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Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
Arte Queer Chicano
bitácora arquitectura + número 34 EN Arte queer chicano Uriel Vides Bautista A mediados de 2015, la Galería de la Raza exhibió un mural que provocó triarcales de la sociedad dominante y los valores hegemónicos de la mascu- una acalorada discusión en redes sociales y actos de iconoclastia contem- linidad chicana, reafirmando a la vez el hecho de ser bilingües y biculturales poránea. El mural, que representa a sujetos queer, fue violentado tres veces dentro de Estados Unidos. consecutivas debido a cierta homofobia cultural que prevalece dentro de un sector de la comunidad chicana asentada en Mission District, San Fran- cisco. El contenido de esta obra y la significación dentro de su contexto son II algunos aspectos que analizaré a lo largo de este breve ensayo. El mural digital de Maricón Collective se inserta dentro de la tradición mu- ralista chicana, que tiene su origen en los murales que “los tres grandes”8 pintaron en distintos lugares de Estados Unidos, pero principalmente en I California. Mientras que en México el muralismo agotaba sus temáticas y La Galería de la Raza se encuentra ubicada en la 24th Street de Mission agonizaba junto con la vida de Siqueiros, en Estados Unidos resurgía de for- District, el barrio más antiguo de San Francisco.1 Este barrio fue en la década ma asombrosa gracias al Movimiento Chicano. Durante este periodo, según de 1970, en palabras del historiador Manuel G. Gonzales, “el corazón del George Vargas, los barrios chicanos de las principales ciudades del país se movimiento muralista de la ciudad”. La proliferación de murales fue impul- cubrieron de coloridos murales que, realizados de manera comunitaria, ex- sada, en este periodo, por los aires renovadores del llamado Movimiento presaban temas fundamentales para la comunidad como la raza, la clase, el Chicano.2 Ante la falta de espacios adecuados para la recreación y el espar- orgullo étnico y la denuncia social.9 cimiento, artistas y activistas chicanos pugnaron por la creación de centros En un ensayo, Edward J. -
NV Voice 1707 32 Pgs.Indd
Volume XLI, No. 6 July/August 2017 THE NOE VALLEY VOICE Petit Cine Now Sale News Showing on Sparks Hope for Cesar Chavez Real Food Site Sidewalk Cinema Invites a Steve Young’s Company Offers Closer Look To Buy Nutraceutical By Matthew S. Bajko By Corrie M. Anders elcome to Petit Cine, a sidewalk he saga of the empty Real Food Com- Wcinema that offers Lilliputian- Tpany, a forlorn presence on 24th Street sized visual delights to passersby. for nearly 14 years, finally may be com- Ensconced behind a small, glass win- ing to an end. dow recessed into the foundation of a A Palo Alto firm backed by former San home on the 3800 block of Cesar Chavez Francisco 49ers quarterback Steve Young Street, this minuscule movie house sports has reached “a definitive agreement” to red velvet curtains around a small video buy Nutraceutical Corporation, the com- screen. A film only minutes long plays on pany that owns the vacant building at a continuous loop, with the offerings up- Backstage Peek. Scott Kravitz reveals the inner workings of his latest project, which puts a 3935-39 24th St. dated each week. big emphasis on the small and silent. Photo by Beverly Tharp HGGC, a private equity firm, an- The selection running one week in late nounced May 22 a planned $446 million May was titled Family Portrait. The new detail that had previously flashed by Street. At the urging of his neighbors, purchase of Nutraceutical, an interna- three-minute film depicted a family—the unnoticed. Kravitz approached the paper this spring tional maker and retailer of nutritional parents seated on a couch, their three chil- The short film was the work of home- about writing a story about what he supplements. -
Caltrain Customer Experience Survey 2016
Caltrain Customer Experience Survey Market Research & Development March 2016 Table of Contents Introduction 1 Methodology 2 Executive Summary 4 Survey Findings 9 Service Ratings 9 Service Rankings 10 Communication Ratings 11 Customer Comfort/Enjoyment Ratings 12 Payment Ratings 13 Rankings (Communication, Customer Comfort/Enjoyment, Payment) 14 Value of Service 15 Use of TNCs 16 Electric Trains Amenity Ratings 17 Electric Trains Amenity Rankings 18 Ridership 19 Demographics 24 Questionnaire 30 Comments 36 Introduction The Caltrain Customer Experience Program was recently implemented to identify short-, mid- and long- range improvements in collaboration with the Citizens Advisory Committee. Part of this initiative also includes seeking input from the frequent, infrequent and non-riders through online, intercept and focus group studies that will guide Caltrain efforts in providing the ultimate customer experience. In this first online survey, Caltrain asked the general public to rate and identify priorities, and provide ridership and demographic information. This is not a statistically valid study but it’s the first step to help Caltrain’s improvement process. The results of this survey will inform the questions on the next statistically valid Customer Satisfaction Survey in June. The last study of this series will be a focus group in which Caltrain will test some of the possible improvements and ensure they make a positive impact on riders’ daily use of the system. 