Dinner and a Movie-63 Greatest Hits from Hollywood Cue Sheet.Pages

Total Page：16

File Type：pdf, Size：1020Kb

Dinner and a Movie-63 Greatest Hits from Hollywood Cue Sheet.Pages

DINNER AND A MOVIE Timings and Cue Sheet DINNER AND A MOVIE Produced and Hosted By: Quinn Riley and Robert Bruce Direct From: Classical 88.7 KCME / Colorado Springs, CO www.kcme.org and www.facebook.com/FilmMusicYouRemember/ _______________________________________________________ Show Title: 63 Greatest Hits from Hollywood Original Release Date: 05/25/17 SYNOPSIS: This week on Dinner and a Movie: Some of the best known tunes of the twentieth century were actually composed for the Big Screen. Many of these melodies have become a part of popular American culture. On this edition of Dinner and a Movie, Robert Bruce presents some of these great tunes. ____________________________________________________________ TOTAL RUNNING TIME: 00:58:17 Timings and Cues for 63 Greatest Hits from Hollywood Part 1: Running Time: 17:11 OPEN CUE: Dinner and a Movie Intro/James Bond Theme END CUE: “Max Steiner’s Main Theme for A Summer Place…” Part 2: Running Time: 16:24 OPEN CUE: “Shirley, one of the best known themes ever composed…” END CUE: “The well known theme for The Pink Panther…” Part 3: Running Time: 13:16 OPEN CUE: “From KCME in Colorado Springs, Olympic City USA…” END CUE: “The Main Theme from John Barry’s score for 1969’s…” Part 4: Running Time: 11:26. OPEN CUE: “French composer, conductor, and pianist, Michel Legrand…” END CUE: Dinner and a Movie Outro/Forest Gump - “You’re no Different” DINNER AND A MOVIE Timings and Cue Sheet Movie/Composer/Music Cues for Show: 63 Greatest Hits from Hollywood. Part 1: Gone With the Wind - Max Steiner Tara’s Theme (3:44) Modern Times - Charles Chaplin Smile (3:09) Around the World in 80 - Days Victor Young Main Theme (3:37) A Summer Place - Max Steiner Main Theme (3:30) Part 2: The Magniﬁcent Seven - Elmer Bernstein Main Theme (5:30) Exodus - Ernest Gold Main Theme (2:28) Lawrence of Arabia - Maurice Jarre Overture (4:24) The Pink Panther - Henry Mancini Main Theme (2:36) Part 3: Dr. Zhivago - Maurice Jarre Lara’s Theme (4:05) The Good, the Bad, and the Ugly - Ennio Morricone Main Title (2:39) Midnight Cowboy - John Barry Main Theme (4:01) Part 4: The Summer of ’42 - Michel Legrand The Summer Knows (2:32) Chariots of Fire - Vangelis Main Theme (3:09) Star Wars - John Williams Main Theme (5:35).

