2013 Conference Speaker List As of 11/01/2013
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Raise the Curtain
JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood. -
Atlanta Film Festival's Food on Film Event Pairs Marquee
FOR IMMEDIATE RELEASE: Press Contacts: Lindsay Corley, Allied Global Marketing (404) 975-4297; [email protected] Laura McLeod, Allied Global Marketing (404) 239-5428; [email protected] Ayana Fennell, Allied Global Marketing (404) 239-5421; [email protected] ATLANTA FILM FESTIVAL’S FOOD ON FILM EVENT PAIRS MARQUEE FILM THE BIGGEST LITTLE FARM WITH FARM BURGER ATLANTA, GA (March 28, 2019) — The Atlanta Film Festival’s annual foodie-favorite event, Food On Film, returns in 2019 with a marquee screening of the documentary feature THE BIGGEST LITTLE FARM, followed by an after party catered by grassfed burger restaurant Farm Burger, paying homage to the sustainable practices demonstrated in the film. The festival’s tastiest event by far, Food On Film will merge the food-themed movie with a delicious after party on Sunday, April 7, 2019, kicking off with a screening of THE BIGGEST LITTLE FARM at 12:00 PM at the Plaza Theatre. The family-friendly documentary from NEON follows a determined couple attempting to transform a depleted plot of land into a diverse, utopian farm outside of Los Angeles. Directly after the screening, ATLFF is proud to highlight Farm Burger’s commitment to sourcing ingredients from local farmers at the after party at the Highland Inn Ballroom Lounge. Attendees are invited to indulge in an array of farm-to-table menu items served up by the restaurant, all prepared utilizing sustainable, local and humane practices. 2019 ATLFF “Food On Film” Screening of THE BIGGEST LITTLE FARM Sunday, April 7, 2019 Screening Time: 12:00 PM Location: The Plaza Theatre (1049 Ponce De Leon Avenue Northeast, Atlanta, GA 30306) Cost: $13 for Film Only ticket/$23 for Film & Party ticket in advance Ɩ Free to badge-holders To Purchase Tickets, Click HERE. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
KOREY MICHAEL WASHINGTON Production Designer Cardioid-Oval-2Wz6.Squarespace.Com
KOREY MICHAEL WASHINGTON Production Designer cardioid-oval-2wz6.squarespace.com PROJECTS Partial List DIRECTORS PRODUCERS/STUDIOS THE WONDER YEARS Fred Savage 20TH TELEVISION / ABC Pilot Melissa Wylie, Saladin Patterson ALL AMERICAN Pilot & Series Various Directors WARNER BROS. / THE CW Art Director Lori-Etta Taub, Nkechi Okoro Carroll AMBITIONS Benny Boom OWN / WILL PACKER PROD. Pilot & Series Various Directors Dianne Ashford, Jamey Giddens, Will Packer HART OF THE CITY Leslie Small COMEDY CENTRAL Season 2 Kevin Hart, Dana Riddick, Joey Wells HOUSE OF PAYNE Tyler Perry TBS Seasons 6 & 7 Various Directors Roger Bobb, Ozzie Areu, Tyler Perry MILES AHEAD Feature Film Don Cheadle SONY PICTURES CLASSICS Art Director Daniel Wagner, Robert Ogden Barnum BELLE’S Ed Weinberger TV ONE Pilot & Series Suny B. Parker Ed Weinberger, Leo Lawrence TEEN WOLF Jeff Davis MTV Pilot Marty Adelstein RECTIFY Seasons 3 & 4 Stephen Gyllenhaal SUNDANCE CHANNEL Art Director Various Directors Marshall Persinger, Mark Johnson STOMP THE YARD 2: HOMECOMING Rob Hardy SCREEN GEMS Feature Film Dianne Ashford, Will Packer THINK LIKE A MAN Feature Film Tim Story SCREEN GEMS 2nd Unit Glenn Gainor, Will Packer, Rob Hardy DROP DEAD DIVA Seasons 1 - 3 Jamie Babbit LIFETIME Art Director Various Directors Robert J. Wilson, Josh Berman THE LENA BAKER STORY Ralph Wilcox AMERICAN WORLD PICTURES Feature Film Ralph Wilcox, Dennis Johnson PASTOR BROWN Rockmond Dunbar ARC ENTERTAINMENT Feature Film Charles Oakley, Shaun Livingston THREE CAN PLAY THAT GAME Samad Davis SONY PICTURES Feature Film Dianne Ashford, Will Packer, Rob Hardy TROIS: THE ESCORT Sylvain White COLUMBIA TRISTAR Feature Film Dianne Ashford, Rob Hardy, Will Packer PANDORA’S BOX Rob Hardy COLUMBIA TRISTAR Feature Film Will Packer, Gregory Anderson SPECIALS Partial List UNT MS. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Exploiting Intellectual Property Assets: Overview of Licensing, Franchising and Merchandising
