Movie Museum NOVEMBER 2016 COMING ATTRACTIONS
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Revere Murder Trial
SATURDAY, SEPTEMBER 8, 2018 STEVE KRAUSE | AT LARGE Lynn postal worker Blocksidge was con ned to home more than a eld after assault charge Swampscott By Thor Jourgensen In a report led in court, police said honored a ITEM EDITORIAL DIRECTOR the victim told of cers she was friend- ly with Gillette. The pair communicated war hero LYNN — A postal worker charged with through social media, and she previous- assaulting a Hanover Street woman last ly offered him water and allowed him month must remain con ned to his home to use her bathroom. On Aug. 22, after SWAMPSCOTT — To- and must stay away from the woman for telling the woman he had a package for day, when the Swampscott at least one year. her, Gillette cornered her against a wall High football team opens Gregory Gillette, 30, of Lynn, was free “and began aggressively grabbing her its season at Blocksidge on $5,000 bail when he reported to a and kissing her neck,” according to the Field against Greater hearing at Lynn District Court on Fri- report. Lawrence Regional Tech day. He previously pleaded not guilty The woman told police Gillette put (noon), perhaps it would on Aug. 23 to charges of open and gross his hands down her pants, grabbed her be a great time to ponder lewdness and indecent assault and bat- breasts and exposed his penis. Police the fate of the young man tery on a person 14 or over. advised her to seek a restraining order after whom the complex is Following a review of police reports and tracked Gillette down on his postal named. -
Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
Aikido XXXIX
Anno XXXIX(gennaio 2008) Ente Morale D.P.R. 526 del 08/07/1978 Periodico dell’Aikikai d’Italia Associazione di Cultura Tradizionale Giapponese Via Appia Nuova 37 - 00183 Roma ASSOCIAZIONE DI CULTURA TRADIZIONALE GIAPPONESE AIKIKAI D’ITALIA 30 ANNI DI ENTE2008 MORALE 3NOVEMBRE0 Sommario 02 - Editoriale 03 - Comunicati del fondo Hosokawa 04 - Nava, estate 2007... 05 - Ricordi:Giorgio Veneri - Cesare Abis 07 - ..a proposito di Ente Morale 10 - Lezione agli insegnanti dell’Aikikai d’Italia del maestro Hiroshi Tada Composizione dell’Aikikai d’Italia 14 - Le due vie del Budo: Shingaku no michi e Shinpo no michi Presidente 15 - Premessa allo studio dei principi Franco Zoppi - Dojo Nippon La Spezia di base di aikido 23 - La Spezia, Luglio 2007 Vice Presidente 25 - Roma, Novembre 2007 Marino Genovesi - Dojo Fujiyama Pietrasanta 26 - I giardini del Maestro Tada Consiglieri 28 - Nihonshoki Piergiorgio Cocco - Dojo Musubi No Kai Cagliari 29 - Come trasformarsi in un enorme macigno Roberto Foglietta - Aikido Dojo Pesaro Michele Frizzera - Dojo Aikikai Verona 38 - Jikishinkage ryu kenjutsu Cesare Marulli - Dojo Nozomi Roma 39 - Jikishinkageryu: Maestro Terayama Katsujo Alessandro Pistorello - Aikikai Milano 40 - Nuove frontiere: il cinema giapponese Direttore Didattico 52 - Cinema: Harakiri Hiroshi Tada 55 - Cinema: Tatsuya Nakadai Vice Direttori Didattici 58 - Convegno a Salerno “Samurai del terzo millennio” Yoji Fujimoto Hideki Hosokawa 59 - Salute: Qi gong Direzione Didattica 61 - Salute: Tai ji quan- Wu Shu - Aikido Pasquale Aiello - Dojo Jikishinkai -
学生の方は当日券が500円でご購入いただけます。 Advance Tickets Go on Sale from Saturday October 8 Via Ticket PIA and Lawson Ticket! Same Day Tickets Available to Students for Only 500 Yen!
