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afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
Dancehall Dossier.Cdr
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer. -
Pablo Moses INTERVIEW
MAGAZINE #3 - December 2010 Rootz Underground Live in Kingston Horace Andy & Scientist Tippy Lloyd Brown Don Chandler Glen Washington Duane Stephenson Pablo Moses INTERVIEW * Israel Vibration * Sadiki * Cornadoor * Clinark * Alpheus * * Trojan * Buju Banton * Gappy Ranks * Special Delivery * J Boog * * Lloyd Brown * Frenchie * Pow Pow * Konshens * United Reggae Mag #3 - December 2010 Want to read United Reggae as a paper magazine? In addition to the latest United Reggae news, views andNow videos you online can... each month you can now enjoy a free pdf version packed with most of United Reggae content from the last month.. SUMMARY 1/ NEWS •Lloyd Brown - Special Delivery - Own Mission Records - Calabash J Boog - Konshens - Trojan - Alpheus - Racer Riddim - Everlasting Riddim London International Ska Festival - Jamaican-roots.com - Buju Banton, Gappy Ranks, Irie Ites, Sadiki, Tiger Records 3 - 9 2/ INTERVIEWS •Interview: Tippy 11 •Interview: Pablo Moses 15 •Interview: Duane Stephenson 19 •Interview: Don Chandler 23 •Interview: Glen Washington 26 3/ REVIEWS •Voodoo Woman by Laurel Aitken 29 •Johnny Osbourne - Reggae Legend 30 •Cornerstone by Lloyd Brown 31 •Clinark - Tribute to Michael Jackson, A Legend and a Warrior •Without Restrictions by Cornadoor 32 •Keith Richards’ sublime Wingless Angels 33 •Reggae Knights by Israel Vibration 35 •Re-Birth by The Tamlins 36 •Jahdan Blakkamoore - Babylon Nightmare 37 4/ ARTICLES •Is reggae dying a slow death? 38 •Reggae Grammy is a Joke 39 •Meet Jah Turban 5/ PHOTOS •Summer Of Rootz 43 •Horace Andy and Scientist in Paris 49 •Red Strip Bold 2010 50 •Half Way Tree Live 52 All the articles in this magazine were previously published online on http://unitedreggae.com.This magazine is free for download at http://unitedreggae.com/magazine/. -
Anti-Gay Message Takes Root in Japanese Subculture Displaced In
14 書香人生 B O O K S & R E V I E W S SUNDAY, AUGUST 15, 2010 • TAIPEI TIMES Hardcover: UK CD Reviews Displaced in the aftermath of lake Shelton is not a stoic like Trace Adkins, a sunbleached hobo like Kenny Chesney or an avatar of rural pride like Jason Aldean. He’s not a guitar hero like Brad Paisley, a moody bruiser like Toby Keith or a repository of living history like World War II George Strait. What a relief that turns out to be. Shelton is among the most versatile of BY Peter Preston contemporary country singers, an amiable rapscallion one minute and a thoughtful brooder THE GUARDIAN, LONDON Bthe next. His new EP, , is a variety-pack of country styles, each song a PUBLICATION NOTES All About Tonight In the months after the end of World War different pose for Shelton to try out, with varying success. (It’s his second EP this year, I, some 40 million people died amid a after Hillbilly Bone in March.) worldwide flu pandemic. Three million On All About Tonight he’s soused, flirty and convincing: “Tomorrow can wait ’til perished from typhus; 5 million Ukraini- tomorrow,” he insists. But Suffocating, a slow dirgelike ballad about being stuck in the ans starved to death. No more battles, but past, asks more of his voice than it’s prepared to give. no food, no medicine, no shelter, no resis- That’s because as a singer, he wrings feeling from emphasis and flexibility, not strength. tance, either: just milling chaos. The fight- On Got a Little Country, about seducing a city girl, he pronounces Manolo Blahniks “Milano ing had ended, but its baleful, destructive Blahniks” though you sense he knows perfectly well what he’s doing: The gaffe is funnier. -
No Solace in the Glass Closet: Lgbtq Activists Struggle for Human Rights in Jamaica
NO SOLACE IN THE GLASS CLOSET: LGBTQ ACTIVISTS STRUGGLE FOR HUMAN RIGHTS IN JAMAICA By SARAH E. PAGE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2018 © 2018 Sarah E. Page To all those who have suffered oppression and still choose to repair the world ACKNOWLEDGMENTS The list of individuals and organizations who have assisted me in bringing this dissertation into existence is extensive. First, I must thank my dissertation supervisor Faye V. Harrison, with whom this journey has been long. The very first time I met her as an undergraduate, I was in awe of her presence, her fierce intellect, and her dedication to decolonizing anthropology. She remains an inspiration to me. Even as I doubted I could reach this milestone, she insisted I could. I would not be here were it not for her. I wish to thank Leanne Brown for her long commitment to this project, as well. Her course, Crime and Governance in Jamaica led to a summer internship in Montego Bay, and the first observations that would eventually become this research. Her unflagging support of me has always managed to bolster my spirits. I offer my sincere appreciation to Dr. Abdoulaye Kane for continuing to work with me. He has been present in my graduate education from my first semester of graduate school. Under Dr. Kane’s tutelage, I had the opportunity to learn about many more African diasporas, and to expand my understanding of Afrodescendants worldwide. -
