SHAMAR's WAR the STAR KING OH, to BE'a-Btubel JACK VANCE
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The Apocalyptic Book List
The Apocalyptic Book List Presented by: The Post Apocalyptic Forge Compiled by: Paul Williams ([email protected]) As with other lists compiled by me, this list contains material that is not strictly apocalyptic or post apocalyptic, but that may contain elements that have that fresh roasted apocalyptic feel. Because I have not read every single title here and have relied on other peoples input, you may on occasion find a title that is not appropriate for the intended genre....please do let me know and I will remove it, just as if you find a title that needs to be added...that is appreciated as well. At the end of the main book list you will find lists for select series of books. Title Author 8.4 Peter Hernon 905 Tom Pane 2011, The Evacuation of Planet Earth G. Cope Schellhorn 2084: The Year of the Liberal David L. Hale 3000 Ad : A New Beginning Jon Fleetwood '48 James Herbert Abyss, The Jere Cunningham Acts of God James BeauSeigneur Adulthood Rites Octavia Butler Adulthood Rites, Vol. 2 Octavia E. Butler Aestival Tide Elizabeth Hand Afrikorps Bill Dolan After Doomsday Poul Anderson After the Blue Russel C. Like After the Bomb Gloria D. Miklowitz After the Dark Max Allan Collins After the Flames Elizabeth Mitchell After the Flood P. C. Jersild After the Plague Jean Ure After the Rain John Bowen After the Zap Michael Armstrong After Things Fell Apart Ron Goulart After Worlds Collide Edwin Balmer, Philip Wylie Aftermath Charles Sheffield Aftermath K. A. Applegate Aftermath John Russell Fearn Aftermath LeVar Burton Aftermath, The Samuel Florman Aftershock Charles Scarborough Afterwar Janet Morris Against a Dark Background Iain M. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
SCIENCE FICTION REVIEW Interviews: GORDON R
JULY 1978 NUMBER 26 SCIENCE FICTION REVIEW Interviews: GORDON R. DICKSON $1*50 LARRY NIVEN FEE-DOM ROAD By Richard Henry Klump ROBER^LOCH - DAMON KNIGHT - ALAN DEAN FOSTER - GORDON R. DICKSON - ROBERT A.W, LOWNDES - IAN WATSON ONE IMMORTAL MAN SCIENCE FICTION REVIEW Formerly THE ALIEN CRITIC 972H RICHARD E. GEIS, editor & publisher July, 1978—Vol. 7, No. 3 ALIEN THOUGHTS by the editor.4 INTERVIEW WITH GORDON R. DICKSON PHONE: (503) 282-0381 CONDUCTED BY CLIFFORD MCMURRAY.6 SINGLE COPY — $1.50 FEE-DOM ROAD BY RICHARD HENRY KLUMP.16 REVIEWS- THE ALCHEMICAL MARRIAGE OF THE MEDUSA TOUCH.4 ALISTAIR CROMPTON.28 SMALL PRESS NOTES by the editor. .18 ISLAND OF THE DAftlED.4 THE HERMES FALL.28 THE FURY.4 UNDER A CALCULATING STAR.28 NOISE LEVEL a colimj CLONES.5 INVOLUTION OCEAN...28 BY JOHN BRUNNER.22 SCIENCE FICTION AND FANTASY AND THEN WE LL GET HIM!.29 PSEUDONYMS.18 ESCHATUS.29 A HISTORY OF THE HUGO, NEBULA DOCTOR STRANGE.29 INTERVIEW WITH LARRY NIVEN AND INTERNATIONAL FANTASY AWARDS...8 A.K.A.—A COSMIC FABLE.29 CONDUCTED BY JEFFREY ELLIOT. 24 THE SILVER EEL., 8 DONNING STARBLAZE EDITIONS.29 ODYSSEY PUBLICATIONS.,9 DEATH IN FLORENCE.30 THE ALTER-EGO VIEWPOINT KHATRU #7. ,9 THE DEVIL IS DEAD.30 BY RICHARD E. GEIS & ALTER.28 THE DIVERSIFIER #24.19 THE HILLS OF FARAWAY.31 PRETENTIOUS SCIENCE FICTION SWORDS AGAINST DARKNESS III.32 QUARTERLY.,9 THE GOTHIC HORROR AND OTHER ^ a collie THE VIVISECTOR THE CALL OF THE STARS..9 WEIRD TALES.32 BY DARRELL SCHWEITZER. THE NATIONAL FANTASY FAN..9 THE FRENCH QUARTER.35 ALGOL, WINTER 77-/8.,.9 LASERBEAM.35 OTHER VOICES book reviews by ALGOL^ SPRING 1978.W THE EVIL..35 ORSON SCOTT CARD, IAN WATSON, MASTODONIA.36 LEE WEINSTEIN, L. -
Abraham, 151 Abercrombie Station, 130 Achilles, 357 Aesop, 355
