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(XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released. -
Airplane! by Michael Schlesinger
Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back. -
The BG News January 23, 2001
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 1-23-2001 The BG News January 23, 2001 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News January 23, 2001" (2001). BG News (Student Newspaper). 6746. https://scholarworks.bgsu.edu/bg-news/6746 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Green State University TUESDAY January 23, I*' 2001 OFF THE BLOCKS: Men's swimmers split PARTLY CLOUDY with Ball State, Buffalo HIGH: 36 I LOW 21 over weekend; women www.bgnews.com independent student press VOLUME 90 ISSUE 81 lose both; PAGE 8 Benefit held for Al-Mar patrons Raffle planned to in charge of the benefit. Glenn agreed, saying, "He's The benefit will include a raffle, done a lot for the kids in the town help bowlers recover silent auction, food and drinks. and even the adults." equipment lost to According to Plotner, much of Among the goodwill that fire damage the city is getting involved with Wammes has bestowed upon the the fundraiser. Pisanello's, Video community was teaching bowl- Connection, and Mr. Spots will be ing classes and helping out the local high school students. By Craig Gittord among the businesses donating items to the event. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House. -
Copyrighted Material
c01.qxd 12/18/06 1:10 PM Page 5 1 Out of the Ashes of Despair The difference [between a director and an auteur] is that a director who is working for a living simply does the job, which may not be akin to his philosophy, but it is not inconsistent to have the same man being both. The word is “hunger.” If you are hungry and nobody will buy your orig- inal idea, you might get lucky, direct a Kellogg’s cornflakes commercial and take home a few boxes. —Mel Brooks, 1971 n the early 1970s, Mel Brooks had reason to find himself in an ironic I position as far as his career was concerned. He had already won Acad- emy Awards and Emmys, and had hit radio commercials and three suc- cessful comedy albums (such as The 2000 Year Old Man). He was a veteran of the writing teams for two of the most cherished series of Amer- ican television’s golden age: Your Show of Shows and Caesar’s Hour. Brooks’s recent association with the highly successful sitcom Get Smart had enhanced his visibility with the public and given him additional industry credibility.COPYRIGHTED Although his movie TheMATERIAL Twelve Chairs (1970) had failed to make any tangible impact at the box office, The Producers (1968) was well on its way to becoming a cult favorite. Yet Brooks was now unable to get any new show business projects off the ground and into production. How many times, he must have won- dered, did he have to crash through the establishment’s barriers before he gained solid acceptance from his peers and the public? How long could he continue to subject himself to the ordeal of starting over—yet again? 5 c01.qxd 12/18/06 1:10 PM Page 6 6 IT’S GOOD TO BE THE KING For a time, Mel wanted to produce a film version of She Stoops to Conquer. -
Garage Sale Mystery: All That Glitters’
‘GARAGE SALE MYSTERY: ALL THAT GLITTERS’ PRODUCTION BIOS JONATHAN AXELROD (Executive Producer) — After graduating from the American Film Institute at 17, Jonathan Axelrod began his entertainment career writing films for Warner Brothers, MGM and Paramount Pictures. He worked on the feature film “A Star is Born” for Barbra Streisand and worked with such directors as the legendary Stanley Donen, Cy Howard, Elaine May and John Frankenheimer. He also wrote “Every Little Crook” and “Nanny” for MGM. From 1977-1983, Axelrod developed and supervised more than 40 telefilms for ABC Television, ® including the Emmy winning “Jericho Mile” and “Friendly Fire.” Axelrod was also responsible for ABC’s highest rated show, “The Dallas Cowboy Cheerleaders.” He was promoted to Vice President of Drama at ABC, steering the direction for “Dynasty” and “The Greatest American Hero,” among many other prime time hits. In 1983, Axelrod segued to Columbia Television, where he was executive vice president of Worldwide Production. There he revitalized the company and put ten shows on the air including “Designing Women,” “Mike Hammer,” “Crazy Like a Fox” and in New York “The Mickey Rooney Show.” He also helped Columbia become a major supplier of telefilms, with