Index of Songs, Albums, and Visual Media Cited in the Text

Total Page:16

File Type:pdf, Size:1020Kb

Index of Songs, Albums, and Visual Media Cited in the Text Cambridge University Press 978-1-107-03026-8 — The Cambridge Companion to the Rolling Stones Edited by Victor Coelho , John Covach Index More Information Index of Songs, Albums, and Visual Media Cited in the Text Note: Album and visual media titles appear in italics. For all non-Stones songs and albums listed in this index, the original recording artist (which is not always the song’s author) is listed after the song title, followed by, if applicable, the earliest Stones version. 19th Nervous Breakdown, 11–12, 138 Boy from New York City (Darts), 85 2000 Light Years From Home, 11, 20, 45–7, 49, Brand New Cadillac (Clash), 82 52 Brian Jones Presents the Pipes of Pan at Jajouka, 160 A Bigger Bang, 181, 189, 191 Bridges to Babylon, 188–92 A Day in the Life (Beatles), 45 Brown Sugar, 13, 28, 33, 60, 189 Abbey Road (Beatles), 36 Brussels Affair,22 Aftermath,9–11, 20, 29, 42, 49, 104, 123–4, 149, Burrito Deluxe (Flying Burrito Brothers), 127 171 Bye Bye Bird (Moody Blues), 198 Ain’t Too Proud to Beg (Temptations; Stones, 1974), 13, 191 Can’t You Hear Me Knocking, 20, 22, 33, 53, 62, Air on the Late Lord Essex (Dowland), 153 69, 189 Alabama Waltz, 132 Carol (Chuck Berry; Stones, 1964), 28 All About You, 92–3 Casino Boogie, 62 All Down the Line, 13, 60, 190 Child of the Moon, 13, 49–50, 52 All the Young Dudes (Mott the Hoople), 76 Close to the Edge (Yes), 193 All Things Must Pass (George Harrison), 32 Come On (Chuck Berry; Stones, 1963), 4, 6–7, 108 All You Need Is Love (Beatles), 46, 49 Congratulations, 7–8 Anarchy in the UK (Sex Pistols), 83 Convoy (C. W. McCall), 135 Angie, 83, 191, 198 Cool, Calm and Collected, 43, 53 Anybody Seen My Baby, 191 Country Honk, 122, 128, 140 Anyway, Anyhow, Anywhere (Who), 29 Crazy Mama, 198 Around and Around (Chuck Berry; Stones, 1964), 28 Dance (Pt. 1), 90–2 As Soon As I Hang Up the Phone (Loretta Lynn, Dancing with Mr. D, 13, 190 Conway Twitty), 132 Dandelion, 11, 46–7 As Tears Go By (Marianne Faithfull; Stones, Dark Side of the Moon (Pink Floyd), 189 1965), 7–8, 11, 42 Darkness on the Edge of Town (Bruce Springsteen), Astral Weeks (Van Morrison), 189 84 Astronomy Domine (Pink Floyd), 46 Dead Flowers, 60, 127, 136–9, 196 Dear Doctor, 122, 130–3, 135, 137, 139 Baby, Let’s Play House (Elvis Presley), 138 December’s Children,9,19 Back of My Hand, 192 Deh vieni alla finestra (Mozart), 71 Beast of Burden, 26 Desert Rose (Sting), 144 Beggars Banquet, xx, 4, 9–14, 20, 29, 31, 33, 40, Dirty Work, 36, 185, 190, 198 48, 52–3, 57–60, 65–6, 77, 79, 107, 111, 113, Do You Know How it Feels (Gram Parsons), 130 122–5, 128, 131, 133 Don Giovanni (Mozart), 71 Best of Muddy Waters, the (Muddy Waters), 146 Don’t Stop (Fleetwood Mac), 185 Between the Buttons,9–10, 29, 40, 43–4, 90 Doo Doo Doo Doo Doo (Heartbreaker), 13, 83 Big Hits (High Tides and Green Grass),9 Down in the Hole, 92–3 Bitch, 13, 189 Drugstore Truck Drivin’ Man (Gram Parsons), Black and Blue,24–5, 27, 35, 77–8, 