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Curriculum Vitae
CURRICULUM VITAE Dr. Éamonn Ó Ciardha Senior Lecturer School of English, History and Politics Room MI208 Aberfoyle House Magee Campus University of Ulster Northland Road Derry/Londonderry BT 48 7JL Tel.: 02871-375257 E.Mail: [email protected] Education: Ph.D., 1992-98 (Clare Hall, Cambridge University). 'A Fatal Attachment: Ireland and the Jacobite cause 1684-1766'. Supervisor: Dr. B. I. Bradshaw [Queens' College Cambridge] M.A., 1989-91 (University College Dublin). “Buachaillí an tsléibhe agus bodaigh gan chéille” [‘Mountain boys and senseless churls’], Woodkerne, Tories and Rapparees in Ulster and North Connaught in the Seventeenth Century'. Supervisor: J.I. Mc Guire B.A., 1986-89 (University College Dublin). History and Irish Appointments: Lecturer, School of English, History and Politics, University of Ulster (Oct 2005-) Program Coordinator and Director of Undergraduate Studies, Keough Institute for Irish Studies, University of Notre Dame, Indiana, USA, (Aug 2004-Jun 2005) IRCHSS (Government of Ireland) Post-Doctoral Fellow, Department of Modern History, Trinity College Dublin. (Oct 2002-Oct 2004) Visiting Adjunct Professor, Keough Institute of Irish Studies, University of Notre Dame and Assistant Professional Specialist in University Libraries, University of Notre Dame (Aug, 2001-Jul 2002) Visiting Professor of Irish Studies, St. Michael’s College, University of Toronto. (Sept, 2000-Dec 2000) Researcher for the Royal Irish Academy-sponsored Dictionary of Irish Biography (Nov 1997-Nov 1999), researching and writing articles for the forthcoming Dictionary of Irish Biography, 9 vols (Cambridge, 2009) Research assistant, University of Aberdeen, Faculty of Modern History. (Oct 1996- Oct 1997) Bibliographer, Bibliography of British History, under the auspices of the Royal Historical Society and Cambridge University. -
End of Year Statement 2020
End of Year Statement 2020 • 7,363 full-time jobs in client companies at year end • 427 new jobs created in the Gaeltacht in 2020 • Net job reduction of 6% (481) in full-time jobs in 2020 • Major challenges for the tourism sector and related businesses due to COVID-19 • 258 new jobs approved in projects involving an investment of €13m • Support provided to 263 Gaeltacht companies to increase online trading • €7.4m in COVID-19 supports approved for Gaeltacht companies • €20.3m capital provision approved for the development of Gaeltacht business infrastructure • A series of supports provided to Gaeltacht companies in the context of Brexit • 21 Language Plans approved with a budget of €2.28m • gteic – the Gaeltacht digital network doubled again in 2020 → 16 gteic digital hubs opened – 13 more in development → Up to 450 spaces available during lockdown → Up to 200 people working in gteic hubs at year end 2020 END OF YEAR STATEMENT 2 Quick Links Summary & Statements 4 Analysis & Results 7 Development Activities 13 Key Initiatives 16 Subsidiaries 21 Review by County 22 3 There were 7,363 full-time and 437 part-time jobs in companies supported by Údarás na Gaeltachta at the end of 2020 and despite the impact of the COVID-19 pandemic, 427 new jobs were created in Gaeltacht companies during the year. Review of 2020 There were 7,363 full-time and 437 part-time jobs in companies supported by Údarás na Gaeltachta at the end of 2020 and despite the impact of the COVID-19 pandemic, 427 new jobs were created in Gaeltacht companies during the year. -
Intonation in Déise Irish
