DOCSLIB.ORG

Dee-Jay Doo Wop Series Beat, 60S/70S Label Doo Wop

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dee-Jay Doo Wop Series Beat, 60S/70S Label Doo Wop 112 LABEL DOO WOP RALPH LONDON : Some Day You’ll Be My Girl THE HARPTONES: VEE JAY DOO WOP CD FG 971001 € 15.50 Answer Me, My Love SHERON IVY : I Need You TRADE MARTIN : VOL.2, VEE JAY DOO WOP CD FG 971002 € 15.50 That Stranger Used To Be My Girl THE HARPTONES: What Will I Tell VOL.4, VEE JAY DOO WOP CD FG 971011 € 15.50 My Heart THE CALEN DARS: You’re Too Fast THE DUPREES: You NOTE RECORD STORY - Belong To Me RALPH LONDON : Lovely, Lovely Girl THE JOY ROCKIN’ WITH R&B CD GDR 2004 € 15.50 TONES: This Love That I’m Giving You THE CRESTS: Step By Step & (1994/GOLD DUST) 31 tracks / 1950s Rock & Roll and THE RIVIERAS: Moonlight Cock tail THE HARPTONES: The Last Vocal Groups Dance VOL.2, JUBI LEE & JOSIE VOCAL & (2006/ACE) 30 tracks of New York Doo Wop & Teen Pop GROUPS CD NEM 743 € 14.50 1958-64 (many stereo) with 12 page booklet & (1995/SEQUEL) 25 tracks (4 previously unreleased) last VOL.2, MODERN VOCAL copies ! GROUPS CD CHD 723 € 17.75 VOL.3, JUBI LEE & JOSIE VOCAL WOP DING A LING - CLASSIC GROUPS CD NEM 756 € 14.50 NEW YORK DOO WOP CD CHD 739 € 17.75 & (1996/SEQUEL) 25 tracks - last copies ! & 30 rare tracks from the Bob Shad’s Time, Shad and Brent VOL.5, JUBI LEE & JOSIE VOCAL labels GROUPS CD NEM 758 € 14.50 GROUP HARMONY & JUMP - & (1996/SEQUEL) 28 tracks DIG MASTERS VOL.5 CD CHD 759 € 17.75 CATCH THE WINDY CITY & 26 Johnny Otis R&B and Doo Wop productions - mostly HARMONIZERS CD PV 6082 € 15.50 unissued - a stunning highlight ! MUSIC CITY CD TR 6001 € 15.50 VOL.4, MODERN VOCAL VOL.2, MUSIC CITY CD TR 6002 € 15.50 GROUPS CD CHD 764 € 17.75 BEST OF FLIP RECORDS CD TR 6003 € 15.50 VOL.5, MODERN VOCAL VOL.2, BEST OF FLIP RECORDS CD TR 6004 € 15.50 GROUPS CD CHD 783 € 17.75 CELE BRAT ING 40 YEARS OF VOL.6, MODERN VOCAL CLASSIC HITS (3-CD BO CD VEEJAY 400 € 45.00 GROUPS CD CHD 817 € 17.75 DOOWOPIN’ WITH KING, FLIP DOO WOP CD CHD 826 € 17.75 FEDERAL AND DELUXE CD WESA 827 € 14.90 VOL.2, FLIP DOO WOP CD CHD 838 € 17.75 & (1998/WESTSIDE) 21 tracks - deleted now ! VOL.2, COMBO VOCAL THE END STORY 2-CD CD WESD 205 € 24.90 GROUPS CD CHD 852 € 17.75 & (1999/DEMON) 63 tracks 1957-65 VOL.3, COMBO VOCAL THE GEE STORY 2-CD CD WESD 223 € 24.90 GROUPS CD CHD 863 € 17.75 TEEN AGE PARTY / PAJAMA OOH BOP SHA BOO - KING PARTY CD WESM 585 € 14.90 VOCAL GROUPS CD CHD 983 € 17.75 & (1998/WESTSIDE) Two original albums - 24 Gee & Rama & (2003/ACE) 24 tracks Outstandig selection of 50s and 60s recordings - last copies ! vocal group gems from the King/Federal vaults! / Hervoragende STRICTLY FOR THE BIRDS - Zusammenstellung mit Doo Wop Bands der 50er und frühen CROWNS & WRENS CD WESM 604 € 14.90 60er Jahre, welche alle für King/Federal aufgenommen haben!! & 30 track compilation from the original RAMA & GEE masters 1953-56 featuring alternate and unreleased stuff ! RAMA RECORDS - SPOT LIGHT (2000/DEMON/WESTSIDE) last copies - deleted now ON 4-CD CD COL 0098 € 81.30 BEST OF X-TRA RECORDS CD XTRA 1 € 17.90 SUN RECORDS CD COL 5809 € 16.90 VOL.2, SUN