America's Top Artplaces 2013
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Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
Arte Queer Chicano
bitácora arquitectura + número 34 EN Arte queer chicano Uriel Vides Bautista A mediados de 2015, la Galería de la Raza exhibió un mural que provocó triarcales de la sociedad dominante y los valores hegemónicos de la mascu- una acalorada discusión en redes sociales y actos de iconoclastia contem- linidad chicana, reafirmando a la vez el hecho de ser bilingües y biculturales poránea. El mural, que representa a sujetos queer, fue violentado tres veces dentro de Estados Unidos. consecutivas debido a cierta homofobia cultural que prevalece dentro de un sector de la comunidad chicana asentada en Mission District, San Fran- cisco. El contenido de esta obra y la significación dentro de su contexto son II algunos aspectos que analizaré a lo largo de este breve ensayo. El mural digital de Maricón Collective se inserta dentro de la tradición mu- ralista chicana, que tiene su origen en los murales que “los tres grandes”8 pintaron en distintos lugares de Estados Unidos, pero principalmente en I California. Mientras que en México el muralismo agotaba sus temáticas y La Galería de la Raza se encuentra ubicada en la 24th Street de Mission agonizaba junto con la vida de Siqueiros, en Estados Unidos resurgía de for- District, el barrio más antiguo de San Francisco.1 Este barrio fue en la década ma asombrosa gracias al Movimiento Chicano. Durante este periodo, según de 1970, en palabras del historiador Manuel G. Gonzales, “el corazón del George Vargas, los barrios chicanos de las principales ciudades del país se movimiento muralista de la ciudad”. La proliferación de murales fue impul- cubrieron de coloridos murales que, realizados de manera comunitaria, ex- sada, en este periodo, por los aires renovadores del llamado Movimiento presaban temas fundamentales para la comunidad como la raza, la clase, el Chicano.2 Ante la falta de espacios adecuados para la recreación y el espar- orgullo étnico y la denuncia social.9 cimiento, artistas y activistas chicanos pugnaron por la creación de centros En un ensayo, Edward J. -
Best Concerts in Oakland"
"Best Concerts in Oakland" Created by: Cityseeker 8 Locations Bookmarked Fox Theater "Historic Venue in Downtown Oakland" The Fox Theater in Oakland is a one-of-a-kind live entertainment venue that has been packing in cinema and music lovers since 1928. Originally a movie theater and theater, the venue switched to being primarily a cinema until 1966 when it finally closed its doors along with several other businesses in downtown Oakland. It was nearly demolished after it had by Hitchster been vacant for some time; however, the Fox Theater avoided demolition when it was declared an Oakland City Landmark. The venue reopened in February 2009 as a concert hall and music venue; it has a complete re- imagined decor with giant golden Buddhas and Middle Eastern architecture. The venue is general admission (standing room) on the ground level and stadium seating on the upper levels. +1 510 302 2250 www.thefoxoakland.com/ contact@anotherplanetent. 1807 Telegraph Avenue, com Oakland CA New Parish "Musical Stars" If music is your passion, make sure that you check out The New Parish. This concert hall and events space has achieved fame with the performances of the great music groups like Sarah Guthrie and Johnny Irion and The Stone Foxes. The place boasts of fantastic sound and stage technology that has made this venue a favorite of the event organizers and performers alike. +1 510 444 7474 www.thenewparish.com [email protected] 579 18th Street, Oakland CA The Uptown Nightclub "Great Music, Great Bar" Among the discount hair supply stores and gas stations that line Oakland's always-interesting Telegraph Avenue sits an enormous blue neon sign that reads "Uptown". -
