Science Fiction Review 42 Geis 1971-01
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Annualreport 2 0
No one should fall through the cracks IINNGG OOLLDDE LPP ERR EEL PP HH EE OO FF PP OO LL SS EE RR T T A A O O E E L L Y Y I I V V T T E E H H 1972 - 2020 A G A G I I T T E 48 E 48 - - H H Y Y O O T T M M R R E O E F O F SERVING YORKVILLE ● CARNEGIE HILL ● EAST HARLEM and the GREATER NEW YORK CITY area ANNUAL REPORT 2020 Dear Friends, What an extraordinary year this has been for us all, due to the unprecedented challenges of the public health crisis. Since mid-March, Search and Care has had to repurpose our team and reimagine our agency services and supports to effectively serve not only existing clients, but many new ones throughout the Greater New York City area. We invite you to read more about this on the inside back cover. Thanks to your support, even in these uncertain times, we were able to provide comfort, reassurance and compassionate care to a record number of frail, homebound and isolated older neighbors. Our agency services remains fee-free, and after nearly 50 years and 20,000+ clients served, vulnerable older people can rest assured Search and Care will continue to be there for them, now as ever. In deepest gratitude, Orla Coleman Brian C. Kravitz Board President Executive Director Board of Directors Honorary Directors Henry Darlington, Jr. OFFICERS Brian Boyé Kate Karet Irvine D. Flinn Natasha S. -
SHAMAR's WAR the STAR KING OH, to BE'a-Btubel JACK VANCE
FEBRUARY SHAMAR’S WAR THE STAR KING OH, TO BE'A-BtuBEL by by by KRIS NEVILLE JACK VANCE PHILIP K. DICK A New Complete Novelette 1964 GRANDMOTHER A New EARTH Complete by J. Novelette T. MdNTQSH DON’T CLIP THE COUPON- — if you want to keep your copy of Galaxy intact for permanent possession!* Why mutilate a good thing? But, by the same token... if you're devotee enough to want to keep your copies in mint condition, you ought to subscribe. You really ought to. For one thing, you get your copies earlier. For another, you’re sure you'll get them! Sometimes newsstands run out — the mail never does. (And you can just put your name and address on a plain sheet of paper and mail it to us, at the address below. We’ll know what you mean... provided you enclose your check!) In the past few years Galaxy has published the finest stories by the finest writers in the field - Bester, Heinlein, Pohl, Asimov, Sturgeon, Leiber and nearly everyone else. In the next few years it will go right on, with stories that are just as good ... or better. Don’t miss any issue of Galaxy. You can make sure you won’t. Just subcribe today. *(lf, on the other hand, your habit is to read them once and go on to something new - please - feel free to use the coupon! It’s for your convenience, not ours.) U GALAXY Publishing Corp., 421 Hudson Street, New York 14, N. Y. (50c additional per 6 issues Enter my subscription for the New Giant 196-page Galaxy foreign postage) (U. -
Heart-Shaped Box Pdf, Epub, Ebook
HEART-SHAPED BOX PDF, EPUB, EBOOK Joe Hill | 416 pages | 01 May 2008 | Orion Publishing Co | 9780575081864 | English | London, United Kingdom Heart-shaped Box PDF Book It seemed like Hill just wanted to quickly wrap it up, no matter how many questions it either raised or left unanswered. A good old fashioned ghost story. View all 13 comments. He told biographer Michael Azerrad , "Anytime I think about it, it makes me sadder than anything I can think of. US Alternative Songs Billboard [2] [3]. October 16, Just hate our MC and pray that Georgia makes it out with the rest of us. Official Charts Company. The characters are unlika I had pretty big expectations for this novel, since it was somewhat of a happening in the horror genre and was praised by writers such as Harlan Coben and Neil Gaiman. The ghost in this story is Liam Neeson of Ghosts. I'm going to keep this spoiler free, but if you enjoyed NOS4A2, you will probably like this one as well. Thanks for telling us about the problem. New York City: Time, Inc. Unf Imagine a ghost! Aging rock star Judas Coyne spends his retirement collecting morbid memorabilia, including a witch's confession, a real snuff film and, after being sent an email directly about the item online, a dead man's funeral suit. Joe Hill surprised me with his clever plot and seemingly unlovable characters, I was turning the pages like there was no tomorrow for the last pages and didn't guess the ending. We sing together. Read more This book sucks. -
