Protest^Nters Final Day Leaders Call Rally 'Success;' Another March Possible Today

Total Page:16

File Type:pdf, Size:1020Kb

Protest^Nters Final Day Leaders Call Rally 'Success;' Another March Possible Today Vol. 16, No. 84 San Fernando Valley State College- Friday, April 14, 1972 Protest^nters final day Leaders call rally 'success;' another march possible today By Greg Waskul buildings gave reports of stu­ In another class the Chicanos ST A F£. WRITER . dent response. Almost all re- appeared to have won over the A mass gathering' ancTpossIBlF^ "TJiied-4hey-4)M-aiel.wit|i_aJijiuted students until a question was rais- march have been scheduled for to­ amount of suceess, with the res~ ^^ whlTrti tte-^oupwa.s^i!nablejo^ day as the Chicano sponsored ponse generally more favorable answer. dempnstration enters its third than they had anticipated. Generally, the groups dis­ and final day of protest, S|)eaking to a group of ap­ covered the majority of students A class-to-class campaign proximately 150, Miss Alarcon to be Ignorant of the EOP cut­ Thursday to spread information urged the students to bring their backs. on thaboycott and obtain signa­ parents to today's demonstration They also discovered that a tures for a petition concerning at 10 a.m. In the Open Forum, majority of students were in sup-, Chicano. demands 'was called a She said ' it would take about port of the first two Chicano' fp.=.;:i**»'''' success By the groups leaders. 300 participants to begtna march demands, but opposed the third,- The protest, sponsored by the similar to Wednesday's .when the which called for ending of the Movlmento Estudiantil Chicano protestors peacefully presented wage-price freeze. • . de Aztlan (MECHA) and the La their demands tb College Pre­ Miss Alarcon pointed out Ijhat Raza Unida Council for Higher sident James Cleary. the petition was meant for bow" "m0 Education, is part of a statewide Miss Alarcon also stressed that colleges and th'e community and demonstration. the Chicanos must not alienate said that the wage-price freeze the Blacks on campus and that The state-wide demands in­ was a "community issue." clude: financial support for all a coalition of Blacks and Chi- needy students without regard to cano.s would l)e neci.-ssary to help She claimed that many peo- race or , sex, open admission fight the E'OP cutbacks. [ilo in the comjuunity were op­ to anyone who wants to go to The signatujes from the can- posed to the first two demands, college regardless of ability to va'ssing were totaled, and 671 financial assistance "for all needy pay and an end to wage-price had been obtained in a little more students and open admission to controls, , ,' than an hour. colleges, she added that it was Lotal MiiCIIA demands also Although the leadership labeled the third demand which swayed include retention, of the Chicano the day a success, some can- community members to sign the House; retention of the Chicano va.ssiiig groui'S did encounter se­ petition. Community Center and parity for veral difficulties. In many ca.se.s The Chicano leader also stres- ~~the~iSS0T7~'itrf—»«4ilQyiaant__on__ professors refu.sed to allov. .sed the 1 mijortancp -of-iwoadening . campus. grdup.s -to Bpealc—while—aUiiies_ _ the Base of power for Chicanos, Evey Alarcon, a spokesman for .were iri session. spying" this""waS~th'i' i cal re^^KOu-., the group, affd-one of five lead­ Few were met with outstretch­ the petition included both col­ ers designated to meet .with the ed arms. In one class Joe Flores, lege oriented and community is­ press, said the response had a monitor, explained the Chicano sues. been very good and that the demands while students - stared Today's activities are de­ Low key leadership was pleased with the blankly. Not a per.son moved or pendent on the number of people Dr. James Cleary confronts peaceful protesters during Wed­ results of the canvassing. asked a question while Flores who attend the rally. Beginning nesday s MECHA boycott and demonstration, which lasts After Thursday's demonstra­ spoke, yet nearly all the students at 10 a.m. a decision will be tion began with a few folk songs, did sign the petition which was made whether or not to attempt through today.