1 Methodology The study was developed and launched in Survey Monkey (an online survey tool) as an opt-in survey, meaning that customers (and the general public) could choose to click on the link and complete the survey. -
Latino San Francisco Put Together for You by the Latino Public Radio Consortium
Guide to San Francisco LatinoJune 2011 Guillermo Gómez Peña, performance artist Latino Public Radio Consortium P.O. Box 8862 Denver, CO 80201-8862 303-877-4251 [email protected] www.lationopublicradioconsortium.org Latino Public Radio programming public radio OAKLAND/www.radiobilingue.org National News BERKELEY La Raza Chronicles, Con Sabor, Ritmo de las Américas, Rock en Rebelión, La Onda Bajita, Musical Colors, Radio 20 50 SAN FRANCISCO Pájaro Latino Americano, La Verdad Musical, Andanzas Welcome to the Guide to Latino San Francisco put together for you by the Latino Public Radio Consortium. Just like Latino public broadcasting, the Latino culture of a city is often ignored by traditional tourist magazines and guides. In a city known by the Spanish name for Saint Francis, you know there’s definitely a Latino influence at work. We’re here to assure you that there is more to San Francisco than Fisherman’s Wharf, cable cars and sourdough bread. There are pupusas, tortillas, Día de los Muertos kitsch, traditional Mexican folk art and edgy, contemporary expressions of what it’s like to be Latino in one of America’s major cities. Maybe it’s the salt air that produces such creativity, talent, skill and can-do attitude among Latinos in this city by the bay. Just scratching the surface, we found an abundance of Latino food, art, music, dancing, literature and activities that you’rewelcome sure to enjoy while in San Francisco. Special thanks to the contributors Adriana Abarca, Ginny Z. Berson, Linda González, Chelis López, Luis Medina, Samuel Orozco, Manuel Ramos, Nina Serrano. -
Brava with Calle 24 & Precita Eyes Muralists Present
Brava with Calle 24 & Precita Eyes Muralists present the 6th Annual Baile en la Calle: The Mural Dances Sunday, May 6, 2018 FREE Tours begin at 11am, 12pm, 1pm, 2pm Brava @ 2781 24th Street Brava! for Women in the Arts’ annual event takes over the streets and alleys of San Francisco’s Mission District to celebrate and preserve its living cultural heritage! Now in its sixth year, Baile en la Calle: The Mural Dances invites the Bay Area’s most dynamic dance companies and performing artists to interpret the murals through music and dance, alongside detailed narration by docents from Precita Eyes Muralists. Baile en la Calle: The Mural Dances provides audiences an intricate look at each mural and its relationship to the culture and the life of the Mission. This year’s tour includes a new mural by the artist Agana commissioned by Brava to celebrate the opening of our long-awaited storefront spaces, along with “Take it From the Top: Latin Rock” which covers an entire house, Juana Alicia's 2004 "La Llorona’s Sacred Waters," Swoon's untitled 2016 wheat-paste mural, and a few surprises! PEFORMERS Duniya Dance & Drum Company Vanessa Sanchez and La Mezcla Mariachi Juvenil La Misión Cuicacalli Dance Company Leticia Hernandez Loco Bloco Duniya Dance & Drum Company Formed in April 2007, Duniya Dance & Drum Company creates dance and music from Punjab, India, and Guinea, West Africa, as well as unique blends of these forms and beyond. The word duniya means “world” in a wide array of languages, including Punjabi, Arabic, Susu and Wolof. -
Mm September
