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Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust. -
Spotlight Classical Instrumental Rules
SPOTLIGHT CLASSICAL INSTRUMENTAL RULES WHAT’S REQUIRED OF ME FOR MY CLASSICAL INSTRUMENTAL PRELIMINARY 1 VIDEO AUDITION All students begin with a Preliminary 1 video audition. You will present one piece of music. Those scoring highest will advance to Preliminary 2 live auditions in December 2021. If you advance to Preliminary 2, you will be required to play two solo pieces. Those scoring highest after Preliminary 2 will advance to the Semifinals • For the Preliminary 1 video round, your solo piece must be from the Baroque/ Classical period (1650- 1820 Example: Bach, Mozart, Vivaldi, Beethoven, Haydn, etc.). OR from the Romantic, Impressionistic, or Contemporary period (1820-present Example: Chopin, Tchaikovsky, Debussy, Stravinsky, Bartók, Hindemith, etc.). • For the Preliminary 1 video round, your one piece can be any length. Should you advance to the Preliminary 2, (live audition round), your two pieces must fit within 10-minutes. • Prior performance or competition video is acceptable if filmed within the last 8 months • If you choose a contemporary piece, please email the name of the composer for approval at [email protected]. • Original compositions are not allowed. • You may only apply to this category with one instrument. • Piano: Concertos are not allowed; only solo piano pieces. • All other instruments: Pieces written with accompaniment must be performed with live or pre-recorded accompaniment. • A capella performances of works requiring accompaniment are not allowed. • If you advance to Preliminary 2, you may change your piece for the next round and will be required to perform one piece from the Baroque/Classical period and one from the Romantic, Impressionistic or Contemporary period. -
Irish Cultural Center of Cincinnati to Hold Green Tie Affair
Irish Cultural Center November 2013 of Cincinnati to Hold ianohio.com Green Tie Affair Saturday, November 2nd Saw Doctors Leo and Anto Hit the Road … page 2 Irish Cultural Center of Cincinnati Celebrates 4th Anniversary . page 6 Rattle of a Thompson Gun … page 7 Opportunity Ireland . page 9 Home to Mayo. pages 13 - 16 Big Screen to Broadway: Once Comes to Cleveland . page 19 Cover artwork by Cindy Matyi http://matyiart.com 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com November 2013 Saw Doctors Solo, Leo and Anto Hit the Road a little place back in Ireland where we together quite quickly. So we wanted it tested it out, and got a good response. to be different from anything we’d re- By Pete Roche, Special to the OhIAN of their stepping off the plane, and the And it looks like it worked. But we’ll be corded before. So we used the mandolin, guitarist sounded enthusiastic about tweaking it as we figure it out! which is a very different thing than what The North Coast’s music-loving Irish winding his way through the Midwest OhIAN: Apart from the music, how we’d done before with the Saw Doctors. contingent always turns out in strong in true troubadour fashion. will this tour be different from a Saw And I think that’s important. People are numbers whenever the rock quintet OhIAN: Hello again, Leo! Great to Doctors tour? saying to me it feels like they came to from the little Galway town of Tuam be catching up with you again! So you LEO: It’s going to be a whole new Ireland before we left it, because they’d play our neck of the woods. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
HITMAKERS – 6 X 60M Drama
HITMAKERS – 6 x 60m drama LOGLINE In Sixties London, the managers of the Beatles, the Stones and the Who struggle to marry art and commerce in a bid to become the world’s biggest hitmakers. CHARACTERS Andrew Oldham (19), Beatles publicist and then manager of the Rolling Stones. A flash, mouthy trouble-maker desperate to emulate Brian Epstein’s success. His bid to create the anti-Beatles turns him from Epstein wannabe to out-of-control anarchist, corrupted by the Stones lifestyle and alienated from his girlfriend Sheila. For him, everything is a hustle – work, relationships, his own psyche – but always underpinned by a desire to surprise and entertain. Suffers from (initially undiagnosed) bi-polar disorder, which is exacerbated by increasing drug use, with every high followed by a self-destructive low. Nobody in the Sixties burns brighter: his is the legend that’s never been told on screen, the story at the heart of Hitmakers. Brian Epstein (28), the manager of the Beatles. A man striving to create with the Beatles the success he never achieved in entertainment himself (as either actor or fashion designer). Driven by a naive, egotistical sense of destiny, in the process he basically invents what we think of as the modern pop manager. He’s an emperor by the age of 30 – but this empire is constantly at risk of being undone by his desperate (and – to him – shameful) homosexual desires for inappropriate men, and the machinations of enemies jealous of his unprecedented, upstart success. At first he sees Andrew as a protege and confidant, but progressively as a threat. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Glen Campbell's Songs Soar As His Mind Fades