ENGAGING WITH ROBUST CROSS-PARTICIPANT VARIABILITY IN AN ENDANGERED MINORITY VARIETY: INTONATION IN DÉISE IRISH Connor McCabe Trinity College, Dublin [email protected] ABSTRACT This paper adapts data and analyses from unpublished recent work on Déise prosody [11], This paper explores the issue of speaker uniformity in elaborating on the importance of engaging with and the phonetic study of endangered language varieties, seeking to explain participant variability. Distribution with reference to work on the dialect of Irish (Gaelic) of intonational features (described autosegmentally- spoken in Gaeltacht na nDéise (Co. Waterford). metrically using IViE; [7]) is compared with Detailed prosodic study of this subvariety of Munster participant age and relative ‘traditionalness’. A 10- Irish directly engaged with variation across point traditionalness scale based on phonological, generations and degrees of ‘traditionalness’. Age and lexical, morphosyntactic, and acquisition factors is score on a 10-point traditionalness scale showed no used, experimenting with a quantitative approach to correlation with one another, justifying the intuitions found in the literature on variation in consideration of the two as distinct factors. endangered speaker populations [5,8,10,14]. A falling H*+L predominated in both prenuclear and nuclear position. Relative distribution of pitch Figure 1. Map of Ireland with Gaeltacht areas indicated accent types (H*+L, H*, L*+H) and boundary tones in bold [16], and arrow indicating the Déise (H%, 0%) frequently correlated with participant age, and more rarely with traditionalness score. The importance of a realistic view of interspeaker variability in endangered varieties, and how to approach this quantitatively, is discussed. Keywords: Intonation, variation, sociophonetics, endangered varieties 1. -
The Relationship Between Official National Languages and Regional and Minority Languages: Ireland
Pádraig Ó Riagáin The relationship between official national languages and regional and minority languages: Ireland Achoimre I gcaitheamh an naoú haois déag agus thús an fhichiú haois is i measc na n-aicmí feirmeoireachta ba bhoichte a d’fhaightí lucht labhartha na Gaeilge, go príomha, agus iad sna limistéir ab iargúlta laistigh den aicme sin. Ainneoin dinimic an mheatha, ó thaobh líon na gcainteoirí Gaeilge de, a bheith seanbhunaithe, sheol an stát nua neamhspleách straitéis leathan teanga sa bhliain 1922 atá mar fhráma polasaí go dtí an lá inniu. Bhain an stát nua Éireannach leas as a chuid údaráis d’fhonn cur leis an luach siombalach, cultúrtha agus eacnamaíoch a bhain le líofacht sa Ghaeilge. In ainneoin an polasaí sin, is mó ná riamh na brúnna agus na deacrachtaí atá roimh líonraí scaipthe lucht labhartha na Gaeilge. Níl líonraí na Gaeilge sách mór ná sách cobhsaí, mar sin, le deimhniú go labhrófaí an Ghaeilge ar bhonn leathan go leor chun an chéad glúin dhátheangach eile a dheimhniú. Teacht slán is ea athbheochan. Ba mhar sin riamh é in Éirinn ó 1922 ar aghaidh. 1. Introduction Together with the related languages of Scottish Gaelic and Manx, Irish comprises the Goidelic group of insular Celtic languages. While it is clear that the language was brought to Ireland by sections of the Celtic peoples who migrated from mid-continen- tal Europe, a precise date for its introduction into Ireland cannot be established. How- ever, evidence from written records suggests that Irish was spoken on the island from at least the early centuries of the Christian era. -
RTÉ Invites Submissions for TG4 Programming 2020-2021 Under the Category “Cláracha Gaeilge – Traditional Irish Music Series”
RTÉ invites submissions for TG4 programming 2020-2021 under the category “Cláracha Gaeilge – Traditional Irish Music Series” RTÉ and TG4 is seeking proposals for a traditional Irish Music Series for TG4 to be broadcast in the Traditional Irish music slot at 9.30pm on Sunday nights. We are looking for an energetic, performance driven series, filmed on location throughout Ireland and beyond. The series will include the wealth of traditional instrumental music, song and dance – artists of high profile and musicians who may not be well known to a national audience (yet!). The series will pay particular attention to the production of performances and provide new offerings in terms of arrangements and / or groupings to appeal to TG4’s core traditional music audiences and a wider general audience both in Ireland and throughout the