RECORDS CD COL 5810 € 16.90 CORAL VOCAL GROUPS CD CORAL 1001 € 17.90 DEE-JAY DOO WOP SERIES BOB KNIGHT FOUR BROOK LYN’S DOO WOP COMPLETE HISTORY CD BB 55105 € 15.34 SOUND CD BB 55040 € 15.34 & Al Browne’s Aljon Masters EARLS VOL.2, BROOK LYN’S DOO HITS & RARITIES CD BB 55104 € 15.34 WOP SOUND CD BB 55041 € 15.34 NINO & THE EBB TIDES OUT OF THE BRONX CD BB 55047 € 15.34 ANTHOL OGY 1957-65 - & Doo-Wop from Lou Cicchetti’s Cousins & West Side Records VINTAGE NEW YORK MASTERS CD BB 55042 € 15.34 VOL.2, OUT OF THE BRONX CD BB 55048 € 15.34 VOL.3, BROOK LYN’S DOO VARIOUS ARTISTS € € WOP SOUND CD BB 55055 15.34 VOL.1, EXPLO SIVE DOO WOP CD BB 55021 15.34 CRYST AL BALL RECORDS - THE VOL.2, EXPLO SIVE DOO WOP CD BB 55022 € 15.34 45 RPM DAYS CD BB 55056 € 15.34 VOL.3, EXPLO SIVE DOO WOP CD BB 55023 € 15.34 VOL.2, CRYST AL BALL VOL.4, EXPLO SIVE DOO WOP CD BB 55024 € 15.34 P RECORDS - THE 45 RPM DAYS CD BB 55057 € 15.34 VOL.5, EXPLO SIVE DOO WOP CD BB 55029 € 15.34 VOL.11, EXPLO SIVE DOO WOP CD BB 55058 € 15.34 O VOL.6, EXPLO SIVE DOO WOP CD BB 55030 € 15.34 VOL.12, EXPLO SIVE DOO WOP CD BB 55059 € 15.34 VOL.7, EXPLO SIVE DOO WOP CD BB 55031 € 15.34 VOL.3, CRYST AL BALL W VOL.8, EXPLO SIVE DOO WOP CD BB 55032 € 15.34 RECORDS - FROM THE VAULTS CD BB 55062 € 15.34 VOL.9, EXPLO SIVE DOO WOP CD BB 55033 € 15.34 ROME & POWER-MARTIN VOL.10, EXPLO SIVE DOO WOP CD BB 55034 € 15.34 RECORDS CD BB 55100 € 15.34 O PHIL A DEL PHIA DOO WOP - OLD TOWN DOO WOP EXCLU - CD BB 55038 € 15.34 O SWAN MASTERS SIVELY FROM THE VAULTS CD BB 55103 € 15.34 VOL.2, PHIL A DEL PHIA DOO VOL.13, EXPLO SIVE DOO WOP CD BB 55111 € 15.34 D WOP - SWAN MASTERS CD BB 55039 € 15.34 TEEN SCENE CD BB 55113 € 15.34 L BEAT, 60S/70S E AIGLONS FRANK ALAMO B STALAC TITE...PLUS CD 393 0520 € 15.50 8 A TRAVERS LES CARREAUX CD 393 0585 € 15.50 & A (2005/MAGIC) 20 tracks L BEAR FAMILY RECORDS GmbH P. O. BOX 1154 • D-27727 HAMBERGEN • GERMANY 8= NEW BEAT, 60S/70S 113 ANIMALS Of A Fox- When The War Is 8 VOL.3, 1966...PLUS CD 393 0580 € 15.50 Over- Where Are My Eyes?- What Am I Living For?- Son Of Hickory Hollers One Monkey Don’t Tramp- Goin’ Out Of My Stop No Show- Head- I Never Shall Marry- I Maudie- Outcast- Gin Wish You Love- What Now House Blues- Don’t My Love- Bad Times- Ciao Bring Me Down- I Put A Baby & Spell On You- She’ll (1967-70 ‘Pye Records’) (135:52/42) Return It- You’re On My 2006 CASTLE Mind- Squeeze Her - Tease Her- Clap ping- That’s All I Am Yo You- Inside Looking Out- Cheating - Sweet Little Sixteen- See See Rider- BEATLES Help Me Girl- Mama THE CAPITOL ALBUMS VOL.1 Told Me Not To Come- 4-CD CD EMI 875348 € 59.90 That Ain’t Where It’s At & (2004/EMI) 90 tracks - Longbox with the original 1964 & (2006/MAGIC) 19 tracks, Digipack; Capitol albums presented in both mono & stereo. A’S B’S & EP’S CD 583 1142 € 12.50 ARCHIE BELL & THE DRELLS & (2003/EMI) 24 tracks I CAN’T STOP DANC- APHRODITE’S CHILD ING/THERE’S GONNA BE.. CD COL 7803 € 17.90 & (2005/COLLECTABLE) 22 tracks, 57:58min; 8 FRENCH EP SERIES CD 393 0577 € 5.50 Rain And Tears- Don’t Try To Catch A River- It’s Five O’Clock- Funky BRIAN BENNETT Mary AIM HIGH - KPM TV SOUND - TRACKS 1973-76 CD RPM 290 € 16.90 BACHELORS & (2004/RPM) 20 tracks - 12 page color booklet Aim High is VERY BEST CD VSD 66335 € 14.90 the ultimate televisual soundtrack. The Shadows’ Brian Bennett JOAN BAEZ delivers funky instrumentals, moody atmospherics and THE BEST OF THE VANGUARD sophisticated swingers transporting you to a 70’s TV world where YEARS CD VMD 74000 € 12.75 car chases, wild parties and international wheeler-dealing are the & (2005/VANGUARD) 14 tracks In the early 60s Baez norm. represented the popular face of folk music, touring and singing DAVE BERRY at political events. She championed the work of Bob Dylan, her BEST CD 552 019 € 12.90 choice of material gradually moving away from traditional folk towards more politically aware work. Baez recorded for RONNIE BIRD Vanguard for 12 years - from 1960 until 1972. This compilation EP & SINGLE COLLECTION includes all her hits, both British and American, from that period. 8 1964-1968 CD 393 0567 € 49.90 Audieu à un ami- Tu ferais GEORGE BAKER SELECTION mieux de filer- On s’aime 8 LITTLE GREEN BAG...PLUS CD EMI 330767 € 12.90 en secret- Dis aux Little Green Bag- Winter montagnes- L’amour nous Time- Funny Girl- The Pris- rend fou- Pour toi- Tout oner- Road Of Peace- seul- Je ne mens pas- Elle Pancake 6 (Fly)- Dear Ann- m’attend!- Fais atten tion!- Impres sions- I Wanna Love Pour étre à toi- Où You- Have Another Drink- va-t-elle?- Ma vie s’enfuit- I’ll Be Your Baby Tonight- Je voudrais dire- Ce Good bye- Pretty Little maudit jour nal- Chante- N Dreamer t’en fais pas pour- Ronnie- & (2005/EMI) 13 tracks, Cette maudite soli tude- original 1970; Cheese- N’écoute pas ton coeur- Seul dans la nuit- Hey Girl?- Ca n’est pas vrai- Tu en dis trop- C’est un hold up- Je serre les poings- Tu ne sais pas- La surprise- Si quelque- Chose m’arrivait- Les filles en sucre d’orge- Ne me promets rien- Le pivert- De l’autre coté du miroir- GEORGE BAKER S.O.S.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Greetings 1 Greetings from Freehold: How Bruce Springsteen's
    Greetings 1 Greetings from Freehold: How Bruce Springsteen’s Hometown Shaped His Life and Work David Wilson Chairman, Communication Council Monmouth University Glory Days: A Bruce Springsteen Symposium Presented Sept. 26, 2009 Greetings 2 ABSTRACT Bruce Springsteen came back to Freehold, New Jersey, the town where he was raised, to attend the Monmouth County Fair in July 1982. He played with Sonny Kenn and the Wild Ideas, a band whose leader was already a Jersey Shore-area legend. About a year later, he recorded the song "County Fair" with the E Street Band. As this anecdote shows, Freehold never really left Bruce even after he made a name for himself in Asbury Park and went on to worldwide stardom. His experiences there were reflected not only in "County Fair" but also in "My Hometown," the unreleased "In Freehold" and several other songs. He visited a number of times in the decades after his family left for California. Freehold’s relative isolation enabled Bruce to develop his own musical style, derived largely from what he heard on the radio and on records. More generally, the