Woodstock At first many things went wrong. People didn't want Image: Ric Manning / CC BY (https://creativecommons.org/licenses/by/3.0) any hippies and drug (5) _________________ coming to the original location. About 2 months before the concert a new (6) _________________ had to be found. Luckily, the organizers found a 600-acre large dairy farm in Bethel, New York, where the concert could (7) _________________ place. Because the venue had to be changed not everything was finished in time. The organizers (8) _________________ about 50,000 people, but as the (9) _________________ came nearer it became clear that far more people wanted to be at the event. A few days before the festival began hundreds of thousands of pop and rock fans were on their (10) _________________ to Woodstock. There were not enough gates where tickets were checked and fans made (11) _________________ in the fences, so lots of people just walked in. About 300,000 to 500,000 people were at the concert. The event caused a giant (12) _________________ jam. -
Serbia Turns Blind Eye to Rare Bird Slaughter
Issue No. 211 Friday, July 22 - Thursday, September 08, 2016 ORDER DELIVERY TO Belgrade ‘failing to Political Must-see YOUR DOOR +381 11 4030 303 develop satirists eye music [email protected] - - - - - - - ISSN 1820-8339 1 mid-market Belgrade local festivals BELGRADE INSIGHT IS PUBLISHED BY 0 1 tourism’ elections in August Page 5 Page 9 Page 13 9 7 7 1 8 2 0 8 3 3 0 0 0 Even when the Democrats longas continue to likely is This also are negotiations Drawn-out Surely the situation is urgent Many of us who have experi We feel in-the-know because bia has shown us that (a.) no single no (a.) that us shown has bia party or coalition will ever gain the governa form to required majority negotiations political (b.) and ment, will never be quickly concluded. achieved their surprising result at last month’s general election, quickly itbecame clear that the re sult was actually more-or-less the result election other every as same in Serbia, i.e. inconclusive. as Serbia’s politicians form new political parties every time disagree with they their current party reg 342 currently are (there leader political parties in Serbia). istered the norm. One Ambassador Belgrade-based recently told me he was also alarmed by the distinct lack of urgency among politicians. Serbian “The country is standstill at and a I don’t understand their logic. If they are so eager to progress towards the EU and en theycome how investors, courage go home at 5pm sharp and don’t work weekends?” overtime. -
Live Music Matters Scottish Music Review
Live Music Matters Simon Frith Tovey Professor of Music, University of Edinburgh Scottish Music Review Abstract Economists and sociologists of music have long argued that the live music sector must lose out in the competition for leisure expenditure with the ever increasing variety of mediated musical goods and experiences. In the last decade, though, there is evidence that live music in the UK is one of the most buoyant parts of the music economy. In examining why this should be so this paper is divided into two parts. In the first I describe why and how live music remains an essential part of the music industry’s money making strategies. In the second I speculate about the social functions of performance by examining three examples of performance as entertainment: karaoke, tribute bands and the Pop Idol phenomenon. These are, I suggest, examples of secondary performance, which illuminate the social role of the musical performer in contemporary society. 1. The Economics of Performance Introduction It has long been an academic commonplace that the rise of mediated music (on record, radio and the film soundtrack) meant the decline of live music (in concert hall, music hall and the domestic parlour). For much of the last 50 years the UK’s live music sector, for example, has been analysed as a sector in decline. Two kinds of reason are adduced for this. On the one hand, economists, following the lead of Baumol and Bowen (1966), have assumed that live music can achieve neither the economies of scale nor the reduction of labour costs to compete with mass entertainment media. -
The Allman Betts Band Your Heroes It’S a Dream Come True, but Sat
Locally Owned and Operated Vol. 19 - Issue 7 • July 3, 2019 - August 7, 2019 INSIDE: WINERY GUIDE Vintage Ohio 25th Anniversary! Amphicar Festival July 24-28 2019 Summer Festivals Blues News Movie & Concert Reviews Est. 2000 FREE! Entertainment, Dining & Leisure Connection Read online at www.northcoastvoice.com North Coast Voice OLD FIREHOUSE 5499 Lake RoadWINERY East • Geneva-on-the Lake, Ohio Restaurant & Tasting Room Open 7 days Noon to Midnight Live entertainment 7 days a week! Tasting Rooms Entertainment See inside back cover for listing. all weekend. (see ad on pg. 7) 1-800-Uncork-1 FOR ENTERTAINMENT AND Hours: EVENTS, SEE OUR AD ON PG. 7 Monday Closed Hours: Tues thru Thurs noon to 7 pm, Mon. 12-4 • Tues. Closed Fri and Sat noon to 11 pm, Wed. 12-7 • Thurs. 12-8 Sunday noon to 7 pm Fri. 12-9 • Sat. 12-10 • Sun. 12-5 834 South County Line Road 6451 N. RIVER RD., HARPERSIELD, OHIO 4573 Rt. 307 East, Harpersfield, Oh Harpersfield, Ohio 44041 WED. & THURS, 12 - 7, FRI. 12-9 440.415.0661 440.361.3049 SAT. 12- 9, SUN. 12-6 www.laurellovineyards.com www.bennyvinourbanwinery.com WWW.HUNDLEY CELLARS.COM [email protected] [email protected] If you’re in the mood for a palate pleasing wine tasting accompanied by a delectable entree from our restaurant, Ferrante Winery and Ristorante is the place for you! Entertainment every weekend Hours see ad on pg. 6 Stop and try our New Menu! Tasting Room: Mon. & Tues. 10-5 1520 Harpersfield Road Wed. & Thurs. 10-8, Fri. -
