Ger 150 Diary

Total Page:16

File Type:pdf, Size:1020Kb

Ger 150 Diary Project: The Women’s Diary Centre Term - GER 150 “When Women Speak” By Joseline Viera Canas, Jessie Strader, Molly Samonds & Seth Gosser Entry Day 1 There is a passion in my heart for the movements and politics that make up feminism. This itself, alongside my work, draws men and women who are outside the feminist struggle in. “Throughout the work my thoughts have been shaped by the conviction that feminism must become a mass based political movement if it is to have a revolutionary, transformative impact on society”.1 The biggest factor in achieving this impact on society is understanding what the margin and center theory is. In the center lies privileged women who are responsible for the majority of feminist work, but this center excludes those marginalized groups who do not have the privilege to fight the same fight that those in the center do. In order to achieve feminism as a mass based political movement that has the power and influence to change society in an equitable way, we need to expand the center to include the voices of those on the margins. I was surprised by the backlash from other women of color after releasing my book, with hostile comments made about the ideas and me, yet a conversation was started. “Despite their responses I share with them an ongoing commitment to feminist struggle.”2 Social hierarchy and the imbalance of power among women, men, and corresponding categories of marginalized people sets us as people against each other whereas the real power will come from our unity and allyship with other sides in order to defend a cause, in this case, the feminist cause. The idea is instilled in us as women that we ought to be competitive with each other. “Sexism teaches women woman-hating, and both consciously and unconsciously we act out this hatred in our daily contact with one another.”3 However, if we approach the feminist movement from this perspective, animosity quickly develops between various racial and socioeconomic groups of women, and those lacking in privilege and power are easily excluded. Developing a feminist movement that works for all women is reliant on investing the time in unlearning both the ideas instilled in us by the patriarchy and the racist ideas held by many of the movement’s current leaders. The feminist movement that I have witnessed has always been led by, and therefore elevated the voices of, the white bourgeois women. Too often have I seen them promote the idea that we as women all share a common struggle, that all women are oppressed in exactly the same way. They use this narrative of a common oppression and victimization to develop the concept of “sisterhood,” a method which is only truly functional and inclusive for those women who fit the same mold of the white women that have designated themselves the leaders of this movement. Being a unified group is essential for us to be able to address the struggles faced by all different 1 hooks,bell. (1984). Preface, Feminist Theory: From Margin to Center (pg. 10) 2 hooks,bell. (1984). Acknowledgments, Feminist Theory: From Margin to Center (pg. 7) 3 hooks,bell. (1984). Sisterhood:Political Solidarity Between Women, Feminist Theory: From Margin to Center (pg. 59) groups of women, but when we choose to ignore or not adequately address the oppression faced by those of us on the margins, little progress will be made for those people. - Perspective of Bell Hooks, 1984 A Male Response to Bell Hooks’ chapter “Men: Comrades in Struggle” To humbly accept a place among those who struggle for freedom carries with it a burden Atlas himself could be proud of. To push against an invisible tide of potential catastrophic consequence is the device which either breaks an individual or ascends them to godly proportions. Do “I”, a male, aid the sex that has placed this burden on top of their shoulders so that their backs might not crumble? What if I do not? What if I do? When fighting for a cause one must know exactly what it is you are fighting for or your efforts will most likely be in vain. If you request “I” join your alliance and hand me your words then say, “Kill this phantom menace!” I will inevitably attack only the air in front of me; however, if you instead present to me a dagger and shield then we just might have a fighting chance; therefore, if you want to begin to change the world and its institutions you must engage with more than condemning accusations screamed from the hilltops where no one listens. Although it may not be common knowledge, the best revolutions always start with pamphlets. “I” may not be a feminist, but the enemy of my friend is my enemy. To aid freedom of the oppressed is a righteous cause so unity is in the best interest of me and you. All I ask is if you would like to be comrades, please ask politely. This is why I applaud Ms. Hooks. Entry Day 2 Although we have made immense progress it is not by understanding the necessity of women's suffrage, but that step by step, we have forced the state to grant us such rights through our constant strength and use of union and right to assembly. We have used these tools to back the state and ruling class men into a corner where we demand suffrage, and the equal right to directly input into politics, the right to vote. Proletariat women are already essential in the political successes of the working class, yet despite