Politics of Extremism
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2.1 ISRAELI VOCAL SOLOS Chava Alberstein Coconut a Kiss Every
2.1 ISRAELI VOCAL SOLOS Chava Alberstein Coconut A Kiss Every Hour An Urban Tree A Single Parent Bird Coconut Opposite the Sea Short Espresso Stems Falling Leaves My Kind of Man Bird of Saturday New Prayers Words Sholomo Artzi His Best Gever Holekh L’ebood Yom Ekhad Ani Shomea Shoov Ha’ish Hahoo Lo Ozev Et Ha’ir Shinuey Mezeg Haavir Tirkod Akharey Ha’kol At Shir Ani Nose Imi Hardufim Takhat Shmey Yam Tikhon Fran Avni Israel World Beat -- Eretz Eretz Zavat Chalav (The Land of Milk and Honey) Lo Yare’u/V’chititu (Harm No More) Natati Etz (I Planted a Tree) Shir Bareket (The Jewel Song) Vayiven Uziyahu (Uzziah Built Towers) Shorashim (Roots) Am Echad (One Nation) L’zaracha (For Your Children) Down in the Garden Tsipor Shniya (The Bird of a Fleeting Moment) The Colors of Jerusalem Lo Yare’u Martha Rock Birnbaum Timeless Jewish Songs Shabbat Hamalka Tumbalalaika Eliahu Hanavi Rozhinket Mit Mandlen Der Regge Elimeylekh Bamidbar Chiri Biri Bim Adio Kerida Los Bibilicos Finjan V’shamru Oyfn Pripetshik Adon Olam Zog Nit Keyn Mol! Miserlu Shir Noded / Hatikva Esta Home Made World Tekia, Shevarim, Terua Black Sheep Our Hope Nights in White Satin Till Dawn I Still Haven’t Found What I’m Looking For The Kite A Word Armenian Draem (Offering) Fatma Morgana Yearning Lament Magda Fishman Massa U’Mattan Beleilot Hakaitz Hachamin Shnei Shoshanim Arba Lifnot Boker Ve’ulay Hayalda Hachi Yafa Bagan My Funny Valentine Osseh Shalom Balada Le’isha Yedid Nefesh Samba Chick What Are You Doing the Rest of Your Life? Eretz Zavat Chalav U’devash Ofra Fuchs Like a Wheel -
Happy Hanukkahhanukkah
The National Jewish Post &Opinion Volume 76, Number 6 • December 2, 2009 • 15 Kislev 5770 Two Dollars www.jewishpostopinion.com HappyHappy HanukkahHanukkah Art by John Domont NAT 2 December 2, 2009 Hunger is increasing around the world About the Cover and one billion people go hungry every Editorial Shabbat Shalom day. We give thanks for the blessings in Hanukkah 5770 our lives, but let us also help others find I encourage you to take notice of the BY RABBI JON ADLAND blessing in their lives as well. It is not front cover art of this issue and also the John Domont speaking about his art, November 20, 2009, Toldot an unreasonable goal to think that the one for the next issue, Dec. 16. They light, and Hanukkah: (Genesis 25:19–28:9), 3 Kislev 5770 people of this world and the governments were specially created just for you, dear It is said that although who manage the resources can find a way readers, by artist John Domont. If you this is the physically Next Thursday we celebrate to eliminate hunger. The goal may be a like the art, be sure to visit his Web site darkest time of the Thanksgiving. Many of us will gather decade or two away, but that doesn’t www.domontgallery.com and/or email year, it is the time of with family or friends for a meal, some mean we shouldn’t try to find a way today John at [email protected] to greatest spiritual light! football, a warm fire, and a quiet day of to keep 16,000 children around the world thank him for his beautiful work. -
The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles
http://oac.cdlib.org/findaid/ark:/13030/kt2r29q890 No online items Finding Aid for the The Dick Crum Collection 1950-1985 Processed by Ethnomusicology Archive Staff. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the The Dick Crum 2007.01 1 Collection 1950-1985 Descriptive Summary Title: The Dick Crum Collection, Date (inclusive): 1950-1985 Collection number: 2007.01 Extent: 42 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Dick Crum (1928-2005) was a teacher, dancer, and choreographer of European folk music and dance, but his expertise was in Balkan folk culture. Over the course of his lifetime, Crum amassed thousands of European folk music records. The UCLA Ethnomusicology Archive received part of Dick Crum's personal phonograph collection in 2007. This collection consists of more than 1,300 commercially-produced