town’s location, history, demographics and economy shaped his life and work. “County Fair,” the first of three sections of this paper, will recount the July 1982 episode and its aftermath. “Growin’ Up,” the second, will review Bruce’s years in Freehold and examine the ways in which the town influenced him. “Goin’ Home,” the third, will highlight instances when he returned in person, in spirit and in song. Greetings 3 COUNTY FAIR Bruce Springsteen couldn’t be sitting there.
    [Show full text]
  • Campfire Songs
    Antelope Books In collaboration with W1-609-17-2 Productions Antelope Books In collaboration with W1-609-17-2 Productions Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. To help other people at all times; We deserve to hear it. To keep myself physically strong, 3. If God did not give you a beautiful singing voice, sing loud. Mentally awake and morally straight. Who is man to judge what God has given you? SCOUT LAW OUTDOOR CODE 4. If God did not give you a beautiful singing voice, sing out A Scout is: As an American loud, sing out strong… God deserves to hear it. Trustworthy I will do my best to - He has no one to blame but Himself! Loyal Be clean in my outdoor manners Helpful Be careful with fire Friendly Be considerate in the outdoors Courteous Be conservation minded Kind Obedient SCOUT MOTTO Cheerful Be prepared! Thrifty Brave SCOUT SLOGAN Clean Do a good turn daily! Reverent Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud.
    [Show full text]
  • SKIVLISTA 4-2016 Hello Music Lovers! - Pay by Credit Card Through Paypal! Adress: Ange Min Email [email protected] Som Referens Vid Betalning
    SKIVLISTA 4-2016 Hello music lovers! - pay by credit card through PayPal! Adress: www.paypal.com Ange min email [email protected] som referens vid betalning. Det har varit mycket ett tag nu. Men här kommer i alla fall en sommarlista, denna gång med enbart fastprisskivor. I sedvanlig ordning lämnar jag en sommarrabatt enligt följande: Därmed över till skivhögarna och GOOD HUNTING! LATE ADDITIONS 10% rabatt vid köp för 300-499 kronor 20% rabatt vid köp för 500-999 kronor SINGLES AND EPS 30% rabatt vid köp för 1 000 kronor och uppåt EPX ANDREWS SISTERS "In HiFi part 1" Bei mir bist Du schön/Beer barrel polka/Well all right!/Ferry boat serenade 1957, sobc (NO Capitol) VG+ 75:- Exempel: om du handlar för 665 kronor så avgår en rabatt på 133 kronor och du betalar alltså bara 532 kronor plus EPX BOBBY ANGELO Talk/Taste of the blues/Staying up late/Broken dreams 1964, red vinyl, great porto. Observera att detta gäller levererade skivor så v g ange alternativ vid beställning. Fraktfritt om slutsumman Sweden-only EP (SW Sonet) VG+ 250:- efter avdragen rabatt överstiger 1 000 kronor. Ovanstående rabatter avser fastprisskivor. X BOBBY BARE Miller's cave/Jeannie's last kiss 1964, NC (GE RCA Victor) VG+ 75:- EPX ARNE BILLS ORKESTER Trollebotwist/Twilight time/En visa vill jag sjunga/Per Speleman 1963, Det är inte ofta några kullar med pyrenéervalpar föds i Sverige. Men Frida föddes bara några veckor efter att min green vinyl, 2 instr., 2 vocals. Bra och efterfrågad EP. (SW Gazell) VG+ 180:- vän Ona gått bort.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • V. 76, Issue 10, February 6, 2009