our efforts and contributions in that sphere, the ruling class has still refused to grant us suffrage. If women’s suffrage is truly the end goal, we must recognize that men must also fight for that goal, as it will bring benefits not just for the women, but for the entire working class. We, unlike the women of the bourgeoisie, actively contribute to a society in which it would seem worth is determined through one’s contributions to the capitalist system. “Today, millions of proletarian women create capitalist profit like men-in factories, workshops, on farms, in home industry, offices, stores. They are therefore productive in the strictest scientific sense of our present society.”1You would think that by acknowledging the significance of working-class women in the functioning of our society, the ruling class could understand the justification to grant us suffrage. - Perspective of Rosa Luxemburg, 1912 1-Luxemburg, R. (1912). Women’s Suffrage and Class Struggle. (pg. 3) A Poem for Rosa We pass out all your pamphlets We run the political showboat But we don’t have what every man gets The equal right to vote - Original Poem by Jessie A Modern Perspective on the IDeas of Rosa Luxemburg: Currently in society all around the world there are still several issues regarding feminism and women rights. There has always been a competition among women because of multiple things that divide them, such as: race, economic status, ethnicity and even the color of their skin. Rosa Luxemburg believed all women had to come together to end the oppression that women face, because one white woman cannot represent a black woman, as they have different struggles. A white woman is still oppressed by men but has more privilege because of the color of their skin. Rosa Luxemburg primarily focused on political and economic theories but was against men oppressing women. She believed that the capitalist system was a common theme running through many kinds of oppression. Women have always been oppressed by men, and to change that we would have to change the way the system is structured. Rosa Luxemburg’s Take on 21st Century America: Luxemburg is coming to America in 2021. Let us imagine for a moment that she dodged a bullet (literally) and acquired a time machine that led directly to the states in our current time. How would she perceive our world and what would her critiques be? Would Luxemburg have anything positive to say about our current political and economic climates? She was not technically a feminist in the early nineteenth century, but would she be a feminist today? May the purely hypothetical take us down a rabbit hole with the hopes of granting us with a nugget of understanding of one of the most prominent figures in early nineteenth century feminist history. During my time I highly advocated for the socialist party because the final goal of socialism constitutes the only decisive factor distinguishing the Social-Democratic movement from bourgeois democracy and from bourgeois radicalism. The goal was to bring about a mass movement that was not for women alone but a common class concern for women and men of the proletariat. I could see that any system that lacked political rights for women was a remnant of a dead past that would inevitably come to a conclusion. Now I must ask the question of what systems of government and economics has brought about consistent long-term stability besides that of a Democratic Capitalistic state? My question was that of either reform or revolution and I chose the latter. Capitalism was the enemy of women’s political rights during the early nineteenth century because of conservative practices; however, newly reformed ideologies have allowed for nearly everything I fought for in my time, including suffrage and the opportunity to abandon antiquated expectations. It is the fight for equality that brings us ever so closer to a utopia, and the light at the end of the tunnel is at least visible.
Recommended publications
  • Het Verhaal Van De 340 Songs Inhoud
    Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise.
    [Show full text]
  • The Rolling Stones - Exile on Main Street
    The Rolling Stones - Exile on Main Street 1) Rocks Off 4:32 (Jagger, Richards) The Rolling Stones - Exile on Main Street (1972) I hear you talking when I’m on the street, Your mouth don’t move but I can hear you speak. What’s the matter with the boy? He don’t come around no more, Is he checking out for sure? Is he gonna close the door on me? And I’m always hear ing voices on the street, I want to shout, but I can’t hardly speak. I was making love last night To a dancer friend of mine. I can’t seem to stay in step, ’Cause she come ev’ry time that she pirouettes over me. And I only get my rocks off while I’m dreaming, I only get my rocks off while I’m sleeping. I’m zipping through the days at lightning speed. Plug in, flush out and fire the fuckin’ feed. Heading for the overload, Splattered on the dusty road, Kick me like you’ve kicked before, I can’t even feel the pain no more. But I only get my rocks off while I’m dreaming, I only get my rocks off while I’m sleeping. Feel so hypnotized, can’t describe the scene. Feel so mesmerized all that inside me. The sunshine bores the daylights out of me. Chasing shadows moonlight myster y. Headed for the overload, Splattered on the dirty road, Kick me like you’ve kicked before, I can’t even feel the pain no more.