世界中から最新の話題作・注目作を一挙上映! あなたの観たい映画はココにある。 The latest and most talked-about films from around the world! All the films you want to see are right here! 前売券は10月8日(土)より チケットぴあ・ローソンチケットにて発売! 学生の方は当日券が500円でご購入いただけます。 Advance tickets go on sale from Saturday October 8 via Ticket PIA and Lawson Ticket! Same day tickets available to students for only 500 yen! Believe! The power of films. How to purchase tickets 信じよう。映画の力。 チケット購入方法 今年、第24回を迎える東京国際映画祭は、引き続き「エコロジー」をテーマとした取り組みを展開します。今回の震災によって、日 本は課題先進国として世界中から大きな関心を集めています。そして、この課題に立ち向かう姿は、世界中から注目を集めています。 地球のために何ができるかをテーマとする東京国際映画祭は、「映画祭だからできる」「映画を通じてできる」ことを真摯に考え、日 本の未来に対して、夢や希望を持てる機会を提供することが役割だと思っています。 This year marks the 24th edition of Tokyo International Film Festival (TIFF). After the March 11th earthquake and tsunami, the whole world is watching Japan to see how we will remain strong and overcome the challenges we face. As a festival that asks how people and nature can co-exist, TIFF must consider its role in this time of crisis チラシや公式サイト( )などで、観たい作品と日時が決まったら、チケットを買おう! and use the power of lms to encourage and support the people and reassure them of Japan's future. www.tiff-jp.net 公式オープニング OFFICIAL OPENING 3D上映 3D screening 当日券にはオトクな学生料金(500円) 前売券完売の上映も当日券を 三銃士/王妃の首飾りとダ・ヴィンチの飛行船 (ドイツ=フランス=イギリス) もあります(。劇場窓口で学生証要提示) 若干枚数販売いたします。 THE THREE MUSKETEERS (Germany=France=UK) ■監督:ポール・W・S・アンダーソン [2011/111min./English] 10/8(土)から一般販売 (土)ー (日) ■出演:ローガン・ラーマン、ミラ・ジョヴォヴィッチ、 当日券を買う 10/22 10/30 オーランド・ブルーム、クリストフ・ヴァルツ 10.22 Sat 16:30 at Roppongi 2 ※公式&特別オープニング・公式クロージング作品の当日学生料金はございません。 ■Director:Paul W.S. Anderson 10.22 Sat 20:30 at Roppongi 2 ※詳細はP19をご参照ください。 ■ : Cast Logan Lerman, Milla Jovovich, 10.22 Sat 20:40 at Roppongi 5 Orlando Bloom, Christoph Waltz ●ゲスト:ポール・W・S・アンダーソン、ローガン・ラーマ © 2011 Constantin Film Produktion GmbH, NEF ン、ミラ・ジョヴォヴィッチ、ガブリエラ・ワイルド Productions, S.A.S. -
Filmography of Case Study Films (In Chronological Order of Release)
FILMOGRAPHY OF CASE STUDY FILMS (IN CHRONOLOGICAL ORDER OF RELEASE) Kairo / Pulse 118 mins, col. Released: 2001 (Japan) Director: Kiyoshi Kurosawa Screenplay: Kiyoshi Kurosawa Cinematography: Junichiro Hayashi Editing: Junichi Kikuchi Sound: Makio Ika Original Music: Takefumi Haketa Producers: Ken Inoue, Seiji Okuda, Shun Shimizu, Atsuyuki Shimoda, Yasuyoshi Tokuma, and Hiroshi Yamamoto Main Cast: Haruhiko Kato, Kumiko Aso, Koyuki, Kurume Arisaka, Kenji Mizuhashi, and Masatoshi Matsuyo Production Companies: Daiei Eiga, Hakuhodo, Imagica, and Nippon Television Network Corporation (NTV) Doruzu / Dolls 114 mins, col. Released: 2002 (Japan) Director: Takeshi Kitano Screenplay: Takeshi Kitano Cinematography: Katsumi Yanagijima © The Author(s) 2016 217 A. Dorman, Paradoxical Japaneseness, DOI 10.1057/978-1-137-55160-3 218 FILMOGRAPHY OF CASE STUDY FILMS… Editing: Takeshi Kitano Sound: Senji Horiuchi Original Music: Joe Hisaishi Producers: Masayuki Mori and Takio Yoshida Main Cast: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara, Tsutomu Takeshige, and Kyoko Fukuda Production Companies: Bandai Visual Company, Offi ce Kitano, Tokyo FM Broadcasting Company, and TV Tokyo Sukiyaki uesutan jango / Sukiyaki Western Django 121 mins, col. Released: 2007 (Japan) Director: Takashi Miike Screenplay: Takashi Miike and Masa Nakamura Cinematography: Toyomichi Kurita Editing: Yasushi Shimamura Sound: Jun Nakamura Original Music: Koji Endo Producers: Nobuyuki Tohya, Masao Owaki, and Toshiaki Nakazawa Main Cast: Hideaki Ito, Yusuke Iseya, Koichi Sato, Kaori Momoi, Teruyuki Kagawa, Yoshino Kimura, Masanobu Ando, Shun Oguri, and Quentin Tarantino Production Companies: A-Team, Dentsu, Geneon Entertainment, Nagoya Broadcasting Network (NBN), Sedic International, Shogakukan, Sony Pictures Entertainment (Japan), Sukiyaki Western Django Film Partners, Toei Company, Tokyu Recreation, and TV Asahi Okuribito / Departures 130 mins, col. -