    Volume 76, Issue 10 Smithfield, RI February 6, 2009 Bryant students experience history By Brigit Clancy was to be there and witness it.” “This was definitely a once-in-a-lifetime experi- Variety Editor Parikh commented, “I honestly cannot put the ac- ence because to me, this is a major turning point in th tual ceremony from Biden’s oath to Obama’s speech the history of the United States both racially and po- On January 20 , an assemblage of 17 Bryant stu- into words. When then President-Elect Obama litically,” said Parikh. “People all over the world dents and their professor, Richard Holtzman, wit- emerged from the Capitol, I got chills. It was a would never have guessed that a minority, in racial nessed history when they attended the inauguration quick flashback of what I have heard, seen, and terms, would have been elected as president forty of the forty-fourth president of the United States, learned from other people about the civil rights years after the Civil Rights Movement. I also say Barack Obama. movement. Being around 1.5 million people just politically because there have been political regimes Before Inauguration Day at the nation’s capital made the experience even more special. This was that have occurred in the past; this past one lasted they took in some sites around Washington, D.C. the first time where I was surrounded by that many about 30 years and was conservative in how they The group was part of The Washington Center, a people for one event at the same time.” governed.
    [Show full text]
  • Transcript While We're Messing with the Boxes And
    1 1 BEFORE THE 2 TEXAS RACING COMMISSION 3 AUSTIN, TEXAS 4 5 6 7 8 9 COMMISSION MEETING 10 MARCH 20, 2007 11 12 13 14 15 16 17 18 19 Reported by: SHERRI SANTMAN FISHER 20 Job #9-61909 21 22 23 24 25 2 1 BE IT REMEMBERED that the above entitled matter 2 came on for hearing on the 20th day of March, 2007, 3 beginning at 9:02 A.M. at 6100 Guadalupe, Building E, 4 First Floor Auditorium, Austin, Travis County, Texas, 5 and the following proceedings were reported by SHERRI 6 SANTMAN FISHER, Certified Shorthand Reporter for the 7 State of Texas. 8 9 10 APPEARANCES 11 12 Commissioners: R. DYKE ROGERS 13 MICHAEL G. RUTHERFORD 14 JESSE R. ADAMS 15 TREVA J. BOYD 16 G. KENT CARTER 17 CHARLES L. "SONNY" SOWELL 18 DAVID G. CABRALES 19 ERNEST ANGELO, JR. 20 JIMMY ARCHER 21 22 23 24 25 3 1 CHAIRMAN ROGERS: If we can call this to 2 order, please. 3 Ms. Giberson, would you call the roll? 4 MS. GIBERSON: Jesse Adams? 5 COMMISSIONER ADAMS: Here. 6 MS. GIBERSON: Treva Boyd? 7 COMMISSIONER BOYD: Here. 8 MS. GIBERSON: Dr. Kent Carter? 9 COMMISSIONER CARTER: Here. 10 MS. GIBERSON: Ernest Angelo? 11 MR. ANGELO: Here. 12 MS. GIBERSON: Mike Rutherford? Sonny 13 Sowell? 14 COMMISSIONER SOWELL: Here. 15 MS. GIBERSON: Jimmy Archer? 16 MR. ARCHER: Here. 17 MS. GIBERSON: David Cabrales? 18 COMMISSIONER CABRALES: Here. 19 MS. GIBERSON: Dyke Rogers? 20 CHAIRMAN ROGERS: Here. 21 Okay. There's a quorum present, so we 22 will begin.