such productions as “The Blue and the Grey,” “RFK,” “Sadat” and “LBJ the Early Years.” In 1986, Axelrod then took over as president of New World Pictures for a three-year term. For this start-up company, he oversaw such feature films as “Crimes of Passion” with Kathleen Turner and “Girls Just Want to Have Fun,” as well as the critically acclaimed series “Crime Story” and the miniseries “Sins.” As an independent producer, Axelrod produced the Cable Ace Award winning movie “Against the Wall” for HBO, “The Secret Passion of Robert Clayton” for USA and “The Price She Paid” for CBS, as well as the syndicated series “Hollywood Babylon.” From 1992-2003, Axelrod continued his association with John Frankenheimer where their company was involved with “Wallace” (HBO), “Andersonville” (TNT), “Burning Season” (HBO) and “RFK” (FX). -
Missouri Through Soviet Eyes | the Confluence
ThroughMissouri Soviet Eyes BY ILYA ILF AND YEVGENY PETROV 48 | The Confluence | Spring/Summer 2012 Good travel writing can be powerful. Few things offer new insights quite like having familiar surroundings seen through fresh eyes. When that new perspective comes from a very different cultural context, the results can be even more startling. Such is the case with Soviet satirists Evgeny Ilf (1897-1937) and Yevgeny Petrov (1903- 1942), who were immensely popular writers in the Soviet Union in the late 1920s and 1930s. While working as special correspondents for Pravda (the Communist Party newspaper in the USSR) in 1935, the two came to the United States to embark on a two-month road trip across the country and back. They bought a Ford in New York in late October, teamed up with Solomon Trone (a retired engineer who had worked in the USSR for General Electric) Ilf and Petrov made this journey along national highways and his wife, Florence, whom they met there, and drove and state routes, which traveled through small towns to California and back. In April, Ogonek magazine and the countryside. They made a habit of picking up published the first of a series of photo essays based on the hitchhikers frequently, since it gave them a way to interview pictures Ilf took along the way. A year later, in 1937, an “real” Americans. They arrived in Hannibal after spending account of their journey and a selection of the photos were time in Chicago, where they complained about the bitter published in both the Soviet Union and the United States cold. -
Julien's Auctions Announces Property from the Estate
For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE ESTATE OF DOM DELUISE June 26-27, 2015 – Beverly Hills Beverly Hills, California – (June 1, 2015) – Julien’s Auctions, the auction house to the stars, announces the Property from the Estate of Dom DeLuise auction to take place at Julien’s Auctions Beverly Hills gallery on June 26-27, 2015 during the highly anticipated Hollywood Legends auction. The collection includes memorabilia, costumes, jewelry, a vast collection of fine art and furnishings from the famous actor, comedian and author who was loved by legions of fans worldwide. The auction will also feature items from his wife, Carol Arthur DeLuise and his sons Peter, Michael, and David DeLuise. (photo right: Dom DeLuise Director’s Chair) Dom DeLuise was a New York stage trained actor and stellar comedian loved by many. He was featured in some of Hollywood’s most popular and comedic motion pictures and television shows. He first found wide fame during his collaborations with Mel Brooks and his enduring cinematic and personal friendship with Burt Reynolds. Some of his most memorable films include “Silent Movie,” “History of the World Part I” and “Blazing Saddles.” He even supplied the voice for the character of Pizza the Hutt in the cult comedy hit “Spaceballs.” In his varied career he also lent his voice to numerous animated characters, wrote a number of children’s books, and became a celebrated chef with three cookbooks to his name. This auction features selected items from all phases of his career and throughout his life. (photo left: Original Noel Coward Seascape Oil on Canvas) After meeting his wife Carol performing at summer theatre on the Eastern Seaboard in the mid-1960s, the couple collected and maintained fascinating art which they displayed in their family home. -
Rick Ludwin Collection Page 1
Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, newsletters, correspondence and realia Date Range: 1937-2011 Quantity: 9.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations program scripts, treatments, and rehearsal schedules industry publications national news clippings awards program catalogs network communications, and camera-ready advertising copy Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/9/2013 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: Bob Hope Johnny Carson Jay Leno Conan O’Brien Disney Motown The Emmy Awards Seinfeld Saturday Night Live SNL. Carson Daly The Mike Douglas Show Kennedy & Co. AM America Fifteen original Seinfeld table scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Other scripts are also contained here--some for primetime, some for broadcast specials such as the landmark three- hour broadcast of SNL’S 25th Anniversary. -
Production Bios Jonathan Axelrod
‘GARAGE SALE MYSTERY: THE DEADLY ROOM’ PRODUCTION BIOS JONATHAN AXELROD (Executive Producer) — After graduating from the American Film Institute at 17, Jonathan Axelrod began his entertainment career writing films for Warner Brothers, MGM and Paramount Pictures. He worked on the feature film “A Star is Born” for Barbra Streisand and worked with such directors as the legendary Stanley Donen, Cy Howard, Elaine May and John Frankenheimer. He also wrote “Every Little Crook” and “Nanny” for MGM. From 1977-1983, Axelrod developed and supervised more than 40 telefilms for ABC Television, ® including the Emmy winning “Jericho Mile” and “Friendly Fire.” Axelrod was also responsible for ABC’s highest rated show, “The Dallas Cowboy Cheerleaders.” He was promoted to Vice President of Drama at ABC, steering the direction for “Dynasty” and “The Greatest American Hero,” among many other prime time hits. In 1983, Axelrod segued to Columbia Television, where he was executive vice president of Worldwide Production. There he revitalized the company and put ten shows on the air including “Designing Women,” “Mike Hammer,” “Crazy Like a Fox” and in New York “The Mickey Rooney Show.” He also helped Columbia become a major supplier of telefilms, with such productions as “The Blue and the Grey,” “RFK,” “Sadat” and “LBJ the Early Years.” In 1986, Axelrod then took over as president of New World Pictures for a three-year term. For this start-up company, he oversaw such feature films as “Crimes of Passion” with Kathleen Turner and “Girls Just Want to Have Fun,” as well as the critically acclaimed series “Crime Story” and the miniseries “Sins.” As an independent producer, Axelrod produced the Cable Ace Award winning movie “Against the Wall” for HBO, “The Secret Passion of Robert Clayton” for USA and “The Price She Paid” for CBS, as well as the syndicated series “Hollywood Babylon.” From 1992-2003, Axelrod continued his association with John Frankenheimer where their company was involved with “Wallace” (HBO), “Andersonville” (TNT), “Burning Season” (HBO) and “RFK” (FX). -
CONGRESSIONAL RECORD—SENATE, Vol. 155, Pt. 10 May 18
May 18, 2009 CONGRESSIONAL RECORD—SENATE, Vol. 155, Pt. 10 12667 our country. His decision to reenlist in Born in New York City, DeLuise en- District Of Columbia, Puerto Rico, the U.S. Army following his time in tered acting at an early age. Although Canada, the Dominican Republic, Italy, the Marine Corps demonstrates a deep discouraged at first, he persisted in and Swaziland. The Adrian Dominican commitment to duty and service for finding his way in the field of enter- Sisters currently number more than which his country will forever be grate- tainment and into the hearts of his 900 and are involved in ministries pri- ful. He, and the thousands of brave men fans. His hard work and dedication marily in areas of education, health and women of the U.S. Armed Forces earned him many entertaining and care, and social work. The congrega- serving today, deserve America’s high- prestigious acting roles in film, tele- tion currently sponsors two univer- est honor and recognition. vision, and theater. Many films which sities, including Siena Heights Univer- Specialist Hamilton is survived by feature Dom DeLuise, such as ‘‘The sity; two hospital systems; a long-term his wife Stacey; his father and step- Cannonball Run,’’ ‘‘Blazing Saddles,’’ health care facility; three congrega- mother Chuck and Kathy Hamilton; his ‘‘History of the World Part 1,’’ and tion-owned schools; and two retreat mother Karen Hamilton; and his broth- ‘‘Spaceballs’’ have become classics in centers. ers Jon and Adam. He will be missed their own right and will ensure that fu- The Adrian Dominican Sisters have dearly by all those who knew him.