Newsletter 09/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/07 DIGITAL EDITION Nr. 206 - April 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/07 (Nr. 206) April 2007 editorial Hallo Laserdisc- und DVD-Fans, und Fach. Wie versprochen gibt es dar- diesem Editorial auch gar nicht weiter liebe Filmfreunde! in unsere Reportage vom Widescreen aufhalten. Viel Spaß und bis zum näch- Es hat mal wieder ein paar Tage länger Weekend in Bradford. Also Lesestoff sten Mal! gedauert, aber nun haben wir Ausgabe satt. Und damit Sie auch gleich damit 206 unseres Newsletters unter Dach beginnen können, wollen wir Sie mit Ihr LASER HOTLINE Team LASER HOTLINE Seite 2 Newsletter 09/07 (Nr. 206) April 2007 US-Debüt der umtriebigen Pang-Brüder, die alle Register ihres Könnens ziehen, um im Stil von „Amityville Horror“ ein mit einem Fluch belegtes Haus zu Leben zu erwecken. Inhalt Roy und Denise Solomon ziehen mit ihrer Teenager-Tochter Jess und ihrem kleinen Sohn Ben in ein entlegenes Farmhaus in einem Sonnenblumenfeld in North Dakota. Dass sich dort womöglich übernatürliche Dinge abspielen könnten, bleibt von den Erwachsenen unbemerkt. Aber Ben und kurz darauf Jess spüren bald, dass nicht alles mit rechten Dingen zugeht. Weil ihr die Eltern nicht glauben wollen, recherchiert Jess auf eigene Faust und erfährt, dass sich in ihrem neuen Zuhause sechs Jahre zuvor ein bestialischer Mord abgespielt hat. Kritik Für sein amerikanisches Debüt hat sich das umtriebige Brüderpaar Danny und Oxide Pang („The Eye“) eine Variante von „Amityville Horror“ ausgesucht, um eine amerikanische Durchschnittsfamilie nach allen Regeln der Kunst mit übernatürlichem Terror zu überziehen. -
100 Ans De Cinéma Japonais Cinéma Ans De 100 Programmation
100 ANS DE CINÉMA JAPONAIS CINÉMA ANS DE 100 PROGRAMMATION 100 ANS DE CINÉMA JAPONAIS (2E PARTIE) UNE HISTOIRE INSOLITE DU CINÉMA JAPONAIS RÉTROSPECTIVE 23 JANVIER – 17 FÉVRIER Dans le cadre de Japonismes 2018 Avec le soutien de l’Alliance Renault-Nissan-Mitsubishi Pistol Opera 79 Matango PERLES RARES DU JAPON Une histoire insolite du cinéma japonais, suite… Plus d’une trentaine de titres rares de l’immense production nippone (du cinéma de studio aux productions indépendantes), de la fin des années 1940 jusqu’aux années 2000. L’évènement « Japonismes 2018 », non content de marquer d’une pierre blanche plus de 100 ans de cinéma japonais, à sa manière mettra aussi à l’honneur un siècle de cinéphilie française ; depuis les années 1910, quand Louis Delluc ne cachait pas son émotion devant la modernité du jeu de Sessue Hayakawa dans le Forfaiture de Cecil B. DeMille, la production du Soleil levant est devenue le fantasme inta- rissable d’un certain public qui, déjà au XIXe siècle, s’extasiait devant le nouveau vocabulaire plastique que proposaient les estampes orientales. PETITE HISTOIRE D’UNE PERCEPTION FRANÇAISE Il a fallu attendre les années 1920 pour que cette production commence à s’expor- ter épisodiquement. Si l’on excepte quelques pantomimes filmées anonymement, c’est pour la première fois en mars 1926 qu’est présenté au public un film japo- nais dans le mythique Studio des Ursulines, vieux théâtre de quartier reconverti depuis peu en salle d’art et d’essai. Musume (Ai no Himitsu) de Frank Tokunaga fut donc projeté entre un court métrage de René Clair et un autre de Louis Feuillade lors d’une de ces matinées réservées aux membres. -