Index Abraham, 151 Chauser, 231, 233 366 Abercrombie Station, 130 Chesterton, G. K., 207 Faulkner, William, 15 Achilles, 357 Churchill, 55, 86 Flaubert, Gustave, 296 Aesop, 355 Cholwell’s Chickens, 130 Flesh Mask, The, 365-7, 379, 385 Alfred’s Ark, 123, 204, 242-4 Chrétien de Troyes, 248 & etc, Ford Madox Ford, 118 Allen, Woody; 96 250-52, 257 Fra Angelico, 380 Anaxagoras, 335, 342-53 Clarges, 16, 25, 30-32, 74, Frazetta, Frank, 209, 228 Aquinas, St. Thomas, 150 174, 177 Gainsborough, Thomas, 288 Arcimboldo, 380 Clarke, Arthur C., 17 Gesualdo, 380 Aristophanes, 398 Communism, 59, 82-6, 93, 143, Gift of Gab, The, 123 Aristotle, 280-1, 330, 336 & etc. 147, 249 319, 321, 329 & etc. Giotto, 228 Augmented Agent, The, 146 Coup de Grace, 16, 207 Gogol, Nicolai, 20, 195 Austen, Jane, 105 & etc, 191-2, Crusade to Maxus, 140 & etc. Gold and Iron, 20-1, 36, 81, 112, 241, 289, 380 Cugel (stories), 51, 106, 135-6, 118, 141, 143, 292, 383 Babeuf, Gracchus; 320 & etc. 155-6, 191, 200, 207, 231, Golden Girl, The, 20 Bad Ronald, 55, 221-2, 225, 248, 248-9, 251, 298, 340, Goncharov, 230 337, 340, 364- 6 355 & etc, 390, 392-3 Goya, Francesco, 23 Bain, Joe (stories), 205-6, 364, Dante, 15, 231, 233 Green Magic, 175-6, 387 378-9 Dark Ocean, The, 142, 201, 365 Grey, Zane, 46 Balzac, 52-54, 230, 379-83 Darwin, 68 & etc, 265, 287 Hardy, Thomas, 20 Beiderbecke, Bix, 136 Deadly Isles, The, 53, 365, 369 Hayden, 115 Benda, Julian, 80 Dickens, 112, 230, 289, 380 Heidegger, Martin, 214-9, 223, Big Planet, 12, 132, 231-32, Diderot, 16 227, 360-3, 367, 385 290, 383 Dodkin’s Job, 123, 153, 204, Hitchcock, Alfred, 289 Bird Island, 264, 370, 373 332 Hitler, 83-7, 201 Blake, William, 209 Dogtown Tourist Agency, The, Hogarth, 288 Blue World, The, 59, 189, 36, 38, 108, 332 Holbein, 289 228 & etc, 271 Domains of Koryphon, The, 15, Homer, 15, 216, 228, 355 & etc. -
Cosmopolis#54
COSMOPOLIS Number 54 October, 2004 Paul outlines his findings on The Star King. To his left: Alun Hughes, Tim Stretton, Thomas Rydbeck, Bob Lacovara, Steve Sherman and Rob Friefeld. ANOTHER STEP CLOSER—GM3.2 REPORT By Tim Stretton n late September, twelve volunteers gathered once again at Paul Rhoads’ home in France to consider the final eleven Ivolumes which make the up the second half of VIE Wave 2. This was Golden Master 3.2, and it boasted an all-star multi-national cast: Rob Friefeld, America Bob Luckin, England Marcel van Genderen, The Netherlands Paul Rhoads, America Alun Hughes, Wales Thomas Rydbeck, Sweden Andreas Irle, Germany Steve Sherman, America Chuck King, America Tim Stretton, England Bob Lacovara, America Koen Vyverman, Belgium In addition some of us brought along wives, girlfriends and children for the first time, so thanks are due to Sue, Danielle, Sandy, Pia, Marie-Therese and Kris for exerting a civilising influence and making the week even more enjoy- able than usual. Paul’s and Genevieve’s hospitality was, as ever, matchless. Amidst the conviviality, there were many important VIE achievements. The Blue World, The Magnificent Showboats, Cugel: the Skybreak Spatterlight and Rhialto the Marvellous were all signed off as ‘blues-ready’, meaning that only the final stage of the review process, GM4.2, remains before the books are ready for printing. The World Thinker and Son of the Tree await only verification of the credits, while Space Opera needs only credit verification and the incorporation of the findings from Post-Proofing. The Killing Machine is now ready subject to the incorporation of a few minor changes. -
GURPS Third Edition Jack Vance's Planet of Adventure by James L