Table of Contents
Extensively Cross-Indexed Using Internal Hyperlinks TABLE OF CONTENTS Introduction Preface Important Notes Sources Format Key What Are ISBNs? Main Entries Supplements Books — Fiction The E. Mayne Hull Stories Short Fiction E. Mayne Hull: Another View Books — Non-Fiction Statistics Short Non-Fiction Production Chart Other Works Series List Rare Works Working Titles Collaborative Works Indices Media Adaptations List of Fix-Up Novels Alternate Title Index Book Revisions Magazine Index Alphabetical Index Chronological Index Version 5 ©2001 - 2008 Isaac Wilcott April 9th, 2008 Icshi: The A.E. van Vogt Information Site (Version History) Preface This new document, the Storysource, replaces both the Database and Compendium by combining the two. (I suppose you could call this a "fix-up" bibliography since it is the melding of previously "published" material into a new unified whole. And, in the true van Vogtian tradition, I've not only revised it but I've given it a new title as well.) The last versions of both are still available for download as a single ZIP file for those who would like them for whatever reason. The format of the Compendium has been retained with only a few alterations while adding the bibliographic information of the Database. A section for short stories has accordingly been added. The ugly and outdated Database is eliminated, while retaining all of its positive traits, and the usefulness of the Compendium is drastically improved. No longer will you have to jump between the two while looking something up — all information has been pooled into just one document. This new format's interface is more intuitive, alphabetically arranged rather than chronological, and with all items thoroughly cross- indexed with internal hyperlinks. -
Tightbeam 64
n • > THE NATIONAL FANTASY FAN FEDERATION OFFICERS • • . 1970 President: Stan Woolston, 12832 Westlake St., Garden Grove, Calif. 92640 Directorate: I Chairman: Ned Brooks, 713 Paul St., Newport News, Va. 23605 Joanne Burger, 55 Blue Bonnet Ct., Lake Jackson, Texas 77566 Rick Sneary, 2962 Santa Ana St., South Gate, Calif. 90280 Donald L. Miller, 12315 Judson Rd., Wheaton,,Md. 20906 Mike Zaharakis, 1326 S. E. 14th, Portland, Ore. 97214 TNFF Official Editor: David Lewton, 735 E. Kessler Blvd., Indianapolis, Ind. 36220 TIGHTBEAM Editor: Gary H.-. Labowitz, 1100 Betzwood Dr., Norristown, Pa. 19401 NEFF Trader; Official Historian; Kaymar Award: . K. Martin Carlson, 1028 Third Ave.,S., Moorhead, Minn. 56560 Teller: Harry Warner. Jr., 423 Summit Ave., Hagerstown, Nd. 21740 . Bureaus and Committees ^(Birthday Cards: Elaine Wojciechowski, 4755 N. Keystone, Chicago, T"11. 60630 • Collector's Bureau: Ned Brooks, 713 Paul St., Newport News, Va. 23605 Correspondence Bureau: Nancy Nagel, R.D. 4, Albion, N.Y. 14411 Fanclub Bureau: Anita Kovalick, 2302 Cherrywood Lane, Orlando, Fla. 32803 Fanzine Advisor: Gary H. Labowitz, 1100 Betzwood Dr., Norristown, Pa. 19401 ^Fanzine Clearing House: Seth Johnson Memorial: Donald L. Miller, 12315 Judson Rd., Wheaton, Md. 20906 Games Bureau; Hobbies Bureau: Donald L. Miller, 12315 Judson Rd., Wheaton, lid. 20906 Information Bureau: Don Franson, 6543 Babcock, N. Hollywood, Calif. 91602 ' manuscript Bureau: Gary H. Labowitz, 1100 Betzwood.Dr., Norristown. Pa* 19401 embership Activities: Irvin Koch, 835 Chattanooga Bank Bldg., Chattanooga, ’ Tenn. 3/402 Neffer Amateur Press Alliance (N'APA): । kt Erank Denton, 14654 8th Ave. S.W., Seattle, Wash. 98166 K'eWS ^eau:. Judith Brownlee, 1556 Detroit #1, Denver, Colo. -
The Apocalyptic Book List
