Exploiting Intellectual Property Assets: Overview of Licensing, Franchising and Merchandising
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ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Arto Chapter1.Pdf
CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K III FOR THE LOVE OF MY LIFE PAM MY AMAZING FAMILY PETER “BUCK” LAIRD AND THE OLD MIRAGE GANG CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K V HISTORY I always felt my artistic inter- est and skill was inherited, but MISTER DARK AND MOODY I never knew to what depth until recently. I had seen many of my grand- mother Eastman’s watercolor paintings, and had traced over many car and motorcycle dra- wings of my Dad’s when I was younger. My mother was always doing something creative, and today paints better with oils and pastels than I ever will. It seems both sides of the family brought a piece to the table. It wasn’t until George Eastman contacted me through the “Ninja Turtles” web site in the PHOTO BY SYDNEY late ‘90s to confirm some facts for the Eastman family geneal- ogy web site that he was build- ing, did I get the full picture. It was there I first discovered Seth Eastman. Here are some of my favorite drawings, and ONE OF MY FIRST COVERS FOR CLAY GEERDES the man himself. HIGH SCHOOL MURAL CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD 4 T M N T B O O K MY NEW HERO Arguably, the foremost pictorial of the American Indian, Seth Eastman was born in Brunswick, Maine on January 24, 1808. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Also Make the Heavens
Skrifter utgivna av Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala Publications from the Section for Sociology of Literature at the Department of Literature, Uppsala University 60 Also Make the Heavens 1 2 Svante Lovén Also Make the Heavens Virtual Realities in Science Fiction Uppsala 2010 Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala The Section for Sociology of Literature at the Department of Literature, Uppsala University 3 Parts of the second chapter have previously been published in “Even better than the real thing? Counterfeit realities and twentieth century dystopian fic- tion”, Human IT. Tidskrift för studier av IT ur ett humanvetenskapligt per- spektiv, 2–3, 2001, pp. 233-289. Cover photograph by the author. Cover design by Martin Högvall. Printed at Kph Trycksaksbolaget, Uppsala, 2010. Copyright © Svante Lovén 2010 ISSN 0349-1145 ISBN 978-91-88300-49-2 4 Till Elisabeth, Magnus och Anna 5 6 Contents Acknowledgements 9 Introduction 11 1. The charm and danger of the illusion 1. Introduction 29 2. The seductive image and the weakness of our nature Plato 31 Christian iconophobia 34 The illusion as witchcraft: Two Renaissance allegories 39 3. The human demiurge The celebration of illusionist art 43 The man-made world and the dream of order 47 The Romantic poet as creator god 55 4. The technological spectacle Romantic mistrust of technology 59 The virtual reality of the panorama 60 The virtual reality as decadence: J.K. Huysmans’ Against Nature 70 2. The humanist reaction 1. The terror of direct experience 79 E.M. Forster, “The Machine Stops” 80 2. Escape of the masses The threat of film 84 Aldous Huxley, Brave New World 86 3. -
2013 Conference Speaker List As of 11/01/2013
2013 Conference Speaker List As of 11/01/2013 KEYNOTE SPEAKER: CORY EDWARDS CORY EDWARDS Cory Edwards made his feature film debut with Hoodwinked!, but he has already had a long career as a filmmaker. Involved in almost every creative area of the business for over twenty years, he has served as writer, director, producer, actor, animator, art director, and editor. Since his childhood “Super 8mm” days, Cory has been making movies. He shot everything from adventure serials to superhero comedies, complete with storyboards, miniatures, animation, and pyrotechnics. From grade school to college, Cory would turn any class project into a film or video project, sometimes winning national contests. He interned at an animation studio in Ohio during his collegiate summers. After college, Cory worked at a Tulsa production company, directing music videos and commercials. After founding Blue Yonder Films in 1995, Cory produced and acted in his brother’s feature debut, Chillicothe, an official selection of the Sundance Film Festival. Soon after, Cory and his brother Todd pitched a Red Riding Hood crime story to a private investor, and Hoodwinked! was born. Made totally outside of the studio system and for a tenth of the cost, the film was picked up by moguls Bob and Harvey Weinstein. Cory worked with the voice talents of Glenn Close, Anne Hathaway, Chazz Palminteri and Jim Belushi, and voiced the coffee-addicted squirrel, “Twitchy” himself. He also wrote two of the songs for the soundtrack. Hoodwinked! was one of the top grossing movies during its theatrical release in spring of 2006, and has since grossed over $150 million worldwide. -