    [Show full text]
  • The Rolling Stones Complete Recording Sessions 1962 - 2020 Martin Elliott Session Tracks Appendix
    THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2020 MARTIN ELLIOTT SESSION TRACKS APPENDIX * Not Officially Released Tracks Tracks in brackets are rumoured track names. The end number in brackets is where to find the entry in the 2012 book where it has changed. 1962 January - March 1962 Bexleyheath, Kent, England. S0001. Around And Around (Little Boy Blue & The Blue Boys) (1.21) * S0002. Little Queenie (Little Boy Blue & The Blue Boys) (4.32) * (a) Alternative Take (4.11) S0003. Beautiful Delilah (Little Boy Blue & The Blue Boys) (2.58) * (a) Alternative Take (2.18) S0004. La Bamba (Little Boy Blue & The Blue Boys) (0.18) * S0005. Go On To School (Little Boy Blue & The Blue Boys) (2.02) * S0006. I'm Left, You're Right, She's Gone (Little Boy Blue & The Blue Boys) (2.31) * S0007. Down The Road Apiece (Little Boy Blue & The Blue Boys) (2.12) * S0008. Don't Stay Out All Night (Little Boy Blue & The Blue Boys) (2.30) * S0009. I Ain't Got You (Little Boy Blue & The Blue Boys) (2.00) * S0010. Johnny B. Goode (Little Boy Blue & The Blue Boys) (2.24) * S0011. Reelin' And A Rockin' (Little Boy Blue & The Blue Boys) * S0012. Bright Lights, Big City (Little Boy Blue & The Blue Boys) * 27 October 1962 Curly Clayton Sound Studios, Highbury, London, England. S0013. You Can't Judge A Book By The Cover (0.36) * S0014. Soon Forgotten * S0015. Close Together * 1963 11 March 1963 IBC Studios, London, England. S0016. Diddley Daddy (2.38) S0017. Road Runner (3.04) S0018. I Want To Be Loved I (2.02) S0019.
    [Show full text]
  • The Rolling Stones Complete Recording Sessions 1962 - 2020 Martin Elliott Also Known As Index
    THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2020 MARTIN ELLIOTT ALSO KNOWN AS INDEX To assist with track identities, I have produced this new index which lists the alternative titles of tracks along with their more commonly known as name. The number where the track is featured within the 2012 book is also shown. 1-2-3-4 Covered In Bruises 724 2120 South Michigan Avenue (And Muddy Came Too) 2120 South Michigan Avenue 131 9/11 Hurricane Hurricane 1350 A Mess With Fire Play With Fire 201 A Right Charlie Alright Charlie 1081 Acid In The Grass In Another Land 351 After Five Citadel 355 Aftermath Mr Spector And Mr Pitney Came Too 78 Aftermath 2000 Light Years From Home 350 Again And Again And Again Guitar Lesson 822 Ain't Gonna Lie I'm Not Signifying 528 Ain't No Use In Crying No Use In Crying 849 Aladdin Stomp So Divine (Aladdin Story) 432 Aladdin Story So Divine (Aladdin Story) 432 All Mixed Up I’m A Little Mixed Up 921 All Part Of The Act All Sold Out 308 All Together Sing This All Together 360 All Together Sing This All Together (See What Happens) 361 All Your Love All Of Your Love And I Know I Love You Too Much 713 And I Was A Country Boy I'm A Country Boy 430 And The Rolling Stones Met Phil And Gene Andrew's Blues 77 Anybody Seen My Baby? (Soul Solution Vocal Dub) Anybody Seen My Baby? (Soul Solution Remix) 1265 As Tears Go By As Time Goes By 87 As Tears Go By Con Le Mie Lacrime 300, 1496 Avant Garde Trouble In Mind 336 Back On The Streets Again Eliza 934 Back To The Country Cellophane Trousers 648 Because? Just Because Bedroom