86, 90 136 Blow by Blow (Jeff Beck), 96 Blue and Lonesome (Memphis Slim; Stones, Each and Every Day (rec. by Bobby Jameson, 2016), 101, 117–18, 121, 191 1964), 8 Blue Moon of Kentucky (Bill Monroe), 132 Electric Music for the Mind and Body (Country Blue Turns to Grey, 8 Joe and the Fish), 45 [214] © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03026-8 — The Cambridge Companion to the Rolling Stones Edited by Victor Coelho , John Covach Index More Information 215 Index of Songs, Albums, and Visual Media Emotional Rescue,90–1, 93 Unplugged, 187 Evening Gown (Mick Jagger), 140 Vers l’Olympe [Towards Olympus]: Being a Everybody Pay Their Dues [Street Fighting Rolling Stones Fan, 203 Man], 111 Wholly Communion, 171 Exile on Main Street, xx, 14, 22–3, 25, 30–1, With Love From Truman, 173 34–5, 38, 57–60, 62–3, 75, 77–8, 87–8, 91, Woodstock, 172–3 125–6, 129, 133, 140, 165, 177–8, 188, Five by Five (UK EP), 28 190 Flowers,9 Fool to Cry, 91 Factory Girl, 66, 122, 131 Fortune Teller (Benny Spellman), 7 Family Bible (Willie Nelson), 133 Forty Licks, 188–9 Far Away Eyes, 65, 84–5, 133–7, 139, 185 Feel On Baby, 36 Get Off Of My Cloud, 7 Films, Documentaries, Television Get Yer Ya-Ya’s Out!, 22, 28, 57, 174, 176 25 Â 5: The Continuing Adventures of the Gilded Palace of Sin (Flying Burrito Brothers), Rolling Stones, 159, 187 130, 136 A Degree of Murder,29 Gimme Shelter, 21, 35, 53, 58, 66, 83, 113, 190, Beatles at Shea Stadium, the, 170 192, 199 Best of the Ed Sullivan Show, 185 Goats Head Soup,13–14, 23, 25, 27, 35, 71, 77, Charlie Is My Darling, 47, 166, 168–71, 180 190 Cocksucker Blues, 71, 177–8, 180–1 Going Down (Freddie King), 196 Crossfire Hurricane, 181 Going for the One (Yes), 193 Don’t Look Back, 170, 175, 178 Goin’ Home, 49 Elvis: That’s the Way It Is, 172 Good Times, Bad Times, 7–8 Elvis on Tour, 178 Good Vibrations (Beach Boys), 12, 44 Gimme Shelter, 21, 35, 53, 58, 66, 83, 113, 166, Gotta Get Away, 7 171–8, 180, 196 Graceland (Paul Simon), 144 Hail! Hail! Rock ‘n’ Roll,38 Green Onions (Booker T. and the MGs), 6 Hullabaloo, 167 Grown Up Wrong, 8 Jazz on a Summer’s Day, 166 GRRR, 188–9 Kids Are Alright, the, 172 Ladies and Gentlemen, The Rolling Stones, 22, Hang Fire, 81 178–80 Happy, 13 Let It Be, 172–3 Have You Seen Your Mother, Baby, Standing in Let’s Spend the Night Together, 180, the Shadow, 11, 47, 49 184 Heart of Gold (Neil Young), 188 Lonely Boy, 174 Heart of Stone, 7, 123, 198 Miami Vice, 185 Hey Negrita, 24 One P.M., 171 High and Dry, 123–4, 139 One Plus One, 23, 58, 107, 171 Hip Shake (=Shake Your Hips: Slim Harpo; Performers, the, 124 Stones, 1972), 60 Ready Steady Go, 150, 152 Hippie Boy (Flying Burrito Brothers), 136 Rebel Without a Cause,87 Honky Tonk Heroes (Waylon Jennings), 137 Rock and Roll Circus, 51, 63, 153, 156 Honky Tonk Women, 13, 21, 28, 89 Salesman, 173 House of Memories (Merle Haggard), 133 Search for Robert Johnson, the,70 House of the Rising Sun (Animals), 198 Shindig!, 145, 167 Shine a Light, 181 I Ain’t Superstitious (Jeff Beck), 24 Sticky Fingers Live at the Fonda Theatre, 2015, I Am Waiting, 20, 124 