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This Is a Test
‘LOVE, AGAIN’ CAST BIOS TERI POLO (Chloe Baker) – Teri Polo is best known for her role as Robert De Niro’s daughter, Pam Byrnes, in the “Meet the Parents” feature films. She recently starred in “The Little Fockers,” the third installment of the movie franchise and completed production on the feature “Beyond” opposite Jon Voight. Polo has also recently filmed the Lifetime movie “We Have Your Husband” and had a recurring role on “Law & Order: Los Angeles.” She played the character of Casey Winters, wife of Detective Rex Winters, played by Skeet Ulrich. In 2011, Polo starred in the ABC series “Man Up.” Polo’s other recent credits include the feature film “The Hole,” directed by Joe Dante and the NBC miniseries “The Storm,” both released in 2010. Polo’s film credits include “Beyond Borders” co-starring Angelina Jolie, the suspense thriller “The Unsaid” opposite Andy Garcia and “Domestic Disturbance” opposite John Travolta and Vince Vaughn. She co-starred opposite De Niro and Stiller in “Meet the Parents,” for which she won a People’s Choice Award and its sequel “Meet the Fockers.” Originally from Dover, Delaware, Polo began her performing career as a dancer. By age 13, she was attending New York’s School of Ballet. The summer before her senior year, she was signed to a modeling contract, which led to a role as Kristin on the daytime drama “Loving.” Polo made her primetime debut in the dramatic series “TV 101.” Television audiences may remember her as Michelle Capra, the doctor’s wife who was determined to master the strange surroundings (and even stranger characters) in “Northern Exposure.” She also starred in the comedy series “I’m with Her” as well as David E. -
Paul Haggis's Televisual Oeuvre
Subverting Stereotypes from London, Ontario to Los Angeles, California: A Review and Analysis of Paul Haggis's Televisual Oeuvre Marsha Ann Tate ABD, Mass Communications Program College of Communications The Pennsylvania State University 115 Carnegie Building University Park, PA 16802 Email: [email protected] Last updated: June 3, 2005 @ 10:08 p.m. Paper presented at the 2005 Film Studies Association of Canada (FSAC) Conference, University of Western Ontario, London, Ontario, Canada Subverting Stereotypes from London, Ontario to Los Angeles, California -- M. A. Tate 2 Abstract Paul Haggis's recent forays into the feature film milieu have garnered the London, Ontario native widespread critical acclaim. Serving as a co-producer, director, and/or writer for a series of high- profile motion pictures such as Million Dollar Baby and Crash have propelled Haggis to Hollywood's coveted "A list" of directors and writers. Nonetheless, prior to his entrée into feature filmmaking, Mr. Haggis already enjoyed a highly distinguished career as a creator, producer, and writer in the North American television industry. A two-time Emmy Award recipient, Paul Haggis's television oeuvre encompasses an eclectic array of prime time sitcoms and dramas. Starting out as a writer for situation comedies such as Facts of Life and One Day at a Time, Mr. Haggis later moved on to created notable dramas including Due South, EZ Streets, and Family Law. Subversion of widely held stereotypes and showcasing society's myriad moral ambiguities are hallmarks of Haggis's dramatic endeavors in both television and feature films. While the two techniques have helped produce powerful and thought-provoking dramas, on occasion, they also have sparked controversies. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
(XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released. -
Airplane! by Michael Schlesinger
Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back. -
The BG News January 23, 2001
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 1-23-2001 The BG News January 23, 2001 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News January 23, 2001" (2001). BG News (Student Newspaper). 6746. https://scholarworks.bgsu.edu/bg-news/6746 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Green State University TUESDAY January 23, I*' 2001 OFF THE BLOCKS: Men's swimmers split PARTLY CLOUDY with Ball State, Buffalo HIGH: 36 I LOW 21 over weekend; women www.bgnews.com independent student press VOLUME 90 ISSUE 81 lose both; PAGE 8 Benefit held for Al-Mar patrons Raffle planned to in charge of the benefit. Glenn agreed, saying, "He's The benefit will include a raffle, done a lot for the kids in the town help bowlers recover silent auction, food and drinks. and even the adults." equipment lost to According to Plotner, much of Among the goodwill that fire damage the city is getting involved with Wammes has bestowed upon the the fundraiser. Pisanello's, Video community was teaching bowl- Connection, and Mr. Spots will be ing classes and helping out the local high school students. By Craig Gittord among the businesses donating items to the event. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Congressional Record—Senate S5553
