The Rolling Stones Complete Recording Sessions 1962 - 2021 Martin Elliott Also Known As Index
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Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
Lost Prince,The
THE LOST PRINCE Francis Hodgson Burnett CONTENTS I The New Lodgers at No. 7 Philibert Place II A Young Citizen of the World III The Legend of the Lost Prince IV The Rat V ``Silence Is Still the Order'' VI The Drill and the Secret Party VII ``The Lamp Is Lighted!'' VIII An Exciting Game IX ``It Is Not a Game'' X The Rat-and Samavia XI Come with Me XII Only Two Boys XIII Loristan Attends a Drill of the Squad XIV Marco Does Not Answer XV A Sound in a Dream XVI The Rat to the Rescue XVII ``It Is a Very Bad Sign'' XVIII ``Cities and Faces'' XIX ``That Is One!'' XX Marco Goes to the Opera XXI ``Help!'' XXII A Night Vigil XXIII The Silver Horn XXIV ``How Shall We Find Him? XXV A Voice in the Night XXVI Across the Frontier XXVII ``It is the Lost Prince! It Is Ivor!'' XXVIII ``Extra! Extra! Extra!'' XXIX 'Twixt Night and Morning XXX The Game Is at an End XXXI ``The Son of Stefan Loristan'' THE LOST PRINCE I THE NEW LODGERS AT NO. 7 PHILIBERT PLACE There are many dreary and dingy rows of ugly houses in certain parts of London, but there certainly could not be any row more ugly or dingier than Philibert Place. There were stories that it had once been more attractive, but that had been so long ago that no one remembered the time. It stood back in its gloomy, narrow strips of uncared-for, smoky gardens, whose broken iron railings were supposed to protect it from the surging traffic of a road which was always roaring with the rattle of busses, cabs, drays, and vans, and the passing of people who were shabbily dressed and looked as if they were either going to hard work or coming from it, or hurrying to see if they could find some of it to do to keep themselves from going hungry. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Emily Stratford and Gabriel Krchnavek
Singing with Meaning An Interactive SEND-friendly Vocal Resource Released September 2020 Commissioned and Produced by Tri-borough Music Hub Written by Emily Stratford and Gabriel Krchnavek Funded by the The Ingles Charitable Trust Contents (click on the hyper-links below to go straight to the sections you need) 1. Introduction 2. How this resource has been put together 3. Using the resource 4. About the composers 5. The Funders 6. The Tri-borough Music Hub 7. The Songs ▪ Music songs: i. It’s Music time ii. That’s how we like to play iii. Can you feel the beat? iv. One Two Body song v. Shake your body ▪ Topic themes: i. Romans ii. Dinosaurs iii. Sushi song iv. Colours ▪ Emotional Regulation: i. The Feelings song ii. Calm Down Song iii. Learning how to Share iv. Communication Song ▪ Transition: i. In the Morning ii. Lunch Time Song iii. It’s finished iv. It’s Friday v. It’s tidy up Time ▪ Celebration: i. United ii. Find the Hero 8. Next steps 9. Contact details 10. Credits and thanks Introduction The Tri-borough Music Hub (TBMH) was able to commission this resource due to the generosity of the Ingles Charitable Trust and their commitment to supporting all children’s access to music education. This chimes with the TBMH’s mission to be fully inclusive in all its work and to ensure that all students can access high-quality music education. We commissioned two experienced local teachers and musicians – Emily Stratford and Gabriel Krchnavek – who have decades of experience working with students who have Special Education Needs and Disabilities (SEND). -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Ivo Koers Instrumentation on Cliff Richard & the Shadows Recordings VII: Index of Titles This Chapter Sums up All Titles, Li
Ivo Koers Instrumentation On Cliff Richard & The Shadows Recordings VII: Index of titles This chapter sums up all titles, listed in chapters I, II, III, IV, V and VI. After each title, the chapter letter and page number can be found. 40 Golden Greats Part 1 V 17; 40 Golden Greats Part 2 V 21; 40 Golden Greats Part 3 V 25; 40 Years Of Hits Part 1 V 42; 40 Years Of Hits Part 2 V 43; 40 Years Of Hits Part 3 V 45; 40 Years Of Hits Part 4 V 47; 40 Years Of Hits Part 5 V 48; 40 Years Of Hits Part 6 V 51; 40 Years Of Hits Part 7 V 52; 40 Years Of Hits Part 8 V 54; 40 Years Of Hits Part 9 V 54; 40 Years Of Hits Part 11 V 56 All I Do Is Dream Of You III 5; All Shook up [LIVE 1978, 1] I 64; All Shook up [LIVE 1978, 2] IV 3; All Shook Up [LIVE 2009] IV 31; Amor, Amor, Amor I 35; Apron Strings II 5; Apron Strings [LIVE 1959] I 1; Apron Strings [RADIO 1959, VA] I 89; Apron Strings [RADIO 1959, VB] I 99 Baby I Don't Care [LIVE 1959] I 2; Baby I Don't Care [RADIO 1958] I 96; Baby I Don't Care [RADIO 1959] I 96; Bachelor Boy [1962, VA] VI 30; Bachelor Boy [1962, VB] I 32; Bachelor Boy [1962, VC] III 7; Bachelor Boy [1962, VD] VI 17; Bachelor Boy [2009] I 72; Bachelor Boy [LIVE 1963] IV 19; Bachelor Boy [LIVE 1984] IV 8; Bachelor Boy [LIVE 2009] IV 34; Best Of Cliff Richard & The Shadows, The V 27; Big News [VA] I 34; Big News [VB] VI 31; Blue Suede Shoes I 6; Blue Turns To Grey II 26; Blueberry Hill I 30; Boom Boom (That's How My Heart Beats) III 12; Boum III 8; Brass Band Opening/Summer Holiday VI 30; Breathless V 36 C'Est Si Bon III 9; C'mon Everybody -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise. -