Programación Cine Adulto Casa Asia (Sept-Oct 2007) SEPTIEMBRE
Programación Cine Adulto Casa Asia (Sept-Oct 2007) SEPTIEMBRE 2007 RECUPERACIÓN DE DOS FILMS DE LA TEMPORADA PASADA Sábado 08 / 09/ 2007 - Celebración Año de Corea en España. FORBIDDEN QUEST Director: Kim Dae-woo. Con Han Suk-kyu, Kim Min-yung, Lim Beon-su. Corea del Sur. 2006. Drama. Versión Original con subtítulos en castellano. Un joven escritor de familia noble y vinculado a la corte, se sentirá atraído, durante la dinastía Chosun, por las novelas eróticas, de las que se convertirá en autor, lo que le enfrentará a las autoridades. Su amor por la mujer del rey cambiará su destino. Mejor Nuevo Director en los Beasang Awards 2006. Sábado 22 / 09/ 2007 - Pasaje al Sur de la India THE GAME OF DESTINY (THIRUVILAIYAADAL AARAMBHAM) Dir: Bhoopathi Pandian. Con Dhanush, Shriya, Prakashraj, Karunas, Saranya, Mouli. India. 2006. Comedia/Drama. Versión original subtitulada en castellano. Thiru es un joven despreocupado que sólo piensa en pasar bien el rato con sus amigos. Un día se encuentra casualmente con la hermana de un gran empresario de Tamil Nadu. Naturalmente, este no aceptará el amor entre la joven pareja. Selección Oficial Cypress International Film Festival 2006. 29 SEPTIEMBRE - OCTUBRE 2007 ZATOICHI, EL SAMURAI CIEGO Aunque las nuevas generaciones quizá identifiquen más a Zatoichi, el espadachín ciego, con el homenaje que Takeshi Kitano le dedicara al personaje hace unos años, para el cinéfilo veterano, este nombre no puede ir unido más que a la efigie de Shintaro Katsu, el actor que protagonizara las películas de la serie desde 1962 a 1989, además de diversas series de televisión. -
(日本酒) Saké (Nihonshu) October 2016
For your cultural life in Hiroshima 酒(日本酒) Saké (nihonshu) Nihonshu literally means ‘Japanese liquor’ of any type, but it’s commonly used to refer to saké, now a familiar drink in the West. It has been produced in Japan for well over 1,500 years. Saké is really the best word to use, rather than ‘rice wine’. Although yeast fermentation is involved in saké production, it’s technically more like a brewing process. The finest water and short-grained rice are used and it has an average alcohol content of around 12 – 15%. Like wine, there is a vast variety of types, flavors and quality, but many people agree it is the best alcohol to go with Japanese cuisine. It can be served with ice, at room temperature, or warmed – which tends to speed up the alcoholic effect. Like wine, it’s used a great deal in cooking, and like local ales in beer-producing countries, there are many local types of saké (jizaké). It also features in many Shinto religious ceremonies, such as weddings. (Abstracted from 『「日本の衣食住」まるごと事典』 p. 203, IBC パブリッシング) Saijo, Higashi Hiroshima City is one of the most famous areas for great saké production in Japan. Saké is made from rice and water, and especially pure water is absolutely necessary to make good saké. Saijo is blessed with not only the ideal saké -brewing water, but also other natural conditions for saké-brewing. There are eight old saké breweries in Saijo. You can visit these saké breweries and learn about saké-brewing. “2016 Saké Matsuri (festival)” will be held on October 8 & 9 in Saijo (see Seasonal Event Information section for more information). -
