Cosmopolis#54
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
SHAMAR's WAR the STAR KING OH, to BE'a-Btubel JACK VANCE
FEBRUARY SHAMAR’S WAR THE STAR KING OH, TO BE'A-BtuBEL by by by KRIS NEVILLE JACK VANCE PHILIP K. DICK A New Complete Novelette 1964 GRANDMOTHER A New EARTH Complete by J. Novelette T. MdNTQSH DON’T CLIP THE COUPON- — if you want to keep your copy of Galaxy intact for permanent possession!* Why mutilate a good thing? But, by the same token... if you're devotee enough to want to keep your copies in mint condition, you ought to subscribe. You really ought to. For one thing, you get your copies earlier. For another, you’re sure you'll get them! Sometimes newsstands run out — the mail never does. (And you can just put your name and address on a plain sheet of paper and mail it to us, at the address below. We’ll know what you mean... provided you enclose your check!) In the past few years Galaxy has published the finest stories by the finest writers in the field - Bester, Heinlein, Pohl, Asimov, Sturgeon, Leiber and nearly everyone else. In the next few years it will go right on, with stories that are just as good ... or better. Don’t miss any issue of Galaxy. You can make sure you won’t. Just subcribe today. *(lf, on the other hand, your habit is to read them once and go on to something new - please - feel free to use the coupon! It’s for your convenience, not ours.) U GALAXY Publishing Corp., 421 Hudson Street, New York 14, N. Y. (50c additional per 6 issues Enter my subscription for the New Giant 196-page Galaxy foreign postage) (U. -
Abraham, 151 Abercrombie Station, 130 Achilles, 357 Aesop, 355
Index Abraham, 151 Chauser, 231, 233 366 Abercrombie Station, 130 Chesterton, G. K., 207 Faulkner, William, 15 Achilles, 357 Churchill, 55, 86 Flaubert, Gustave, 296 Aesop, 355 Cholwell’s Chickens, 130 Flesh Mask, The, 365-7, 379, 385 Alfred’s Ark, 123, 204, 242-4 Chrétien de Troyes, 248 & etc, Ford Madox Ford, 118 Allen, Woody; 96 250-52, 257 Fra Angelico, 380 Anaxagoras, 335, 342-53 Clarges, 16, 25, 30-32, 74, Frazetta, Frank, 209, 228 Aquinas, St. Thomas, 150 174, 177 Gainsborough, Thomas, 288 Arcimboldo, 380 Clarke, Arthur C., 17 Gesualdo, 380 Aristophanes, 398 Communism, 59, 82-6, 93, 143, Gift of Gab, The, 123 Aristotle, 280-1, 330, 336 & etc. 147, 249 319, 321, 329 & etc. Giotto, 228 Augmented Agent, The, 146 Coup de Grace, 16, 207 Gogol, Nicolai, 20, 195 Austen, Jane, 105 & etc, 191-2, Crusade to Maxus, 140 & etc. Gold and Iron, 20-1, 36, 81, 112, 241, 289, 380 Cugel (stories), 51, 106, 135-6, 118, 141, 143, 292, 383 Babeuf, Gracchus; 320 & etc. 155-6, 191, 200, 207, 231, Golden Girl, The, 20 Bad Ronald, 55, 221-2, 225, 248, 248-9, 251, 298, 340, Goncharov, 230 337, 340, 364- 6 355 & etc, 390, 392-3 Goya, Francesco, 23 Bain, Joe (stories), 205-6, 364, Dante, 15, 231, 233 Green Magic, 175-6, 387 378-9 Dark Ocean, The, 142, 201, 365 Grey, Zane, 46 Balzac, 52-54, 230, 379-83 Darwin, 68 & etc, 265, 287 Hardy, Thomas, 20 Beiderbecke, Bix, 136 Deadly Isles, The, 53, 365, 369 Hayden, 115 Benda, Julian, 80 Dickens, 112, 230, 289, 380 Heidegger, Martin, 214-9, 223, Big Planet, 12, 132, 231-32, Diderot, 16 227, 360-3, 367, 385 290, 383 Dodkin’s Job, 123, 153, 204, Hitchcock, Alfred, 289 Bird Island, 264, 370, 373 332 Hitler, 83-7, 201 Blake, William, 209 Dogtown Tourist Agency, The, Hogarth, 288 Blue World, The, 59, 189, 36, 38, 108, 332 Holbein, 289 228 & etc, 271 Domains of Koryphon, The, 15, Homer, 15, 216, 228, 355 & etc. -
GURPS Third Edition Jack Vance's Planet of Adventure by James L