    [Show full text]
  • Den Svenska Musikskatten Visor- 1800 Och 1900-Tal
    Den svenska musikskatten Visor- 1800 och 1900-tal Carl-Mikael Bellman Cornelis Vreeswijk Dansband Folkmusik, folkvisor, spelmansmu- Carl-Mikael Bellman (1740-1795) sik Fjäril vingad syns på Haga, Åsa Jinder Fosterländska toner https://www.youtube.com/watch? v=6NZZKA6cXfA&frags=pl%2Cwn Gamla örhängen och stenkakor Värm mer öl och bröd, Fred Åkerström (1920 - 1960) http://www.youtube.com/watch?v=HZnEluhTSiI Jazz Glimmande nymf, Fred Åkerström Klassisk musik http://www.youtube.com/watch?v=5bUlCRpTs3o Låtar- från 70-talet Ulla, min Ulla, Cornelis Vreeswijk Låtar från 80-talet http://www.youtube.com/watch?v=97zu8dZqa5w Så lunka vi så småningom, Fred Åkerström Låtar från 90-talet https://www.youtube.com/watch?v=m0jwCyudYfA Låtar från 00-talet Nå skruva fiolen, Fred Åkerström Låtar från 10-talet https://www.youtube.com/watch? v=P9Y5Uf1RoEw&frags=pl%2Cwn Melodifestivalen Vila vid denna källa, Fred Åkerström Pre-Abba https://www.youtube.com/watch?v=pbp26wfjpV0 Proggen Ack du min moder, Fred Åkerström Psalmer, andliga sånger https://www.youtube.com/watch?v=j_8JCTSdLIc Märk hur vår skugga, Imperiet På engelska (artistlista) https://www.youtube.com/watch?v=ssqmu-MYw- Rapp/ Hipp hopp BQ&frags=pl%2Cwn Gråt fader Berg, Merit Hemmingsson, Bengan Revy, kabaré och musikal Karlsson Samisk musik https://www.youtube.com/watch?v=g44DOt- S66ww&frags=pl%2Cwn Schlagerdrottningar Fredmans epistel no 44, Mikael Samuelsson, Svenska körklassiker Garmarna, https://www.youtube.com/watch?v=gw1Im1yW- Evert Taube tUo&frags=pl%2Cwn Bellmans vaggvisa, Lena Willemark Här
    [Show full text]
  • Introduction
    Introduction In January 1997, two Sydney Morning Herald journalists produced a brief account of what they perceived to be the most important rock and roll sites in Sydney.1 Their sense of the city's rock histories extended to places of local mythology well beyond popular music's production and consumption: five star hotels as frantic sites of adoration of the Beatles ensconced within; psychiatric hospitals where career paths merged with psychosis; and migrant hostels as sites of cross-cultural ambitions. The article was a rare acknowledgement of the spaces and places of performersand fans' interaction. This thesis constitutes an extended response to the article's implicit desire to recognise alternative accounts of Australian popular music connected to broader city narratives. In analysing the rock music venues of Sydney as sites of interaction between musicians, fans and government, I am principally concerned with three interrelated themes: • The social construction of live performance venues from 1955 amidst the parallel construction of the performer and fan as an 'unruly' subject; • The industrial development of live performance: the live rock venue within commercial/economic structures; and • The dialectical tension of the above in reconciling the state's desire for manageable 'cultural citizens' with broader cultural policy (support for live rock and roll within arts policies). A more detailed explication of these strands is undertaken in Chapter One, in providing a theoretical overview of relations between popular culture and the state, and specific media/cultural/popular music studies approaches to cultural practice and policy. My personal interest in the histories of live rock venues parallels an increased 1 Jon Casimir and Bruce Elder, 'Beat streets - a guide to Sydney's rock and roll history', Sydney Morning Herald, 9th January, 1997, pp.29-30.