Fine Arts Museums of San Francisco de Young Legion of Honor Media contact: Robin Wander [email protected] 415-750-2604 MEDIA ALERT WHO: Cultural Encounters: Friday Nights at the de Young presents Mission Muralismo in partnership with Precita Eyes Muralists and Intuitive Impressions in partnership with the San Francisco Bay Guardian. WHAT: Mission Muralismo Film Series Part 2 A spectacular evening of rare and cutting edge, old school and new school, Mission film making that shadows and illuminates Mission art and life. The films mirror the themes and history chronicled in the book Street Art San Francisco: Mission Muralismo. The evening’s highlight is the world premiere of Why I Ride: Low and Slow. Filmmakers and artists represented in the film will participate in a Q & A following the screening. Intuitive Impressions includes palm and tarot card readings, henna by Holistic Henna, live music by the gypsy jazz sextet Gaucho, and DJ Schmeejay. WHEN: September 3, 2010 Details: 6:00–8:30 pm Wilsey Court Enjoy French music classics with DJ Schmeejay and live gypsy jazz with Gaucho. 6:00–8:30 pm Wilsey Court Tarot card readings and henna by Holistic Henna in the Piazzoni Murals Room and art-making with Mademoiselle Kim. 7 pm Koret Auditorium Mission Muralismo Film Series Part 2 Street Art San Francisco: Mission Muralismo film series presents Film Series Part 2––Cutting edge independent local films including the world premier of Why I Ride: Low and Slow and rare archival footage of early Mission District murals. Filmmaker discussion follows. WHERE: de Young Museum, Golden Gate Park COST: Programs are free of charge INFO: www.deyoungmuseum.org and www.MISSIONMURALISMO.com ________________________________________________________________________ San Francisco, August 2010––On Friday, September 3, the de Young Museum presents another dynamic program in the ongoing series Mission Muralismo in conjunction with the recently published book Street Art San Francisco: Mission Muralismo, edited by Annice Jacoby for Precita Eyes Muralists, foreword by Carlos Santana (Abrams, 2009). -
A Finding Aid to the Tomás Ybarra- Frausto Research Material on Chicano Art, 1965-2004, in the Archives of American Art
A Finding Aid to the Tomás Ybarra- Frausto Research Material on Chicano Art, 1965-2004, in the Archives of American Art Gabriela H. Lambert, Rosa Fernández and Lucile Smith 1998, 2006 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Autobiographical Note...................................................................................................... 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Subject Files, 1965-2004.......................................................................... 5 Tomás Ybarra-Frausto research material AAA.ybartoma Collection Overview Repository: Archives of American Art Title: Tomás Ybarra-Frausto research material Identifier: AAA.ybartoma Date: 1965-2004 Creator: -
CHILDREN's DAY SCHOOL San Francisco, California MIDDLE
CHILDREN’S DAY SCHOOL San Francisco, California MIDDLE SCHOOL DIRECTOR Start Date: July 2021 cds-sf.org Mission At Children’s Day School, what you learn and who you become are equally important. CDS is a welcoming community in the big city, a farm and garden among urban streets, an advocate for responsibility to others as well as individual achievement, an independent school with down-to- earth values, always asking how we can do this better. We strive for balance so students become both academically successful and grounded. They leave CDS confident, with the humility to listen and the resolve to speak up for what they see as right. Beliefs Learning is Active, Differences Lift Us, Community Matters Values Be Just and Courageous, Share Kindness and Joy, Stay Grounded OVERVIEW Children’s Day School (CDS) is a co-educational preschool through eighth-grade school serving over 481 students in the Mission Dolores neighborhood of San Francisco. Spanning two campuses, and home to a diverse community of students, faculty, and families, CDS is a vibrant learning community grounded in its newly adopted Mission, Beliefs, and Values. At CDS, teachers believe that when children are encouraged to fully engage with complex topics in myriad ways, they are learning the tools to become lifelong learners and passionate citizens of the world. Through a constructivist education, students at CDS grow into engaged community members through a unique combination of service, experiential learning, and social justice education. Assuming the role in July 2021, CDS is seeking an innovative, dynamic, and civic-minded Middle School Director to provide strategic leadership to build upon the strength of the current program for grades 5-8 and continue to learn together. -
Agenda Michael J