The Apocalyptic Book List Presented by: The Post Apocalyptic Forge Compiled by: Paul Williams ([email protected]) As with other lists compiled by me, this list contains material that is not strictly apocalyptic or post apocalyptic, but that may contain elements that have that fresh roasted apocalyptic feel. Because I have not read every single title here and have relied on other peoples input, you may on occasion find a title that is not appropriate for the intended genre....please do let me know and I will remove it, just as if you find a title that needs to be added...that is appreciated as well. At the end of the main book list you will find lists for select series of books. Title Author 8.4 Peter Hernon 905 Tom Pane 2011, The Evacuation of Planet Earth G. Cope Schellhorn 2084: The Year of the Liberal David L. Hale 3000 Ad : A New Beginning Jon Fleetwood '48 James Herbert Abyss, The Jere Cunningham Acts of God James BeauSeigneur Adulthood Rites Octavia Butler Adulthood Rites, Vol. 2 Octavia E. Butler Aestival Tide Elizabeth Hand Afrikorps Bill Dolan After Doomsday Poul Anderson After the Blue Russel C. Like After the Bomb Gloria D. Miklowitz After the Dark Max Allan Collins After the Flames Elizabeth Mitchell After the Flood P. C. Jersild After the Plague Jean Ure After the Rain John Bowen After the Zap Michael Armstrong After Things Fell Apart Ron Goulart After Worlds Collide Edwin Balmer, Philip Wylie Aftermath Charles Sheffield Aftermath K. A. Applegate Aftermath John Russell Fearn Aftermath LeVar Burton Aftermath, The Samuel Florman Aftershock Charles Scarborough Afterwar Janet Morris Against a Dark Background Iain M. -
Comprehensive Services for Survivors of Human Trafficking
FINAL REPORT REPORT FINAL JUNE Comprehensive Services for Survivors of Human 2006 Trafficking: Findings from Clients in Three Communities Final Report Laudan Y. Aron The Urban Institute Janine M. Zweig The Urban Institute Lisa C. Newmark Crime Victim Consultant URBAN INSTITUTE Justice Policy Center Draft-5.24.04 URBAN INSTITUTE Justice Policy Centre 2100 M Street NW Washington, DC 20037 www.urban.org © 2006 Urban Institute This study was part of a larger study conducted by Caliber, an ICF International Company and was supported through subcontract #S813. The full project was supported by Grant No. 2002- MU-MU-K004 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Caliber, an ICF International Company, was the lead research organization for the project. The findings presented in this report are part of a larger report incorporating the full findings of the study. The authors would like to thank the staff, interpreters, and, most importantly, the clients of the Comprehensive Services Site grantees who were willing to spend the time to schedule and participate in these interviews. The authors would also like to thank Kevonne Small for her thoughtful review and contribution to the report. Opinions expressed in this document are those of the authors, and do not necessarily represent the official position or policies of the National Institute of Justice, Caliber (an ICF International Company), or the Urban Institute, its trustees, or its funders. URBAN INSTITUTE The views expressed are those of the authors, and should not be attributed to The Urban Institute, its trustees, or its funders. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Program Book
Thank you to our sponsors: Presenting Sponsor: Supporting Sponsors: Additional support from Struck Catering. Thank you to our sponsors: Presenting Sponsor: mechanics hall worcester, ma Supporting Sponsors: Additional support from Struck Catering. NEFA’S IDEA SWAP You put creativity fi rst. Idea Swap is NEFA’s annual event contents that provides opportunities for New 2 England-based nonprofit presenting schedule organizations to network and share 4 project ideas that may qualify for project presentations: funding from NEFA’s Expeditions part 1 grant program. 