Linn Lounge Presents... the Rolling Stones
Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News. -
Indexv2 Full Editable Chart List.Qxd
COUNTRY MIX act naturally buck owens no expectations rolling stones angel from montgomery john prine/bonnie raitt anybody goin to san antone doug sahm oh lonesome me don gibson okie from muskogee merle haggard behind closed doors charlie rich old blue (traditional) big river johnny cash blue bayou roy orbison / rondstadt on and on bill monroe blue moon of kentucky bill monroe/patsy cline on the road again willie nelson cotton fields leadbelly poor pitiful me warren zevon/rondstadt crazy arms ray price/patsy cline crazy willie nelson/patsy cline rose of san antone bob wills/patsy cline route 66 nat king cole dark hollow bill browning dead flowers rolling stones settin the woods on fire hanks williams deep river blues doc watson seven lonley days patsy cline detroit city bobby bare she thinks I still care george jones dont it make my brown eyes blue crystal gayle dont let your deal go down doc watson silver threads and golden needles wanda jackson/rondstadt silver wings merle haggard end of the road jerry lee lewis sin city gram parsons everything is broken bob dylan sing me back home merle haggard singing the blues guy mitchell far away eyes rolling stones sittin on top of the world (traditional) folsom prison johnny cash six days on the road dave dudley four walls jim reeves stand by your man tammy wynette streets of baltimore gram parsons give it up bonnie raitt glendale train new riders take me back to tulsa bob wills goin down the road feeling bad (traditional) good hearted woman waylon jennings thats all right mama arthur cruddup -
Emotional Rescue This Was Not an Album Cover That People Loved. Fan
Emotional Rescue This was not an album cover that people loved. Fan reaction was typified by comments like, “this messy cover,” “It may have the single ugliest cover artwork of any record ever released by a major rock artist,” “I still hate the album cover,” “It's butt-ugly,” “I hate the cover,” “The cover is a big part of its poor reception.” “The sleeve was a big let-down after Some Girls, also the waste of time poster included,” “Yeah, I hated the cover…I like covers that show the band...like Black and Blue,” “I can't defend the thermal photography, or whatever it is, that adorns the cover of Emotional Rescue - was Mick on heroin when he signed off on this concept?” "Everyone to his own taste," the old woman said when she kissed her cow. It seems the Stones may have kissed a cow on this album cover. The Title You can always name it after a song on the album. That worked for Let It Bleed, It’s Only Rock and Roll and Some Girls. There were a lot of songs left over from the Some Girls sessions so this album began life with cynical working titles like Certain Women a clear play on the Some Girls title and More Fast Ones an obvious allusion to the pace of the contents. As the album began to take shape it took on the working title of Saturday Where The Boys Meet, a bit of a theme from the song “Where the Boys Go,” which appeared on the album. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Peter Schleicher TITLE Hart auf Hart / Durch die Wand Peter Schleicher sings Rolling Stones LABEL Bear Family Records CATALOG # BCD 17316 PRICE-CODE AH EAN-CODE ÆxAKABMRy173164z ISBN-CODE 978-3-89916-678-1 FORMAT 1 CD digipac with booklet GENRE Singer/songwriter / Rock TRACKS 21 PLAYING TIME 73:06 G Exclusive release to coincide with the 50th anniversary of the Rolling Stones! G Two very rare original LPs make their CD debut! G 21 Jagger-Richards classics from the '60s & '70s in the Austrian dialect! G No. 1 hits and classic Stones songs with a new twist! G Complete lyrics! INFORMATION Now this is an anniversary! Fifty years ago, the Rolling Stones were formed. In today's fast super-idol one-hit-wonder music busi- ness, fifty years is an eternity. How can we celebrate? Hasn't everything been written or said, and hasn't every last song been re- leased? Well, no. Leave it to BEAR FAMILY to find something that hasn't been heard… at least for a very long time. July 12, 1962 is the date when the 'Rollin' Stones' named themselves for a Muddy Waters song and made their debut at London's Marquee Club. They started out with R&B covers, but soon found their own sound. Styles in music came and went, but the Sto- nes stayed. A tour marking their half-century is on the cards. Millions of fans worldwide would like to see it happen.