'Teenage Mutant Ninja Turtles' Fills Gap for Comic Fans ~J
6 - MANCHESTER HERALD, Tuesday, May 15, 1984 'Teenage Mutant Ninja Turtles' fills gap for comic fans ~J DOVER, N.H. - "My name is Leonardo. weaned on Superman, when he was fighting We made a wrong turn somewhere. Now Brainiac and Lex Luthor, and for those who we're caught, our backs to the wall in this remember when The Justice League of trash strewn alley. Barring the way out are Monograph America had the Flash and J 'onn J'onzz 15 members of the Purple Dragons, the instead of Halo and Black Lightning, have toughest street gang on the east side. The Andy Oabilis today become self-parodies. Even D.C. '. only way they'lIl~t us out of here is if we're Comics, publishers of Superman, have DEAD! " United Press given up plot for fake dazzle and pop But the Purple Dragons - and kung fu International graphics. flicks, samurai movies, the karate craze Laird says they wanted to inject some " and all those comic books featuring self-effacing humor and retain high quality , adolescents exposed to strange rays art and story line in comjcs, which have turning them into superhero freaks - are come from a dime each to $1 .50, which used no match for the - "TEENAGE MUTANT intelligence by a mysterious radioactive to be more than enough to buy Playboy. NINJA TURTLES." ooze," and trained by a super-rat who They chose teens and martial arts Free lance illustrator Kevin Eastman learned karate and tlie way of the sword because "lately there's been a kind of has teamed with Peter Laird, 30, who has from a Japanese master. -
Pirate Website Shut Down by Coordinated Efforts of Department of Justice, FBI, Katten and Consortium of Comic Publishers
525 West Monroe Street Chicago, Illinois 60661 312.902.5200 tel 312.902.1061 fax For Immediate Release May 5, 2010 Contact: Jason Milch 312-846-9647 [email protected] Pirate Website www.Htmlcomics.com Shut Down by Coordinated Efforts of Department of Justice, FBI, Katten and Consortium of Comic Publishers LOS ANGELES – Comic book pirating website www.htmlcomics.com has been shut down and all of its servers confiscated, following an FBI search based on a warrant alleging criminal copyright infringement. The FBI investigation was performed in coordination with the U.S. Department of Justice, a consortium of comic publishers and their legal counsel, a team of Katten Muchin Rosenman LLP attorneys specializing in the areas of intellectual property, publishing and comics, as well as local counsel in Miami. Prior to the combined efforts of the consortium and the authorities, Htmlcomics was believed to have been the largest, best-known and most easily accessible website of its kind, producing rampant copyright infringement on a daily basis and depriving artists and publishers of hard-earned and much- needed revenue. By April 2010, the website claimed to have an average of 1.6 million visits per day and more than 6,630,021 pages of comic books offered for unrestricted viewing. Ridding the Internet of such a large source of pirated content is a major victory for the comic industry and the publishing industry in general. Htmlcomics creator Gregory Hart, 47, acquired pirated copies of more than 5,700 series of comics spanning every major comic publisher in the United States, and made them available for public viewing on his site. -
Women in the Comic Book Industry