    [Show full text]
  • The Rolling Stones Complete Recording Sessions 1962 - 2021 Martin Elliott Live Tracks in Date Order Index
    THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2021 MARTIN ELLIOTT LIVE TRACKS IN DATE ORDER INDEX All officially released live, and significant live tracks are listed. * Indicates the track has not been released officially. The number following in brackets is where to find the entry in the 2012 book should it have changed. A new entry following the book release will not have a number in brackets. 1964 7 February 1964 – ABC Elstree TV Studios, London, England. L0001. I Wanna Be Your Man (1.42) L0002. You Better Move On (2.40) 19 March 1964 - Camden Theatre, London, England. L0003. Route 66 (2.30) (91) L0004. Cops And Robbers (3.43) (92) L0005. You Better Move On (2.45) (93) L0006. Mona (2.57) (94) 10 April 1964 - Playhouse Theatre, London, England. L0007. Not Fade Away (2.04) * (95) L0008. High Heeled Sneakers (1.56) (96) L0009. Little By Little (2.30) (97) L0010. I Just Want To Make Love To You (2.16) (98) L0011. I'm Moving On (2.06) (99) 26 April 1964 - NME Poll Winners Concert, Empire Pool Wembley, London, England. L0012. Not Fade Away (2.01) (109) L0013. I Just Want To Make Love To You (2.19) (110) L0014. I'm Alright (2.07) (111) 27 April 1964 (Show One) - The Royal Albert Hall, London, England. L0015. Walking The Dog * L0016. You Can Make It If You Try * L0017. Beautiful Delilah * (2.14) (84) 27 April 1964 (Show Two) - The Royal Albert Hall, London, England. L0018. Not Fade Away * (112) L0019. High Heeled Sneakers * (113) L0020.
    [Show full text]
  • 45 Inventory
    45 Inventory item type artist title condition price quantity 45RPM ? And the Mysterians 96 Tears / Midnight Hour VG+ 8.95 222 45RPM ? And the Mysterians I Need Somebody / "8" Teen vg++ 18.95 111 45RPM ? And the Mysterians Cryin' Time / I've Got A Tiger By The Tail vg+ 19.95 111 45RPM ? And the Mysterians Everyday I have to cry / Ain't Got No Home VG+ 8.95 111 Don't Squeeze Me Like Toothpaste / People In 10 C.C. 45 RPM Love VG+ 12.95 111 45 RPM 10 C.C. How Dare You / I'm Mandy Fly Me VG+ 12.95 111 45 RPM 10 C.C. Ravel's Bolero / Long Version VG+ 28.95 111 45 RPM 100% Whole Wheat Queen Of The Pizza Parlour / She's No Fool VG+ 12 111 EP:45RP Going To The River / Goin Home / Every Night 101 Strings MMM About / Please Don't Leave VG+ 56 111 101 Strings Orchestra Love At First Sight (Je T'Aime..Moi Nom Plus) 45 RPM VG+ 45.95 111 45RPM 95 South Whoot (There It Is) VG+ 26 111 A Flock of Seagulls Committed / Wishing ( If I had a photograph of you 45RPM nm 16 111 45RPM A Flock of Seagulls Mr. Wonderful / Crazy in the Heart nm 32.95 111 A.Noto / Bob Henderson A Thrill / Inst. Sax Solo A Thrill 45RPM VG+ 12.95 555 45RPM Abba Rock Me / Fernando VG+ 12.95 111 45RPM Abba Voulez-Vous / Same VG+ 16 111 PictureSle Abba Take A Chance On Me / I'M A Marionette eve45 VG+ 16 111 45RPM Abbot,Gregory Wait Until Tomorrow / Shake You Down VG+ 12.95 111 45RPM Abc When Smokey Sings / Be Near Me VG+ 12.95 111 45RPM ABC When Smokey Sings / Be Near Me VG+ 8.95 111 45RPM ABC Reconsider Me / Harper Valley p.t.a.