Prejudice and Homophobic Violence in Jamaica
FOR LESBIAN, GAY, BISEXUAL AND TRANSGENDER HUMAN RIGHTS F ALL:2004 WHAT HAPPENED TO “ONE LOVE”? PREJUDICE AND HOMOPHOBIC VIOLENCE IN JAMAICA In May 2004, Amnesty International issued a report documenting a serious pattern of homophobic violence in Jamaica. The violence ranges from vigilante attacks to torture and ill-treatment by police. And there appears to be little or no accountability for these human rights abuses. Exhortations to kill and maim lesbian and gay people can even be found in the lyrics of a number of popular Jamaican dancehall artists, such as Bounty Killer, Beenie Man, Buju Banton—a radical departure from Reggae’s musical tradition of preaching “one love” and social justice. Amnesty has called on the Jamaican government to institute law reform and other steps to protect the lesbian, gay, bisexual and transgender (LGBT) Jamaicans from discrimination and violence. The brutal murder in June of Brian Williamson, prominent gay activist and a founding member of J-FLAG (Jamaica Forum for Lesbians, All-Sexuals & Gays), and the recent campaign by some LGBT activists calling for the boycott of those Jamaican Reggae stars spouting hate lyrics ignited intense public debate and media interest. In this issue, we talk to the program manager of J-FLAG about the situation for the LGBT community in Jamaica, and what he thinks can be done to address discrimination and violence against LGBT people. We are withholding the name of our interviewee to honor his request to remain anonymous due to fear for his own safety. UTfront: Give us a sense of the conditions of LGBT rights in Jamaica. -
Jamaica: Researched and Compiled by the Refugee Documentation Centre of Ireland on 19 February 2010
Jamaica: Researched and compiled by the Refugee Documentation Centre of Ireland on 19 February 2010 Treatment of Homosexuals in Jamaica. The United States Department of State reports under section “Other Societal Abuses and Discrimination”: ”The Jamaica Forum for Lesbians, All Sexuals, and Gays (J-FLAG) continued to report human rights abuses, including arbitrary detention, mob attacks, stabbings, harassment of homosexual patients by hospital and prison staff, and targeted shootings of homosexuals. Police often did not investigate such incidents. J-FLAG members also suffered attacks on their property, home intrusions as people demanded to know the number of persons and beds in a home, and in one instance, a fire bombing at the home of two men that left one of them with burns on more than 60 percent of his body. In addition homosexuals faced death and arson threats, with some of these directed at the J-FLAG offices. J-FLAG did not publicize its location due to such threats, and its officials reported feeling unsafe having meetings with clients at the organization's office. In February a mob broke into the home of four presumed homosexual men, killing three of them. The fourth was missing and presumed dead. The men had reported being harassed for their perceived sexual orientation prior to the fatal attack. Police made some inquiries in the case but did not conduct a full investigation or make any arrests by year's end. The trial of six suspects arrested for the 2005 robbery and murder of Lenford "Steve" Harvey, initially begun and then postponed in 2007, was scheduled to recommence in January 2009. -
Syllabus—Rastafari: Dread, Politics, Agency
RASTAFARI: DREAD, POLITICS, AGENCY Instructor: Dr. Neil Roberts Spring 2009 Williams College AFR302.01/ PSCI234.01/ Mon/Th, 2:35-3:50 PM REL261.01 Office: x4772, NAB 213 Office hours: Tu, 1:00-3:00 PM [email protected] Course description: The emergence of Rastafari in the twentieth-century marked a distinct phase in the theory and practice of political agency. From its heretical roots in Jamaica, Garveyism, Ethiopianism, and Pan-Africanism, Rastafari has evolved from a Caribbean theological movement to an international political actor. This course investigates the political theory of Rastafari in order to develop intellectual resources for theorizing the concept of agency in contemporary Africana