189, 190 I Don’t Want to Spoil the Party (Beatles), 122–3 Stones at the Max, 187 I Go Wild, 190 Stones in Exile, 165 I Got the Blues, 34 Sympathy for the Devil. See One Plus One I Hear a New World: An Outer Space Music T.A.M.I. Show, 165–8, 180 Fantasy (Joe Meek), 46 This is Spinal Tap, 170 I Just Want To Make Love To You (Muddy Tonite Let’s All Make Love in London, Waters; Stones, 1964), 7 176 I Wanna Be Your Man (Beatles; Stones, 1963), Top of the Pops,47 6–7, 9 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03026-8 — The Cambridge Companion to the Rolling Stones Edited by Victor Coelho , John Covach Index More Information 216 Index of Songs, Albums, and Visual Media I Want to Be Loved (Willie Dixon; Stones, 1963), Made in the Shade,77 6–7 Magical Mystery Tour (Beatles), 12 I Want to Hold Your Hand (Beatles), 3 Meet Me at the Station (Rev. Gary Davis), I’m A King Bee (Slim Harpo; Stones, 1964), 19 128 I’m a Loser (Beatles), 123 Memory Motel, 90 I’m Free, 7 Metamorphosis, 123 I’m So Lonesome I Could Cry (Hank Williams), Midnight Rambler, 20–1, 66–7, 107, 174 132 Miss You, 35, 80–6, 89–91, 133, 185 I’ve Got the Blues, 68 Mixed Emotions, 190 In Another Land, 11 Mona (I Need You Baby) (Bo Diddley; Stones, Indian Girl, 91–2 1964), 9 Interstellar Overdrive (Pink Floyd), 46 Moonlight Mile, 22, 53, 59, 62, 189 It’s All Over Now (Valentinos; Stones, 1964), 3, Mother’s Little Helper, 11–12 7, 146, 198 Movin’ On (Hank Snow; Stones, 1965), 123 It’s Only Rock ’n Roll,4,13–14, 23, 25, 35, 77–8, Music from Big Pink (Band), 33 191 Music of My Mind (Stevie Wonder), 36 Jessica (Allman Brothers), 35 Nashville Skyline (Bob Dylan), 124 Jigsaw Puzzle, 67, 122 Never Mind the Bollocks (Sex Pistols), 83 Joshua Tree, the (U2), 189 New Faces, 191 Jumpin’ Jack Flash, 13, 40, 44, 48–52, 154, New Rose (Damned), 82 198 Next in Line (Conway Twitty), 133 Just My Imagination (Temptations; Stones, Night Fever (Bee Gees), 85 1978), 86, 191 NoExpectations,13,20,51,59,122,125,128–9, 139 Just Your Fool (Little Walter; Stones, 2016), 118 Norwegian Wood (Beatles), 105, 143 Not Fade Away (Buddy Holly; Stones, 1964), 7, Kentucky Waltz (Bill Monroe), 132 9, 198 Nowhere to Run (Martha and the Vandellas), 11, Lady Jane, 11, 20, 42, 47, 105, 124, 149, 171, 176 16 Lantern, the, 11 Last Time, the, 7, 10, 41 Odelay (Beck), 191 Last Waltz, the (Webb Pierce), 132 Off the Hook (Willie Dixon; Stones, 1964), 7, Leon Russell (Leon Russell), 125 102 Let It Be (Beatles), 32 Oh Baby (We Got a Good Thing Going) Let It Bleed, 13, 20, 30, 33–5, 53, 57–8, 66–7, 77, (Barbara Lynn Ozen; Stones, 1965), 10 113–14, 116, 125–6, 140, 190, 204 One Hit to the Body, 185 Let It Loose, 32, 34, 63, 66 Out of Control, 190–1 Let It Rock (Chuck Berry; Stones, 1971), 13 Out of Our Heads,9–10, 19, 51 Let Me Down Slow, 192 Out of Tears, 191 Let Me Go, 92 Let’s Spend the Night Together, 11–12, 20, 29, Paint It, Black, 11, 20, 42–3, 105, 107, 143, 150 44, 46–7, 148, 191, 197 Papa Was a Rolling Stone (Temptations), 191 Lies, 80, 85, 133 Parachute Woman, 51, 122 Like a Rolling Stone (Bob Dylan; Stones, 1995), Paul’s Boutique (Beastie Boys), 191 138, 187 Penny Lane (Beatles), 12 Little by Little (w/ Phil Spector; see “Shame, People Get Ready (Impressions), 68 Shame, Shame”), 7, 19 Pet Sounds (Beach Boys), 12 Little Queenie (Chuck Berry; Stones, 1970), 28 Phantom 309 (Red Sovine), 135 Little Red Rooster (Howlin’ Wolf; Stones, 1964), Physical Graffiti (Led Zeppelin), 92 7–8, 102–4 Piper at