    [Show full text]
  • Sound-Box Track Listing No Year
    Artist Track Year* Alpert Herb What now my love 1966 Alpert Herb Casino Royale 1967 Alpert Herb Without her 1969 Amazing Blondel To ye 1971 Amazing Blondel Safety in God alone 1971 Amboy Dukes The Baby Please Don't Go 1968 Amen Corner Bend me shape me 1968 Amen Corner High in the sky 1968 Amen Corner (If paradise is) half as nice 1969 Amen Corner Hello Suzie 1969 Angelettes Don’t Let Him Touch You 1972 Animals Don’t Bring Me Down 1966 Apostolic Intervention Have you ever seen me 1967 Argent Hold your head up 1972 Arnold P. P. The first cut is the deepest 1967 Arnold P. P. (If you think you're) Groovy 1968 Arnold P. P. Angel of the morning 1968 Arrival Friends 1970 Arrival I will survive 1970 Association Along comes Mary 1966 Association Cherish 1966 Association Time for living 1968 Association Windy 1967 Atomic Rooster Friday 13th 1970 Atomic Rooster Tomorrow night 1971 Atomic Rooster The devil’s answer 1971 Atomic Rooster The rock 1971 Atomic Rooster Never to lose 1972 Ayres Kevin Clarence in Wonderland 1970 Ayres Kevin Shooting at the moon 1970 Badfinger Come and get it 1970 Badfinger No matter what 1971 Badfinger Day after day 1972 Baez Joan The night they drove old Dixie down 1971 Banco RIP 1972 Banco Traccia 1972 Band The Tears of rage 1968 Band The Strawberry Wine 1970 Band The Stage Fright 1970 Band The Time to Kill 1970 Band The This wheel’s on fire 1968 Band The The night they drove old Dixie down 1969 Band The Across the great divide 1969 Barbarians The Moulty 1966 Barbour Keith Echo Park 1969 Bassey Shirley For all we know 1971
    [Show full text]
  • Rolling Stones Tribute
    ROLLING STONES TRIBUTE (I can't get no) satisfaction out of our heads aint' too Proud too Beg it's only rock n roll angie goat head's soup beast of burden some girls bitch sticky fingers black limousine tattoo you brown sugar sticky fingers can't you hear me knocking sticky fingers carol get yer ya ya's out coming down again goat head's soup con le mie lacrime single crazy mama black and blue dead flowers sticky fingers don't look back (peter tosh) don't stop 40 licks factory girl beggar's banquet far away eyes some girls get off of my cloud december's children (and everybody's) gimme shelter let it bleed happy exile on main street harlem shuffle dirty work heartbreaker (doo doo doo doo doo) goat head's soup honky tonk women get yer ya ya's out hot stuff black and blue I got the blues sticky fingers I'm free december's children (and everybody's) it's only rock n roll it's only rock n roll jumpin jack flash get yer ya ya's out just my imagination some girls let it Bleed let it bleed let it loose exile on main street let's spend the night together between the buttons like a rolling stone stripped little Queenie get yer ya ya's out little t & a tattoo you live with me get yer ya ya's out love in vain get yer ya ya's out midnight Rambler get yer ya ya's out miss you some girls mixed emotions steel wheels monkey man let it bleed mother's little helper aftermath no expectations beggar's banquet not fade away england's newest hitmakers paint it black aftermath play with fire out of our heads rain fall down bigger bang rocks off exile on main
