Dee-Jay Doo Wop Series Beat, 60S/70S Label Doo Wop
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Greetings 1 Greetings from Freehold: How Bruce Springsteen's
Greetings 1 Greetings from Freehold: How Bruce Springsteen’s Hometown Shaped His Life and Work David Wilson Chairman, Communication Council Monmouth University Glory Days: A Bruce Springsteen Symposium Presented Sept. 26, 2009 Greetings 2 ABSTRACT Bruce Springsteen came back to Freehold, New Jersey, the town where he was raised, to attend the Monmouth County Fair in July 1982. He played with Sonny Kenn and the Wild Ideas, a band whose leader was already a Jersey Shore-area legend. About a year later, he recorded the song "County Fair" with the E Street Band. As this anecdote shows, Freehold never really left Bruce even after he made a name for himself in Asbury Park and went on to worldwide stardom. His experiences there were reflected not only in "County Fair" but also in "My Hometown," the unreleased "In Freehold" and several other songs. He visited a number of times in the decades after his family left for California. Freehold’s relative isolation enabled Bruce to develop his own musical style, derived largely from what he heard on the radio and on records. More generally, the town’s location, history, demographics and economy shaped his life and work. “County Fair,” the first of three sections of this paper, will recount the July 1982 episode and its aftermath. “Growin’ Up,” the second, will review Bruce’s years in Freehold and examine the ways in which the town influenced him. “Goin’ Home,” the third, will highlight instances when he returned in person, in spirit and in song. Greetings 3 COUNTY FAIR Bruce Springsteen couldn’t be sitting there. -
Campfire Songs
Antelope Books In collaboration with W1-609-17-2 Productions Antelope Books In collaboration with W1-609-17-2 Productions Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. To help other people at all times; We deserve to hear it. To keep myself physically strong, 3. If God did not give you a beautiful singing voice, sing loud. Mentally awake and morally straight. Who is man to judge what God has given you? SCOUT LAW OUTDOOR CODE 4. If God did not give you a beautiful singing voice, sing out A Scout is: As an American loud, sing out strong… God deserves to hear it. Trustworthy I will do my best to - He has no one to blame but Himself! Loyal Be clean in my outdoor manners Helpful Be careful with fire Friendly Be considerate in the outdoors Courteous Be conservation minded Kind Obedient SCOUT MOTTO Cheerful Be prepared! Thrifty Brave SCOUT SLOGAN Clean Do a good turn daily! Reverent Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. -
SKIVLISTA 4-2016 Hello Music Lovers! - Pay by Credit Card Through Paypal! Adress: Ange Min Email [email protected] Som Referens Vid Betalning
SKIVLISTA 4-2016 Hello music lovers! - pay by credit card through PayPal! Adress: www.paypal.com Ange min email [email protected] som referens vid betalning. Det har varit mycket ett tag nu. Men här kommer i alla fall en sommarlista, denna gång med enbart fastprisskivor. I sedvanlig ordning lämnar jag en sommarrabatt enligt följande: Därmed över till skivhögarna och GOOD HUNTING! LATE ADDITIONS 10% rabatt vid köp för 300-499 kronor 20% rabatt vid köp för 500-999 kronor SINGLES AND EPS 30% rabatt vid köp för 1 000 kronor och uppåt EPX ANDREWS SISTERS "In HiFi part 1" Bei mir bist Du schön/Beer barrel polka/Well all right!/Ferry boat serenade 1957, sobc (NO Capitol) VG+ 75:- Exempel: om du handlar för 665 kronor så avgår en rabatt på 133 kronor och du betalar alltså bara 532 kronor plus EPX BOBBY ANGELO Talk/Taste of the blues/Staying up late/Broken dreams 1964, red vinyl, great porto. Observera att detta gäller levererade skivor så v g ange alternativ vid beställning. Fraktfritt om slutsumman Sweden-only EP (SW Sonet) VG+ 250:- efter avdragen rabatt överstiger 1 000 kronor. Ovanstående rabatter avser fastprisskivor. X BOBBY BARE Miller's cave/Jeannie's last kiss 1964, NC (GE RCA Victor) VG+ 75:- EPX ARNE BILLS ORKESTER Trollebotwist/Twilight time/En visa vill jag sjunga/Per Speleman 1963, Det är inte ofta några kullar med pyrenéervalpar föds i Sverige. Men Frida föddes bara några veckor efter att min green vinyl, 2 instr., 2 vocals. Bra och efterfrågad EP. (SW Gazell) VG+ 180:- vän Ona gått bort. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
