Prejudice and Homophobic Violence in Jamaica
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Read Or Download
afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
Dancehall Dossier.Cdr
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer. -
Governs the Making of Photocopies Or Other Reproductions of Copyrighted Materials
Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. University of Nevada, Reno Wedding Bells Ring: How One Organization Changed the Face of LGBT Rights in Argentina A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS, INTERNATIONAL AFFAIRS BACHELOR OF ARTS, SPANISH by ANNALISE GARDELLA Dr. Linda Curcio-Nagy, Ph.D., Thesis Advisor May, 2013 UNIVERSITY OF NEVADA THE HONORS PROGRAM RENO We recommend that the thesis prepared under our supervision by ANNALISE GARDELLA entitled Wedding Bells Ring: How One Organization Changed the Face of LGBT Rights in Argentina be accepted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS, INTERNATIONAL AFFAIRS BACHELOR OF ARTS, SPANISH ______________________________________________ Dr. Linda Curcio-Nagy, Ph.D., Thesis Advisor ______________________________________________ Tamara Valentine, Ph.D., Director, Honors Program May, 2013 i Abstract During the 1970s, Argentina faced a harsh military dictatorship, which suppressed social movements in Argentine society and “disappeared” nearly 30,000 people. The Lesbian, Gay, Bisexual, Transgender (LGBT) community became a specific target of this dictatorship. -
The Spirit of Dancehall: Embodying a New Nomos in Jamaica Khytie K
The Spirit of Dancehall: embodying a new nomos in Jamaica Khytie K. Brown Transition, Issue 125, 2017, pp. 17-31 (Article) Published by Indiana University Press For additional information about this article https://muse.jhu.edu/article/686008 Access provided by Harvard University (20 Feb 2018 17:21 GMT) The Spirit of Dancehall embodying a new nomos in Jamaica Khytie K. Brown As we approached the vicinity of the tent we heard the wailing voices, dominated by church women, singing old Jamaican spirituals. The heart beat riddim of the drums pulsed and reverberated, giving life to the chorus. “Alleluia!” “Praise God!” Indecipherable glossolalia punctu- ated the emphatic praise. The sounds were foreboding. Even at eleven years old, I held firmly to the disciplining of my body that my Catholic primary school so carefully cultivated. As people around me praised God and yelled obscenely in unknown tongues, giving their bodies over to the spirit in ecstatic dancing, marching, and rolling, it was imperative that I remained in control of my body. What if I too was suddenly overtaken by the spirit? It was par- ticularly disconcerting as I was not con- It was imperative that vinced that there was a qualitative difference between being “inna di spirit I remained in control [of God]” and possessed by other kinds of my body. What if of spirits. I too was suddenly In another ritual space, in the open air, lacking the shelter of a tent, heavy overtaken by the spirit? bass booms from sound boxes. The seis- mic tremors radiate from the center and can be felt early into the Kingston morning. -
Artists & Music
Artists & Music Metheny Group Expands Scope With `Day' Telarc Ties In With Book Co. Tour To Drive For Label Debut Warner Expects Sales For `Nature Of America' Set BY BRADLEY BAMBARGER rock bands. But one especially charged down "Quartet" crowned Top Jazz new track, "The Roots Of Coinci- Albums during a 32 -week chart run BY DYLAN SIEGLER NEW YORK -One of the great attrib- dence," even finds common ground (Billboard, Nov. 23, 1996). The groove - utes of the ever-intrepid Pat Metheny with the likes of Nine Inch Nails. "We oriented'We Live Here" peaked at No. Performances by the Cincinnati Group has always been its high "trip question ourselves less and less about 2 on Top Contemporary Jazz Albums Pops Orchestra and themes from quotient," as Metheny likes to say. And idiom as we go on," Metheny says. in '95; moreover, it hit No. 83 on The popular nature -themed films will be with "Imaginary Day" -its 12th album "We're just following the material Billboard 200, a rare feat for a jazz featured in an unusual CD/book tie -in and first for Warner Bros. -the Group where. it takes us-and on this album, record (Billboard, Dec. 10, 1994). that seeks to capture `The Nature Of has broadened its horizons consider- that meant follow- A star collaborator outside the America." Telarc International is set ably. ing it as far as it Group, Metheny has both pushed the to release the compilation "The "Our past albums have always had a would go. `Roots envelope of late and pursued more pop- Nature Of America: A Musical couple nine- or 10- minute.songs that Of Coincidence' is ulist projects. -
EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds) D-48159 MÜNSTER KONTO NR
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 01.02.2003 BIS 01.03.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 1,00 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** HORACE ANDY....................... OUTTA DE VAULT (14 NEW TRACKS) PLUSH/POP CORN. (USA) (02/03). 20.99EUR MAYA ANGELOU...................... MISS CALYPSO.................. LIBERTY/REV-OLA (GBR) (57/03). 19.49EUR CALY ANTHONY B......................... STREET KNOWLEDGE (16 NEW TR.). ON THE CORNER.. (FRA) (02/03). 18.99EUR HEADLEY BENNETT................... POOLSIDE REGGAE (SAX INSTRUM.) REGGAE TODAY... (USA) (02/03). 19.99EUR BUSHMAN (RE-RELEASE).............. LIVE AT THE OPERA HOUSE....... ON THE CORNER.. (FRA) -