Exploiting Intellectual Property Assets: Overview of Licensing, Franchising and Merchandising Training of the Trainers Program on Effective Intellectual Property Asset Management by Small and Medium Sized Enterprises (SMEs) WIPO & IPOM, Mongolia Ulaanbaatar, October 8 to 10, 2013 Susanna H.S. LEONG Associate Professor & Vice Dean NUS Business School, National University of Singapore Commercial exploitation of a trade mark • Commercial exploitation of a trade mark generally takes the form of either an assignment or a licence of the mark by the trade mark proprietor. • These two forms of commercial exploitation may appear similar at times but they are in fact quite distinct. • Simply put, an assignment of a trade mark involves an outright sale under which there is a one-off transfer of the personal property in the trade mark to the new owner. • Thereafter, the original trade mark proprietor (the assignor) ceases to have any rights over the trade mark. • In contrast, a licence of a trade mark involves only a granting of a limited right to use the mark (duration of use and geographical restrictions) by the trade mark proprietor to a particular person or persons. Assignment of a Trade Mark • A registered trade mark is assignable and transmissible in the same way as other personal or movable property, and is so assignable or transmissible either in connection with the goodwill of a business or independently. • An assignment of a registered trade mark is essentially a contract under which property rights in the trade mark are transferred from the trade mark proprietor (assignor) to the new owner (assignee) and contract law applies to issues such as formation of contract, terms and conditions, discharge of contractual obligations and remedies for breach. -
In Association with the Flynn Center Present
Spruce Peak Arts In Association with the Flynn Center Present Step Afrika! Welcome to the 2018-2019 Student Matinee Season! Today’s scholars and researchers say creativity is the top skill our kids will need when they enter the workforce of the future, so we salute YOU for valuing the educational and inspirational power of live performance. By using this study guide you are taking an even greater step toward implementing the arts as a vital and inspiring educational tool. We hope you find this guide useful and that it deepens your students’ connection to the material. If we can help in any way, please contact [email protected]. Enjoy the show! -Education Staff An immense thank you... Performances at Spruce Peak are supported by the Spruce Peak Arts Community & Education Fund, THe Arnold G. and Martha M. Langbo Foundation, the Lintilhac Foundation, the George W. Mergens Foundation, and the Windham Foundation. Additional funding from the SPruce PEak Lights Festival Sponsors: the Baird Family, Jill Boardman and Family, David Clancy, Dawn & Kevin D’Arcy, the DeStefano Family, the Laquerre-Franklin Family, the Gaines Family, the Green Family, Lauren & Jack Handrahan, Kristi & Evan Lovell, Heather & Bill Maffie, the Ohler Family, Sebastien Paradis, the Patch Family, the Rhinesmith Family, Grand Slam Tennis Tour, Carlos & Allison Serrano-Zevallos, Tyler Savage, Patti Martin Spence, Sidney Stark, Nancy & Bill Steers, and Ken Taylor. Thank you to the Flynn Matinee 2018-2019 underwriters: Northfield Savings Bank, Champlain Investment Partners, LLC, Bari and Peter Dreissigacker, Everybody Belongs at the Flynn Fund, Ford Foundation, Forrest and Frances Lattner Foundation, Surdna Foundation, TD Charitable Foundation, Vermont Arts Council, Everybody Belongs Arts Initiative of Burlington Town Center/Devonwood, Vermont Community Foundation, New England Foundation for the Arts, National Endowment for the Arts. -
Arto Chapter1.Pdf
CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K III FOR THE LOVE OF MY LIFE PAM MY AMAZING FAMILY PETER “BUCK” LAIRD AND THE OLD MIRAGE GANG CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD T M N T B O O K V HISTORY I always felt my artistic inter- est and skill was inherited, but MISTER DARK AND MOODY I never knew to what depth until recently. I had seen many of my grand- mother Eastman’s watercolor paintings, and had traced over many car and motorcycle dra- wings of my Dad’s when I was younger. My mother was always doing something creative, and today paints better with oils and pastels than I ever will. It seems both sides of the family brought a piece to the table. It wasn’t until George Eastman contacted me through the “Ninja Turtles” web site in the PHOTO BY SYDNEY late ‘90s to confirm some facts for the Eastman family geneal- ogy web site that he was build- ing, did I get the full picture. It was there I first discovered Seth Eastman. Here are some of my favorite drawings, and ONE OF MY FIRST COVERS FOR CLAY GEERDES the man himself. HIGH SCHOOL MURAL CLICK HERE FOR THE COMPLETE DIGITAL DOWNLOAD 4 T M N T B O O K MY NEW HERO Arguably, the foremost pictorial of the American Indian, Seth Eastman was born in Brunswick, Maine on January 24, 1808. -
Copyrighted Material