DECEMBER 2013/JANUARY 2014 BY SUSANNAH GORA Glen Campbell’s Songs Soar as His Mind Fades As Alzheimer’s disease takes its toll, the famed singer’s spirit stays strong. The music video for "Hey Little One" shows an older man strumming his guitar and singing a low, slow ballad. His voice has weathered with age, but we'd know it anywhere: it's the voice of "Wichita Lineman" and "Rhinestone Cowboy," a voice that has won five Grammys, sold 45 million records, and blended country music with pop before it was cool. It's the voice of Glen Campbell. Hearing him tell his stories in song has always been a powerful experience—maybe more so now, because Campbell has Alzheimer's disease (AD). NBC/NBCU Photo Bank/Getty Images In the video (for a track from Campbell's latest album, See You There), we also see Campbell's wife of more than 30 years, Kim. She holds her husband's hand as they look out at the ocean and the horizon together. It's a poignant reminder that AD changes the lives not only of those who have the illness, but also of those who love them. A Widespread Disease Campbell is one of 5 million Americans with AD, defined by the National Institutes of Health as "an irreversible, progressive brain disease that slowly destroys memory, thinking skills, and the ability to carry out simple tasks of daily living." (See "Alzheimer's Disease: The Basics" below.) AD begins with memory loss because the disease "starts in brain areas important for memory, such as the hippocampus," explains Janet Jankowiak, M.D., a geriatric neurologist and member of the American Academy of Neurology (AAN). -
German Wordlist
German Wordlist Here is a list of useful or new words from Headway Elementary Student's Book. German Wordlist Here is a list of useful or new words from Headway Elementary Student's Book. adj = adjective conj = conjunction det = determiner excl = exclamation phr v = phrasal verb phr = phrase pron = pronoun adv = adverb n = noun pl = plural prep = preposition v = verb English Part of Phonetics Example sentence German Unit My notes speech alphabetical adj /ælfəˈbetɪk(ə)l/ The list was in alphabetical order. alphabetisch 1 attendant n /əˈtend(ə)nt/ The attendant gave me a map of the gallery. Aufseher(in) 1 aunt n /ɑːnt/ My favourite aunt is my mum's sister. Tante 1 beautiful adj /ˈbjuːtɪfʊl/ London parks are beautiful. schön 1 big adj /bɪɡ/ New York is a big city. groß 1 blog n /blɒɡ/ I have a blog where I write about my life. Blog 1 boyfriend n /ˈbɔɪfrend/ My sister has a new boyfriend. Freund 1 brother n /ˈbrʌðə/ My brother and I are good friends. Bruder 1 cheap adj /tʃiːp/ The food here is very nice and it's cheap. billig 1 check out phr v /tʃek ˈaʊt/ You can check out my photos on my blog. überprüfen, ansehen 1 coke n /kəʊk/ Can I have a coke, please? Cola 1 cold adj /kəʊld/ It's cold in winter. kalt 1 complete v /kəmˈpliːt/ You can complete the exercise later. fertig stellen 1 conversation n /kɒnvəˈseɪʃ(ə)n/ What is the conversation about? Unterhaltung 1 cousin n /ˈkʌz(ə)n/ My cousin is the same age as me. -
Insights Course 1
Insights Course 1 RATKAISUT Verkkojulkaisu Elina Karapalo Paula Keltto Mark Kilmer Päivi Kuusivaara Teijo Päkkilä Annukka Suonio 1. painos © 2016 Elina Karapalo, Paula Keltto, Mark Kilmer, Päivi Kuusivaara, Teijo Päkkilä, Annukka Suonio ja Kustannusosakeyhtiö Otava Oy Toimitus: Kaija Kaasinen Ulkoasua: Sari Inandik Taitto: Olli-Matti Hallikainen Kopiointiehdot Teos on suojattu tekijänoikeuslailla (404/61). Tämän verkkoaineiston muokkaaminen on sallittua. Aineiston tulostaminen, kopiointi, välittäminen tai muu jatkokäyttö sellaisenaan tai muokattuna edellyttää kuitenkin oikeudenomistajan tai Kopiosto ry:n lupaa. Muokkausoikeus ei koske kuvia tai kuvitusta. Kopiosto ry myöntää verkkoaineiston tulostamiseen, kopiointiin ja kopioiden käyttöön lupia. Sähköisten julkaisujen tulostaminen ja tulosteiden valokopiointi on sallittu luvan mukaisesti. Opetus- ja kulttuuriministeriö on hankkinut muun