- From left to right are Gary Zarnow, Romon the monitors from the various clrculated- another march. Holguin, Richard Hernandez and Dr. Cleary. Daily Sundial photo by Toni Kurman Gradltudents consider secession By Michoel Farkash les submitted included what are FEATURE EDITOR Cite lack of funding as reason the goals of grad students, what Secession of the Assoeiated do you think grad studies' pur­ Graduate Studlnts from the As­ pose is and how do you feel about sociated Students, a topic of con­ -the secession idea? The final cern since the Inception of the for possible break from A.S. poll questions are selected at the AGS in the fall of 1970, and ed Students would probably fore­ 13 students and faculty, which to direct to grad studies awards discretion of the education de­ lack of funding for graduate stu­ stall secession for the present," Wayne Shepard, chairman of the termed "professional participa­ partment. dent needs were discussed at the bulletin stated. AGS, claimedrepresented lOto 12 tion awards." ' Reich implied that the AGS Wednesday's meeting. Reich said he thojjght an "in­ of the grad stiidies deSJrtment. Award monies are used for the was searching for an identity. "We made a $36,000 budget re­ dependent organization is (ba­ The total figure oi' represented financing and reiinbursement for He claimed tha,t grad students quest," said Dion Reich, vice- sically) a bad idea, but 5,000 stu­ departments has been set at 27. expenses raised In the production were different, more serious, chairman of the AGS. He ex­ dents are entitled to more than According to one AGS member, of theses or final grad projects more studious, for • one thing, plained that they were asking $960." The amount referred to the organization has been sus­ and secondarily, to cover the but he couldn't specify furthen for 1/3 of the fees paid by grad was the total budget approved by pected of not being exclusively expenses of presentations at He hopes the poll will reveal students, a pro-rata share com­ the A.S. last year after they an elected body; a person may professional meetings. more of the graduates' feelings. parable to the amount directed examined the $1,600 reque.st.by just show up at a meeting and Any extra money goes for re­ With the financial cutbacks in ,,tD^undergraduate programs. the grad students, become a representative. imbursement of expenses of stu­ many collegiate areas, there •The main reason for discus­ — 'Ut's.^a_.dlsadvantage because '^ .f^ The only thing standing in the dents who attend meetings and won't be that much money coming sing .secession at this time is to of duplication of net'ds,''^~5Sld way, of total representation i.s conclaves of graduate studies in. According to Shepard, they provide an alternate means of Reich, referring to a separate people not coming to the meet­ gI'0UpS7 ,^ will have to compete with other financing AGS plans for prdvidlng organization of grad students. ings, according to Reich.- One In the near future, a poll wHl^ campus organizations for fugds. grad students with a maximum ,, He cite'd expenses which the A.S. example given wa.s the'education be distributed by the education Reich said that "we think of benefit in return for their con­ would have to dupllcate,-sueh-as^- ttepartmeflt-'wliose-meiiibers, ex- department of grad .studies. That this (organization) as a .seed. It tributions in student fees," ac­ paying for supplies and the sal­ plains Reich, li^vetiineconflTcts:^ department- invited_jill .graduate will grow or not, depending on cording to an .'VGS steering com­ aries of new staff meriibers and; This year, the .-VCS received studejit.s>;tuili>ntstqsuggostques- whether we attract interested mittee bulletin, directors. $500 inoce from-the contingency tion.s. " '' ' people. It's a -.seed bed for the "Sufficient fundlngbyAssociat- , Present at the rn'eeting were fund of the A.S., which theytJlan ."Vt Wedne.sday's meeting,(luer- growth of graduate activism." Page 2 Valley State Daily Sundial April 14, 1972 McGovern backs protest Peace Goalition rally set ' Sen. George McGovern today ties throughout the nation, announced his support for the ,, McGovern said, "I support April 22 Peace -Action Day to be those who will join together in April 22 to protest war held in Los .Angeles and qther ci- cities throughout the country on •^ Young Socialists for Jen­ ren are left uncared for while .•\.pril 22 to urge an end to Am­ / By, Joan Rutledgs nings and Pulley believ,e that a their mothers work, tiecause erican military involvement in/ Debate competition On Saturday April 22nd, gay there are no child care facilities. lixlochlna. Through their peap^ massive anti-war movement can liberators, folitical activists, Seeded number oneinthecoun- ful assembly, they will serve no­ force the U.S. government to get The United, States can invent minorities, liberated women and trj'. Valley State's debate team tice once again that a irtajority out of indo-China. highly technological machines but the handicapped plan to march wili-*e- one of approximately 50 of our citizens -A'ant^Xcomplete They noted how anti-war move­ cannot produce safe methods of down Wilshire Blvd. to MacArthur squads competing for the national '.iithdrawl of ' our/fbrces from ments -A-ere able to.force former birth control for women, the Unit­ Park, where a rally will hg held title at the University of Utah Indochina. „ , .^' . President Lyndon Johnson ,put,of ed Women's Contingent said.