phonograph recordings (LPs, 78s, 45s) primarily from Eastern Europe. Many of these albums are no longer in print, or, are difficult to purchase. More information on Dick Crum can be found in the Winter 2007 edition of the EAR (Ethnomusicology Archive Report), found here: http://www.ethnomusic.ucla.edu/archive/EARvol7no2.html#deposit. Language of Material: Collection materials in English, Croatian, Bulgarian, Serbian, Greek Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Projections of Musical Jewishness: Composers of Hollywood's Golden Age Permalink https://escholarship.org/uc/item/2500c312 Author Fruchtman, Aaron Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Projections of Musical Jewishness: Composers of Hollywood’s Golden Age A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Aaron J. Fruchtman August 2016 Dissertation Committee: Dr. Byron Adams, Chairperson Dr. Walter Aaron Clark Dr. Michael Alexander Dr. Daniel Goldmark Copyright by Aaron J. Fruchtman 2016 The Dissertation of Aaron J. Fruchtman is approved: ______________________________________________ ______________________________________________ ______________________________________________ ______________________________________________ Committee Chairperson University of California, Riverside Acknowledgements Despite locking myself away from the world to write this dissertation, I was supported by many individuals and institutions. I am grateful to my committee chair, Dr. Byron Adams, who always believed in my scholarly vision and made me want to become a musicologist. I am also grateful to my committee members: Profs. Walter Clark, Michael Alexander, and Daniel Goldmark. Each of you has made yourselves available to me over this journey and I am profoundly thankful for your words of wisdom. Two archivists deserve special praise: I would like to thank James D’Arc at Brigham Young University who shares my passion for the music of Max Steiner and made my visit to Provo most productive. At the University of Southern California, Edward Comstock constantly fielded my questions and requests and had time for wonderful conversations about our favorite Golden Age film composers. -
Download Liner Notes
Cover Art CHARLES DAVIDSON LinerNts_Davidson 9436.indd 1 12/17/04 1:37:14 PM A MESSAGE FROM THE MILKEN ARCHIVE FOUNDER Dispersed over the centuries to all corners of the earth, the Jewish people absorbed elements of its host cultures while, miraculously, maintaining its own. As many Jews reconnected in America, escaping persecution and seeking to take part in a visionary democratic society, their experiences found voice in their music. The sacred and secular body of work that has developed over the three centuries since Jews first arrived on these shores provides a powerful means of expressing the multilayered saga of American Jewry. My personal interest in music and deep abiding commitment to synagogue life and the Jewish people united as I developed an increasing appreciation for the tremendous diversity of music written for or inspired by the American Jewish experience. Through discussions with contemporary Jewish composers and performers during the 1980s, I realized that while much of this music had become a vital force in American and world culture, even more music of specifically Jewish content had been created, perhaps performed, and then lost to current and future generations. Believing that there was a unique opportunity to rediscover, preserve, and transmit the collective memory contained within this music, the Milken Archive of American Jewish Music was founded in 1990. The passionate collaboration of many distinguished artists, ensembles, and recording producers has created a vast repository of musical resources to educate, entertain, and inspire people of all faiths and cultures. The Milken Archive of American Jewish Music is a living project, one that we hope will cultivate and nourish musicians and enthusiasts of this richly varied musical genre. -
Shalom Jan 2013.Indd