world. The series will most likely be presenter led or we welcome suggestions on other ways to link performances and locations. It will be filmed in a fresh and highly visual manner to broadcast as hour long episodes on TG4’s linear schedule and as a new online brand offering additional bite size performances and other material of interest to the growing national and worldwide audience searching for traditional music performance. Transmission slot: TG4, Sunday 9.30 pm No. of episodes: 6 hours. TX to begin February 2020. Programme duration: 50 minutes Budget: €55,000 per hour plus 20,000 to produce and promote online material. Audience: National Audience Submission deadline: July 12th 2019 at 12.00 noon RTÉ invites submissions for TG4 programming 2020-2021 under the entertainment category “Cláracha Gaeilge – New Year’s Eve Celebration”: RTÉ and TG4 are seeking proposals for an entertaining New Year’s night show from the Connemara Gaeltacht to celebrate the end of 2019 and to welcome in 2020. -
The Novel and the Short Story in Ireland
The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Anthony Halpen April 2016 Anthony Halpen Institute of Irish Studies The University of Liverpool 27.03.2016 i ABSTRACT The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Anthony Halpen, The Institute of Irish Studies, The University of Liverpool. This thesis considers the novel and the short story in the decades following the achievement of Irish independence from Britain in 1922. During these years, many Irish practitioners of the short story achieved both national and international acclaim, such that 'the Irish Short Story' was recognised as virtually a discrete genre. Writers and critics debated why Irish fiction-writers could have such success in the short story, but not similar success with their novels. Henry James had noticed a similar situation in the United States of America in the early nineteenth century. James decided the problem was that America's society was still forming - that the society was too 'thin' to support successful novel-writing. Irish writers and critics applied his arguments to the newly-independent Ireland, concluding that Irish society was indeed the explanation. Irish society was depicted as so unstructured and fragmented that it was inimical to the novel but nurtured the short story. Ireland was described variously: "broken and insecure" (Colm Tóibín), "often bigoted, cowardly, philistine and spiritually crippled" (John McGahern) and marked by "inward-looking stagnation" (Dermot Bolger). -
Údarás Na Gaeltachta Submission to the Published Draft Of
Údarás na Gaeltachta Submission to the published draft of ‘Ireland 2040, Our Plan’ – National Planning Framework. Index 1.0 The Gaeltacht as a Planning District 2.0 Údarás na Gaeltachta (An tÚdarás) 3.0 The Rationale for this Submission 4.0 Strategic Alignment between the NPF framework and the Gaeltacht Act (2012) 5.0 ‘Planning for Diverse Rural Places’ (NPF: 62) – A Gaeltacht perspective 6.0 Economic Regeneration – the role of the Gaeltacht in Building Regional and National Competitiveness 7.0 Connectivity and Enterprise Infrastructure 8.0 The Gaeltacht Economy and Marine Resource Development 9.0 Cultural Tourism as a Driver for Regional and Rural Development 10.0 Planning for Renewable Energy Potential (Section7.4: 104) 11.0 Education and Skills Development 12.0 Conclusion Údarás na Gaeltachta – submission to the draft NPF framework (October, 2017) Page 2 Údarás na Gaeltachta welcomes the publication of the ‘Ireland 2040, Our Plan - National Planning Framework’ document (NPF). We appreciate the opportunity to participate in the consultative process which will contribute to the finalisation of the new national Spatial Planning Framework which is being managed by the Department of Housing, Planning and Local Government. 1.0 The Gaeltacht as a Planning District The Gaeltacht districts include predominantly rural districts and off-shore islands for the most part located on the Southern and the Atlantic coast (www.udaras.ie). The 2016 census returned an overall Gaeltacht population of 96,000 (Census, 2016). The spatial profile and character of the Gaeltacht districts embrace some of the most remote, peripheral and marginalised rural areas in the country in terms of economic development, service provision and infrastructural endowments. -
Volume 2, Issue 1, Bealtaine 2003
TRISKELE A newsletter of UWM’s Center for Celtic Studies Volume 2, Issue 1 Bealtaine, 2003 Fáilte! Croeso! Mannbet! Kroesan! Welcome! Tá an teanga beo i Milwaukee! The language lives in Milwaukee! UWM has the distinction of being one of a small handful of colleges in North America offering a full program on the Irish language (Gaelic). The tradition began some thirty years ago with the innovative work of the late Professor Janet Dunleavy and her husband Gareth. Today we offer four semesters in conversational Gaelic along with complementary courses in literature and culture and a very popular Study Abroad program in the Donegal Gaeltacht. The study and appreciation of this richest and oldest of European vernacular languages has become one of the strengths and cornerstones of our Celtic Studies program. The Milwaukee community also has a long history of activism in support of Irish language preservation. Jeremiah Curtin, noted linguist and diplomat and the first Milwaukeean to attend Harvard, made it his business to learn Irish among the Irish Gaelic community of Boston. As an ethnographer working for the Smithsonian Institute, he was one of the first collectors of Irish folklore to use the spoken tongue of the people rather than the Hiberno-English used by the likes of William Butler Yeats and Lady Gregory. Jeremiah Quinn, who left Ireland as a young man, capped a lifelong local commitment to Irish language and culture when in 1906, at the Pabst Theatre, he introduced Dr. Douglas Hyde to a capacity crowd, including the Governor, Archbishop, and other dignitaries. Hyde, one of the founders of the Gaelic League that was organized to halt the decline of the language, went on to become the first president of Ireland in 1937. -
Canadian Association for Irish Studies 2019 Conference
CANADIAN ASSOCIATION FOR IRISH STUDIES 2019 CONFERENCE IRISH BODIES AND IRISH WORLDS May 29 – June 1 CONFERENCE PROGRAMME John Molson School of Business Conference Centre, 9TH Floor Concordia University 1450 Guy Street, Montreal, Quebec, H3G 1M8 We acknowledge that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. MAY 29, 2019 Graduate Student Master-Class with Kevin Barry and Olivia Smith 3:00 p.m. to 4:00 p.m. School of Irish Studies, McEntee Reading Room (1455 boul. De Maisonneuve West, H 1001) Registration & Opening Reception 5:00 p.m. to 6:15 p.m. School of Irish Studies, McEntee Reading Room & Engineering Lab (1455 boul. De Maisonneuve West, H 1001 & H 1067) Exclusive Preview – Lost Children of the Carricks A documentary by Dr. Gearóid Ó hAllmhuráin Opening words by His Excellency Jim Kelly Ireland’s Ambassador to Canada and Dr. André Roy Dean of the Faculty of the Arts and Science 6:45 p.m. to 8:30 p.m. (De Sève Cinema, 1400 Boulevard de Maisonneuve West, Ground Floor) MAY 30, 2019 Registration – 9:00 to 9:30 a.m. PANEL 1 – MORNING SESSION – 9:30 a.m. -
Music in Irish Emigration Literature
The University of Notre Dame Australia ResearchOnline@ND Theses 2017 Singing exile: Music in Irish emigration literature Christopher McCann The University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Arts and Humanities Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details McCann, C. (2017). Singing exile: Music in Irish emigration literature (Master of Arts (Thesis)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/166 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. Singing Exile: Music in Irish Emigration Literature by Christopher McCann A thesis submitted in fulfillment of the requirements of the degree of Master of Arts (Research) at the University