V. 76, Issue 10, February 6, 2009
Volume 76, Issue 10 Smithfield, RI February 6, 2009 Bryant students experience history By Brigit Clancy was to be there and witness it.” “This was definitely a once-in-a-lifetime experi- Variety Editor Parikh commented, “I honestly cannot put the ac- ence because to me, this is a major turning point in th tual ceremony from Biden’s oath to Obama’s speech the history of the United States both racially and po- On January 20 , an assemblage of 17 Bryant stu- into words. When then President-Elect Obama litically,” said Parikh. “People all over the world dents and their professor, Richard Holtzman, wit- emerged from the Capitol, I got chills. It was a would never have guessed that a minority, in racial nessed history when they attended the inauguration quick flashback of what I have heard, seen, and terms, would have been elected as president forty of the forty-fourth president of the United States, learned from other people about the civil rights years after the Civil Rights Movement. I also say Barack Obama. movement. Being around 1.5 million people just politically because there have been political regimes Before Inauguration Day at the nation’s capital made the experience even more special. This was that have occurred in the past; this past one lasted they took in some sites around Washington, D.C. the first time where I was surrounded by that many about 30 years and was conservative in how they The group was part of The Washington Center, a people for one event at the same time.” governed. -
Transcript While We're Messing with the Boxes And
1 1 BEFORE THE 2 TEXAS RACING COMMISSION 3 AUSTIN, TEXAS 4 5 6 7 8 9 COMMISSION MEETING 10 MARCH 20, 2007 11 12 13 14 15 16 17 18 19 Reported by: SHERRI SANTMAN FISHER 20 Job #9-61909 21 22 23 24 25 2 1 BE IT REMEMBERED that the above entitled matter 2 came on for hearing on the 20th day of March, 2007, 3 beginning at 9:02 A.M. at 6100 Guadalupe, Building E, 4 First Floor Auditorium, Austin, Travis County, Texas, 5 and the following proceedings were reported by SHERRI 6 SANTMAN FISHER, Certified Shorthand Reporter for the 7 State of Texas. 8 9 10 APPEARANCES 11 12 Commissioners: R. DYKE ROGERS 13 MICHAEL G. RUTHERFORD 14 JESSE R. ADAMS 15 TREVA J. BOYD 16 G. KENT CARTER 17 CHARLES L. "SONNY" SOWELL 18 DAVID G. CABRALES 19 ERNEST ANGELO, JR. 20 JIMMY ARCHER 21 22 23 24 25 3 1 CHAIRMAN ROGERS: If we can call this to 2 order, please. 3 Ms. Giberson, would you call the roll? 4 MS. GIBERSON: Jesse Adams? 5 COMMISSIONER ADAMS: Here. 6 MS. GIBERSON: Treva Boyd? 7 COMMISSIONER BOYD: Here. 8 MS. GIBERSON: Dr. Kent Carter? 9 COMMISSIONER CARTER: Here. 10 MS. GIBERSON: Ernest Angelo? 11 MR. ANGELO: Here. 12 MS. GIBERSON: Mike Rutherford? Sonny 13 Sowell? 14 COMMISSIONER SOWELL: Here. 15 MS. GIBERSON: Jimmy Archer? 16 MR. ARCHER: Here. 17 MS. GIBERSON: David Cabrales? 18 COMMISSIONER CABRALES: Here. 19 MS. GIBERSON: Dyke Rogers? 20 CHAIRMAN ROGERS: Here. 21 Okay. There's a quorum present, so we 22 will begin. -
Den Svenska Musikskatten Visor- 1800 Och 1900-Tal