muassa peruskouluille, lukioille ja ammatillisille oppilaitoksille luvan valokopioida ja tulostaa julkaisuja opetus- ja tutkimuskäyttöä varten. Lisätietoja luvista kopiosto.fi ISBN: 978-951-1-30628-3 Tno: 0HXS INSIGHTS COURSE 1 RATKAISUT My English, your English our English 2 1. Ready, set, go 4 2. My first apartment 8 3. The Scoop 11 4. Refugee Boy 14 5. I love Finland 17 6. The First Amendment 21 7. Nobody should have to sit alone 25 8. To love and leave 28 Grammar 30 2 My English, your English, our English Question 16, p. 9 Tapescript Jock and Jimmy were walking along a street in London. Jock looked in one of the shop windows and saw a sign that caught his eye. The sign read, "Suits £5.00 each, shirts £2.00 each, trousers £2.50 per pair". Jock said to his pal, "Look at the prices! We could buy a whole lot of these and when we get back home we could make a fortune. -
The Kinks the Mono Collection Mp3, Flac, Wma
The Kinks The Mono Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Mono Collection Country: US Released: 2016 MP3 version RAR size: 1115 mb FLAC version RAR size: 1174 mb WMA version RAR size: 1591 mb Rating: 4.2 Votes: 670 Other Formats: WMA MP4 APE ADX ASF DMF AIFF Tracklist Hide Credits Kinks Beautiful Delilah A1 2:08 Written-By – Berry* So Mystifying A2 2:55 Written-By – Davies* Just Can't Go To Sleep A3 2:00 Written-By – Davies* Long Tall Shorty A4 2:51 Written-By – Covay*, Abramson* I Took My Baby Home A5 1:49 Written-By – Davies* I'm A Lover Not A Fighter A6 2:05 Written-By – Miller* You Really Got Me A7 2:17 Written-By – Davies* Cadillac B1 2:46 Written-By – McDaniel* Bald Headed Woman B2 2:43 Written-By – Talmy* Revenge B3 1:31 Written-By – Page*, Davies* Too Much Monkey Business B4 2:17 Written-By – Berry* I've Been Driving On Bald Mountain B5 2:03 Written-By – Talmy* Stop Your Sobbing B6 2:07 Written-By – Davies* Got Love If You Want It B7 3:49 Written-By – Moore* Kinda Kinks Look For Me Baby C1 2:17 Written-By – Ray Davies Got My Feet On The Ground C2 2:16 Written-By – Ray Davies Nothin' In The World Can Stop Me Worryin' 'Bout That Girl C3 2:46 Written-By – Ray Davies Naggin' Woman C4 2:38 Written-By – West*, Anderson* Wonder Where My Baby Is Tonight C5 2:02 Written-By – Ray Davies Tired Of Waiting For You C6 2:35 Written-By – Ray Davies Dancing In The Street D1 2:21 Written-By – Hunter*, Gaye*, Stevenson* Don't Ever Change D2 2:25 Written-By – Ray Davies Come On Now D3 1:49 Written-By – Ray Davies So Long D4 2:11 Written-By – Ray Davies You Shouldn't Be Sad D5 2:02 Written-By – Ray Davies Something Better Beginning D6 2:26 Written-By – Ray Davies The Kink Kontroversy Milk Cow Blues E1 3:43 Lead Vocals – Dave*, Ray*Written-By – J. -
SEPTEMBERFULL.Pdf
1 C:\Users\Stuart\Desktop\DOCUMENTS\Hifi Pig\DESKTOP BACKUP\HIFI PIG\ADVERTISEMENTS\TQ\Grand Slam Large 2 (1).png 2 Hifi Pig www.hifipig.com CONTENTS REVIEWS 5. Zontek Turntable 14. Timestep T-01MC Phonostage 20. Transfiguration Axia S Cartridge www.hifipig.com 25. Devialet Ensemble Telephone: +33 (0)2 97 23 70 78 E mail: [email protected] 31. Primare I32 Integrated Amplifier With DAC and Media Board 37. Tisbury Audio Passive Pre Mk 2 MUSIC 40. Etalon Solo DAC/PRE 82-103 MUSIC AND GIG 46. Ophidian Minimo Loudspeakers REVIEWS 50. WAY Cables Silver 1 and 4 Interconnects 104. THE CLASSICS. JOHN SCOTT DIGS LOVE’S FOREVER 55. Triangle Titus Loudspeakers CHANGES OFF THE SHELF 57. Flare Audio R2Pro and R2A Earphones INTERVIEWS 106. HIFI PIG GOES BEHIND THE BRANDS WITH FREDERIK DAVIES, CREATOR OF THE AXJET LOUDSPEAKER SYSTEM COLUMNS 60. RETRO BITES JANINE ELLIOT DUSTS OFF HER PHILIPS DCC900 Digital Compact Casette Player 64. THE VOICE OF DOM DOMINIC MARSH TALKS MAINS CABLES (PART 1) 67. FIDELITY MATTERS IAN RINGSTEAD IS BOXING CLEVER 70. THE VIEWS OF STU STUART SMITH AVOIDS A STICKY SITUATION 73. BIRDS EYE VIEW LINETTE SMITH TELLS THE BLOKES TO PUT IT AWAY 76. DEALERS VIEW WITH MIKE TWOMEY 78. READERS LIVES WITH FATHER AND SON DAVE AND ROB STEVENSON 3 Hifi Pig www.hifipig.com WELCOME TO HIFI PIG EXTRA 4 Hifi Pig www.hifipig.com ZONTEK TURNTABLE Polish Vinyl Spinner Janine Elliot takes a listen to this beautifully finished, £11,990 turntable and arm from Polish artisan manufacturer Zontek. 5 Hifi Pig www.hifipig.com ZONTEK TURNTABLE hat does the Transcriptors Hydraulic Transcriptors (as well as the JBE Series 3 and even a Reference and the new Zontek turntable Strathearn turntable, if my memory goes back that Whave in common? Very little, apart from far) with the strobe on the edges perhaps more akin large round belt traversing the platter – or in the case to a Technics.