thought and political theory. We will analyze texts and audio-visual works on the political economy of late colonial Jamaica, core Rastafari thinking, political theology, the role of reggae music, the notion of agency, and the influence of Rastafari on global politics. Course requirements: Participants are expected to attend class regularly and complete readings for class listed on the syllabus. I will generally begin each class summarizing briefly the previous session’s main points, and shall proceed to lecture for a portion of time about the current day’s topic. Although this is primarily a lecture course, you should be prepared to engage in a class discussion and group activities. Throughout the semester, we will be connecting intellectual and political themes raised in various texts and documentaries to musical works. Thus, regularly utilizing services such as iTunes or listening to music on CDs is strongly encouraged. The following requirements serve as the basis for course evaluation: (1) 5-7 page Midterm essay (30%) (2) Group Lyrics and Politics Project (40%) (3) 8-10 page Take Home Final Exam (30%) Required readings available for sale and on library reserve: • Amy Jacques Garvey, Ed., The Philosophy and Opinions of Marcus Garvey, or, Africa for the Africans, 2 Vols. -
New President Arrives
SCBnBl Turns on the catwalk—Page 8 SpOttS' Lady Dons sweep Hornets—Page 16 | San Francisco FOGHORN THE UNIVERSITY OF S * N FRANCISCO SEPTEMBER 21. 2000 http:/'/foghorn, usfca.edu VOLUME 95, ISSUE 3 New President Arrives Professor Runs for Jessica Dryden-Cook EXECUTIVE EDITOR Richmond District In a casual, yet confident manner, the 27th President ofthe University of San Francisco, Rev. Stephen Supervisor Privett, S.J., strolled into the Foghorn office with a smile. His salt and pep per hair was neady brushed to one Shadi Rahimi McGoldrick. McGoldrick said that side and his navy blue suit and green FOGHORN STAFFWRITER evidence of this can be seen in re and gold tie exuded his classy style. A grass roots campaign lacking cent negative press about him. "The He sat down in a chair as if he were a soft money and independent ex more negative press that there is staff member, or a friend, about to penditures is what neighborhood aimed my way, the more evidence engage in a chat about his day. activist Jake McGoldrick's run for my opponents are worried I can But Privett, with his soft green Richmond District Supervisor is all pull this off," McGoldrick said. eyes and distinguished face, had about. McGoldrick, University of Edward Epstein, writer for the much more to say. San Francisco part-time faculty San Francisco Chronicle, takes cheap Jesuit from Day One union director and English as a Sec shots, McGoldrick said. "He pre From elementary school through ond Language professor, is running tends that he spoke with me, and graduate school, Privett's formal his campaign with funding from he cites me having said something, education has been Catholic. -
Chanting up Zion: Reggae As Productive Mechanism for Repatriated Rastafari In
Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Shannon Dudley, Chair Giulia Bonacci Katell Morand Christina Sunardi Program Authorized to Offer Degree: Music i @Copyright 2017 David Aarons ii University of Washington Abstract Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons Chair of the Supervisory Committee: Shannon Dudley Ethnomusicology Since the 1960s, Rastafari from Jamaica and other countries have been “returning” to Ethiopia in the belief that it is their Promised Land, Zion. Based on extensive ethnographic research in Ethiopia between 2015 and 2017, this project examines the ways in which repatriated Rastafari use music to transform their Promised Land into a reality amidst various challenges. Since they are denied legal citizenship, Rastafari deploy reggae in creative and strategic ways to gain cultural citizenship and recognition in Ethiopia. This research examines how reggae music operates as a productive mechanism, that is, how human actors use music to produce social and tangible phenomena in the world. Combining theories on music’s productive capabilities with Rastafari ideologies on word-sound, this research further seeks to provide deeper insight into the ways Rastafari effect change through performative arts. I examine how Rastafari mobilize particular discourses that both challenge and reproduce hegemonic systems, creating space for themselves in Ethiopia through music. Rastafari use reggae in strategic ways to insert themselves into the contested national narratives of Ethiopia, and participate in the practice of space-making in Addis Ababa and Shashemene through sound projects.