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 6-5-2007 Working the Margins: Women in the Comic Book Industry Wesley Chenault Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Chenault, Wesley, "Working the Margins: Women in the Comic Book Industry." Thesis, Georgia State University, 2007. https://scholarworks.gsu.edu/wsi_theses/10 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. WORKING THE MARGINS: WOMEN IN THE COMIC BOOK INDUSTRY by WESLEY CHENAULT Under the Direction of Marian Meyers ABSTRACT Women have been involved in the writing, illustrating, and production of comic books at almost every step of the genre’s development. The years between the late 1960s and the late 1990s were tumultuous for the comic book industry. At the societal level, these years were saturated with changes that challenged normative ideas of sex roles and gender. The goal of this study is two-fold: it documents the specific contributions to the comic book industry made by the women interviewed, and it addresses research questions that focus on gender, change, and comic books. This project asks: What was the role and status of women in the comic book industry between the early 1970s and late 1990s? By utilizing moderately scheduled, in- depth interviews with women working in the comic book industry during this period, this study explores their experiences and treatment while working in an insular, male- dominated field. -
Comic Book Fandom
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2015-01-01 Comic Book Fandom: An Exploratory Study Into The orW ld Of Comic Book Fan Social Identity Through Parasocial Theory Anthony Robert Ramirez University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Mass Communication Commons Recommended Citation Ramirez, Anthony Robert, "Comic Book Fandom: An Exploratory Study Into The orldW Of Comic Book Fan Social Identity Through Parasocial Theory" (2015). Open Access Theses & Dissertations. 1131. https://digitalcommons.utep.edu/open_etd/1131 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. COMIC BOOK FANDOM: AN EXPLORATORY STUDY INTO THE WORLD OF COMIC BOOK FAN SOCIAL IDENTITY THROUGH PARASOCIAL THEORY ANTHONY R. RAMIREZ Department of Communication APPROVED: _____________________________ Roberto Avant-Mier, Ph.D., Chair _____________________________ Thomas Ruggiero, Ph.D. _____________________________ Brian Yothers, Ph.D. ___________________________ Charles Ambler, Ph.D. Dean of the Graduate School Copyright © by Anthony Robert Ramirez 2015 COMIC BOOK FANDOM: AN EXPLORATORY STUDY INTO THE WORLD OF COMIC BOOK FAN SOCIAL IDENTITY THROUGH PARASOCIAL THEORY by ANTHONY R. RAMIREZ B.F.A THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2015 ABSTRACT Comic books and their extensive lineup of characters have invaded all types of media forms, making comics a global media phenomenon that are having a wider profile in media and popular culture. -
Download PDF File
Graphic Novels, Manga, and Gaming For June 2020 Archie Comic Publications, Dark Horse Comics, DC Comics, Eaglemoss, IDW Publishing, Kodansha Comics, Kodansha USA, Square Enix, Wizards of the Coast, and including New York Review Comics, Pantheon Graphic Library, Ten Speed Press, Watson-Guptill, Quirk Books, The MIT Press, Strange Attractor Press, RH Childrens Books, and Penguin Young Readers For order forms, catalogs and more information, please visit: http://prhinternationalsales.com Archie Comic Publications | June 2020 https://www.edelweiss.plus/#sku=9781645769910&page=1 Archie Giant Comics Jump ARCHIE SUPERSTARS ARCHIE GIANT COMICS JUMP offers popular, proven full- color content at the same price and page count as most black-and-white mass-market paperbacks. This is the next volume of our new series of super-value Archie comics ARCHIE GIANT collections featuring 480 pages of stories in the same COMICS DIGESTS format as our #1 best-selling Archie Digest kids' magazine 978-1-64576-991-0 TR $9.99 series and 1000 Page Digest book series. Juvenile Fiction Archie Comics World Dark Horse Comics | June 2020 https://www.edelweiss.plus/#sku=9781506713847&page=1 Critical Role: The Chronicles of Exandria The Mighty Nein WRITTEN BY CRITICAL ROLE TEAM. This art collection features a variety of gorgeous illustrations from the Critical Role fan community paired with text by cast members. Encompassing the first half of Critical Role's second campaign, this tome illustrates the adventures of our unlikely heroes. This is a beautiful way to relive all your favorite moments from the hit show. 264 pages. 978-1-5067-1384-7 HC $44.99 Art Dark Horse Books World https://www.edelweiss.plus/#sku=9781506713762&page=1 The Art of the Last of Us Part II ART AND CAPTIONS BY NAUGHTY DOG Follow a brave and flawed young heroine's profound and dangerous journey by way of lovingly produced art and intimate creator commentary in a full-color hardcover volume.