A Downtown for Everyone Robert A
REPORT SEPTEMBER 2015 A DOWNTOWN Shaping the future of FOR downtown Oakland EVERYONE Contents Acknowledgements 4 Executive Summary SPUR staff Egon Terplan, Project lead 6 Introduction Mohit Shewaramani, Oakland Fellow 9 How We Got Here Sarah Jo Szambelan, Research Manager Robert Ogilvie, Oakland Director 12 Today’s Opportunities and Challenges SPUR Oakland City Board 20 Our Vision: A Downtown for Everyone Robert A. Wilkins (project co-chair) Bill Stotler (project co-chair) 24 BIG IDEA 1 Tomiquia Moss (board chair) Grow 50,000 more jobs in downtown and create pathways to get A DOWNTOWN Fred Blackwell people into them. Deborah Boyer 33 BIG IDEA 2 Anagha Dandekar Clifford Bring 25,000 more residents to downtown at a range of incomes, and Jose Corona Shaping the future of Charmaine Curtis enable existing residents to remain. Paul Figueroa 37 BIG IDEA 3 downtown Oakland Mike Ghielmetti FOR Set clear and consistent rules for growth to make downtown a better Spencer Gillette place for everyone. Chris Iglesias Robert Joseph 44 BIG IDEA 4 Ken Lowney Create inviting public spaces and streets as part of an active public Christopher Lytle realm. Olis Simmons Joshua Simon 54 BIG IDEA 5 EVERYONE Resources and reviewers Make it easy to get to and around downtown through an expanded Anyka Barber, Alex Boyd, Anthony Bruzzone, Clarissa transportation network. Cabansagan, Dave Campbell, Jim Cunradi, John Dolby, 63 Big Ideas for the Future Margo Dunlap, Karen Engel, Sarah Filley, Rachel Flynn, Erin Ferguson, Sarah Fine, Aliza Gallo, Jennie Gerard, June 66 -
Latino San Francisco Put Together for You by the Latino Public Radio Consortium
Guide to San Francisco LatinoJune 2011 Guillermo Gómez Peña, performance artist Latino Public Radio Consortium P.O. Box 8862 Denver, CO 80201-8862 303-877-4251 [email protected] www.lationopublicradioconsortium.org Latino Public Radio programming public radio OAKLAND/www.radiobilingue.org National News BERKELEY La Raza Chronicles, Con Sabor, Ritmo de las Américas, Rock en Rebelión, La Onda Bajita, Musical Colors, Radio 20 50 SAN FRANCISCO Pájaro Latino Americano, La Verdad Musical, Andanzas Welcome to the Guide to Latino San Francisco put together for you by the Latino Public Radio Consortium. Just like Latino public broadcasting, the Latino culture of a city is often ignored by traditional tourist magazines and guides. In a city known by the Spanish name for Saint Francis, you know there’s definitely a Latino influence at work. We’re here to assure you that there is more to San Francisco than Fisherman’s Wharf, cable cars and sourdough bread. There are pupusas, tortillas, Día de los Muertos kitsch, traditional Mexican folk art and edgy, contemporary expressions of what it’s like to be Latino in one of America’s major cities. Maybe it’s the salt air that produces such creativity, talent, skill and can-do attitude among Latinos in this city by the bay. Just scratching the surface, we found an abundance of Latino food, art, music, dancing, literature and activities that you’rewelcome sure to enjoy while in San Francisco. Special thanks to the contributors Adriana Abarca, Ginny Z. Berson, Linda González, Chelis López, Luis Medina, Samuel Orozco, Manuel Ramos, Nina Serrano. -
Brava with Calle 24 & Precita Eyes Muralists Present