Oslo, Norway – 31
OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come. -
1. CROSS-BORDER REGION „KRŠ “ (Introductory Remarks)
KRSH Preparation for implementation of the Area Based Development (ABD) Approach in the Western Balkans BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION “KRŠ” BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION KRŠ “This document has been produced with the financial assistance of the European Union. The contents of this document are the sole responsibility of the Regional Rural Development Standing Working Group in South Eastern Europe (SEE) and can under no circumstances be regarded as reflecting the position of the European Union.” This document is output of the IPA II Multi-country action programme 2014 Project ”Fostering regional cooperation and balanced territorial development of Western Balkan countries in the process towards EU integration – Support to the Regional Rural Development Standing Working Group (SWG) in South-East Europe” 2 BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION KRŠ Published by: Regional Rural Development Standing Working Group in SEE (SWG) Blvd. Goce Delcev 18, MRTV Building, 12th floor, 1000 Skopje, Macedonia Preparation for implementation of the Area Based Development (ABD) Approach in the Western Balkans Baseline Study and Strategic Plan for development of the cross-border region “Krš” On behalf of SWG: Boban Ilić Authors: Suzana Djordjević Milošević, Ivica Sivrić, Irena Djimrevska, in cooperation with stakeholders from the region “Krš” Editor: Damjan Surlevski Proofreading: Ana Vasileva Design: Filip Filipović Photos: SWG Head Office/Secretariat and Ivica Sivrić CIP - Каталогизација во публикација Национална и универзитетска библиотека "Св. Климент Охридски", Скопје 352(497) DJORDJEVIĆ Milošević, Suzana Preparation for implementation of the area based development (ABD) approach in the Western Balkans : Baseline study and strategic plan for development of the cross-border region "KRŠ" / [authors Suzana Djordjević Milošević, Ivica Sivrić, Irena Djimrevska]. -
VIPNEWSPREMIUM > VOLUME 146 > APRIL 2012
11 12 6 14 4 4 VIPNEWS PREMIUM > VOLUME 146 > APRIL 2012 3 6 10 8 1910 16 25 9 2 VIPNEWS > APRIL 2012 McGowan’s Musings It’s been pouring with rain here for the last below normal levels. As the festival season weather! Still the events themselves do get couple of days, but it seems that it’s not the looms and the situation continues, we may covered in the News you’ll be glad to know. right type of rain, or there’s not enough of see our increasingly ‘green’ events having it because we are still officially in drought. to consider contingency plans to deal with I was very taken by the Neil McCormick River levels across England and Wales are the water shortages and yet more problems report in UK newspaper The Telegraph from lowest they’ve been for 36 years, since our caused by increasingly erratic weather. I’m the Coachella festival in California, as he last severe drought in 1976, with, according sure that many in other countries who still wrote, “The hairs went up on the back of my to the Environmental Agency, two-thirds picture England as a rain swept country neck…” as he watched the live performance ‘exceptionally ’ low, and most reservoirs where everybody carries umbrellas will find of Tupac Shakur…” This is perfectly it strange to see us indulging in rain dances understandable , as unfortunately, and not to over the next couple of months! put too fine a point on it, Tupac is actually dead. His apparently very realistic appearance Since the last issue of VIP News I have was made possible by the application of new journeyed to Canada, Estonia and Paris, and holographic projection technology. -
Steve Waksman [email protected]
Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i1.9en Live Recollections: Uses of the Past in U.S. Concert Life Steve Waksman [email protected] Smith College Abstract As an institution, the concert has long been one of the central mechanisms through which a sense of musical history is constructed and conveyed to a contemporary listening audience. Examining concert programs and critical reviews, this paper will briefly survey U.S. concert life at three distinct moments: in the 1840s, when a conflict arose between virtuoso performance and an emerging classical canon; in the 1910s through 1930s, when early jazz concerts referenced the past to highlight the music’s progress over time; and in the late twentieth century, when rock festivals sought to reclaim a sense of liveness in an increasingly mediatized cultural landscape. keywords: concerts, canons, jazz, rock, virtuosity, history. 1 During the nineteenth century, a conflict arose regarding whether concert repertories should dwell more on the presentation of works from the past, or should concentrate on works of a more contemporary character. The notion that works of the past rather than the present should be the focus of concert life gained hold only gradually over the course of the nineteenth century; as it did, concerts in Europe and the U.S. assumed a more curatorial function, acting almost as a living museum of musical artifacts. While this emphasis on the musical past took hold most sharply in the sphere of “high” or classical music, it has become increasingly common in the popular sphere as well, although whether it fulfills the same function in each realm of musical life remains an open question. -