GURPS Third Edition Jack Vance's Planet of Adventure By James L. Cambias Introduction Far off in space floats a planet with ale-colored skies… Jack Vance took us there. Vance introduced delighted Earthlings to the people, creatures, and customs of Tschai. It's a world of danger, where humans are ruled and exploited by strange alien races. With Vance's hero Adam Reith as your tour guide, learn the awful secrets of the Chasch, foil the treacherous agents of the Wanek, escape the hunters of the Dirdir, venture into the underworld labyrinth of the Pnume, and meet vivid characters like Traz Onmale, Zap 210, and the appalling Aila Woudiver. GURPS Planet of Adventure lets you plan your own excursions on Tschai. Retrace Adam Reith's footsteps as intrepid scouts for Earth, or play natives of Tschai just trying to survive and make a few sequins. Tschai's depth and variety cry out for a long visit, with time to admire the scenery and get a feel for the place. A talented author like Vance can imply a tremendous amount in just a few sentences. The game designer has to turn those references into rules and complete explanations. He can invent some things, but not too much… the feel of the original novels must shine through. If any errors remain, they are entirely the designer's fault. Some of Tschai's mysteries have been left unsolved. What's the connection among the Pnume, the Phung, and the night-hounds? What are the goals of the Wanek? What will Earth do when it learns about Tschai? Those are for individual GMs to decide. -
The Traveller Chronicle Short Fiction
The Science Fiction In Traveller A Reader’s Guide to Traveller Role-Playing Fiction By Shannon Appelcline Far Future Enterprises 2016 Preface Award-winning reviewer Shannon Appelcline (Designers & Dragon) investigates the science-fiction literature that shaped the structure and content of the Traveller science-fiction role-playing game. He reviews and discusses the broad expanse of SF that influenced Marc Miller as he designed the massive background universe of Traveller, and then gives equal consideration to the novels and short stories that were inspired by Traveller. Introduction I think that one of the best ways to prepare yourself for a roleplaying game is to immerse yourself in its fiction. It’s a way to gain a visceral, unconscious understanding of a game world — allowing you to instinctively respond to your player’s action in the context of a real universe. So, when I decided to run a Mongoose Traveller game in 2009, I started reading. Marc Miller has listed a number of novels that influenced Traveller over the years, and I began with some of those — including classics from the ‘50s and ‘60s by authors that I was largely unfamiliar with, like H. Beam Piper, E.C. Tubb, and Keith Laumer. They helped me to gain a better appreciation not just for Traveller’s universe, but also for science fiction’s history. I could have read scores more “inspirational” novels, but instead I moved on to the novels actually written about the Traveller universe. Though Traveller doesn’t have the depth of D&D’s fiction line, I was happy to discover that there were about a dozen novels that were “Traveller” to various degrees. -
Cosmopolis#27
COSMOPOLIS Number 27 June, 2002 Letters to the Editor . 25 Contents Chuck King, Karl T. Radtke, Bob Lacovara, Alain The Logan Square Book Club vs. Schremmer, John Rappel, Till Noever, Derek W. Benson Jack Vance. 1 Closing Words . 30 by Chuck King Presenting Vance to new readers VIE Contacts . 31 The Fine Print . 31 Work Tsar Status Report . 3 by Joel Riedesel Wave 1 texts soon finished d 38’s Crucible. 4 by Paul Rhoads Paul Allen and libraries, flexible covers, two Jacks, The Logan Square Book Di£ng procedure, and more Club vs. Jack Vance by Chuck King ‘Is is’ and Jack Vance’s Colons . 19 By George Rhoads Repair your sentence with the colon One of the stated goals of the VIE is to raise awareness of Jack Vance as a serious author, worthy of respect out- side the narrow genres in which his work has heretofore An Antidote to the Modern Educational been categorized. I have always felt that Vance is a styl- Malaise . 