Brava with Calle 24 & Precita Eyes Muralists present the 6th Annual Baile en la Calle: The Mural Dances Sunday, May 6, 2018 FREE Tours begin at 11am, 12pm, 1pm, 2pm Brava @ 2781 24th Street Brava! for Women in the Arts’ annual event takes over the streets and alleys of San Francisco’s Mission District to celebrate and preserve its living cultural heritage! Now in its sixth year, Baile en la Calle: The Mural Dances invites the Bay Area’s most dynamic dance companies and performing artists to interpret the murals through music and dance, alongside detailed narration by docents from Precita Eyes Muralists. Baile en la Calle: The Mural Dances provides audiences an intricate look at each mural and its relationship to the culture and the life of the Mission. This year’s tour includes a new mural by the artist Agana commissioned by Brava to celebrate the opening of our long-awaited storefront spaces, along with “Take it From the Top: Latin Rock” which covers an entire house, Juana Alicia's 2004 "La Llorona’s Sacred Waters," Swoon's untitled 2016 wheat-paste mural, and a few surprises! PEFORMERS Duniya Dance & Drum Company Vanessa Sanchez and La Mezcla Mariachi Juvenil La Misión Cuicacalli Dance Company Leticia Hernandez Loco Bloco Duniya Dance & Drum Company Formed in April 2007, Duniya Dance & Drum Company creates dance and music from Punjab, India, and Guinea, West Africa, as well as unique blends of these forms and beyond. The word duniya means “world” in a wide array of languages, including Punjabi, Arabic, Susu and Wolof. -
The Reinvigoration of Oakland Neighborhoods Through Public Art Installations
The Reinvigoration of Oakland Neighborhoods Through Public Art Installations Riley Anderson-Barrett California Polytechnic State University, San Luis Obispo College of Architecture and Environmental Design City and Regional Planning Department Senior Project June 2019 1 (Riggs) The Reinvigoration of Oakland Neighborhoods Through Public Art Installations Riley Anderson-Barrett Senior Project City and Regional Planning Department California Polytechnic State University - San Luis Obispo June 2019 © 2019 Riley Anderson-Barrett 2 Approval Page Title: The Reinvigoration of Oakland Neighborhoods Through Public Art Installations Author: Riley Anderson-Barrett, BSCRP student Date Submitted: June 14, 2019 Signature of parties: Student: Riley Anderson-Barrett date Advisor: Vicente del Rio, PhD date Department Head: Michael Boswell, PhD date 3 Table of Contents Chapter 1. Introduction 5 Chapter 2. The Role of Public Art in the City 7 Forms of Art 11 Public Art Installations 13 Chapter 3. Case Studies 16 Washington DC 18 Buenos Aires, Argentina 21 Paris, France 24 Lessons Learned 27 Chapter 4. The Case of Oakland 28 Background of Oakland 29 Project Proposal 32 Location 1 34 Location 2 45 Location 3 56 Implementation 67 Chapter 5. Conclusion 75 Chapter 6. References 78 4 Chapter 1. Introduction 5 (Illuminaries, 2013) The driving factor behind this project is my interest in how public art can drastically improve areas with somewhat little tangible change. With the implementation of a few key pieces, an area can gain recognition, triangulation, and life. Recognition begins when the location becomes recognizable and memorable, as opposed to being yet another mundane street corner or node. Making a location memorable and recognizable sparks the interest and desire for people to come visit the area. -
Uniquely Oakland San Francisco Business Times