Recommended publications
  • Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
    Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust.
    [Show full text]
  • Musterseite 1077.Pdf
    Recording Index S Sad Day CD: "No Stone Unturned" (3'00) (Authors: Jagger/Richards) (SLK 17038-P) Mick Jagger .......... vocals, Schwarzbuch CD section A-Z Keith Richards ..... guitar, bvocals, Brian Jones .......... guitar, Sad Sad Sad I Bill Wyman ......... bass, (3'48)(Authors: Jagger/Richards) Charlie Watts ...... drums, Basic track with two guitars, bass, drums Jack Nitzsche ....... piano. and piano. Mick sings lead vocals with RCA Studios, Los Angeles, CA, very early lyrics. December 3 - 10, 1965. Air Studios Montserrat, Caribbean 7" Single: "19th Nervous Breakdown / Island, March 29 - May 5, 1989. Sad Day" 2LP:"Training Wheels" USA: London 45 LON 9823 (COC 39202) February 1966 Schwarzbuch LP section A-Z 7" Single: "Sad Day / You Can't 2CD:"Training Wheels" Always Get What You Want" (Social Graces 001-02) Europe: Decca F 13404 (UK) CD:"Training Wheels" Decca DL 25 576 (GER 06/73) 11CD Box: "Singles 1965-1967" (Rattle Snake RS 228) Decca 105 / 26.382 Y Europe: Abkco 06024 98209851 2CD:"Training Wheels - The Early (Belgium 6/73) USA: Abkco 0 18771 12202 9 Steel Wheels - Outtakes 1989" Decca F 13404 (Italy 5/73) Japan: (Voodoo Sounds) Decca 6103 062 (NL) July 2004 Schwarzbuch CD section A-Z Decca F 13404 (Sweden) 15 CD Box Set: April 29, 1973 "The Rolling Stones In Mono" Sad Sad Sad II LP: "No Stone Unturned" Europe: Abkco 01877 1834526 (3'36) (Authors: Jagger/Richards) Europe: Decca SKL 5173 (UK) September 30, 2016 Additional guitar overdubs and new lead Decca SLK 17038 LP: "Bill Wyman's Rolling Stones" vocals on version I, no (audible) sax, (GER 11/73) extended outro.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Número 97 – Junio 2019 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
    Número 97 – junio 2019 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido Directorio PORTADA Cartel del Chicago Blues Fest 2019 (1) …………………... 1 Cultura Blues. La Revista Electrónica CONTENIDO - DIRECTORIO ..…………………………………...….… 2 www.culturablues.com EDITORIAL Ladran, señal que cabalgamos (1) …………………….…. 3 Número 97 – juno de 2019 BLUES A LA CARTA Destino Chicago. Parte 3: Chicago Blues Festival 2019 (1) ……………………………………………………………….... 5 Derechos Reservados 04 – 2013 – 042911362800 – 203 Registro ante INDAUTOR COLABORACIÓN ESPECIAL Ganadores de los Blues Music Awards 2019 (1) …………………………………………………………………………. 10 + COVERS Blues with a feeling (1) ……………………………………..….. 13 Director general y editor: José Luis García Fernández PLANETA BLUES Mark "Kaz" Kazanoff, veterano y fabuloso (2) ………………………………………………………………………………... 