GURPS Third Edition Jack Vance's Planet of Adventure By James L. Cambias Introduction Far off in space floats a planet with ale-colored skies… Jack Vance took us there. Vance introduced delighted Earthlings to the people, creatures, and customs of Tschai. It's a world of danger, where humans are ruled and exploited by strange alien races. With Vance's hero Adam Reith as your tour guide, learn the awful secrets of the Chasch, foil the treacherous agents of the Wanek, escape the hunters of the Dirdir, venture into the underworld labyrinth of the Pnume, and meet vivid characters like Traz Onmale, Zap 210, and the appalling Aila Woudiver. GURPS Planet of Adventure lets you plan your own excursions on Tschai. Retrace Adam Reith's footsteps as intrepid scouts for Earth, or play natives of Tschai just trying to survive and make a few sequins. Tschai's depth and variety cry out for a long visit, with time to admire the scenery and get a feel for the place. A talented author like Vance can imply a tremendous amount in just a few sentences. The game designer has to turn those references into rules and complete explanations. He can invent some things, but not too much… the feel of the original novels must shine through. If any errors remain, they are entirely the designer's fault. Some of Tschai's mysteries have been left unsolved. What's the connection among the Pnume, the Phung, and the night-hounds? What are the goals of the Wanek? What will Earth do when it learns about Tschai? Those are for individual GMs to decide. -
Publishing Jack Vance: the SAS® System As a Tool for Literary Analysis Koen Vyverman, SAS, Netherlands
SUGI 30 Applications Development Paper 025-30 Publishing Jack Vance: The SAS® System as a Tool for Literary Analysis Koen Vyverman, SAS, Netherlands ABSTRACT The Vance Integral Edition (VIE) is a non-profit organization that aims to publish the entire works of the American author Jack Vance in a limited, durable, and definitive edition. As each of Vance’s 136 novels and short stories progresses through the VIE workflow—-from scanning and digitizing, via restoration and proofing, all the way through to typesetting and printing—-the SAS System has proved to be invaluable. SAS software has been used for comparing and analyzing the contents of the various file formats that are involved (flat-file, Word document, RTF), for keeping track of text changes, for reporting in Word and Excel formats, and for providing analytical insights into some prickly questions of textual and stylistic integrity. This paper discusses the major VIE processes where SAS came to the rescue, with ample segments of code and sample output. INTRODUCTION “Beyond question you are a person of discernment. Still, all balanced against all, the works to which I refer make demands of those who would appreciate them. The metaphors sometimes span two or three abstractions; the perorations are addressed to unknown agencies, the language is archaic and ambiguous...In spite of all, the works exhale a peculiar fervor.” (Vance, 2005b) This paper documents what might be the first-ever application of the analytical powers of the SAS System to a project that is strictly literary in nature: using SAS software to help publish an integral edition of the works of a great, yet notably undiscovered, American classic, Jack Vance. -
Footnotes in Fiction: a Rhetorical Approach
FOOTNOTES IN FICTION: A RHETORICAL APPROACH DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Edward J. Maloney, M.A. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor James Phelan, Adviser Professor Morris Beja ________________________ Adviser Professor Brian McHale English Graduate Program Copyright by Edward J. Maloney 2005 ABSTRACT This study explores the use of footnotes in fictional narratives. Footnotes and endnotes fall under the category of what Gérard Genette has labeled paratexts, or the elements that sit above or external to the text of the story. In some narratives, however, notes and other paratexts are incorporated into the story as part of the internal narrative frame. I call this particular type of paratext an artificial paratext. Much like traditional paratexts, artificial paratexts are often seen as ancillary to the text. However, artificial paratexts can play a significant role in the narrative dynamic by extending the boundaries of the narrative frame, introducing new heuristic models for interpretation, and offering alternative narrative threads for the reader to unravel. In addition, artificial paratexts provide a useful lens through which to explore current theories of narrative progression, character development, voice, and reliability. In the first chapter, I develop a typology of paratexts, showing that paratexts have been used to deliver factual information, interpretive or analytical glosses, and discursive narratives in their own right. Paratexts can originate from a number of possible sources, including allographic sources (editors, translators, publishers) and autographic sources— the author, writing as author, fictitious editor, or one or more of the narrators. -
L'opera Di Jack Vance
RETROSPETTIVA www.clubcity.info CITYcircolo d’immaginazione L’opera di Jack Vance 1982. Silvio Sosio con cappello e capelli (a destra); Paolo Pavesi (a sinistra) tiene in mano il primo numero de “La Spada Spezzata“, da loro appena realizzata. CITYcircolo d’immaginazione retrospettiva L’opera di Jack Vance di Silvio Sosio Quattro mondi di Jack Vance da City fanzine bimestrale n.10, anno II aprile 1983 Altri quattro mondi di Jack Vance da City fanzine bimestrale n.11, anno II, giugno 1983 Ancora su Jack Vance: I principi Demoni da City fanzine bimestrale n.18, anno III, giugno 1984 Vance: il Pianeta Gigante [e altro] da City fanzine bimestrale n.19, anno IV, ottobre 1984 Questi quattro articoli dedicati alla narrativa di Jack Vance furono pubblicati a puntate sulla fanzine periodica del club City. Silvio Sosio aveva solo vent’anni quando li scrisse e riletti adesso ci fanno capire che Silvio aveva già in sé capacità di analisi, di confronto e una scrittura ricca e scorrevole, da premio. Quando vennero pubblicati l’indice di apprezzamento fu altissimo. E poi … vent’anni, da invidia! Silvio è riuscito a penetrare nella narrativa di Vance cogliendone le caratteristiche e i valori predominanti: l’estro paesaggistico, l’ironia, gli schemi di potere, e soprattutto la fascinazione della scrittura, che nell’autore di San Francisco è stile artistico. I suoi personaggi possono sconfinare nel bizzarro ma mai nello stereotipo e Vance li arricchisce con pennellate di creatività e fantasia. Questo vale per gli umani e per gli alieni. Le note bibliografiche sono state aggiornate, sebbene molti testi non siano stati più ristampati e .siano reperibili solo in rete nel mercato di libri usati e da collezione. -
Cugel's Saga, 1984, 334 Pages, Jack Vance, 0671559176, 9780671559175, Baen Enterprises, 1984
Cugel's Saga, 1984, 334 pages, Jack Vance, 0671559176, 9780671559175, Baen Enterprises, 1984 DOWNLOAD http://bit.ly/1W9IdeR http://goo.gl/RULqK http://www.abebooks.com/servlet/SearchResults?sts=t&tn=Cugel%27s+Saga&x=51&y=16 The roguish Cugel the Clever is stranded on a shore on the other side of the world by the Laughing Magic and must fight, bluff, and connive his way back to Almery to take vengeance on the wizard DOWNLOAD http://tiny.cc/DQSVDq http://thepiratebay.sx/torrent/73618217386273 http://bit.ly/WIpTHI Smoke in the Wind A Mystery of Ancient Ireland, Peter Tremayne, Jul 15, 2003, Fiction, 288 pages. Blown off course on her journey to Canterbury, Fidelma of seventh-century Ireland finds herself in Wales, where the king challenges her to discover the whereabouts of a missing. The Constitution in Crisis The Downing Street Minutes and Deception, Manipulation, Torture, Retribution, and Coverups in the Iraq War: Congressional Report, Barry Leonard, John Conyers, Aug 1, 2006, History, 182 pages. This report was produced in the wake of Pres. Bush's failure to respond to a letter submitted by 122 Members of Congress & more than 500,000 Americans asking him whether the. Feng Shui Action Movie Roleplaying, Robin D. Laws, Aug 1, 1999, Body, Mind & Spirit, 256 pages. Fantasirollespil.. The Fox Valley Murders , Jack Vance, 1966, , 190 pages. Eyes of the overworld , Jack Vance, Jun 1, 1977, Fiction, 189 pages. Shadowstorm , Paul S. Kemp, 2007, Juvenile Fiction, 345 pages. Tamlin Uskevren, the lord of Selgaunt, is faced with saving his city as Sembia is threatened with civil war and Erevis Cale and Riven cross the Plane of Shadow on a quest to. -