SPECIAL ADVERTISING SUPPLEMENT SEPTEMBER 6, 2019 Uniquely OaklandOpportunities shine in California’s most inclusive and innovative city 2 ADVERTISING SUPPLEMENT UNIQUELY OAKLAND SAN FRANCISCO BUSINESS TIMES Welcome to Mandela Station MANDELA STATION @WEST OAKLAND BART A Culture-Rich Transit Oriented Development 7TH ST T2 T1 Located at the 5.5-acre West Oakland Bart Station Site T3 T4 5TH ST A Centrally Located 750 Residential Units Opportunity Zone Project (approx. 240 units below market-rate) 500,000 sq.ft. of Class A oce space Only 7 minutes from Downtown San Francisco (via BART) 75,000 sq.ft. of quality retail Over 400 parking stalls Only 4 minutes to Downtown PROJ. # 168-153 WO BART Oakland (via BART) DATE: April 30, 2019 SHEET: A Regional Community...Connected JRDV ARCHITECTS INC. COPYRIGHT C 2015. ALL RIGHTS RESERVED. We’re on the Edge - and taking transit oriented living to the next level. www.westoaklandstation.com #WOSTATION [email protected] 中国港湾工程有限 公司 Strategic Urban Development Alliance, LLC China Harbour Engineering Company Ltd. suda SEPTEMBER 6, 2019 UNIQUELY OAKLAND ADVERTISING SUPPLEMENT 3 ‹ A LETTER FROM THE MAYOR OF OAKLAND › Uniquely Oakland Everyone belongs in the world’s best city for smart businesses, large or small elcome to Oakland, Calif., the best place ment dollars are pouring in, driving construction on the planet to pursue prosperity. on 240,000 square feet of new retail space and W If that seems like exaggeration, 945,000 square feet of new office space with consider this: Oakland is ideally located at the openings slated for 2019, 2020 and 2021. -
A Downtown for Everyone Robert A
REPORT SEPTEMBER 2015 A DOWNTOWN Shaping the future of FOR downtown Oakland EVERYONE Contents Acknowledgements 4 Executive Summary SPUR staff Egon Terplan, Project lead 6 Introduction Mohit Shewaramani, Oakland Fellow 9 How We Got Here Sarah Jo Szambelan, Research Manager Robert Ogilvie, Oakland Director 12 Today’s Opportunities and Challenges SPUR Oakland City Board 20 Our Vision: A Downtown for Everyone Robert A. Wilkins (project co-chair) Bill Stotler (project co-chair) 24 BIG IDEA 1 Tomiquia Moss (board chair) Grow 50,000 more jobs in downtown and create pathways to get Fred Blackwell people into them. Deborah Boyer 33 BIG IDEA 2 Anagha Dandekar Clifford Jose Corona Bring 25,000 more residents to downtown at a range of incomes, and Charmaine Curtis enable existing residents to remain. Paul Figueroa 37 BIG IDEA 3 Mike Ghielmetti Set clear and consistent rules for growth to make downtown a better Spencer Gillette place for everyone. Chris Iglesias Robert Joseph 44 BIG IDEA 4 Ken Lowney Create inviting public spaces and streets as part of an active public Christopher Lytle realm. Olis Simmons Joshua Simon 54 BIG IDEA 5 Resources and reviewers Make it easy to get to and around downtown through an expanded Anyka Barber, Alex Boyd, Anthony Bruzzone, Clarissa transportation network. Cabansagan, Dave Campbell, Jim Cunradi, John Dolby, 63 Big Ideas for the Future Margo Dunlap, Karen Engel, Sarah Filley, Rachel Flynn, Erin Ferguson, Sarah Fine, Aliza Gallo, Jennie Gerard, June 66 Plan of Action Grant, Savlan Hauser, Linda Hausrath, Zakiya Harris, -
Mission Issue
free The San Francisco Arts Quarterly A Free Publication Dedicated to the SArtistic CommunityFAQ i 3 MISSION ISSUE - Bay Area Arts Calendar Oct. Nov. Dec. Jan - Southern Exposure - Galeria de la Raza - Ratio 3 Gallery - Hamburger Eyes - Oakland Museum - Headlands - Art Practical 6)$,B6)B$UWVB4XDUWHUO\BILQDOLQGG 30 Saturday October 16, 1-6pm Visit www.yerbabuena.org/gallerywalk for more details 111 Minna Gallery Chandler Fine Art SF Camerawork 111 Minna Street - 415/974-1719 170 Minna Street - 415/546-1113 657 Mission Street, 2nd Floor- www.111minnagallery.com www.chandlersf.com 415/512-2020 12 Gallagher Lane Crown Point Press www.sfcamerawork.org 12 Gallagher Lane - 415/896-5700 20 Hawthorne Street - 415/974-6273 UC Berkeley Extension www.12gallagherlane.com www.crownpoint.com 95 3rd Street - 415/284-1081 871 Fine Arts Fivepoints Arthouse www.extension.berkeley.edu/art/gallery.html 20 Hawthorne Street, Lower Level - 72 Tehama Street - 415/989-1166 Visual Aid 415/543-5155 fivepointsarthouse.com 57 Post Street, Suite 905 - 415/777-8242 