Recommended publications
  • Russell Gulley Alabama Touring Artist Program
    Alabama Touring Artist Program Study Guide Russell Gulley Intro: FROM TRADITIONAL MUSIC TO AMERICAN POP 265-845-0203 [email protected] Artistic Genre: Music Performing Artist: Russell Gulley 1 Alabama Touring Artist Program Study Guide presented by Alabama State Council on the Arts 201 Monroe Street, Suite 110; Montgomery, AL 36130-1800 334-242-4076 Ext. 241 Alabama Touring Artist Program presented by the Alabama State Council on the Arts This Study Guide has been prepared for you by the Alabama State Council on the Arts in collaboration with the performing artist. All vocabulary that is arts related is taken directly from the Alabama Course of Study, Arts Education. With an understanding that each teacher is limited to the amount of time that may be delegated to new ideas and subjects, this guide is both brief and designed in a way that we hope supports your school curriculum. We welcome feedback and questions, and will offer additional consulting on possible curriculum connections and unit designs should you desire this support. Please feel free to request further assistance and offer your questions and feedback. Hearing from educators helps to improve our programs for other schools and educators in the future. Please Contact: Diana F. Green, Arts in Education Program Manager at: 334/242-4076 Ext. 241 [email protected] Set up: Artists typically arrive 60 minutes before their scheduled performance in order to set up. Please have the space available to the artist as soon as she arrives. All artists will need some kind of setup prior to arrival.
    [Show full text]
  • Still on the Road 1980 Saved Sessions
    STILL ON THE ROAD 1980 SAVED SESSIONS FEBRUARY 11 Sheffield, Alabama Muscle Shoals Sound Studio, 1st Saved recording session 12 Sheffield, Alabama Muscle Shoals Sound Studio, 2nd Saved recording session 13 Sheffield, Alabama Muscle Shoals Sound Studio, 3rd Saved recording session 14 Sheffield, Alabama Muscle Shoals Sound Studio, 4th Saved recording session 15 Sheffield, Alabama Muscle Shoals Sound Studio, 5th Saved recording session 27 Los Angeles, California Shrine Auditorium, 22nd Annual Grammy Award Ceremony MARCH Los Angeles, California United Western Studios, Keith Green recording session Still On The Road: 1980 Saved Sessions 5551 Muscle Shoals Sound Studio Sheffield, Alabama 11 February 1980 1st Saved recording session produced by Jerry Wexler & Barry Beckett. 1. Covenant Woman 2. Covenant Woman 3. Covenant Woman 4. Covenant Woman 5. Covenant Woman 6. Covenant Woman 7. Covenant Woman 8. Covenant Woman 9. Covenant Woman 10. Covenant Woman 11. Covenant Woman Bob Dylan (vocal & guitar), Fred Tackett (guitar), Spooner Oldham (keyboards), Terry Young (acoustic piano), Barry Beckett (electric piano), Tim Drummond (bass), Jim Keltner (drums). Official release 3 released on Bob Dylan: Trouble No More. The Bootleg Series Vol. 13 1979-1981, Disc Three: Rare and Unreleased, Columbia 88985454652-2, 3 November 2017 References Michael Krogsgaard: Bob Dylan: The Recording Sessions (Part 4). The Telegraph #56, Winter 1997, pp. 168- 176. Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, pp 131– 136. Clinton Heylin: Trouble In Mind. Bob Dylan’s Gospel Years. What really happened. Chapter 6. Where I Will Always Be Renewed, (January – February 1980). Lesser Gods 2017.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • Lulu New Routes Mp3, Flac, Wma