000 Index Cosmopolis and Extant 20190603 1123.Xlsx
Index 2 - Index Name 3 - X 4 - Item 5 - Cosmopolis or 6 - Page 7 - Text Extant No All Articles 0001 Cosmopolis #02 1 The VIE Vision (Mazirian, Die Domaänen von Koryphon, Bodissy, F. Herbert, Azimov, S. Lem, Bradbury, Twain, Stevenson, Dickens, Balzac), p1, Paul Rhoads. All Articles 0002 Cosmopolis #02 4 The New Textual Integrity Principles (Palace of Love, Star King, Killing Machine), p4, Alun Hughes All Articles 0003 Cosmopolis #02 7 Response to Paul Rhoads’ Vision of the VIE, p7, Alun Hughes VIE Proj 0001 Cosmopolis #02 15 The VIE Vision, p1, Paul Rhoads. VIE Proj 0002 Cosmopolis #02 25 Response to ‘VIE Vision’, p7, Alun Hughes VIE Text Integrity 0001 Cosmopolis #02 37 The New Textual Integrity Principles, p4. Alun Hughes All Articles 0004 Cosmopolis #03 4 The Font in Question, p4, Paul Rhoads All Articles 0005 Cosmopolis #03 5 Is Vance a Science Fiction Author? ( Narnia, The Wizard of Oz, H.G. Wells, 1984, Brave New World, Martian Chronicles, Dune, Wodehouse, Praxiteles, Michelangelo, Tolkein, H.C. Anderson, Dunsany, Ovid, Dante, Gogol, Jane Austen, Shakespeare, Balzac, Thackery, Niven, Aldiss, Clark), p5, Paul Rhoads Format and Font 0001 Cosmopolis #03 21 The Font in Question, p4, Paul Rhoads Literary (By Author) 0029 Paul Rhoads Cosmopolis #03 35 Is Vance a Science Fiction Author?, p5 Literary 0001 Cosmopolis #03 35 Is Vance a Science Fiction Author?, p5, Paul Rhoads All Articles 0006 Cosmopolis #04 5 What Sort of Artist is Jack Vance? (The Domains of Koryphon, The Killing Machine, Lyonesse, Poussin, Tiepolo, Goya), p5, Paul Rhoads -
COSMOPOLIS Number 22 January, 2002
COSMOPOLIS Number 22 January, 2002 Contents The VIE Text Flow (in which a VIE text must endure the eyes of The VIE Text Flow . 1 by Joel Riedesel many assorted and dissimilar characters) The phases of text production explained by Joel Riedesel, Work Flow Commissar Work Tsar Status Report . 5 As everyone knows, the goal of the VIE is to produce by Joel Riedesel and establish the corrected, authoritative, and authorized version of the complete works of Jack Vance. Doing so Project Report . 6 involves many phases and steps; two might be considered by Paul Rhoads most interesting: Textual Integrity, where VIE volunteers attempt to find Jack’s words; and Composition, where VIE You Have Done It! . 7 volunteers artistically re-present Jack’s words. The rest by Hans van der Veeke of VIE work concerns removal of typos introduced by Volunteer work credits for completed texts: editors and, particularly, errors of all kinds introduced Ullward’s Retreat, Mazirian the Magician, The in the course of VIE work itself! Languages ofPao, The Men Return I’ve divided the numerous steps of the VIE Text Flow into the following phases (these are detailed further on): The Mathematical Vance. 9 by Richard Chandler 1. Raw Verified Text Phase Math examples from Jack’s works 2. Double-Digitization Phase 3. Techno-Proof Phase In Favor of Science Fiction? . 10 4. Textual Integrity Phase by Paul Rhoads 5. Composition Phase Is Vance a science fiction writer or not? 6. Golden Master Phase The goal of phases 1 through 3 is to produce a text suit- Letters to the Editor. -
Cosmopolis#32
COSMOPOLIS Number 32 c3g4c November, 2002 DD Scanning Completed! by Damien Jones The attentive ear will already have discerned the drop in background noise: absent now the mechanical whine of electro-motors and rubber drive-belts. In geo- graphically disparate locations light-emitting diodes wink out and numbed minds return from sinister wanderings, or is that wonderings? A flutter of pages as the last book scanned is dutifully removed from the rack by its torturer and returned to its cell; drained, worse for wear…Proud. The scanning phase of Double-Digitization is com- plete, in fact it has been complete for over a month but in this day of ‘speed of light’ communication and instant gratification I find it essential to impose a more ‘humane’ pace on others whenever I can. Steve Sherman’s Deluxe SFV Limited Edition bookplate. Photo by Koen Vyverman. We owe a great debt to those who have dedicated themselves to the scanning phase of the VIE project. Contents These volunteers have spent time battling on the DD Scanning Completed! . 