www.artbook.com/871store Modernism www.visualaid.org The Artists Alley 685 Market Street- 415/541-0461 PAK Gallery 863 Mission Street - 415/522-2440 www.modernisminc.com 425 Second Street , Suite 250 - 818/203-8765 www.theartistsalley.com RayKo Photo Center www.pakink.com Catherine Clark Gallery 428 3rd Street - 415/495-3773 150 Minna Street - 415/399-1439 raykophoto.com www.cclarkgallery.com Galleries are open throughout the year. Yerba Buena Gallery Walks occur twice a year and fall. The Yerba Buena Alliance supports the Yerba Buena Nieghborhood by strengthening partnerships, providing critical neighborhood-wide leadership and infrastructure, serving as an information source and forum for the area’s diverse residents, businesses, and visitiors, and promoting the area as a destination. -
Mm September
Fine Arts Museums of San Francisco de Young Legion of Honor Media contact: Robin Wander [email protected] 415-750-2604 MEDIA ALERT WHO: Cultural Encounters: Friday Nights at the de Young presents Mission Muralismo in partnership with Precita Eyes Muralists and Intuitive Impressions in partnership with the San Francisco Bay Guardian. WHAT: Mission Muralismo Film Series Part 2 A spectacular evening of rare and cutting edge, old school and new school, Mission film making that shadows and illuminates Mission art and life. The films mirror the themes and history chronicled in the book Street Art San Francisco: Mission Muralismo. The evening’s highlight is the world premiere of Why I Ride: Low and Slow. Filmmakers and artists represented in the film will participate in a Q & A following the screening. Intuitive Impressions includes palm and tarot card readings, henna by Holistic Henna, live music by the gypsy jazz sextet Gaucho, and DJ Schmeejay. WHEN: September 3, 2010 Details: 6:00–8:30 pm Wilsey Court Enjoy French music classics with DJ Schmeejay and live gypsy jazz with Gaucho. 6:00–8:30 pm Wilsey Court Tarot card readings and henna by Holistic Henna in the Piazzoni Murals Room and art-making with Mademoiselle Kim. 7 pm Koret Auditorium Mission Muralismo Film Series Part 2 Street Art San Francisco: Mission Muralismo film series presents Film Series Part 2––Cutting edge independent local films including the world premier of Why I Ride: Low and Slow and rare archival footage of early Mission District murals. Filmmaker discussion follows. WHERE: de Young Museum, Golden Gate Park COST: Programs are free of charge INFO: www.deyoungmuseum.org and www.MISSIONMURALISMO.com ________________________________________________________________________ San Francisco, August 2010––On Friday, September 3, the de Young Museum presents another dynamic program in the ongoing series Mission Muralismo in conjunction with the recently published book Street Art San Francisco: Mission Muralismo, edited by Annice Jacoby for Precita Eyes Muralists, foreword by Carlos Santana (Abrams, 2009). -
A Finding Aid to the Tomás Ybarra- Frausto Research Material on Chicano Art, 1965-2004, in the Archives of American Art
A Finding Aid to the Tomás Ybarra- Frausto Research Material on Chicano Art, 1965-2004, in the Archives of American Art Gabriela H. Lambert, Rosa Fernández and Lucile Smith 1998, 2006 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Autobiographical Note...................................................................................................... 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Subject Files, 1965-2004.......................................................................... 5 Tomás Ybarra-Frausto research material AAA.ybartoma Collection Overview Repository: Archives of American Art Title: Tomás Ybarra-Frausto research material Identifier: AAA.ybartoma Date: 1965-2004 Creator: