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FORMULA 1 UNITED STATES GRAND PRIX 2020 Fan Experience Packages
22 ‑25 OCTOBER 2020 FORMULA 1 UNITED STATES GRAND PRIX 2020 Fan Experience Packages The 2020 calendar has not yet been confirmed race and ticket packages are subject to FIA approval Austin, Texas AUSTIN TEXAS As a city that dances to the beat of its own drum, Austin is home to over 1,900 bands and performing artists. With music filling the streets and art spreading across the many neighborhoods, a weekend in Austin will be a new adventure in the Lone Star State. Austin provides ample opportunity to explore all aspects of fun through outdoor recreation, shopping, food and music. Take an afternoon to hit the trails around Austin through the 10-mile Ann and Roy Butler Hike and Bike trail, more commonly known as “The Trail”, or even wander through Austin’s very own ‘Cathedral of Junk’ in the Bouldin Creek neighborhood. You can also visit one of the 200 parks in Austin to see green grass and blue skies such as the Ziller Park located in the city center. The city is also known for diners that hold onto the perfection of combining brunch with bars. Many of these cowboy cafes include omelets, mimosas, or even corndogs to fill your palate on late mornings. Attend the 2020 United States Grand Prix at Circuit of The Americas with F1 Experiences, the Official Experience, Hospitality & Travel Programme of Formula 1, with access including driver meet-and-greets, Exclusive Pit Lane Walks and more! AUSTIN 2 SEATING CHART TURN 4 Uncovered – Bleacher Starter & Racer Packages 11 TURN 1 LOWER | TURN 15 Uncovered – Seat‑Back Trophy Packages MAIN GRANSTAND -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Exploiting Intellectual Property Assets: Overview of Licensing, Franchising and Merchandising
Exploiting Intellectual Property Assets: Overview of Licensing, Franchising and Merchandising Training of the Trainers Program on Effective Intellectual Property Asset Management by Small and Medium Sized Enterprises (SMEs) WIPO & IPOM, Mongolia Ulaanbaatar, October 8 to 10, 2013 Susanna H.S. LEONG Associate Professor & Vice Dean NUS Business School, National University of Singapore Commercial exploitation of a trade mark • Commercial exploitation of a trade mark generally takes the form of either an assignment or a licence of the mark by the trade mark proprietor. • These two forms of commercial exploitation may appear similar at times but they are in fact quite distinct. • Simply put, an assignment of a trade mark involves an outright sale under which there is a one-off transfer of the personal property in the trade mark to the new owner. • Thereafter, the original trade mark proprietor (the assignor) ceases to have any rights over the trade mark. • In contrast, a licence of a trade mark involves only a granting of a limited right to use the mark (duration of use and geographical restrictions) by the trade mark proprietor to a particular person or persons. Assignment of a Trade Mark • A registered trade mark is assignable and transmissible in the same way as other personal or movable property, and is so assignable or transmissible either in connection with the goodwill of a business or independently. • An assignment of a registered trade mark is essentially a contract under which property rights in the trade mark are transferred from the trade mark proprietor (assignor) to the new owner (assignee) and contract law applies to issues such as formation of contract, terms and conditions, discharge of contractual obligations and remedies for breach. -
Tata Motors Annual Report
68th Annual Report 2012-13 CONTENTS FINANCIAL HIGHLIGHTS FINANCIAL STATEMENTS 36 Financial Performance Standalone Financial Statements 40 Summarised Balance Sheet 116 Independent Auditors’ Report and Statement of Profit and 120 Balance Sheet Loss Standalone 121 Profit and Loss Statement 42 Summarised Balance Sheet and Statement of Profit and 122 Cash Flow Statement Loss Consolidated 124 Notes to Accounts 44 Fund Flow Statement Consolidated Financial Statements 160 Independent Auditors’ Report STATUTORY REPORTS 162 Balance Sheet 45 Notice 163 Profit and Loss Statement 52 Directors’ Report 164 Cash Flow Statement 66 Management Discussion and 166 Notes to Accounts Analysis CORPORATE OVERVIEW Subsidiary Companies 98 Report on Corporate 02 Corporate Information Governance 197 Financial Highlights 03 Mission, Vision and Values 115 Secretarial Audit Report 200 Listed Securities 04 Chairman’s Statement 201 Financial Statistics 08 Board of Directors 12 Delivering Experiences Attendance Slip & Proxy Form 14 Key Performance Indicators 16 Products and Brands 18 Global Presence 20 Milestones 22 Driving Accountability 24 Focusing on Customers & Products 26 Emphasising Excellence 28 Delivering with Speed 30 Sustainability 34 Awards and Achievements ANNUAL GENERAL MEETING Date: Wednesday, August 21, 2013 Time: 3.00 p.m. Venue: Birla Matushri Sabhagar, 19, Sir Vithaldas Thackersey Marg, Mumbai 400 020 ANTICIPATING NEEDS. DELIVERING EXCITEMENT. At Tata Motors, we believe that our Our renewed commitment to these mobility needs of our customers. We are strengths stem from an organisation- pillars drives us to achieve our mission engaging with them at our dealerships wide culture which rests on four of anticipating and providing the best and adopting processes to ensure that pillars – Accountability, Customer & vehicles and experiences to excite our industry-leading practices form a key part Product Focus, Excellence and customers. -
Arto Chapter1.Pdf
CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K III FOR THE LOVE OF MY LIFE PAM MY AMAZING FAMILY PETER “BUCK” LAIRD AND THE OLD MIRAGE GANG CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K V HISTORY I always felt my artistic inter- est and skill was inherited, but MISTER DARK AND MOODY I never knew to what depth until recently. I had seen many of my grand- mother Eastman’s watercolor paintings, and had traced over many car and motorcycle dra- wings of my Dad’s when I was younger. My mother was always doing something creative, and today paints better with oils and pastels than I ever will. It seems both sides of the family brought a piece to the table. It wasn’t until George Eastman contacted me through the “Ninja Turtles” web site in the PHOTO BY SYDNEY late ‘90s to confirm some facts for the Eastman family geneal- ogy web site that he was build- ing, did I get the full picture. It was there I first discovered Seth Eastman. Here are some of my favorite drawings, and ONE OF MY FIRST COVERS FOR CLAY GEERDES the man himself. HIGH SCHOOL MURAL CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD 4 T M N T B O O K MY NEW HERO Arguably, the foremost pictorial of the American Indian, Seth Eastman was born in Brunswick, Maine on January 24, 1808. -
Naamsa Industry New Sales
Jul 2019 Industry New Vehicle sales Total Vehicles by Manufacturer RSA Export TOYOTA 10 142 4 689 VOLKSWAGEN GROUP SA 7 617 2 927 NISSAN 4 820 716 FMC 4 289 9 253 HYUNDAI AUTOMOTIVE SOUTH AFRICA 2 787 ISUZU MOTORS SOUTH AFRICA 2 125 281 RENAULT 2 048 KIA SOUTH AFRICA 1 599 SUZUKI AUTO 1 577 1 MERCEDES-BENZ SA ** 1 537 9 495 BMW GROUP 1 284 6 788 MAZDA SOUTHERN AFRICA 1 065 HAVAL MOTORS SA 993 12 MAHINDRA 733 VOLVO GROUP SOUTHERN AFRICA 558 61 HONDA 398 25 JAGUAR LAND ROVER 343 OPEL 304 SCANIA 255 3 MAN 215 1 VOLVO CARS 186 MITSUBISHI MOTORS SA 184 26 PORSCHE ** 164 FCA SOUTH AFRICA 134 3 PCSA 125 IVECO 124 9 FAW TRUCKS 120 7 TATA 110 SUBARU 84 JMC 54 POWERSTAR 36 BABCOCK 24 VECV SOUTH AFRICA 21 SCUDERIA SOUTH AFRICA 9 BENTLEY ** 7 MASERATI SOUTH AFRICA 5 LAMBORGHINI SOUTH AFRICA ** 1 INDUSTRY TOTAL 46 077 34 297 Market Totals by Manufacturer Passenger Light Medium CV Heavy CV Extra Heavy CV Bus CV < 3501kg 3501-8500kg 8501-16500kg > 16500kg > 8500kg RSA Export RSA Export RSA Export RSA Export RSA Export RSA Export TOYOTA 4 739 195 5 008 4 494 234 125 36 VOLKSWAGEN GROUP SA 7 088 2 927 461 68 NISSAN 1 755 3 065 716 FMC 2 019 6 2 266 9 247 4 HYUNDAI AUTOMOTIVE SOUTH AFRICA 2 532 235 20 ISUZU MOTORS SOUTH AFRICA 96 2 1 723 276 160 3 130 16 RENAULT 2 034 14 KIA SOUTH AFRICA 1 395 204 SUZUKI AUTO 1 484 1 93 MERCEDES-BENZ SA ** 945 9 489 113 168 4 47 2 251 13 BMW GROUP 1 284 6 788 MAZDA SOUTHERN AFRICA 1 039 26 HAVAL MOTORS SA 805 5 188 7 MAHINDRA 396 337 VOLVO GROUP SOUTHERN AFRICA 100 22 451 39 7 HONDA 398 25 JAGUAR LAND ROVER 343 OPEL 272 -
Emergence of CNG As a Sustainable Transport Fuel - an Indian Experience
Emergence of CNG as A Sustainable Transport Fuel - An Indian Experience Prashant K Banerjee 7th May 2014 NGV Global/ACT Expo , Long Beach, CA © Copyright, Confidential, Tata Motors Ltd Slide 1 TATA Group Profile A Global Business Group with Products and Services in over 150 Countries. Group Revenue of $ 96.8 bn with 63% generated from abroad. Over 540,000 Employees and Operations in over 100 countries. Group of over 100 operating companies in 7 business sectors Global Ranking India Ranking © Copyright, Confidential, Tata Motors Ltd Slide 2 TATA Motors Profile India’s largest Automobile Company- $34.7 bn Revenue World’s 4th largest Truck manufacturer World’s 5th largest Bus manufacturer Owner of two British Iconic brand Jaguar & Land Rover 6,600 touch points – Sales, Service & Spare parts 11 manufacturing plant across India & worldwide © Copyright, Confidential, Tata Motors Ltd Slide 3 TATA Motors Portfolio Passenger Cars & Buses Light & Heavy Duty Trucks Cars & SUV Pickups & UV Vans & School Trucks Buses City & Intercity Construction & Buses Defence 4 to 65 Powered with 0.5 to 75 seaters 11 to 380 HP Tonner © Copyright, Confidential, Tata Motors Ltd Engine Slide 4 TML Global Presence in Passenger Vehicles ECUADOR EGYPT, MOROCCO ALGERIA EU UKRAINE RUSSIA IRAQ & SYRIA INDICA Variants INDICA Variants INDICA Variants & NIGERIA ARIA VISTA Variants INDICA ARIA VISTA Variants VISTA Variants Variants VISTA Variants MANZA Variants VISTA Variants NANO MANZA Variants MANZA Variants ARIA MANZA ARIA Variants MANZA Variants ARIA SAFARI NANO SAFARI -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Tml-Sustainability-Report-2014-2015
SustaiNe t Driving Sustainability Today and in Future Amidst a changing and volatile world business environment, we at Tata Motors seek to drive innovation across policies, processes and products to ensure sustainable growth. Continuing with our HorizoNext strategy for the second consecutive year, we remained committed to our customer centric approach. We have laid greater emphasis on the HorizoNext pillars to enhance fuel economy and connectivity, continuously improve our performance, achieve next level in design, and create better driving experiences. This has resulted in providing best vehicle experience by adopting next generation approach in the products we offer, our manufacturing quality and sale & service touch points. Sustainability continues to be at the core of our value system to conduct business in a manner that meets our ambitions and needs of stakeholders thereby creating a long-term value. We have further strengthened our focus to deliver our sustainability commitments through the ‘SustaiNext’ platform. As we move ahead, we commit to progress to the next level in our sustainability journey. SustaiNe t Driving Sustainability Today and in Future Amidst a changing and volatile world business environment, we at Tata Motors seek to drive innovation across policies, processes and products to ensure sustainable growth. Continuing with our HorizoNext strategy for the second consecutive year, we remained committed to our customer centric approach. We have laid greater emphasis on the HorizoNext pillars to enhance fuel economy and connectivity, continuously improve our performance, achieve next level in design, and create better driving experiences. This has resulted in providing best vehicle experience by adopting next generation approach in the products we offer, our manufacturing quality and sale & service touch points. -
69Th Annual Report 2013-14
69TH ANNUAL REPORT 2013-14 04 WHAT’S INSIDE CORPORATE OVERVIEW STATUTORY REPORTS 02 Corporate Information 44 Notice 03 Mission, Vision and Values 53 Directors’ Report 04 Chairman’s Message 69 Management Discussion & Analysis 08 Board of Directors 104 Corporate Governance 12 Tata Motors at a Glance 14 Major Launches during the Year 125 Secretarial Audit Report Chairman’s Message 16 Presence across Markets FINANCIAL STATEMENTS To ensure long-term competitiveness of 18 The NEXT Level in Design Tata Motors, the company also took several Standalone Financial Statements steps under the Horizonext strategy. 20 The NEXT Level in Driving 126 Independent Auditors’ Report Experiences 130 Balance Sheet 22 The NEXT Level in Fuel Economy 131 Statement of Proft and Loss 24 The NEXT Level in Connectivity 132 Cash Flow Statement 26 Corporate Social Responsibility at 14 Tata Motors 134 Notes to Accounts 30 Awards and Accolades Consolidated Financial Statements 32 Financial Performance 170 Independent Auditors’ Report 36 Summarised Balance Sheet and 172 Balance Sheet Statement of Proft and Loss 173 Statement of Proft and Loss (Consolidated) 174 Cash Flow Statement 38 Summarised Balance Sheet and Major Launches during the Year Statement of Proft and Loss 176 Notes to Accounts Our products represent the Horizonext (Standalone) Subsidiary Companies philosophy with best-in-class oferings. 40 Funds Flow - Last Five Years 207 Financial Highlights 41 Financial Statistics 210 Listed Securities issued by Subsidiary Companies during 30 FY 2013-14 ANNUAL GENERAL MEETING Date Time Thursday, July 31, 2014 3.00 p.m. Awards and Accolades Venue Range Rover Sport won the SUV of the Year Birla Matushri Sabhagar, 19, Sir Vithaldas Thackersey Marg, Mumbai 400 020 award by Top Gear magazine in the UK, EVO in MENA, Car and Drive in China.