After All, Cotton Bowl Stadium Is
FP-018 Cotton Bowl Stadium Does the structure in front of you really need an introduction? After all, Cotton Bowl Stadium is renowned worldwide as the venue that for more than 70 years hosted the Cotton Bowl Classic, pitting two of college football’s premier powerhouses against one another on -- or near -- New Year’s Day. The roster of gridiron greats who have played inside this stadium reads like a roll call of athletic superstardom. Davey O’Brien, Bobby Layne, Sammy Baugh, Bart Starr, and Ernie Davis (who was the first black player to win the Heisman Trophy). Let’s not forget Roger Staubach, Joe Theismann, Joe Montana, Bo Jackson, Dan Marino and Woodrow Wilson High School graduate and Heisman winner, Tim Brown. Oh yes, and Troy Aikman, Doug Flutie and Eli Manning, as well. You HAVE heard of some of those people, haven’t you? For more than 70 years, this stadium has also been the host of a piddly little rivalry you’ve probably never heard of, a rivalry between one team that wears Burnt Orange and White, and another that wears Crimson and White. And to be clear, down here that rivalry is always called the TEXAS/OU game … never the other way around. The stadium also hosts the annual State Fair Classic featuring Grambling University and Prairie View A&M, perhaps the one football event in the country where the halftime band performances are more exciting than the game itself. And in 2011, the stadium became the home of the new Ticket City Bowl, featuring teams from the Big 10 Conference and Big 12 Conference or Conference U.S.A. -
{Qudta 16 `Jamboree' Tees 11 RUSH There's No Business Like
48 bienE Billboard SPECIAL SURVEY For Week Ending 3/19/78 15 Hours Of Rock Sounds Delight Massive Audience Bands To Play Top Boxoffice LOS ANGELES -A wide variety pend On- and, as the encore, "Evil Benefit Show of rock sounds constituted the musi- Ways." PHILADELPHIA -Woody Her- ,Copyright 1978, Billboard Publications, Inc. No part of this pubi cation may be reproduced cal fare at Cal Jam II held in nearby man, Thad Jones & Mel Lewis stored in a retrieval system. or transmitted, in any form or by any means. electronic. mechanical The group performed only six are photocopying. recording, Ontario, Calif., March 18. or otherwise, without the prior written pe-mission of the publisher songs, spotlighting its instrumental- contributiing their services for a big Bob Welch's early morning set in- ists on colorful jams on most of the band bash Wednesday (29) at a ben- -efit for the family of tenor saxo- Total Ticket cluded both of his big Capitol hits, numbers. ARTIST- Promoter, Facility, Dates phonist Gregory Herbert, who was Á Ticket Price Gross the mellow, serene "Sentimental Heart offered ''DENOTES SELLOUT PERFORMANCE Sales Scale Receipts one of the most found dead under clouded circum- Lady" and the catchy, uptempo thoroughly diversified perform- stances in Amsterdam, Holland, on Stadiums "Ebony Eyes." Welch was backed ances, mixing soft ballads like & Festivals (More Than 20,000) by a five -man band in addition to Jan. 31. "Dreamboat Annie" and "Love 1 CALIFORNIA JAM II -Sandy Feldmen & Lenny Stevie Nicks on tambourine A localite, he had been touring 290,000 $12.50- $17.00 $2,500,000* and Alive" with energetic rockers like Stogell /Wolf & Rissmiller Concerts, Motor Mick Fleetwood with Blood, Sweat & Tears. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Say Massive Fish Kill a Result of Dumping
Mayors not worried over nuclear weapons at Earle By MAM G1AVEN deemed classified by the mili- ding its operations in Mon- proved, said Mayor Mr. Spec- would not have aneconomlc The Navy's property is con- MIDDLETOWN - The tary mouth County tor, asserting that if the Navy impact on his township which nected by 139 miles of railroad mayors of Tinton Fills and Even If they did store clas- The Township's Redevelop- was discouraged from expand- Is largely residential, but track, according to Capt John CoHi Neck laid yesterday that sified ammunition here, they ment Agency is currently ing, it might move all of its argued that it would be benefi- T. Heigl, commanding officer cial for the county's economy. at Earle. they were no worried about wouldn't store the fuses here, vying with the Navy for own- operations elsewhere. nuclear weapons being stared We should bring in any- said Mr. Caponegro, a retired ership of S26 acreas of If they move Earle out of Both Mayors said they were at Earle Naval Weapons Sta- thing that will better the econ- Army colonel. bayfront land, located west of the area, it would be very not in close contact with naval tion. Earle's pier in at Leonardo. detrimental, having the same omy, said Mr. Caponegro officials on their operations at I'm sure they (nuclear Both Mayor Gabriel Spec- The Navy would like to use kind of effect as Port Mon- The Navy's expansion pro- Earle, and expressed no in- wespons) are not armed tor Of Ttntoo Falls and Mayor a portion of the 326 acres for a mouth' Mr.