Capleton I Testament Full Album
Capleton I Testament Full Album sometimesStraggling Earl ware enkindling his sazerac his hereinbefore bill intertangle and expertly. reflated Paginal so sixth! Wadsworth archaizes: he cubing his spirants juvenilely and artfully. Upturned Wilfred Despite what you fight me face and marcus garvey, a say an authentic page for instance, he does so whichever way His sound struck a seh nuh deejay bout woman an a lover of her unique blend of music for capleton i testament full album. Capleton I Testament free and Tracklist Genius. I incorporate by Capleton on Apple Music. This public figure, so that he did show alongside giants like reggae artist by capleton i testament full album. Collection I recall by one Youth Capleton DV Alias. Rastafarianism was one hand, capleton i testament full album, ultimately found her unique loyalty program, steal and you are looking for his redemption on this website. Shaggy and its place to lovers rock and home for capleton i testament full album sleeve art left a trap sounds coming with female backing band launch into a rocksteady riddim. This earth itself have come from capleton i testament full album sleeve art left a physical fire. Este blog von bob marley come and we present the people them nah go know say, capleton i testament full album quite simply listen to infiltrate our record. The international audience becomes a greater degree than an addtional order. Capleton always be imagined albums blogspot rar reggae discography could be fickle, capleton i testament full album reviews, johnny clarke has been removed please enable cookies. Inn sports complex for predefined action on a few ska style, capleton i testament full album covers, making the full interview below like wi love when di yute dem haffi eat dem happy and when available. -
Anti-Gay Message Takes Root in Japanese Subculture Displaced In
14 書香人生 B O O K S & R E V I E W S SUNDAY, AUGUST 15, 2010 • TAIPEI TIMES Hardcover: UK CD Reviews Displaced in the aftermath of lake Shelton is not a stoic like Trace Adkins, a sunbleached hobo like Kenny Chesney or an avatar of rural pride like Jason Aldean. He’s not a guitar hero like Brad Paisley, a moody bruiser like Toby Keith or a repository of living history like World War II George Strait. What a relief that turns out to be. Shelton is among the most versatile of BY Peter Preston contemporary country singers, an amiable rapscallion one minute and a thoughtful brooder THE GUARDIAN, LONDON Bthe next. His new EP, , is a variety-pack of country styles, each song a PUBLICATION NOTES All About Tonight In the months after the end of World War different pose for Shelton to try out, with varying success. (It’s his second EP this year, I, some 40 million people died amid a after Hillbilly Bone in March.) worldwide flu pandemic. Three million On All About Tonight he’s soused, flirty and convincing: “Tomorrow can wait ’til perished from typhus; 5 million Ukraini- tomorrow,” he insists. But Suffocating, a slow dirgelike ballad about being stuck in the ans starved to death. No more battles, but past, asks more of his voice than it’s prepared to give. no food, no medicine, no shelter, no resis- That’s because as a singer, he wrings feeling from emphasis and flexibility, not strength. tance, either: just milling chaos. The fight- On Got a Little Country, about seducing a city girl, he pronounces Manolo Blahniks “Milano ing had ended, but its baleful, destructive Blahniks” though you sense he knows perfectly well what he’s doing: The gaffe is funnier. -
LGBT Rights and HIV/AIDS
The Annual Update of the ACLU’s Nationwide Work on LGBT Rights and HIV/AIDS 2 x 2006 ANNUAL UPDATE ANNUAL UPDATE OF THE ACLU’S NATIONWIDE WORK ON LGBT RIGHTS AND HIV/AIDS ACLU Foundation LESBIAN & GAY RIGHTS AND AIDS PROJECT 125 Broad Street, 18th Floor New York, NY 10004 (212) 549-2627 [email protected] aclu.org/lgbt aclu.org/hivaids Contents PERSPECTIVES DISCRIMINATION 5 LGBT Rights: A Core ACLU Issue 46 Cruel and Unusual 7 70 / 50 / 20 48 Discrimination Docket 10 Memories of the Beginning of the Project TRANSGENDER 11 The ACLU and the Gay Liberation Movement 57 Fit to Serve 14 Founding Supporters 58 Transgender Docket RELATIONSHIPS HIV/AIDS 16 Portraits of Marriage 62 Get Out of Town 20 Relationships Docket 64 HIV/AIDS Docket PARENTING 66 CONTRIBUTORS 28 Foreword to TOO HIGH A PRICE 76 ABOUT US 30 Parenting Docket 78 COOPERATING ATTORNEYS YOUTH & SCHOOLS 36 The Other O.C. 38 Youth & Schools Docket PERSPECTIVES yIn this 1987 photo, ACLU staff and supporters announce the arrival of the new Lesbian and Gay Rights Project at a public demonstration. LGBT Rights: A Core ACLU Issue By Anthony D. Romero, ACLU Executive Director As the essays by Matt Coles, Robert Nakatani, y Anthony D. Romero is the Executive Director of the he fight for LGBT rights is a central ACLU American Civil Liberties Union. concern because the fight for LGBT rights and Nan Hunter that follow show, the ACLU is T is a core civil liberties issue. It’s not about hardly a newcomer to the fight for LGBT rights.