    Lulu New Routes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: New Routes Country: US Released: 1970 Style: Pop Rock, Soul MP3 version RAR size: 1272 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1358 mb Rating: 4.7 Votes: 685 Other Formats: MIDI RA XM MPC AIFF MP1 AUD Tracklist Hide Credits Marley Purt Drive A1 3:21 Written-By – Barry, Robin & Maurice Gibb* In The Morning A2 3:30 Written-By – Barry Gibb People In Love A3 2:42 Written-By – Eddie Hinton, Grady Smith After All (I Live My Life) A4 3:12 Written-By – Frank Miller, Jim Doris Feelin' Alright A5 3:04 Written-By – Dave Mason Dirty Old Man B1 2:18 Written-By – Delaney Bramlett, Mac Davis Oh Me Oh My (I'm A Fool For You Baby) B2 2:45 Written-By – Jim Doris Is That You Love B3 2:40 Written-By – Jackie Avery, John Farris Mr. Bojangles B4 3:06 Written-By – Jerry Jeff Walker Where's Eddie B5 3:01 Written-By – Donnie Fritts, Eddie Hinton Sweep Around Your Own Back Door B6 2:40 Written-By – Fran Robins Companies, etc. Record Company – Atlantic Recording Corporation Manufactured By – Atlantic Recording Corporation Recorded At – Muscle Shoals Sound Studios Copyright (c) – Atlantic Recording Corporation Published By – Casserole Published By – Bramsdene Published By – Ruler Published By – Nootrac Published By – Irving Published By – Metric Published By – Redwal Published By – Cotillion Music Published By – Danel Music Published By – Blackwood Mastered At – Atlantic Studios Credits Bass – David Hood Design [Album] – Haig Adishian Drums – Roger Hawkins Engineer – Jimmy Johnson , Marlin Greene Guitar – Cornell Dupree, Duane Allman, Eddie Hinton, Jimmy Johnson Keyboards – Barry Beckett Lacquer Cut By – aB* Photography By – Stephen Paley Producer – Arif Mardin, Jerry Wexler, Tom Dowd Notes (C) 1970 Atlantic Recording Corporation Printed in U.S.A.
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • Muscle Shoals Sound Records
    WHO'S WHO AT MUSCLE SHOALS SOUND RECORDS 1000 Alabama Avenue, P.O. Box 915, Sheffield, Ala. 35660 (205) 381-9200 Muscle Shoals Sound Records was more or less the natural extension of what had become one of the most successful production organizations in the business. The four principals of the production company, Jimmy Johnson, Barry Beckett, David Hood and Roger Hawkins made up what became the legendary "Muscle Shoals Rhythm Section". Jimmy and Roger met while playing in local bands at school dances and clubs along the state line. They were later members of an early 60's group called the Delrays. At the same time David Hood was playing in a group called the Mystics. Johnson was the first to move into studio work when he began working with producer Rick Hall as an engineer and their session guitarist. By 1964 Jimmy and Roger were working regularly at Fame Studios with the occasional assistance of David Hood, when Hood could get away from his father's tire store a block and a half away from the studio. In 1966 Hawkins and Johnson played on their first million seller, "When A Man Loves A Woman" by Percy Sledge. In 1967 Barry Beckett came to Muscle Shoals to cut "I'm Your Puppet" by James and Bobby Purify. It was about that time that Spooner Oldham, the Muscle Shoals keyboard player, decided to move to Mem- phis. Shortly thereafter, Barry Becket and his family came to Muscle Shoals and the Rhythm Section was formed. By the late 1960's there were 3 studios in Muscle Shoals and the Rhythm Section was working at all of them.