    [Show full text]
  • Prindle Record Reviews - the Rolling Stones
    Prindle Record Reviews - The Rolling Stones http://www.markprindle.com/rollinga.htm#1969 The oldest rock and roll band of all time special introductory paragraph! England's Newest Hit Makers 12x5 Now! Out Of Our Heads December's Children (And Everybody's) Big Hits (High Tide And Green Grass) Aftermath Got Live If You Want It Between The Buttons Flowers Their Satanic Majesties Request Beggars Banquet Rock And Roll Circus Let It Bleed Get Your Ya-Ya's Out! The Rolling Stones In Concert Metamorphosis Sticky Fingers Hot Rocks 1964-1971 More Hot Rocks (Big Hits And Fazed Cookies) Exile On Main Street Goats Head Soup It's Only Rock 'N' Roll 1969-1974: The Mick Taylor Years DVD Black And Blue Love You Live Some Girls Accidents Will Happen Emotional Rescue Tattoo You Still Life (American Concert 1981) Undercover Dirty Work Steel Wheels Flashpoint Voodoo Lounge Out Of Tears 7" Stripped Bridges To Babylon No Security Rarities 1971-2003 Live Licks A Bigger Bang 1 of 113 7/13/2010 1:43 PM Prindle Record Reviews - The Rolling Stones http://www.markprindle.com/rollinga.htm#1969 Shine A Light Rare And Unseen DVD Nobody has lasted this long (unless you count The Ventures, but that's iffy, what with the whole Nokie/Gerry /Nokie/Gerry, Howie/Mel/Joe/Mel/Leon shenanigan). With their first release popping out of the British underbelly in 1964 (and their next four before the end of '65), it's no wonder that they've been called "dinosaurs" for the past twenty years (even by the Ramones, who are no spring chickens themselves, quite franklin).
    [Show full text]
  • See for Yourself Here
    Case 1:21-cv-02020-RM-KLM Document 1-1 Filed 07/26/21 USDC Colorado Page 1 of 20 Exhibit A - Sound Recordings Artist Track Registration No. Plaintiff 1 Bonnie Raitt Nick Of Time SR0000102443 CAPITOL RECORDS, LLC 2 Darius Rucker Come Back Song SR0000669904 CAPITOL RECORDS, LLC 3 Darius Rucker I Don't Care (Featuring Brad Paisley) SR0000669902 CAPITOL RECORDS, LLC 4 Darius Rucker I Got Nothin' SR0000669902 CAPITOL RECORDS, LLC 5 Darius Rucker In A Big Way SR0000669902 CAPITOL RECORDS, LLC 6 Darius Rucker Love Will Do That SR0000669902 CAPITOL RECORDS, LLC 7 Darius Rucker Might Get Lucky SR0000669902 CAPITOL RECORDS, LLC 8 Darius Rucker She's Beautiful SR0000669902 CAPITOL RECORDS, LLC 9 Darius Rucker Southern State Of Mind SR0000669902 CAPITOL RECORDS, LLC 10 Darius Rucker The Craziest Thing SR0000669902 CAPITOL RECORDS, LLC 11 Darius Rucker Things I'd Never Do SR0000669902 CAPITOL RECORDS, LLC 12 Darius Rucker This SR0000669902 CAPITOL RECORDS, LLC 13 Darius Rucker We All Fall Down SR0000669902 CAPITOL RECORDS, LLC 14 Darius Rucker Whiskey And You SR0000669902 CAPITOL RECORDS, LLC 15 Eric Church A Man Who Was Gonna Die Young SR0000741478 CAPITOL RECORDS, LLC 16 Eric Church Broke Record SR0000741478 CAPITOL RECORDS, LLC 17 Eric Church Cold One SR0000741478 CAPITOL RECORDS, LLC 18 Eric Church Country Music Jesus SR0000681019 CAPITOL RECORDS, LLC 19 Eric Church Creepin' SR0000681019 CAPITOL RECORDS, LLC 20 Eric Church Dark Side SR0000741478 CAPITOL RECORDS, LLC 21 Eric Church Devil, Devil (Prelude: Princess Of Darkness) SR0000741478 CAPITOL