Jewish Federation of Reading Non-Profit Organization Jewish Cultural Center U.S. Postage PAID PO Box 14925, Reading, PA 19612-4925 Permit No. 2 www.ReadingJewishCommunity.org Reading, PA Change Service Requested SHALOM The Journal of the Reading Jewish Community. Published as a community service by the Jewish Federation of Reading, Pa. Volume 43, No. 2 FEBRUARY 2013 SHEVAT-ADAR 5773 2012 Jewish Community Campaign raises $615,502 First year-to-year increase in more than a decade! Federation Board Chairman Al Katz Match Challenge for new or increased gifts announced that the 2012 Jewish Community added excitement and momentum to the Campaign raised $615,414. The total was 4.5 Campaign.” Free Jewish percent more than the 2011 Campaign. This “Because of the higher degree of personal books for was the fi rst year-to-year increase in the fund involvement by our leadership team and the kids available since the 1990s. match for new and increased gifts we had a throughA local Federation President Tammy Mitgang wonderful response this year” said Paul Landry, connectionFederation to credited two major reasons for the increase. Director of Development, for the Federation. Newtown “Our dynamic team of Co-Chairs, Howard “Of our 461 total donors, 59 were new donors Page 3 and Victoria Hafetz and Sandy Solmon and and 131 previous donors increased their gifts. Page 9 Douglas Messinger, invested a great deal of The full $30,000 amount of the Challenge was time and effort into this campaign and helped reached — and surpassed”, he continued. From left, Howard Hafetz, Sandy Solmon, Douglas pave the way for its success. -
Synagogues Are Not Rushing to Reopen, Even As Vaccines Are Making
Washtenaw Jewish News Presort Standard In this issue… c/o Jewish Federation of Greater Ann Arbor U.S. Postage PAID 2939 Birch Hollow Drive Ann Arbor, MI Learning Visiting Ann Arbor Ann Arbor, MI 48108 Permit No. 85 to Pray Art in Film Outside Person Festival Again Schedule page 9 page 14 page 16-17 May 2021 lyar/Sivan 5781 Volume XX Number 9 FREE Jewish Federations work with growing movement for religious diversity in Israel Stephanie Glass, special to the WJN ince 2017, the Jewish Federations of viet Union or those who converted outside North America has worked to ad- the chief rabbinate, or if they are a same-sex Svance religious freedom for Israeli couple. This results in countless numbers of Jews through the Israel Religious Expression Israeli Jews being unable to legally wed. Platform (iRep). This consortium of Federa- In the past five years, iRep and its grant- tion communities supports Israeli organiza- ees have worked to grow a niche movement tions addressing religious civil rights in Israel. to a majority-supported cause. Through Greater Ann Arbor’s Federation was one of the public marketing campaigns highlighting first twenty-six Federations to join iRep and we Israeli Jewish couples who chose to marry continue to support its efforts in such matters outside the rabbinate and providing finan- as creating options for civil marriage in Israel cial support to organizations offering alter- and promoting equality for all streams of Ju- native lifecycle services, iRep has created a daism. groundswell of public support for marriage In March, North American Jewish com- choice. -
Composers of Hollywood's Golden Age a Dissertation Submi
UNIVERSITY OF CALIFORNIA RIVERSIDE Projections of Musical Jewishness: Composers of Hollywood’s Golden Age A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Aaron J. Fruchtman August 2016 Dissertation Committee: Dr. Byron Adams, Chairperson Dr. Walter Aaron Clark Dr. Michael Alexander Dr. Daniel Goldmark Copyright by Aaron J. Fruchtman 2016 The Dissertation of Aaron J. Fruchtman is approved: ______________________________________________ ______________________________________________ ______________________________________________ ______________________________________________ Committee Chairperson University of California, Riverside Acknowledgements Despite locking myself away from the world to write this dissertation, I was supported by many individuals and institutions. I am grateful to my committee chair, Dr. Byron Adams, who