    [Show full text]
  • Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
    Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.
    [Show full text]
  • Dedicated to the Needs of the Music/Rec Albums
    DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15).
    [Show full text]
  • Expertise and Disbelief
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 Expertise and Disbelief: Post-1945 American Attitudes Toward the Authority of Knowledge Terry Wagner Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Wagner, Terry, "Expertise and Disbelief: Post-1945 American Attitudes Toward the Authority of Knowledge" (2015). LSU Doctoral Dissertations. 1976. https://digitalcommons.lsu.edu/gradschool_dissertations/1976 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. EXPERTISE AND DISBELIEF: POST-1945 AMERICAN ATTITUDES TOWARD THE AUTHORITY OF KNOWLEDGE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Terry Wagner B.A., Rice University, 2002 M.A., Louisiana State University, 2010 August 2015 “The thunder and lightning strike us, And then we’re shocked to see the likeness Between us and the things we’ve hated for a long, long time.” The Godz “Dirty Windows” 1973 ii Acknowledgements The historians and graduate students at Louisiana State University have been, for me, a genuine community. My graduate advisor, David Culbert, told me the first time I met him that, if I came to LSU and worked with him, I would research and write about my own interests.
    [Show full text]
  • October 1994
    Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F.
    [Show full text]
  • Table of Contents
    Table of Contents Frank Zappa/Mothers Of Invention Singles 23 How Could I Be Such A Fool? I Help, I'm A Rock, Third Movement: It Can't Happen Here 23 How Could I Be Such A Fool? I It Can't Happen Here 29 Trouble Comin' Every Day / Who Are The Brain Police? 31 Who Are The Brain Police? I Trouble Comin' Every Day 34 Big Leg Emma I Why Don't You Do Me Right? 36 Son Of Suzy Creamcheese I Big Leg Emma 46 Lonely Little Girl I Mother People 48 Motherly Love /1 Ain't Got No Heart 51 Ruben And The Jets: Deseri / Jelly Roll Gum Drop 52 Anyway The Wind Blows I Jelly Roll Gum Drop - USA Promo 56 My Guitar I Dog Breath 57 My Guitar Wants To Kill Your Mama / The Orange County Lumber Truck - Venezuela Promo 64 Peaches En Regalia / Peaches En Regalia - USA Picture Sleeve Only 64 WPLJ / My Guitar 65 Tell Me You Love Me / Will You Go All The Way For The U.S.A.? 68 Mi Guitarra (Quiere Matar A Tu Mama) / Desde Mi Corazon Hacia Ti 69 Tears Began To Fall [Mono] / Tears Began To Fall [Stereo] 71 Tears Began To Fall / Junier Mintz Boogie 72 Tears Began To Fall / Happy Together - France 83 Magic Fingers I Magic Fingers - USA Promo 85 Magic Fingers I Daddy, Daddy, Daddy 86 Daddy, Daddy, Daddy I Magic Fingers 88 What Will This Evening Bring Me This Morning?I Daddy, Daddy, Daddy 90 Cletus Awreetus-Awrightus [Stereo] / Cletus Awreetus-Awrightus [Mono] - USA Promo 93 Cletus Awreetus-Awrightus / Eat That Question 94 I'm The Slime / Montana 96 Cosmik Debris I Uncle Remus 101 Don't Eat The Yellow Snow [Stereo] I Don't Eat The Yellow Snow [Mono] Promo 103 Don't Eat The Yellow Snow I Cosmik Debris 104 Don't Eat The Yellow Snow / Camarillo Brillo 106 Du Bist Mein Sofa / Stinkfoot 107 Find Her Finer [Stereo] I Find Her Finer [Mono] - USA Promo 108 Find Her Finer I Zoot Allures - USA 109 Disco Boy [Stereo] I Disco Boy [Mono] - USA Promo 110 Disco Boy I Ms.
    [Show full text]