1 boundary of the digital world, putting their own by Damien Jones prized texts to the sword as it were (there has been no Double-Digitization scanning credits survey but I suspect more than one book suffered Work Tsar Status Report . 2 harm). Not once was heard a complaint from any of by Joel Riedesel these stalwarts. Moreover these same individuals are, Wave 1 delivery update or were, invariably involved in other areas of the VIE Vance Women . 2 by Chuck King effort to boot! I humbly offer these volunteers my Identify these female characters thanks, and would have them know that I for one will How Jack Vance Crushed My Dreams . -
Science Fiction Review Interviews: ☆ A.E
THE HUGO WINNER!! SCIENCE FICTION REVIEW INTERVIEWS: ☆ A.E. VAN VOGT ☆ JACK VANCE ☆ RAY BRADBURY ☆ PIERS ANTHONY THE SILVERBERG THAT WAS BY ROBERT SILVERBERG I always do immediately after receiv¬ ALIEN THOUGHTS ing it. Other zines pile up, but this one becomes addictive. 'The Libertarians, like genuine Communists, and other idealists, are talking about a form of government which has never been tried on this planet, and which probably would never work beyond the level of a small, carefully engineered commun¬ ity populated entirely by zealots who are willing to force the offic¬ T. Pflock, free-lance writer, who ial theory onto reality no matter wrote, what. 'By the way, I'm now a REASON 'There are many examples of the contributing editor-haven't con¬ kind of elimination of competition tributed anything yet, however. in a free market that you hypothe¬ 'And have you heard: J.J. Pierce size. When there's no government is/has replacing (ed) J. Baen as GALAXY control, big companies take the op¬ editor! Baen's going to Ace to re¬ portunity to rub out little ones. place LoBrutto, who's going to Dou¬ This was commonplace in the early bleday to replace Jarvis, who's going part of this century in the communi¬ to Playboy Press. Ah, musical edit¬ cations media. More powerful radio ors. Such fun.' stations simply blew the smaller ones off the air by applying (and wast¬ Except for the editor at Playboy 8-5-77 A new area representative ing) more juice than anybody else Press who got booted, to create the from Gestetner, Dan Cunnings, dropp¬ had. -
022 Kirth Gersen
The following article appeared in Science Fiction #11, Vol.4, No.2 as part of a special program issue to honour Jack Vance’s appearance as Guest of Honour at Tschaicon, the national science fiction convention held in MelBourne in April 1982. It won Terry the 1983 William Atheling Jr Award for Criticism. Terry thanks Nik Frame for his help in preparing the article for presenting here. Kirth Gersen: The Other Demon Prince By Terry Dowling "When I was small, my home was destroyed, and all my kin – except for my grandfather. Even then I knew the course of my life was arranged. I knew that I would one By one kill the five men who had conducted the raid. This has been my life, I have no other. I am not evil; I'm beyond good and evil." – Kirth Gersen, The Killing Machine (p.116) He was no more "wrong" than a shark approaching a school of cod. Life's nature is to live, and he had been nurtured to live as he had to live – by seeking prey. – Cordwainer Smith, “Mother Hitton’s Littul Kittons” "I am often descriBed as an evil man, and while I do not dispute the label, I have not taken the stricture to heart. Evil is a vector quality, operative only in the direction of the vector, and often acts which incur the most censure do singularly small harm, and often benefit, to the people concerned" – Viole Falushe, The Palace of Love (p.67) "Do you know how you caught me, Will?" "GoodBye, Dr Lecter, you can leave messages for me at the numBer on the file." Graham walked away.