15 Subdirector general: José Luis García Vázquez EN VIDEO Una noche de historia del blues (1) .......................... 23 Diseño: LADO B Aida Castillo Arroyo Los invidentes del blues. Parte 3 Los plagios en el blues. Parte 1 (3) ………………………………….……….... 26 Consejo Editorial: HUELLA AZUL Héctor Martínez y su libro: María Luisa Méndez Mario Martínez Valdez “Comer y Cantar” (4) …………………………………………………………………. 39 Octavio Espinosa Cabrera SESIONES DESDE LA CABINA Tras el origen del blues mexicano (5) ………………………………………………………………....……...….. 43 Colaboradores en este número: COLABORACIÓN ESPECIAL A 10 de años de “Palabra de Blues… al aire” Pt. V (1) …………………………………………………………..…. 46 1. José Luis García Fernández 2. Michael Limnios ESPECIAL DE MEDIANOCHE Peter Green es 3. Juan Carlos Oblea "Sobrenatural" (6) ……………………………………………………………………... 47 4. María Luisa Méndez 5. Yonathan Amador Gómez CULTURA BLUES DE VISITA 6. Luis Eduardo Alcántara En Las Musas con Beto´s Blues Band y Rhino Bluesband 7. Rafael Arriaga Zazueta En Capitán Gallo con Rhino Bluesband y 8. Norma Yim La Impredecible Blues (7) ..............................................................
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • 'N' Roll: the Rolling Stones in Film
    it’s only rock ’n’ roll: the rolling stones in film - artforum.com / ... http://artforum.com/inprint/issue=201209&id=36146 dleopard59 log out ADVERTISE BACK ISSUES CONTACT US SUBSCRIBE follow us search ARTGUIDE IN PRINT 500 WORDS PREVIEWS BOOKFORUM 中文版 DIARY PICKS NEWS VIDEO FILM SLANT A & E IN PRINT NOVEMBER 2012 IT’S ONLY ROCK ’N’ ROLL: THE ROLLING STONES IN FILM SUBSCRIBE recent issues May 2013 April 2013 March 2013 February 2013 Robert Frank, January 2013 Cocksucker Blues, 1972, 16 mm, color and black- December 2012 and-white, sound, 93 November 2012 minutes. Mick Jagger. Archive to 1962 Photo: Photofest. As the “world’s greatest rock ’n’ roll band” celebrates its golden jubilee this year, the Museum of Modern Art in New York pays tribute with a heady cinematic survey: “THE ROLLING STONES: 50 YEARS OF FILM” (NOVEMBER 15–DECEMBER 2). But 2012 marks another anniversary as well. Forty years ago, the Stones embarked on a legendary tour to promote their new album, Exile on Main St., and they engaged two very different filmmakers—Robert Frank and Rollin Binzer—to document the affair on celluloid, producing wildly divergent results: Cocksucker Blues and Ladies and Gentlemen: The Rolling Stones, respectively. Film historian DAVID E. JAMES traces the events that would ultimately transform the band’s extraordinary engagement with the medium—and with the very public on which not only their stardom but their cultural significance depended. WITH THE BEATLES’ FINAL PERFORMANCE on the roof of the Apple Records building at the beginning of 1969, documented in Michael Lindsay-Hogg’s film Let It Be (1970), the Rolling Stones’ claim to being the greatest rock band in the world was now uncontested.
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
    Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat.