Den svenska musikskatten Visor- 1800 och 1900-tal Carl-Mikael Bellman Cornelis Vreeswijk Dansband Folkmusik, folkvisor, spelmansmu- Carl-Mikael Bellman (1740-1795) sik Fjäril vingad syns på Haga, Åsa Jinder Fosterländska toner https://www.youtube.com/watch? v=6NZZKA6cXfA&frags=pl%2Cwn Gamla örhängen och stenkakor Värm mer öl och bröd, Fred Åkerström (1920 - 1960) http://www.youtube.com/watch?v=HZnEluhTSiI Jazz Glimmande nymf, Fred Åkerström Klassisk musik http://www.youtube.com/watch?v=5bUlCRpTs3o Låtar- från 70-talet Ulla, min Ulla, Cornelis Vreeswijk Låtar från 80-talet http://www.youtube.com/watch?v=97zu8dZqa5w Så lunka vi så småningom, Fred Åkerström Låtar från 90-talet https://www.youtube.com/watch?v=m0jwCyudYfA Låtar från 00-talet Nå skruva fiolen, Fred Åkerström Låtar från 10-talet https://www.youtube.com/watch? v=P9Y5Uf1RoEw&frags=pl%2Cwn Melodifestivalen Vila vid denna källa, Fred Åkerström Pre-Abba https://www.youtube.com/watch?v=pbp26wfjpV0 Proggen Ack du min moder, Fred Åkerström Psalmer, andliga sånger https://www.youtube.com/watch?v=j_8JCTSdLIc Märk hur vår skugga, Imperiet På engelska (artistlista) https://www.youtube.com/watch?v=ssqmu-MYw- Rapp/ Hipp hopp BQ&frags=pl%2Cwn Gråt fader Berg, Merit Hemmingsson, Bengan Revy, kabaré och musikal Karlsson Samisk musik https://www.youtube.com/watch?v=g44DOt- S66ww&frags=pl%2Cwn Schlagerdrottningar Fredmans epistel no 44, Mikael Samuelsson, Svenska körklassiker Garmarna, https://www.youtube.com/watch?v=gw1Im1yW- Evert Taube tUo&frags=pl%2Cwn Bellmans vaggvisa, Lena Willemark Här -
Introduction
Introduction In January 1997, two Sydney Morning Herald journalists produced a brief account of what they perceived to be the most important rock and roll sites in Sydney.1 Their sense of the city's rock histories extended to places of local mythology well beyond popular music's production and consumption: five star hotels as frantic sites of adoration of the Beatles ensconced within; psychiatric hospitals where career paths merged with psychosis; and migrant hostels as sites of cross-cultural ambitions. The article was a rare acknowledgement of the spaces and places of performersand fans' interaction. This thesis constitutes an extended response to the article's implicit desire to recognise alternative accounts of Australian popular music connected to broader city narratives. In analysing the rock music venues of Sydney as sites of interaction between musicians, fans and government, I am principally concerned with three interrelated themes: • The social construction of live performance venues from 1955 amidst the parallel construction of the performer and fan as an 'unruly' subject; • The industrial development of live performance: the live rock venue within commercial/economic structures; and • The dialectical tension of the above in reconciling the state's desire for manageable 'cultural citizens' with broader cultural policy (support for live rock and roll within arts policies). A more detailed explication of these strands is undertaken in Chapter One, in providing a theoretical overview of relations between popular culture and the state, and specific media/cultural/popular music studies approaches to cultural practice and policy. My personal interest in the histories of live rock venues parallels an increased 1 Jon Casimir and Bruce Elder, 'Beat streets - a guide to Sydney's rock and roll history', Sydney Morning Herald, 9th January, 1997, pp.29-30. -
LISTENING: ADVANCED LESSONS Lesson 2. Slow Blues 1: Low And
LISTENING: ADVANCED LESSONS Lesson 2. Slow blues 1: Low and Midrange Rhythm Patterns T-Bone Walker “Call It Stormy Monday” BB King “Sweet Little Angel” (Live at the Regal) Albert King “The Sky is Crying,” “Personal Manager” Jimi Hendrix “Red House” Guitar Slim “The Things That I Used to Do” Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” Allman Bros. (Duane Allman, Dickie Betts gtrs) “Stormy Monday” (Live at Fillmore East) 3. Slow blues 2: High-end Rhythm Patterns Same as slow blues 1 4. Slow blues 3: Soloing over Standard Changes BB King “Sweet Little Angel” (Live at the Regal) 5. Slow Blues 4: Chord Variations T-Bone Walker “Call It Stormy Monday” Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” 6. Slow Blues 5: Soloing over Chord Variations Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” Allman Bros. (Duane Allman, Dickie Betts gtrs) “Stormy Monday” (Live at Fillmore East) 7. Super Shuffle 1: Open E T-Bone Walker “T-Bone Shuffle” Jimmy Reed (Eddie Taylor gtr) “High and Lonesome” “Baby What You Want Me to Do” Snooks Eaglin “Sophisticated Blues” Stevie Ray Vaughan “Pride and Joy” 8. Super Shuffle 2: Other Keys Same as Super Shuffle 1 9. Super Shuffle 3: Chicago style Little Walter (Muddy Waters, Jimmy Rogers gtr) “Juke” 10. Chicago-style Melodic Rhythm Jimmy Rogers “That’s All Right,” “Ludella” Little Walter (Louis Myers, Dave Myers gtrs) “Mean Old World” 11. Double-stops 1: Third Intervals Lonnie Johnson “Away Down in the Alley Blues” Robert Johnson “Sweet Home Chicago” Chuck Berry “Thirty Days” Freddie King “The Stumble” Stevie Ray Vaughan “Love Struck Baby,” “Pride & Joy” 12. -
1 Dreamboats, Boybands and the Perils of Showbiz: Pop and Film, 1956-1968 David Buckingham This Essay Is Part of a Larger Projec
Dreamboats, Boybands and the Perils of Showbiz: Pop and Film, 1956-1968 David Buckingham This essay is part of a larger project, Growing Up Modern: Childhood, Youth and Popular Culture Since 1945. More information about the project, and illustrated versions of all the essays can be found at: https://davidbuckingham.net/growing-up-modern/. The first appearance of rock and roll music in film seems to have been something of an afterthought. When Richard Brooks’s Blackboard Jungle was released in 1955, the producers made a last-minute decision to accompany the opening and closing credits with an obscure B-side called ‘Rock Around the Clock’ by Bill Haley and the Comets. The record had been released the previous year with little success. Although an instrumental version of the tune does appear in the middle of the film, Blackboard Jungle is barely concerned with rock or pop music at all. In one notable scene, the delinquent teenagers trash their teacher’s treasured collection of jazz records; while in another, one of the students, Gregory Miller (played by Sidney Poitier) performs a gospel song with his black class-mates. However, the inclusion of Haley’s track made it an immediate chart hit; and it also contributed to the remarkable success of the film with teenage audiences. Indeed, the use of ‘Rock Around the Clock’ seems to have encouraged dancing and even wilder behaviour in cinemas, both in the US and in the UK. When the film was shown in South London in 1956, Teddy Boys in the audience reportedly rioted and slashed the seats; and this led to similar behaviour in cinemas around the country. -
2008 Erik Axel Karlfeldt Memorial Open Round 4
2008 Erik Axel Karlfeldt Memorial Open Round 4 1. One episode of this show centered on a girl named Audrey whose parents were killed by Donovan Shepherd. In another episode, a witness to a murder named Leni is targeted by arms dealer Amir Fayed, but the central character finds her in the desert before she is killed. Its second episode, which featured the release from prison of Lee Jay Spalding, was written by David Greenwalt, while its first episode introduced reporter Beth Turner, who is played by Sophia Myles. Other characters include Josef Kostan, who is played by Jason Dohring, and Coraline Duvall, who turned private investigator Mick St. John into a vampire. FTP, name this show which premiered on CBS in 2007 and should not be confused with an ‘80s series about detectives which starred Bruce Willis. ANSWER: Moonlight (do not accept “Moonlighting”) 2. In the N64 fighter Clayfighter 63 1/3 this character is the only fighter who was not original to the Clayfighter series. The first game in which this character appears includes locations such as Planet Heck and Buttsville. In a TV show he was voiced by Dan Castelaneta, and his sidekick was Peter Puppy. He found the item that gave him his powers while trying to escape crows, and his mission is often to free Princess What’s Her Name. His foes include Evil the Cat and Bob the Killer Goldfish, who is defeated by knocking his bowl over the first time he is met. FTP, name this talking annelid, the star of a cartoon series and a series of platformers.