May 18, 2009 CONGRESSIONAL RECORD — SENATE S5553 comedian and chef who entertained a presence in Adrian, but has branched notice stating that the emergency is to America with his delightful sense of out into communities far beyond continue in effect beyond the anniver- humor, recently passed away. I would through ministries in 31 States, the sary date. I have sent the enclosed no- like to take a few moments to recog- District Of Columbia, Puerto Rico, tice to the Federal Register for publica- nize Dom DeLuise’s many accomplish- Canada, the Dominican Republic, Italy, tion, stating that the Burma emer- ments and the tremendous impact he and Swaziland. The Adrian Dominican gency is to continue for 1 year beyond made on our lives. Sisters currently number more than May 20, 2009. Born in New York City, DeLuise en- 900 and are involved in ministries pri- The crisis between the United States tered acting at an early age. Although marily in areas of education, health and Burma arising from the actions discouraged at first, he persisted in care, and social work. The congrega- and policies of the Government of finding his way in the field of enter- tion currently sponsors two univer- Burma, including its engaging in large- tainment and into the hearts of his sities, including Siena Heights Univer- scale repression of the democratic op- fans. His hard work and dedication sity; two hospital systems; a long-term position in Burma that led to the dec- earned him many entertaining and health care facility; three congrega- laration of a national emergency in Ex- prestigious acting roles in film, tele- tion-owned schools; and two retreat ecutive Order 13047 of May 20, 1997, as vision, and theater. -
Clemenson, Mary Interview
University of the Pacific Scholarly Commons Delta Women Oral Histories Western Americana 1980-07-17 Clemenson, Mary Interview Mary Wedegaertner Follow this and additional works at: https://scholarlycommons.pacific.edu/witw Recommended Citation Wedegaertner, Mary, "Clemenson, Mary Interview" (1980). Delta Women Oral Histories. 37. https://scholarlycommons.pacific.edu/witw/37 This Book is brought to you for free and open access by the Western Americana at Scholarly Commons. It has been accepted for inclusion in Delta Women Oral Histories by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Stockton Immigrant Women Oral History Collection Interviewer: Mary Wedegaertner Interviewee: Mrs. Mary Clemenson Transcriber: Hannah Tvergyak /Lillian Hom Interview Date: July 17th, 1980 [Tape 1] Interviewer: Wanna tell me a little bit about what part of Holland you were born in and a little bit about your family? How many people were in your family? Clemenson: Very few. I was born in the center of Holland, Utrecht, I lived in the Hague and Rotterdam. I studied at the University of Rotterdam. My family consisted of Father, Mother, and myself, but mother died when she gave birth to me and I was raised by my father, assisted by the nurse who was in the house for the delivery and she stayed with us for many, many years. Interviewer: What was your father’s occupation? Clemenson: He had a factory of electrical equipment and he was also a member of Diplomatic Core. He made the business transactions between the Dutch government and other countries, sales and buying. Interviewer: Had your mother ever worked outside the home? Clemenson: No. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Plural Subjectivity in Stargate SG-1
Language, Literature, and Interdisciplinary Studies (LLIDS) ISSN: 2547-0044 ellids.com/archives/2020/07/3.4-Ferebee.pdf CC Attribution-No Derivatives 4.0 International License www.ellids.com “Pain in Someone Else’s Body”: Plural Subjectivity in Stargate SG-1 K.M. Ferebee Abstract Lennard Davis, in his work on visualizing the disabled body, argues that at root the body is inherently and always already fragmented. The unified “whole body” is, therefore, hallucinatory in nature—an imaginary figure through which the body’s multiplicity is repressed. There is much in this view that is consonant with posthumanism, which so often seeks to destabilize the “whole” and singular one in favor of the multiple, the fragmentary, and the hybrid. Yet despite these considerations of the body as fragmentary, little attention has been paid to the value of considering the body not only as fragmentary, but also as potential fragment. What might we learn by rejecting anthropocentric assumptions about the body-mind’s inherent completeness, and exploring the radically plural ontologies offered by visions of shared, joint, or group body-minds? This paper turns to science fiction as a source of such visions, considering depictions of symbiotic and hive minds through the non-traditional models of ontology and agency. While science fiction has traditionally represented plural being as a troubling and fearful injury to wholeness, this paper aims to highlight the symbiotic Tok’ra1 of television series Stargate SG-1 as a model of excess being that not only challenges the naturalization of the “complete” body, but also asks us to interrogate presumed boundaries between self and other.