20 ist on a level with the greatest names in literature, and by William Tahil so when the opportunity came to do my part to further Turn o¥ MTV, read Vance instead our noble goal, I leapt at the chance. I am a member of a book club with a number of other The CLS . 21 people, none of whom are particular fans of science by Till Noever fiction or fantasy. They are regular folks, albeit all CLS 13 coming to a computer near you highly literate and avid readers. Members range in age from their 30s to their 60s, weighted a bit towards the You Have Done It!. -
EXTANT 22 December 2007
EXTANT 22 December 2007 THE INNER DARKNESS OF THE WINGED BEING Strange She Hasn’t Written The mystery novels, character development, Ports of Call . 1 UP WITH UPFIELD! The Bony novels of Arthur Upfi eld . .10 Vance, we say, wrote 14 ‘mystery’ novels, but many qualify A Tribute to Richard Heaps, Carol Barnes . 15 poorly. The Joe Bain stories, of course, are murder A GLIMMER OF MURIAL SPARK: Loitering With Intent . 16 mysteries, with a murder and a detective. But Bird Island is VIE DOCUMENTS: Gold and Iron; the VIE ending: an atmospheric idyl. There is no killing, no detective, no Steve Sherman, Tim Stretton, Patrick Dusoulier, Alun Hughes . 17 puzzle. The Man in the Cage, The Dark Ocean, The Flesh Mask, Bad THE FRENCH POLITICAL NEW WAVE Ronald, and The Telephone was Ringing in the Dark, to say nothing of Strange People Queer Notions and The View from Chickweed’s Window, Ségo versus Sarko : the Presidential Campaign of 2007. 2323 have elements of the mystery genre. None, however, has a FACES OF IMMORTALITY detective. Bad Ronald even lacks a mystery (for the reader), . 34 Except from a novel in progress, by J. Evertt while the murder in Chickweed could be eliminated without CYBER FOLLIES changing the plot. These books are less mysteries than tales Dan Gunter and the Washington State Bar Association . 35 of childhood pain, dramas of illusions and dreams, vistas of Lulu; easy gal?. 37 life’s magical richness. Father Gander’s Rhyming Flames (x rated) . 38 Of the three Ellery Queen mysteries one, Strange She Hasn’t LAST AND LEAST: Games, illustrations, End Note . -
Publishing Jack Vance: the SAS® System As a Tool for Literary Analysis Koen Vyverman, SAS, Netherlands
SUGI 30 Applications Development Paper 025-30 Publishing Jack Vance: The SAS® System as a Tool for Literary Analysis Koen Vyverman, SAS, Netherlands ABSTRACT The Vance Integral Edition (VIE) is a non-profit organization that aims to publish the entire works of the American author Jack Vance in a limited, durable, and definitive edition. As each of Vance’s 136 novels and short stories progresses through the VIE workflow—-from scanning and digitizing, via restoration and proofing, all the way through to typesetting and printing—-the SAS System has proved to be invaluable. SAS software has been used for comparing and analyzing the contents of the various file formats that are involved (flat-file, Word document, RTF), for keeping track of text changes, for reporting in Word and Excel formats, and for providing analytical insights into some prickly questions of textual and stylistic integrity. This paper discusses the major VIE processes where SAS came to the rescue, with ample segments of code and sample output. INTRODUCTION “Beyond question you are a person of discernment. Still, all balanced against all, the works to which I refer make demands of those who would appreciate them. The metaphors sometimes span two or three abstractions; the perorations are addressed to unknown agencies, the language is archaic and ambiguous...In spite of all, the works exhale a peculiar fervor.” (Vance, 2005b) This paper documents what might be the first-ever application of the analytical powers of the SAS System to a project that is strictly literary in nature: using SAS software to help publish an integral edition of the works of a great, yet notably undiscovered, American classic, Jack Vance. -