BOARD OF DIRECTORS 2013 KEN YEAGER, CHAIR TOM NOLAN, VICE CHAIR JOSÉ CISNEROS MALIA COHEN JERRY DEAL ASH KALRA ARTHUR L. LLOYD ADRIENNE TISSIER PERRY WOODWARD AGENDA MICHAEL J. SCANLON EXECUTIVE DIRECTOR PENINSULA CORRIDOR JOINT POWERS BOARD Bacciocco Auditorium, 2nd Floor 1250 San Carlos Avenue, San Carlos CA 94070 December 5, 2013 – Thursday 10:00 a.m. 1. Pledge of Allegiance 2. Call to Order/Roll Call 3. Public Comment Public comment by each individual speaker shall be limited to two minutes 4. Consent Calendar Members of the public or Board may request that an item under the Consent Calendar be considered separately MOTION a) Approval of Minutes of November 7, 2013 5. Chairperson’s Report a) Appointment of Nominating Committee for 2014 Officers 6. Report of the Citizens Advisory Committee 7. Report of the Executive Director 8. Acceptance of Statement of Revenues and Expenses for MOTION October 2013 9. Authorize Adopting an Amended and Restated Codified Tariff, RESOLUTION Making Findings Under the California Environmental Quality Act (CEQA) and Adopting the Associated Title VI Analysis 10. Authorize Award of a Sole Source Contract to ARINC, Inc. to RESOLUTION Modify the Rail Operations Control System to Include the Communications-based Overlay Signal System/Positive Train Control Functions in the Amount of $1,993,468 11. Authorize Increase in Change Order Authority for the RESOLUTION San Bruno Grade Separation Project Contract for an Amount Not-to-Exceed $4 Million Page 1 of 3 Peninsula Corridor Joint Powers Board December 5, 2013 Agenda 12. Authorize Award of Contract to Vali Cooper and Associates for RESOLUTION On-Call Construction Management Services for a Not-to-Exceed Amount of $15 Million for a Three Year Term 13. -
The Mission District – a History of Resistance for the Mission Anti-Displacement Coalition Draft: Fernando Martí, December 2006
The Mission District – A History of Resistance for the Mission Anti-Displacement Coalition Draft: Fernando Martí, December 2006 AsianNeighborhoodDesign The Mission District – A History of Resistance Aquí Estamos y No Nos Vamos! 230 Years of Resistencia en la Misión The First Displacements The first recorded eviction in what is now called the Mission District occurred in 1776. The Spanish arrival forced the Ohlone, who had lived in the region for at least 5,000 years, to flee across the Bay. Those who remained were forced into labor on the new Mission Dolores. The first Mission “anti- displacement movement” occurred soon after, with an Indian uprising on Mission lands that same year. Within thirty years, most wildlife was gone, and the freshwater streams had been contaminated by animal and human waste. The Ohlone were gradually decimated by disease, famine, and exhaustion. After Mexico’s Independence in 1821, those who survived became serfs on the new ranchos. By 1832, the Ohlone population had been reduced from a high of over 10,000 in 1770 to less than 2,000. In the Mission itself, records from 1833 and 1841 indicate that the Native American population decreased from 400 to only 50. Depictions of the indigenous Ohlone by the colonizers A Neighborhood of Immigrants and Working Class Families This first wave of gentrifiers were, in due time, displaced themselves. “Manifest Destiny” and the 1849 Gold Rush conspired to bring the first Yankee gold-diggers to the Mission. After the Mexican-American War and the Treaty of Guadalupe-Hidalgo, the new U.S. government that took control of San Francisco from Mexico passed laws allowing Anglo squatters to take possession of the Mexican land-grant ranchos in the Mission. -
Agenda Executive Director
BOARD OF DIRECTORS 2014 TOM NOLAN, CHAIR JOSÉ CISNEROS MALIA COHEN ROSE GUILBAULT ASH KALRA ADRIENNE TISSIER PERRY WOODWARD KEN YEAGER MICHAEL J. SCANLON AGENDA EXECUTIVE DIRECTOR PENINSULA CORRIDOR JOINT POWERS BOARD Bacciocco Auditorium, 2nd Floor 1250 San Carlos Avenue, San Carlos CA 94070 October 2, 2014 – Thursday 10:00 a.m. 1. Pledge of Allegiance 2. Call to Order/Roll Call 3. Public Comment Public comment by each individual speaker shall be limited to two minutes 4. Consent Calendar MOTION Members of the public or Board may request that an item under the Consent Calendar be considered separately a) Approval of Minutes of September 4, 2014 b) Acceptance of Statement of Revenues and Expenses for August 2014 5. Chairperson’s Report a) Appointment of Brian Shaw Representing San Francisco to the MOTION Citizens Advisory Committee 6. Report of the Citizens Advisory Committee 7. Report of the Executive Director a) Caltrain Modernization Update INFORMATIONAL 8. Authorize Lease Agreement for CalMod Office Space at RESOLUTION 2121 El Camino Real in San Mateo for a Period of Six Years 9. Authorize Execution of a Fund Transfer Agreement with the RESOLUTION San Mateo County Transit District for State Proposition 1B Transit Security Grant Program Funds in the Amount of $500,000 10. Authorize Staff to Proceed with a 2014 Debt Issuance of up to RESOLUTION $11 Million to Finance the Procurement and Rehabilitation of 16 Railcars from Southern California Regional Rail Authority and Related Capital Expenditures, to Select the Direct Purchaser, and to Engage Orrick, Herrington & Sutcliffe, LLP to Serve as Bond Counsel Note: All items appearing on the agenda are subject to action by the Board.