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The Mercers of Parma; 1585-1739: a Microcosm of the World of Commerce
The Mercers of Parma; 1585-1739: A Microcosm of the World of Commerce by John Donald Panter Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2014 © Copyright by John Donald Panter, 2014 TABLE OF CONTENTS LIST OF TABLES . iv LIST OF FIGURES .. v ABSTRACT . vi LIST OF ABBREVIATIONS USED . vii ACKNOWLEDGMENTS . viii CHAPTER 1: INTRODUCTION. 1 Technical Matters to Keep in Mind: Measures, Money and Terminology. 17 Parman Units of Measurement.. 18 List of Units. 26 Money. 29 Terminology.. 36 Methodology. 38 Synopsis of Historical Trends. 48 CHAPTER 2: ANALYSIS OF THE INVENTORIES. 57 First Period, 1582–1631.. 59 The Inventories. 59 The Frangheri/ Mangisti Inventory, 1582 . 60 The Barozzi Inventory, 1605. 64 The Montauti Inventory, 1608 . 67 The Bonifatia/Vagnini Inventory, 1614. 77 The Rubianni Inventory, 1631. 78 Analysis of the 1636 Tax Rolls. 81 Second Period,1655--1676.. 85 The Carduini Inventory, 1655. 89 The Zalli Inventory, 1655. .90 The Baistrocchi Inventory, 1657.. 93 The Riccardi Inventories, 1658 & 1659.. 95 The Corradi Inventory, 1661. 98 ii The Tirelli Inventory, 1664. 103 The Donelli Inventory, 1674. 104 The Emprini/Arnod Inventory, 1676. 107 Third Period, 1684--1739.. 111 The Bedeschi Inventory, 1684. 120 The Cornutti Inventories, 1695 and 1705. 122 The Menochii Inventory, 1719.. 127 The Zucchi Inventories, 1718 and 1728.. 129 The Zurlini Inventory, 1739.. 134 CHAPTER 3: LIFESTYLES. 137 First Period.. 138 Second Period. 143 Third Period. 146 CHAPTER 4: COSTS AND VALUES. 150 Problems. 150 Values of goods: Changes over the years . 151 CHAPTER 5: CONCLUSIONS. -
Lace, Its Origin and History
*fe/m/e/Z. Ge/akrtfarp SSreniano 's 7?ew 2/or/c 1904 Copyrighted, 1904, BY Samuel L. Goldenberg. — Art library "I have here only a nosegay of culled flowers, and have brought nothing of my own but the thread that ties them together." Montaigne. HE task of the author of this work has not been an attempt to brush the dust of ages from the early history of lace in the •^ hope of contributing to the world's store of knowledge on the subject. His purpose, rather, has been to present to those whose rela- tion to lace is primarily a commercial one a compendium that may, perchance, in times of doubt, serve as a practical guide. Though this plan has been adhered to as closely as possible, the history of lace is so interwoven with life's comedies and tragedies, extending back over five centuries, that there must be, here and there in the following pages, a reminiscent tinge of this association. Lace is, in fact, so indelibly associated with the chalets perched high on mountain tops, with little cottages in the valleys of the Appenines and Pyrenees, with sequestered convents in provincial France, with the raiment of men and women whose names loom large in the history of the world, and the futile as well as the successful efforts of inventors to relieve tired eyes and weary fingers, that, no matter how one attempts to treat the subject, it must be colored now and again with the hues of many peoples of many periods. The author, in avowing his purpose to give this work a practical cast, does not wish to be understood as minimizing the importance of any of the standard works compiled by those whose years of study and research among ancient volumes and musty manuscripts in many tongues have been a labor of love. -
Th E St Ory Ofir Ish Lace Is a St Ory O
www.nmni.com/uftm/Collections/Textiles---Costume/Lace-page Ulster Folk and Transport Museum, lace collection. collection. lace Museum, Transport and Folk Ulster To find a conservator: www.conservationireland.org conservator: a find To www.museum.ie/en/collection/lace.aspx National Museum of Ireland, Lace collection. collection. Lace Ireland, of Museum National Useful contacts: Useful Vol. 26, No. 2, pp.152-167. 2, No. 26, Vol. Display and Meaning, 1886–1909’ in Journal of Design History 2013, 2013, History Design of Journal in 1886–1909’ Meaning, and Display Embroidery, Dresses: ‘Irish’ Aberdeen’s ‘Ishbel J., Helland, Ireland’, Women’s History Review, 1996, Vol. 5, Issue 3, pp. 326-345. pp. 3, Issue 5, Vol. 1996, Review, History Women’s Ireland’, organisation: Commercial lace embroidery in early 19th-century 19th-century early in embroidery lace Commercial organisation: Chapman S. & Sharpe, P., ‘Women’s employment and industrial industrial and employment ‘Women’s P., Sharpe, & S. Chapman There are a number of articles on Irish lace-making, including: lace-making, Irish on articles of number a are There Further reading: Further www.oidfa.com www.laceguild.org Library of Ireland of Library www.craftscotland.org The Lawrence Photograph Collection, Courtesy of the National National the of Courtesy Collection, Photograph Lawrence The Circular lace photo: lace Circular Irish lace collar (c.1865-1914), Robert French, French, Robert (c.1865-1914), collar lace Irish Other sites relating to lace-making include: lace-making to relating sites Other -
Amazing Lace Publication
AMAZING LACE Cover.qxd:Layout 1 05/11/2014 12:34 Page 1 AMAZING LACE AMAZING LACE A History of the Limerick Lace Industry A History of the Limerick Lace Industry By Dr Matthew Potter | Edited by Jacqui Hayes Amazing Lace a Limerick Industry :Layout 1 03/11/2014 18:52 Page 5 Copyright Information Published by Limerick City and County Council © Limerick City and County Council © of photographs remains with contributors ISBN: 978-0-905700-22-9 Design and Print AViD Graphic Design All rights reserved No part of this publication may be reproduced or transmitted without the written permission of Limerick City and County Council Inside cover: a close up of Limerick tambour lace (Courtesy of Veronica Rowe) Amazing Lace a Limerick Industry :Layout 1 03/11/2014 18:52 Page 6 Amazing Lace A History of the Limerick Lace Industry By Dr Matthew Potter: Edited by Jacqui Hayes Introduction ii Chapter 1 The Origins and History of Lace 1 Chapter 2 Limerick Lace as a Mass Industry 21 Chapter 3 The Revival of Limerick Lace 43 Chapter 4 Limerick Lace since 1914 65 Chapter 5 The Manufacture of Limerick Lace: Working Conditions 79 Chapter 6 Marketing Limerick Lace 101 Chapter 7 Conclusion 117 Considering Lace 123 Bibliography 141 Index 151 i Amazing Lace a Limerick Industry :Layout 1 03/11/2014 18:52 Page 7 Lace was one of Limerick’s most important industries and the city gave its name to a Introduction particular style of lace. This book is a response to the public interest in lace as many visitors to Limerick Museum come specifically to see the lace collection on display. -
Autumn 07 Cover
Stitches In Time A Historical Collection of Embroidery and Textiles and Asian Art Thursday 10th November 2016 £5 Chris Ewbank, FRICS ASFAV Andrew Ewbank, BA, ASFAV Andrea Machen, Cert GA Senior partner Partner Textiles Specialist valuer [email protected] [email protected] [email protected] Alastair McCrea, MA Andrew Delve, MA, ASFAV Partner Partner [email protected] [email protected] Tim Duggan, ASFAV John Snape, BA, ASFAV Partner Partner [email protected] [email protected] Front Cover: Lot 1223 Inside Front Cover: Lots 1526, 1056 and 1310 Back Cover: Lot 1047 Stitches In Time, A Historical Collection of Embroidery and Textiles Asian Art Surrey & Hampshire’s Premier Auctioneers & Valuers Stitches In Time, A Historical Collection of Embroidery and Textiles and Asian Art Important Single Owner Collections of British, European, Chinese and Asian Sewing, Embroidery and Textiles, Accessories and Costume Jewellery, Antique Clothing and Lace, Vintage Fashion, Chinese Bronzes, Works of Art, Ceramics, Jade and Hardstone, Scrolls, Artworks and Furniture, Japanese Works of Art, Indian and Eastern Art SALE: Thursday 10th November 2016 at 10.00am VIEWING: Monday 7th November 9.00am - 5.00pm Tuesday 8th November 9.00am - 7.00pm Wednesday 9th November 9.00am - 5.00pm Day of sale For the fully illustrated catalogue, to leave commission bids, and to register for Ewbank’s Live Internet Bidding please visit our new website: www.ewbankauctions.co.uk The Burnt Common Auction Rooms London Road, Send, Surrey GU23 7LN Tel +44 (0)1483 223101 E-mail: [email protected] Buyers Premium 22.5% plus VAT MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS http://twitter.com/EwbankAuctions www.facebook.com/Ewbanks1 ORDER OF SALE INFORMATION FOR BUYERS AT AUCTIONS 1. -
Augusta Auction Company Quilt & Historic Textile Auction May 9, 2018 - Sturbridge, Massachusetts
AUGUSTA AUCTION COMPANY QUILT & HISTORIC TEXTILE AUCTION MAY 9, 2018 - STURBRIDGE, MASSACHUSETTS 1001 LOG CABIN QUILT, c. 1895 56 block log cabin in light & dark configuration, calico back folded to front binding; probably US origin, 72.5" x 60.5" ( some fabric deterioration, small holes) good, Museum Deaccession 1002 2 19th C. LOG CABIN QUILTS both 49 block, pieced, almost identical, log cabin light & dark configuration; 1 is 79" x 79", 1 is 81" x 80", both excellent, Museum Deaccession 1003 WHIG ROSE QUILT, 1850-1870 9 block, whig rose applique, trapunto roses w/ overall quilting, American, 85" x 85" (small tears in reds), very good, Museum Deaccession 1004 ROSE OF SHARON QUILT, 1860-1880 9 block calico rose & swag applique, overall quilting, 87" x 82", American, probably New England, (minor stains) excellent, Museum Deaccession 1005 ROSE OF SHARON QUILT, 1850-1870 9 block applique w/ rose & vine, oak leaves, overall quilting, 81.5 " x 70", American, (minor stains), excellent, Museum Deaccession 1006 COXCOMB APPLIQUE QUILT, 1859 6 block rose & vine applique, overall quilting, signed in red "PW 1859", 96' x 78', excellent, Museum Deaccession 1007 LOG CABIN QUILT, 1880-1900 64 block pieced quilt, "Log Cabin Barn Raising", light & dark configuration, pieced sawtooth binding, 82.5" x 80.5", (some fading & wear), very good, Museum Deaccession 1008 ROSE WREATH QUILT, 1890 - 1910 16 block rose wreath applique trapunto, geometric lattice strips, overall quilting, calico backing, 82.5" x 81.5", excellent, Museum Deaccession 1009 VARIATION ON -
'Rhe UNION Cjoltnrl,Y STANDARD Stylish Summer Attire
'rHEHas theUNION largest circulation ofCJOlTNrl,Y any Weeldy Newspaper PublishedSTANDARD in Union County. WESTFIELD, UNION COUNTY, N.J., FIUDAY, AUGUST 19116. a VOL. XXIII. NO. l1 1!1, $1.511 Per Ye r. l'lilll(le Copy 3c IIH'I'I'IIIINiill, ,,Ulll'I'IN4l, I'.UIK 'J'HI•ll·!l<l llt!�'l'llfiUlll, itl 1'!1111111 IJIIrlnK i\11&1111 Slllr� CluMeK U Slllllr<lllyH I WESTfiELD CHUROH NEWS. ll • t t l 1 1l J'l'O(CIJOIOIIIll J)II'CClOI'\!, 1111111 llrlllny llvu11tug�. ltunlhw llu"h��'""' •1,,11u��toiWt••d 111111 Ad· • � u Uu .•u•''""' ut t!h•,. ou .llouu. NU'I'I•!" .\111111'1' 'I'IU! HI•!\'1-:II,U, llnclt'hl'll, IIIIH AVI'Illllll:ul 111111'11• III•:NII,IIIN,\'I"UINH, .iHIII'IIIIII'III llnlt,Uy ll. T, WIUlA'WN, IIIII\' .UK· . Ht \\'lllllhffi'IIIIUiu � rHIUtii•UN lli(N'I'Irl'l', UJI ' HIIHill<liiiH lll"lll'lhll llllltl"l<! lllll'k, 'l'h11 \tot \ II ltHfflt thll t'lll'lllll' 11 tl At'l\1\lnlm Hllt>ltlll•• lilllltlnr•• IIIIo Uuuunll Mu111l11y ul' LtiWI'IIIII'II 1 \ Munn· lhllhllulf, 'l'lw I'IIIJtlt NHI ,I'Pii ul. lllfff!l.lll { ut W\(S'I'I•'IKI.IJ, 'l•··i'illl'<'lltl Nt•nlt '""" l N. 1\'hu '�'�" t•t�·nl ' llllll lll"fflillll�, whh•l1 wn; t•o•c•tJut ly l(iVffll J IIIHhl, Mlllill"'t'H 111111 ttlllfl)' ul'tllll llllh· 1'111\'1'1' Ill ' \\'111'11 Hllrlll'lriool Nuuollll' NJ•Ittttll lllltl '"''''""� "" 'l'uwu, WeciUIIH• llu, 1\1\'I<HI<'il lhtilliHIII\'f!H ol' lllllh'I'INitH, Hll 1(11111( 'l'otJit•s, Jluo rilly lllfll'llilll! tu """ II ul' uu•n 1111 E, B· STOWE, l!l'fflll WIIH hPnl;, Mllyul" l'rn·ldnH, 1<1 l l DR· IIHIIHI .. -
Old World Lace
Cooper-Hewitt Museum Library "" *" ...lIllPlllll TTwcnrEnnTranTn fnaEiniSa,aaal9ii!..--m. "R r r r n TT ^ ^ — I GIFT OF ALICE 3. BEER Smitlisonian Institution Libraries y / 2-^ ^-'^^ f^.^-^J<!. C^'-^'^^t::r-7^ e^^-t^ J^^ OLD WORLD LACE 6ld world lace 07" A Guide for the Lace Lover by CLARA M. BLUM \ I I ' To cultivate the se?ise of the beautiful is but one^ and the most effectual^ of the ways of cultivating '''' an appreciation of the Divine goodness. —bovee E. P. BUTTON & CO. NEW YORK Copyright 1920 i\ E. P. DuTTON & Company -yV// Rja-hti Reser-ved Printed in the United States OF America CONTENTS Introduftion 9 Laces of Italy . 13 Laces of Flanders 33 Laces of France 53 Laces of Spain 67 Laces of England 11 Laces of Ireland 76 Glossary 83 Grounds 83 Index 85 LIST OF ILLUSTRATIONS PAGE Detail of bobbin toile 11 Detail of needle toile 12 Drawn Linen Work. "Punto Tirato" ; 16th century 13 Cut Work. "Punto Tagliato" ; lljth century ; showing satin and curl stitch 14 Reticello. Sixteenth century 14 Reticello Collar. Sixteenth century 15 Reticello Collar. Sixteenth century; with bobbin edge 15 A—Edge of ""Punto in Aria."' End of 16th century. B—'"Punto in Aria." Sixteenth century; showing cardinal tassels in the border . 16 Venetian "Gros Point."' Seventeenth century; with brides 17 Venetian '"Gros Point." Detail showing variety of needle stitches . 18 Venetian "Point Plat." Seventeenth century; design with Renaissance scrolls 18 Venetian "Coralline."' Seventeenth century 19 Venetian "'Rosaline." Seventeenth century 20 Venetian "Rosaline" Collar. Seventeenth century 20 Venetian "Rose Point." Seventeenth century rabat 21 "Venise a Reseau."' Eighteenth Century Venetian needle point imitating Alengon 22 Milan. -
The Power of Lace by Gil Dye
The Power of Lace by Gil Dye This image appeared on page 3 of The Times in September 2013. The article is about a proposal by the University of London to sell a copy of Shakespeare's First Folio. The folio frontispiece has a portrait of Shakespeare with a totally plain collar, however the dominant portrait is one that has absolutely no link with the folio, but it does have lacei and the picture editor would have been well aware that lace attracts attention and more lace attracts more attention. This is the position today as it has been since lace first appeared on portraits in the mid 1500s. For most of The Times, 4 September 2013 those 450+ years lace has wielded a power that is totally out of all proportion to what is no more than a network of fragile threads. The Beginning The portrait above and this one of Lady Dorothy Done were both painted around 1610 by which time lace was firmly established as a fashion fabric and an important marker of the wealth and status of the wearer. Lady Done has white linen lace as a ruff and around her neckline and wrists, while her bodice, sleeves and skirt are decorated with long lengths of a simple gold lace. The gold lace and the lace of the ruff are bobbin lace; the lace on her cuffs and that around her neck are needlelace.ii Bobbin lace and needle lace are considered to be the two classic laces; both evolving during the 1500s. The origins and techniques are very different, but by the end of the century the finished effects were often surprisingly similar. -
Hybrid Lace Conference Programme Title And
Hybrid Lace Conference programme Title and Abstract Session 1 9.30-11.00 Jacqui Hayes, Limerick Welcome 9.30-9.40 Archives Address by the Mayor of LCCC Dr Matthew Potter, The place of Limerick in Irish and world lace. 9.40-9.50 Historian, Limerick Archives A brief overview of the important role of Limerick lace, nationally and internationally. Giordana Giache Hybrid: the identity of liminal lace. 9.50-10.00 Lace-maker and lecturer The social-economic history of lace and its once at Limerick School of pure entity is continuously transforming and Art and Design recombining in its use of materials, execution and consumption. The liminal space exists between tradition and new practice; it is an area where different rules apply and the creativity of multiple influences generates a new identity. Veronica Stuart Irish Laces 10.00-10.20 Lace-maker and chairperson of the Veronica Stuart has been instrumental in the Traditional Lace Makers revival of Youghal Lace and the establishment of Ireland. of the West Cork Lace Trail. She is an expert in Irish laces and has been teaching lace for over thirty years. Veronica will share her journey from when she first became interested in lace and will also share her knowledge of the Irish laces, how they are made and the current status of these laces Róisín de Buitléar 'Creating Allure' 10.20-10.40 Irelands best known Traditional lace as a source for exploring glass artist and educator material culture through light and shadow. Lace is a captured drawn line on a complex layered matrix. -
Auction Results Srandr10135 Tuesday, 15 December 2020
Auction Results srandr10135 Tuesday, 15 December 2020 Lot No Description 1 £60.00 A large electroplated soup tureen and cover with twin handles, on stemmed foot, 36cm wide o/a, to/w an epns OEP ladle (2) 2 A novelty silver plate 'owl' sugar caster with glass eyes. 14cm high £150.00 3 A 19th century plated on copper Irish potato ring, richly embossed and pierced with figures, scrolling foliage and other motifs, £50.00 Various21cm diameter, Georgian t/w and a 19th later Century silver-mounted Continental and electroplatedelectroplated necessaireflatware and with cutlery, engraved etc, including decoration a Victorianand partial stilton contents scoop (2) with 5 silver-mounted ivory handle, pair of oak-handled salad servers, four gilt fiddle pattern salt spoons, egg-boiler, set of epns £80.00 cocktail sticks with cherry finials, contained in a miniature cocktail shaker, etc. (box) 6 An oak canteen of epns King's pattern flatware and cutlery for eight settings (little used), by A. E. Poston & Co. Ltd £90.00 7 A canteen of epns Arthur Price Dubarry pattern flatware for eight settings - apparently unused £160.00 8 Two epns cocktail shakers, a four-piece half-reeded tea/coffee set, Old Sheffield plate chamberstick, half-pint waisted mug £55.00 and other electroplated wares (box) 9 A silver-backed hand mirror with two brushes (not a set), an epns lectern/menu stand with bent wire frame on circular foot, 27 £45.00 x 22 cm overall to/w an epns four piece half-reeded tea/coffee service, christening mug, etc (box) 11 A 19th Century Dutch .833 standard -
The Romance of the Lace Pillow; Being The
rSS:-- :SK»";;;.»>(f,!'^^';;;~i;;j„ n;!."in;'*w>nii5S;."S'. .•tSsr.KT.fimBja:;.''.:;-: ip-KSSSiiiliiHi:' i*""^!^ c ci>»*P»""*" "lit" »»» "•""If! C««.» t*»f'f'^;'"i;c; ALBERT R. MANN LIBRARY New York State Colleges OF Agriculture and Home Economics AT Cornell UniversitV NK9443.W9r"'"™""'"-"'™^ The romance of the lace pillow; being the 3 1924 o-|4""557"72'2""" I Cornell University J Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924014557122 The Romance of the Lace Pillow A BUCKS LACE-MAKER. Photo by Dr. Habberton Lulham. THE ROMANCE OF THE LACE PILLOW BEIHG Cl^e Jislorg of yatc-mahtttg in bucks, beds, northants and neighbouring 'counties, together with some account of the LACE industries OF DEVON AND IRELAND. BY THOMAS WRIGHT (Author of "The Life of William Cowper" " The Life of Edward FitzGerald," "The Life of John Payne," &c., &c.j WITH FIFTY PLATES. OLNEY, BUCKS : H. H. ARMSTRONG. 1919. — THIS WORK IS DEDICATED, BY KIND PERMISSION, TO HER MAJESTY QUEEN ALEXANDRA, ' •who accepts the dedication, to use her own words, ' in -consideration of the great importance of the Pillow Lace Industry in this country," AND, bSt kind permission, ALSO TO MRS. W.. W. CARLILE. OF GAVHURST HOUSE, NEWPORT PAGNELL. Some thirty years ago Mr. James William Carlile, iather of Mr. W. W. ,Carlile, accepted the dedication of my first work, The Town of Cowper. It is with great pleasure that I am able, after so many years, to inscribe another volume with the name of a member of the same family—a lady who has laboured so un- weariedly in the interest of the beautiful art which is the subject of its pages.