Footnotes in Fiction: a Rhetorical Approach
FOOTNOTES IN FICTION: A RHETORICAL APPROACH DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Edward J. Maloney, M.A. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor James Phelan, Adviser Professor Morris Beja ________________________ Adviser Professor Brian McHale English Graduate Program Copyright by Edward J. Maloney 2005 ABSTRACT This study explores the use of footnotes in fictional narratives. Footnotes and endnotes fall under the category of what Gérard Genette has labeled paratexts, or the elements that sit above or external to the text of the story. In some narratives, however, notes and other paratexts are incorporated into the story as part of the internal narrative frame. I call this particular type of paratext an artificial paratext. Much like traditional paratexts, artificial paratexts are often seen as ancillary to the text. However, artificial paratexts can play a significant role in the narrative dynamic by extending the boundaries of the narrative frame, introducing new heuristic models for interpretation, and offering alternative narrative threads for the reader to unravel. In addition, artificial paratexts provide a useful lens through which to explore current theories of narrative progression, character development, voice, and reliability. In the first chapter, I develop a typology of paratexts, showing that paratexts have been used to deliver factual information, interpretive or analytical glosses, and discursive narratives in their own right. Paratexts can originate from a number of possible sources, including allographic sources (editors, translators, publishers) and autographic sources— the author, writing as author, fictitious editor, or one or more of the narrators. -
EXTANT 15 September 2006 CONTENTS a Letter from Bob Luckin, and VIE News
EXTANT 15 September 2006 CONTENTS A Letter From Bob Luckin, and VIE news. 1 Editions Andreas Irle Lyonesse Published. 1 A VISIT WITH THE VANCES IN 1995 by Paul Rhoads (illustrated with sketches of the time) . 2 Jack Kirby Illustrates Jack Vance ? . .10 The Symbolism of Color: from spengler to vance. 11 CYBER FOLLIES A Pathetic Farce, in a Prologue and 6 Acts . 14 Vance’s Work: an Overview, (wikipedia). 25 Echoes in the Ether: Joel Andersen, David Stuart, Acquired Taste. 26 David Reitsema, Mike Schilling, John A. Schwab, Steve Sherman, 3 Tim Stretton, Hans van der Veeke (the Legendary Locator ), and Bob Luckin himself at his old CRV stand sending Paul VIE NEWS Rhoads back to InDesign, again and again and again, with a Bob Luckin writes: seemingly endless series of amazing finds. All, That’s all, folks. I recently received my EQ volumes, each in their individual packages. 3 The books were well packed, arrived in fine condition, and are certainly up to the physical standards of the main sets. I’d like to express my thanks to everyone involved Edition Andreas Irle in producing the volumes; I know that this took some extra dedication due to the drop off in interest on the The three Andreas Irle Lyonesse paperbacks part of quite a few volunteers once the main waves were have been delivered to their subscribers. complete. Without their efforts I might never have read These are facsimiles of the VIE volumes Jack’s EQ stories, let alone have my own copy of them. except for the covers and the front matter.