always believed in my scholarly vision and made me want to become a musicologist. I am also grateful to my committee members: Profs. Walter Clark, Michael Alexander, and Daniel Goldmark. Each of you has made yourselves available to me over this journey and I am profoundly thankful for your words of wisdom. Two archivists deserve special praise: I would like to thank James D’Arc at Brigham Young University who shares my passion for the music of Max Steiner and made my visit to Provo most productive. At the University of Southern California, Edward Comstock constantly fielded my questions and requests and had time for wonderful conversations about our favorite Golden Age film composers. Likewise, thank you to Sandra Garcia-Myers at USC’s Cinematic Archive and Brett Service at USC’s Warner Bros. Archives for locating the numerous items I requested. Additionally, I would like to thank the staff of the Margaret Herrick Library, Syracuse University Libraries, American Heritage Center at the University of Wyoming, and University of California, Los Angeles Performing Arts Special Collections. -
2.11 MULTIPLE LANGUAGES Chava Alberstein Et Al the Hidden Gate
2.11 MULTIPLE LANGUAGES Chava Alberstein et al The Hidden Gate: Jewish Music Around the World Disc One: Israel and the Sepaharic World The Secret Garden El sueno de la hija del rey Ayelet Chen Esta Montanhya D’enfrente Mama Psalm 121 Eischet Chayil Ken Supiesse Y Entendiesse Chairi Khudo Yar Nadoram Through the Mist of Your Eyes Yal Maalem / Kelbi Razahi Chemch El Achi Opening the Ark Disc Two: The Ashkenaz World A Glezl Shnaps Shprayz Ikh Mir Oy, S’iz Gut Borsht Drey Dreydele Di Krenitse Black Cat Sirbe en re minor Chicken Dem Tsadiks Zemerl S’Iz Geven a Zumertog Freilach - Choro Alle Brider Bruce Berger Rebbe Soul: Fringe of Blue Prelude My Soul Thirsts for You Jerusalem of Gold A Narrow Bridge Avinu Call to Freedom Brothers Sitting Together Tum Balalaika The Hope Avinu (electric version) Moishele’s Nigun Prayer for Peach Baynoni Long Ago in the Desert Habonim Youth Choir & March of the Living Participants Songs for Marcah of the Living April Wind (For You Who Died I Must Live On) Eli, Eli (A Walk to Caesaria) Yisrolek Ani Maamin Requiem for the Warsaw Ghetto We Rise Again Amen Hashivenu Wall of Sorrow White Flowers Oseh Shalom Lay Down Your Arms Sylvie Braitman, Mezzo Soprano Still Light: Yiddish and Ladino Art Songs Shoshana Damari Israeli, Yiddish, Yemenite & Other Folk Songs Erev Ba (Evening Has Come) Aman Dermendji (The Girl and the Miller) Bo’a Dodi (Come, My Loave) Yome, Yome Sha’on Ben Chayil (Such a Stalwart Clock) Mah Tovu (How Goodly Are Your Tents) Foye Verde (Green Lemon Leaf) Dahla Ayunik (By Your Eyes) Hiney Achalela (I Will Play My Flute) Shedemati (My Field) Dumam (Stillness) Elohim Eshala (I Will Ask of the Lord) Viva Jujuy (Hail the Jujuy) Es Brent (It Burns) Ali Ha’esh (Rise, Oh Flame) Ey Tzidkekh? (Where Is Your Justice?) Se’I Yona (Go Forth, My Dove) Oda Le’Eyli (Glory to God) Yismach Har Tzion (Mt. -
View the Evening's Program and Song Texts
RUTH RUBIN’S LEGACY OF YIDDISH SONG A concert in celebration of YIVO Institute the work of Ruth Rubin for Jewish Research and the Ruth Rubin Legacy Located in the Center for Jewish History 15 West 16th Street, NYC online exhibition CO-SPONSORED BY The Center for Traditional Music December 23, 2018 · 7:00pm and Dance AND Yiddish New York Ruth Rubin’s Legacy of Yiddish Song A concert in celebration of the work of Ruth Rubin and the Ruth Rubin Legacy online exhibition with the voice faculty of Yiddish New York and special guests Michael Alpert • Eléonore Biezunski • Nicole Borger • Joanne Borts • Efim Chorny Susan Ghergus • Sarah Mina Gordon • Itzik Gottesman • Daniel Kahn • Janet Leuchter Jeanette Lewicki • Sasha Lurje • Cindy Rivka Marshall • Ethel Raim • Polina Shepherd Jake Shulman-Ment • Lorin Sklamberg • Mark Slobin • Simon Spivack Deborah Strauss • Josh Waletzky • Cantor Jeff Warschauer Ruth Rubin dedicated her life to the Yiddish folksong as a collector, scholar, and performer. She has left a treasure of sound recordings that will inspire future generations to cherish this glorious tradition.” – BARBARA KIRSHENBLATT-GIMBLETT The Ruth Rubin archive opens up the vast treasure house of Yiddish folk song not in the language of revivalists, but in the plain and powerful singing of people brought up to sing for themselves, with groups of friends, at social and political events in the days when Yiddish was a natural tongue of expression, sentiment, memory, and belonging. For the first time, you can both feel the atmosphere and learn the nuances of a tradition that went brutally out of circulation. -