16_587764 bindex.qxp 5/1/07 10:05 PM Page 832 832 Index A Albuquerque International A1A Aleworks (St. Augustine, AAA (American Automobile Balloon Fiesta (NM), 788 FL), 280 Association), 9–10, 25 Albuquerque Museum of Art Apartment rentals, New traveler’s checks, 14 and History (NM), 794 York City, 61 Abbey Lounge (Boston, MA), Alcoholic beverages, 20 Aquarius (San Francisco, 157–158 Alibates Flint Quarries CA), 651 Abbott Farms (Cowpens, SC), National Monument Aquatennial (Minneapolis, 380 (TX), 780 MN), 399 INDEX Abercorn Antique Village Allergens, 21–22 Arabia Steamboat Museum (Savannah, GA), 288 All Good Music Festival (Kansas City, MO), 421 Abiel Smith School (Boston, (Masontown, WV), The Arboretum at Flagstaff MA), 159 43, 99–102 (AZ), 520–521 Abode Apartment Rentals All-terrain vehicle tours, Arcata, CA, 660 (New York City), 61 Palms Springs, CA, 585 Arches National Park (UT), Absolutli Goosed (St. Louis, Amarillo, TX, 768–781 494–497 MO), 745 Amarillo Museum of Art Area 51 (NV), 573–575 Access-Able Travel Source, 36 (TX), 779 Area 51 Research Center (NV), Accessible Journeys, 36 Amarillo Zoo (TX), 779 574–575 Accidents, 24–25 The American Dime Museum Arizona Snowbowl, 523 Accommodations, 10, 11, 64 (Baltimore, MD), 83 The Ark (Point Pleasant tips on, 28–33 American Express traveler’s Beach, NJ), 206 Ace of Clubs House checks, 13 Arrow Bar (San Francisco, (Texarkana, AR), 342 American Foundation for the CA), 655 Acorn Attic (Wilmington, Blind (AFB), 36 The Arts and Antiques Show NC), 309 American Indian Festival (Wilmington, NC), -
Limits, Malice and the Immortal Hulk
https://lthj.qut.edu.au/ LAW, TECHNOLOGY AND HUMANS Volume 2 (2) 2020 https://doi.org/10.5204/lthj.1581 Before the Law: Limits, Malice and The Immortal Hulk Neal Curtis The University of Auckland, New Zealand Abstract This article uses Kafka's short story 'Before the Law' to offer a reading of Al Ewing's The Immortal Hulk. This is in turn used to explore our desire to encounter the Law understood as a form of completeness. The article differentiates between 'the Law' as completeness or limitlessness and 'the law' understood as limitation. The article also examines this desire to experience completeness or limitlessness in the work of George Bataille who argued such an experience was the path to sovereignty. In response it also considers Francois Flahault's critique of Bataille who argued Bataille failed to understand limitlessness is split between a 'good infinite' and a 'bad infinite', and that it is only the latter that can ultimately satisfy us. The article then proposes The Hulk, especially as presented in Al Ewing's The Immortal Hulk, is a study in where our desire for limitlessness can take us. Ultimately it proposes we turn ourselves away from the Law and towards the law that preserves and protects our incompleteness. Keywords: Law; sovereignty; comics; superheroes; The Hulk Introduction From Jean Bodin to Carl Schmitt, the foundation of the law, or what we more readily understand as sovereignty, is marked by a significant division. The law is a limit in the sense of determining what is permitted and what is proscribed, but the authority for this limit is often said to derive from something unlimited. -
Adler, Mccarthy Engulfed in WWII 'Fog' - Variety.Com 1/4/10 12:03 PM
Adler, McCarthy engulfed in WWII 'Fog' - Variety.com 1/4/10 12:03 PM http://www.variety.com/index.asp?layout=print_story&articleid=VR1118013143&categoryid=13 To print this page, select "PRINT" from the File Menu of your browser. Posted: Mon., Dec. 28, 2009, 8:00pm PT Adler, McCarthy engulfed in WWII 'Fog' Producers option sci-fi horror comicbook 'Night and Fog' By TATIANA SIEGEL Producers Gil Adler and Shane McCarthy have optioned the sci-fi horror comicbook "Night and Fog" from publisher Studio 407. No stranger to comicbook-based material, Adler has produced such graphic-based fare as "Constantine," "Superman Returns" and the upcoming Brandon Routh starrer "Dead of Night," which is based on the popular Italian title "Dylan Dog." This material is definitely in my strike zone in more ways than one," Adler said, noting his prior role as a producer of such horror projects as the "Tales From the Crypt" series. "But what really appealed to me wasn't so much the genre trappings but rather the characters that really drive this story." Set during WWII, story revolves around an infectious mist unleashed on a military base that transforms its victims into preternatural creatures of the night. But when the survivors try to kill them, they adapt and change into something even more horrific and unstoppable. Studio 407's Alex Leung will also serve as a producer on "Night and Fog." Adler and McCarthy are also teaming to produce an adaptation of "Havana Nocturne" along with Eric Eisner. They also recently optioned Ken Bruen's crime thriller "Tower." "Night and Fog" is available in comic shops in the single-issue format and digitally on iPhone through Comixology. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.