    [Show full text]
  • Zhuk Outcover.Indd
    The Carl Beck Papers in Russian & East European Studies Sergei I. Zhuk Number 1906 Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 The Carl Beck Papers in Russian & East European Studies Number 1906 Sergei I. Zhuk Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 Sergei I. Zhuk is Associate Professor of Russian and East European History at Ball State University. His paper is part of a new research project, “The West in the ‘Closed City’: Cultural Consumption, Identities, and Ideology of Late Socialism in Soviet Ukraine, 1964–84.” Formerly a Professor of American History at Dniepropetrovsk University in Ukraine, he completed his doctorate degree in Russian History at the Johns Hopkins University in 2002 and recently published Russia’s Lost Reformation: Peasants, Millennialism, and Radical Sects in Southern Russia and Ukraine, 1830–1917 (2004). No. 1906, June 2008 © 2008 by The Center for Russian and East European Studies, a program of the University Center for International Studies, University of Pittsburgh ISSN 0889-275X Image from cover: Rock performance by Dniepriane near the main building of Dniepropetrovsk University, August 31, 1980. Photograph taken by author. The Carl Beck Papers Editors: William Chase, Bob Donnorummo, Ronald H. Linden Managing Editor: Eileen O’Malley Editorial Assistant: Vera Dorosh Sebulsky Submissions to The Carl Beck Papers are welcome. Manuscripts must be in English, double-spaced throughout, and between 40 and 90 pages in length. Acceptance is based on anonymous review. Mail submissions to: Editor, The Carl Beck Papers, Center for Russian and East European Studies, 4400 Wesley W. Posvar Hall, University of Pittsburgh, Pittsburgh, PA 15260.
    [Show full text]
  • Ivo Koers Instrumentation on Cliff Richard & the Shadows Recordings VII: Index of Titles This Chapter Sums up All Titles, Li
    Ivo Koers Instrumentation On Cliff Richard & The Shadows Recordings VII: Index of titles This chapter sums up all titles, listed in chapters I, II, III, IV, V and VI. After each title, the chapter letter and page number can be found. 40 Golden Greats Part 1 V 17; 40 Golden Greats Part 2 V 21; 40 Golden Greats Part 3 V 25; 40 Years Of Hits Part 1 V 42; 40 Years Of Hits Part 2 V 43; 40 Years Of Hits Part 3 V 45; 40 Years Of Hits Part 4 V 47; 40 Years Of Hits Part 5 V 48; 40 Years Of Hits Part 6 V 51; 40 Years Of Hits Part 7 V 52; 40 Years Of Hits Part 8 V 54; 40 Years Of Hits Part 9 V 54; 40 Years Of Hits Part 11 V 56 All I Do Is Dream Of You III 5; All Shook up [LIVE 1978, 1] I 64; All Shook up [LIVE 1978, 2] IV 3; All Shook Up [LIVE 2009] IV 31; Amor, Amor, Amor I 35; Apron Strings II 5; Apron Strings [LIVE 1959] I 1; Apron Strings [RADIO 1959, VA] I 89; Apron Strings [RADIO 1959, VB] I 99 Baby I Don't Care [LIVE 1959] I 2; Baby I Don't Care [RADIO 1958] I 96; Baby I Don't Care [RADIO 1959] I 96; Bachelor Boy [1962, VA] VI 30; Bachelor Boy [1962, VB] I 32; Bachelor Boy [1962, VC] III 7; Bachelor Boy [1962, VD] VI 17; Bachelor Boy [2009] I 72; Bachelor Boy [LIVE 1963] IV 19; Bachelor Boy [LIVE 1984] IV 8; Bachelor Boy [LIVE 2009] IV 34; Best Of Cliff Richard & The Shadows, The V 27; Big News [VA] I 34; Big News [VB] VI 31; Blue Suede Shoes I 6; Blue Turns To Grey II 26; Blueberry Hill I 30; Boom Boom (That's How My Heart Beats) III 12; Boum III 8; Brass Band Opening/Summer Holiday VI 30; Breathless V 36 C'Est Si Bon III 9; C'mon Everybody
    [Show full text]
  • Het Verhaal Van De 340 Songs Inhoud
    Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise.
    [Show full text]