    [Show full text]
  • Muddy Waters Discography
    MCKINLEY MORGANFIELD HOMER HARRIS McKinley Morganfield vcl-1, speech-2, gtr-3; Son Simms speech-4, gtr-5; Alan Homer Harris vcl; Muddy Waters gtr; poss. Leroy Foster gtr; James Clark pno; Lomax speech-6; John Work speech-7 poss. Ransom Knowling bass; prob. Judge Riley drums Stovall, Miss. circa 24-31 Aug. 1941 Chicago, Fri. 27 Sept. 1946 4769-A-1(a) Country Blues -1-3 LC, AAFS 18, AFSL4, CCO4649 I’m Gonna Cut Your Head Testament LP 2207 Testament LP2210, MCA CD 9344 CCO4650 Atomic Bomb Blues Testament LP 2207 4769-A-1(b) Interview No.1 -2-3-6 LC, MCA CHD 9344 CCO4651 Tomorrow Will Be Too Late Testament LP 2207 4769-A-2(a) I Be’s Troubled -1-3 LC, MFS 18, AFSL4, Testament LP2210, MCA CHD 9344 MUDDY WATERS 4769-A-2(b) Interview No. 2 -2-4-6-7 LC, MCA CHD 9344 Muddy Waters vcl, gtr; poss Leroy Foster gtr; poss. Ransom Knowling bass; 4770-B-1 Burr Clover Farm Blues LC, MCA CHD 9344 -1-2-3-4-5 James Clark pno; prob. Judge Riley drum 4770-B-2 Interview No. 3 -2-4-7 LC, MCA CHD 9344 Chicago, Fri. 27 Sept 1946 SON SIMMS FOUR CCO4652-1 Jitterbug Blues Testament LP 2207 McKinley Morganfield gtr, vcl-1; Percy Thomas gtr, vcl-2; Son Simms violin; CCO4653-1 Hard Day Blues Testament LP 2207 Louis Ford mandolin, vcl-3; group members foot-tapping, vcl interjections-4 CCO4654-1 Burying Ground Blues Testament LP 2207 Stovall, Miss., Fri. 24 July 1942 Ramblin’ Kid Blues LC, MCA CHD9344 JAMES (BEALE STREET) CLARK (partial) -1-4 James Clark pno, vcl; Muddy Waters gtr; poss.
    [Show full text]
  • The Rolling Stones Complete Recording Sessions 1962 - 2021 Martin Elliott Also Known As Index
    THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2021 MARTIN ELLIOTT ALSO KNOWN AS INDEX To assist with track identities, I have produced this new index which lists the alternative titles of tracks along with their more commonly known as name. The number where the track is featured within the 2012 book is also shown. 1-2-3-4 Covered In Bruises 724 2120 South Michigan Avenue (And Muddy Came Too) 2120 South Michigan Avenue 131 9/11 Hurricane Hurricane 1350 A Mess With Fire Play With Fire 201 A Right Charlie Alright Charlie 1081 Acid In The Grass In Another Land 351 After Five Citadel 355 Aftermath Mr Spector And Mr Pitney Came Too 78 Aftermath 2000 Light Years From Home 350 Again And Again And Again Guitar Lesson 822 Ain't Gonna Lie I'm Not Signifying 528 Ain't No Use In Crying No Use In Crying 849 Aladdin Stomp So Divine (Aladdin Story) 432 Aladdin Story So Divine (Aladdin Story) 432 All Mixed Up I’m A Little Mixed Up 921 All Part Of The Act All Sold Out 308 All Together Sing This All Together 360 All Together Sing This All Together (See What Happens) 361 All Your Love All Of Your Love And I Know I Love You Too Much 713 And I Was A Country Boy I'm A Country Boy 430 And The Rolling Stones Met Phil And Gene Andrew's Blues 77 Anybody Seen My Baby? (Soul Solution Vocal Dub) Anybody Seen My Baby? (Soul Solution Remix) 1265 As Tears Go By As Time Goes By 87 As Tears Go By Con Le Mie Lacrime 300, 1496 Avant Garde Trouble In Mind 336 Back On The Streets Again Eliza 934 Back To The Country Cellophane Trousers 648 Because? Just Because Bedroom
    [Show full text]