7 project presentations: Expeditions grants are made to part 2 nonprofit organizations in New 9 England and support the tour more project ideas planning or touring of high quality and innovative performing arts projects. This booklet includes projects submitted as of October 20, 2014, #NEFAIdeaSwap which have the potential to tour New We put you fi rst. England. These and other projects submitted after press time can be contact Eastern Bank is proud to support the found on nefa.org. Presentation New England Foundation for the Arts. at the Idea Swap or inclusion in adrienne petrillo this booklet does not guarantee program manager Expeditions funding support. 617.951.0010 x527 [email protected] For more information about NEFA’s daniela jacobson Expeditions program or the Idea program coordinator Swap, please visit www.nefa.org or 617.951.0010 x528 call 617.951.0010 x527. [email protected] Member FDIC hereyourefi rst.com 1 schwanze-beast schedule Sara Coffey | Vermont Performance Lab 9:30am–10:00am -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Hail to the Caldecott!
Children the journal of the Association for Library Service to Children Libraries & Volume 11 Number 1 Spring 2013 ISSN 1542-9806 Hail to the Caldecott! Interviews with Winners Selznick and Wiesner • Rare Historic Banquet Photos • Getting ‘The Call’ PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT PENGUIN celebrates 75 YEARS of the CALDECOTT MEDAL! PENGUIN YOUNG READERS GROUP PenguinClassroom.com PenguinClassroom PenguinClass Table Contents● ofVolume 11, Number 1 Spring 2013 Notes 50 Caldecott 2.0? Caldecott Titles in the Digital Age 3 Guest Editor’s Note Cen Campbell Julie Cummins 52 Beneath the Gold Foil Seal 6 President’s Message Meet the Caldecott-Winning Artists Online Carolyn S. Brodie Danika Brubaker Features Departments 9 The “Caldecott Effect” 41 Call for Referees The Powerful Impact of Those “Shiny Stickers” Vicky Smith 53 Author Guidelines 14 Who Was Randolph Caldecott? 54 ALSC News The Man Behind the Award 63 Index to Advertisers Leonard S. Marcus 64 The Last Word 18 Small Details, Huge Impact Bee Thorpe A Chat with Three-Time Caldecott Winner David Wiesner Sharon Verbeten 21 A “Felt” Thing An Editor’s-Eye View of the Caldecott Patricia Lee Gauch 29 Getting “The Call” Caldecott Winners Remember That Moment Nick Glass 35 Hugo Cabret, From Page to Screen An Interview with Brian Selznick Jennifer M. Brown 39 Caldecott Honored at Eric Carle Museum 40 Caldecott’s Lost Gravesite . -
The Poetry of Symbolism and the Music of Gabriel Fauré
THE POETRY OF SYMBOLISM AND THE MUSIC OF GABRIEL FAURÉ A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF MUSIC IN PERFORMANCE BY LYNNELL LEWIS ADVISOR: DR MEI ZHONG BALL STATE UNIVERSITY MUNCIE, INDIANA JULY 2009 TABLE OF CONTENTS 1. Introduction ................................................................................... 1 2. Gabriel Fauré .................................................................................. 3 3. Fauré‟s Work and the Influences of Late 19th Century France .... 7 4. Paul Verlaine ................................................................................. 9 5. Fauré, Verlaine and Symbolism ..................................................... 14 6. Description of Songs and Performance issues ............................... 17 . Mandolin .............................................................................. 17 . En Sourdine .......................................................................... 18 . Green .................................................................................... 19 . A Clymène ........................................................................... 21 . C‟est l‟exstase ...................................................................... 23 7. Conclusion ...................................................................................... 25 Appendix of Poetry .............................................................................. 27 Mandoline ......................................................................................