Klezmer: Micro-Perspectives on a Macrocosm Klezmer: Micro-Perspectives on a Macrocosm
KLEZMER: MICRO-PERSPECTIVES ON A MACROCOSM KLEZMER: MICRO-PERSPECTIVES ON A MACROCOSM By JORDAN NEWMAN, B.Mus. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment ofthe Requirements for the Degree Master of Arts McMaster University © Copyright by Jordan Newman, September 2002 MASTER OF ARTS (2002) McMaster University (Music Criticism) Hamilton, Ontario TITLE: Klezmer: Micro-Perspectives on a Macrocosm AUTHOR: Jordan Newman, B.Mus. (McGill University) SUPERVISOR: Professor K. Kinder NUMBER OF PAGES: vi, 98 11 Abstract Only very recently have scholars embarked on tapping the potentially rich wellspring of Jewish heritage music called klezmer. Since its revitalization starting in the 1970s, klezmer has effectively leaped from obscurity to institutionalization in a transformation of remarkable speed. Its vast appeal now testifies to the significance it bears in a myriad of cultural and social spheres-anything from religion and literature to consumerism and tourism. However, because klezmer remains a relatively new area of study, only the major centers of musical activity have enjoyed the privilege of serious observation and theorization. This thesis attempts to examine klezmer at a more intimate level, in some of the localities that have been, as yet, unexplored, but which maintain a vital position in the continuity and life of the music and its culture. An overview ofklezmer, its revival, its contemporary context, and some of its key theoretical issues is followed by an investigation into the heart of its educational establishments-known colloquially as klezmer camps. These institutions allow for a practical application of the concept of the "hyper-real" proposed by French theorist Jean Baudrillard, since their foundations and structures, which often strive to simulate an older tradition, create instead a new kind of culture with an elusive underpinning. -
Singing Songs of the Polish-Jewish Underworld
Singing Songs of the Polish-Jewish Underworld Between Pre-World War Two Street Music and 21st Century Performance A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Izabella S Goldstein School of Arts, Languages and Cultures 1 Table of contents LIST OF FIGURES ............................................................................................................................. 6 LIST OF MUSICAL EXAMPLES ........................................................................................................... 6 ABSTRACT ...................................................................................................................................... 7 DECLARATION ................................................................................................................................ 8 COPYRIGHT STATEMENT ................................................................................................................. 8 ACKNOWLEDGEMENTS ................................................................................................................... 9 INTRODUCTION ............................................................................................................................ 12 RESEARCH AIM AND QUESTIONS .............................................................................................................. 13 STATE OF CURRENT RESEARCH ................................................................................................................