    [Show full text]
  • LISTENING: ADVANCED LESSONS Lesson 2. Slow Blues 1: Low And
    LISTENING: ADVANCED LESSONS Lesson 2. Slow blues 1: Low and Midrange Rhythm Patterns T-Bone Walker “Call It Stormy Monday” BB King “Sweet Little Angel” (Live at the Regal) Albert King “The Sky is Crying,” “Personal Manager” Jimi Hendrix “Red House” Guitar Slim “The Things That I Used to Do” Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” Allman Bros. (Duane Allman, Dickie Betts gtrs) “Stormy Monday” (Live at Fillmore East) 3. Slow blues 2: High-end Rhythm Patterns Same as slow blues 1 4. Slow blues 3: Soloing over Standard Changes BB King “Sweet Little Angel” (Live at the Regal) 5. Slow Blues 4: Chord Variations T-Bone Walker “Call It Stormy Monday” Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” 6. Slow Blues 5: Soloing over Chord Variations Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” Allman Bros. (Duane Allman, Dickie Betts gtrs) “Stormy Monday” (Live at Fillmore East) 7. Super Shuffle 1: Open E T-Bone Walker “T-Bone Shuffle” Jimmy Reed (Eddie Taylor gtr) “High and Lonesome” “Baby What You Want Me to Do” Snooks Eaglin “Sophisticated Blues” Stevie Ray Vaughan “Pride and Joy” 8. Super Shuffle 2: Other Keys Same as Super Shuffle 1 9. Super Shuffle 3: Chicago style Little Walter (Muddy Waters, Jimmy Rogers gtr) “Juke” 10. Chicago-style Melodic Rhythm Jimmy Rogers “That’s All Right,” “Ludella” Little Walter (Louis Myers, Dave Myers gtrs) “Mean Old World” 11. Double-stops 1: Third Intervals Lonnie Johnson “Away Down in the Alley Blues” Robert Johnson “Sweet Home Chicago” Chuck Berry “Thirty Days” Freddie King “The Stumble” Stevie Ray Vaughan “Love Struck Baby,” “Pride & Joy” 12.
    [Show full text]
  • 1 Dreamboats, Boybands and the Perils of Showbiz: Pop and Film, 1956-1968 David Buckingham This Essay Is Part of a Larger Projec
    Dreamboats, Boybands and the Perils of Showbiz: Pop and Film, 1956-1968 David Buckingham This essay is part of a larger project, Growing Up Modern: Childhood, Youth and Popular Culture Since 1945. More information about the project, and illustrated versions of all the essays can be found at: https://davidbuckingham.net/growing-up-modern/. The first appearance of rock and roll music in film seems to have been something of an afterthought. When Richard Brooks’s Blackboard Jungle was released in 1955, the producers made a last-minute decision to accompany the opening and closing credits with an obscure B-side called ‘Rock Around the Clock’ by Bill Haley and the Comets. The record had been released the previous year with little success. Although an instrumental version of the tune does appear in the middle of the film, Blackboard Jungle is barely concerned with rock or pop music at all. In one notable scene, the delinquent teenagers trash their teacher’s treasured collection of jazz records; while in another, one of the students, Gregory Miller (played by Sidney Poitier) performs a gospel song with his black class-mates. However, the inclusion of Haley’s track made it an immediate chart hit; and it also contributed to the remarkable success of the film with teenage audiences. Indeed, the use of ‘Rock Around the Clock’ seems to have encouraged dancing and even wilder behaviour in cinemas, both in the US and in the UK. When the film was shown in South London in 1956, Teddy Boys in the audience reportedly rioted and slashed the seats; and this led to similar behaviour in cinemas around the country.
    [Show full text]
  • 2008 Erik Axel Karlfeldt Memorial Open Round 4
    2008 Erik Axel Karlfeldt Memorial Open Round 4 1. One episode of this show centered on a girl named Audrey whose parents were killed by Donovan Shepherd. In another episode, a witness to a murder named Leni is targeted by arms dealer Amir Fayed, but the central character finds her in the desert before she is killed. Its second episode, which featured the release from prison of Lee Jay Spalding, was written by David Greenwalt, while its first episode introduced reporter Beth Turner, who is played by Sophia Myles. Other characters include Josef Kostan, who is played by Jason Dohring, and Coraline Duvall, who turned private investigator Mick St. John into a vampire. FTP, name this show which premiered on CBS in 2007 and should not be confused with an ‘80s series about detectives which starred Bruce Willis. ANSWER: Moonlight (do not accept “Moonlighting”) 2. In the N64 fighter Clayfighter 63 1/3 this character is the only fighter who was not original to the Clayfighter series. The first game in which this character appears includes locations such as Planet Heck and Buttsville. In a TV show he was voiced by Dan Castelaneta, and his sidekick was Peter Puppy. He found the item that gave him his powers while trying to escape crows, and his mission is often to free Princess What’s Her Name. His foes include Evil the Cat and Bob the Killer Goldfish, who is defeated by knocking his bowl over the first time he is met. FTP, name this talking annelid, the star of a cartoon series and a series of platformers.
    [Show full text]