of Notre Dame Australia (Fremantle) June 2017 Contents Abstract iii Acknowledgements v Introduction 1 Chapter One: The Revival Cultural Field and Exile: George Moore and James Joyce 13 Chapter Two: Traditional Music and the Post-Independence Exodus to Britain 43 Chapter Three: Between Two Worlds: Music at the American wake 66 Chapter Four: “Os comhair lán an tí”: Sean-nós as a site of memory in Brooklyn 93 Chapter Five: Imagined Geography and Communal Memory in Come Back to Erin 120 Conclusion 144 Appendix: Annotated Discography 150 Bibliography 158 ii Abstract Ireland possesses a cultural heritage that is particularly literary and musical. -
New Writing from Ireland Ireland Literature Exchange – Promoting Irish Literature Abroad PREVIOUS GO to CONTENTSRETURN to CONTENTS NEXT
GO TO CONTENTS NEXT New Writing from Ireland Ireland Literature Exchange – Promoting Irish literature abroad PREVIOUS GO TO CONTENTSRETURN TO CONTENTS NEXT NEW IRISH WRITING 2011 In this, the centenary year of the birth of Flann O’Brien, Ireland’s writers have the Forward Prize in Britain last year. We look forward to seeing Heaney’s Selected had a remarkably fruitful year. Important books such as The Forgotten Waltz by Poems in Russian, following a visit to Ireland by the translator, Grigory Kruzhkov. Anne Enright, Mistaken by Neil Jordan and A Death in Summer by Benjamin Black have enthralled readers around the world. Sebastian Barry’s On Canaan’s With the support of Culture Ireland and the Arts Council, Ireland Literature Side is eagerly awaited by his discerning readership, while John Boyne’s The Exchange continues to promote Irish literature internationally. In co-operation Absolutist, Kevin Barry’s City of Bohane and John Butler’s The Tenderloin are with our publishing partners, Irish writing has appeared in Tamil and Spanish, receiving positive reaction from readers and critics alike. French and Chinese. In addition to participation at the Frankfurt and London fairs, we attended the Beijing and Moscow book fairs in 2010. Dublin’s designation as a UNESCO City of Literature has drawn further attention to our capital city as a centre of literary creativity. Murder in the City, It was with great sadness that, shortly after the Frankfurt book fair 2010, we learnt a celebration of crime writing, is one of the many events that has taken place of the death of the great independent Irish publisher Steve Mac Donogh, who since the city received the designation. -
Journal of the Short Story in English, 63
Journal of the Short Story in English Les Cahiers de la nouvelle 63 | Autumn 2014 Special Issue: The 21st Century Irish Short Story Guest Editor: Bertrand Cardin Electronic version URL: http://journals.openedition.org/jsse/1474 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 December 2014 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Journal of the Short Story in English, 63 | Autumn 2014, « Special Issue: The 21st Century Irish Short Story » [Online], Online since 01 December 2016, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/1474 This text was automatically generated on 3 December 2020. © All rights reserved 1 TABLE OF CONTENTS Foreword Michelle Ryan-Sautour and Gérald Préher Introduction Bertrand Cardin Part 1: Traces of Oral Tradition: Voices, Dialogues and Conversations Skipping and Gasping, Sighing and Hoping in Colum McCann’s “Aisling”: The Making of a Poet Marie Mianowski Narration as Conversation: Patterns of Community-making in Colm Tóibín’s The Empty Family Catherine Conan “Elemental and Plain”: Story-Telling in Claire Keegan’s Walk the Blue Fields Eoghan Smith “The Moon Shines Clear, the Horseman’s Here” by Éilís Ní Dhuibhne, or the Art of Reconciling Orality and Literacy Chantal Dessaint-Payard “Black Flower”: Dichotomy, Absurdity and Beyond Vanina Jobert-Martini The Old and the New in Claire Keegan’s Short Fiction Claudia Luppino Part 2: Resonance, Revision and Reinvention Rereading the Mother in Edna O’Brien’s Saints and Sinners Elke