Movie Museum MAY 2011 COMING ATTRACTIONS
Movie Museum MAY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! BLACK SWAN Mother's Day 2 Hawaii Premieres! SUMO DO, SUMO DON'T LIKE TWO DROPS OF (2010) THE KING'S SPEECH THE ARMY OF CRIME aka Shiko funjatta WATER in widescreen (2010-UK/Australia/US) (2009-France) (1992-Japan) (1963-Netherlands) in widescreen in French/Grman w/ English in Dutch/German with in Japanese with English with Natalie Portman, with Colin Firth, Geoffrey subtitles & in widescreen subtitles & in widescreen English subtitles & widescreen with Simon Abkarian. Directed by Fons Rademakers. Mila Kunis, Vincent Cassel, Rush, Helena Bonham Carter, with Masahiro Motoki, Barbara Hershey, 12:30, 3 & 5:30pm only 12:30 & 3pm only Guy Pearce, Jennifer Ehle, ---------------------------------- Misa Shimizu, Naoto Winona Ryder. Michael Gambon, Derek Jacobi. Takenaka, Akira Emoto. ---------------------------------- LIKE TWO DROPS OF THE ARMY OF CRIME WATER Written and Directed by (2009-France) Directed by Directed by (1963-Netherlands) Masayuki Suo. in French/Grman w/ English Darren Aronofsky. Tom Hooper. in Dutch/German with subtitles & in widescreen English subtitles & widescreen 12:30, 2:30, 4:30, 6:30 with Simon Abkarian. 12:30, 2:30, 4:30, 6:30 12:15, 2:30, 4:45, 7:00 & Directed by Fons Rademakers. & 8:30pm 9:15pm 8pm only & 8:30pm 5 5:30 & 8pm only 6 7 8 9 2 Hawaii Premieres! THE MAGIC HOUR BLUE VALENTINE Hawaii Premiere! 2 Hawaii Premieres! KATALIN VARGA JE VOUS TROUVE (2008-Japan) (2010) THE TIGER BRIGADES TRÈS BEAU aka -
Masaki Kobayashi: KWAIDAN (1965, 183M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
March 10, 2020 (XL:10) Masaki Kobayashi: KWAIDAN (1965, 183m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Directed by Masaki Kobayashi Writing Credits Yôko Mizuki (screenplay), Lafcadio Hearn (novel) (as Yakumo Koizumi) Produced by Takeshi Aikawa, Shigeru Wakatsuki Music by Tôru Takemitsu Cinematography by Yoshio Miyajima Film Editing by Hisashi Sagara The film won the Jury Special Prize and was nominated for the Palme d’Or at the 1965 Cannes Film Festival and was nominated for an Oscar for Best Foreign Language Film at the 1966 Academy Awards. CAST for the Palme d'Or at Cannes, and Samurai Rebellion “The Black Hair” (1967), and Kwaidan (1964), for which he, once again, Michiyo Aratama…First wife both won the Jury Special Prize and was nominated for the Misako Watanabe…Second Wife Palme d’Or. He was also nominated for the Palm d’Or for Rentarō Mikuni…Husband Nihon no seishun (1968). He also directed: Youth of the Son (1952), Sincerity (1953), Three Loves* (1954), “The Woman of the Snow” Somewhere Under the Broad Sky (1954), Beautiful Days Tatsuya Nakadai…Minokichi (1955), Fountainhead (1956), The Thick-Walled Room Jun Hamamura…Minokichi’s friend (1956), I Will Buy You (1956), Black River (1957), The *Keiko Kishi…the Yuki-Onna Inheritance (1962), Inn of Evil (1971), The Fossil (1974), Moeru aki (1979), Tokyo Trial* (Documentary) (1983), “Hoichi” and Shokutaku no nai ie* (1985).