Copy Link

Recommended publications

Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper
[Show full text]
Film Music Week 4 20Th Century Idioms - Jazz
Film Music Week 4 20th Century Idioms - Jazz alternative approaches to the romantic orchestra in 1950s (US & France) – with a special focus on jazz... 1950s It was not until the early 50’s that HW film scores solidly move into the 20th century (idiom). Alex North (influenced by : Bartok, Stravinsky) and Leonard Rosenman (influenced by: Schoenberg, and later, Ligeti) are important influences here. Also of note are Georges Antheil (The Plainsman, 1937) and David Raksin (Force of Evil, 1948). Prendergast suggests that in the 30’s & 40’s the films possessed somewhat operatic or unreal plots that didn’t lend themselves to dissonance or expressionistic ideas. As Hollywood moved towards more realistic portrayals, this music became more appropriate. Alex North, leader in a sparser style (as opposed to Korngold, Steiner, Newman) scored Death of a Salesman (image above)for Elia Kazan on Broadway – this led to North writing the Streetcar film score for Kazan. European influences Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). • Director Frederico Fellini &composer Nino Rota (many examples) • Director François Truffault & composerGeorges Delerue, • Composer Maurice Jarre (Sundays & Cybele, 1962) and later the • Professionals, 1966, Composer- Ennio Morricone (Serge Leone, jazz background). (continued) Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background).
[Show full text]
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
[Show full text]
To Rock Or Not Torock?
v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay.
[Show full text]
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No.
[Show full text]
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
[Show full text]
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
[Show full text]
Newsletter Summer 2005.Qxd (Page 1)
TADLOW MUSIC NEWS www.tadlowmusic.com SUMMER 2006 TADLOW MUSIC PRAGUE NEWS The Complete Recording Package for the Film, Television, Recent Recordings with THE CITY OF PRAGUE PHILHARMONIC Video Game and Recording Industry in ORCHESTRA at the Barrandov Studios - Smecky Soundstage and THE LONDON • PRAGUE • BERLIN and BRUSSELS PRAGUE STUDIO ORCHESTRA at Czech TV Music Studios supervised by Tadlow Music include: LATEST NEWS: TRUE GRIT World Premiere Recording of the Complete Score to the Classic JOHN TADLOW MUSIC NOW REPRESENTS WAYNE Western composed by ELMER BERNSTEIN THE FLEMISH RADIO ORCHESTRA JAMES STEVENS Music by veteran English composer including his CONCERTINO CONCERTANTE, (a mini piano concerto) performed by the orchestra conducted by Adam Klemens with Jaraslav Klepac as soloist INSPECTOR LYNLEY Music by ANDY PRICE for the latest BBC TV Series of 4 episodes of the popular detective series SAVINGANGEL HOPE First feature film score by Robin Hoffmann for new comedy starring Bernard From April 2006, Tadlow Music is adding the Flemish Radio Orchestra Hill, Billy Boyd and Tim McInnerny,directed by Lukas Erni (The Vlaams Radio Orkest) to their portfolio. CHRIS NICKEL The Flemish Radio Orchestra was established in 1935 under the aegis of New album of orchestral music by Canadian concert and film music the public broadcasting network. In 1998 the orchestra became independent composer and started to developing its own activities which includes many classical concerts and recordings but they are also active in performing and IN THE BEGINNING recording film music. The orchestra have since 2000 have been the Epic production based on the Bible for SIGHT & SOUND theatres in USA orchestra "in residence" for the Flanders International Film Festival and in with music composed by DAVID CLYDESDALE.
[Show full text]
Download the Digital Booklet
ELMER BERNSTEIN NICHOLAS BRITELL 01 World Soundtrack Awards Fanfare 1:33 09 Succession (Suite) 4:25 JAMES NEWTON HOWARD MYCHAEL DANNA 02 Red Sparrow Overture 6:36 10 Monsoon Wedding (Suite) 3:15 CARTER BURWELL ALEXANDRE DESPLAT 03 Fear - Main Title 2:32 11 The Imitation Game (Suite) 4:33 ALBERTO IGLESIAS PATRICK DOYLE 04 Hable con ella - Soy Marco 2:17 12 Murder on the Orient Express - Never Forget (Instrumental Version) 4:12 ELLIOT GOLDENTHAL 05 Cobb - The Homecoming 6:16 MICHAEL GIACCHINO 13 Star Trek, into Darkness and Beyond (Suite) 7:23 GABRIEL YARED 06 Troy (Suite) 5:19 ANGELO BADALAMENTI 14 Twin Peaks: Fire Walk with Me - JÓHANN JÓHANNSSON / The Voice of Love 4:02 RUTGER HOEDEMAEKERS 07 When at Last the Wind Lulled 2:13 JOHN WILLIAMS (Arr.) 15 Tribute to the Film Composer 4:25 JOHN WILLIAMS 08 Hook - The Face of Pan 4:06 Performed by BRUSSELS PHILHARMONIC & VLAAMS RADIOKOOR Conducted by DIRK BROSSÉ TWENTY YEARS OF WORLD SOUNDTRACK AWARDS Twenty years ago the World Soundtrack Academy scores achieved an afterlife and gained new handed out the very first World Soundtrack meaning as the result of live performances in Awards. They have since become of paramount front of audiences. Film Fest Ghent has made it importance across the industry. The awards did their point of honour to perpetuate that afterlife not only strengthen Film Fest Ghent’s identity, in Ghent in a series of albums. they have been a composer’s stepping stone to the Oscars, Golden Globes and BAFTAS. If To celebrate the twentieth anniversary of the Europe is now the metropolis of film music, then WSA, the album consists of compositions by Ghent has been the inspiration for it.
[Show full text]
Interview: Composer Alexandre Desplat Posted by Nell Minow | 8:00Am Friday December 16, 2011
Interview: Composer Alexandre Desplat posted by Nell Minow | 8:00am Friday December 16, 2011 One of the most versatile and distinguished composers working in film is Alexandre Desplat, who composed the evocative music for “The Queen,” the two Harry Potter “Deathly Hallows” films, “Twilight: New Moon,” “The King’s Speech,” this week’s release, “Carnage,” and three of this year’s biggest films, “The Ides of March,” “Extremely Long and Incredibly Close,” and “The Tree of Life.” He generously took time to answer my questions: Tom Hooper told me it was your idea to use the Beethoven for the climactic scene in “The King’s Speech.” Can you tell me what made that music right for that scene? th It was my idea not to replace it! The editing was so perfectly shaped to the 7 Symphony and the dramaturgic build was so strong that I would never have improved it with my music. Always stay humble, especially in front of the Masters! What is the first thing you look for when you read through a script to help you formulate your ideas about the score? When I read a script, it is necessary that the story speaks to me on some level. If I feel this, then I know that it is a project that I am capable of writing for. But I am most inspired by the images, when the words come to life. You have worked on the biggest and most epic and special-effects-filled studio films and on smaller, more intimate, independent films. Beyond the budgetary issues, what are the other differences in the way you approach the scores? In fact, I approach them all in the same way.
[Show full text]
The City of Prague Philharmonic Orchestra and Chorus
SUMMER 2017 NEWS www.tadlowmusic.com THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA AND CHORUS EUROPE’S MOST EXPERIENCED AND VERSATILE RECORDING ORCHESTRA: 70 YEARS OF QUALITY MUSIC MAKING The CoPPO have been recording local film and TV scores at Smecky Music Studios since 1946, and a large number of international productions since 1988. Over the years they have worked with many famous composers from Europe and America including: ELMER BERNSTEN * MICHEL LEGRAND * ANGELO BADALAMENTI * WOJCIECH KILAR * CARL DAVIS GABRIEL YARED * BRIAN TYLER * RACHEL PORTMAN * MYCHAEL DANNA * JEFF DANNA * NITIN SAWHNEY JAVIER NAVARRETE * LUDOVIC BOURCE * CHRISTOPHER GUNNING * INON ZUR * JOHANN JOHANNSSON * NATHANIEL MECHALY * PATRICK DOYLE * PHILIP GLASS * BEAR McCREARY * JOE HISAISHI In recent years they have continued this tradition of recording orchestral scores for international productions with composers now recording in Prague from: Australia * New Zealand * Japan * Indonesia * Malaysia * Singapore * China * Taiwan * Russia * Egypt * The Lebanon * Turkey * Brazil * Chile and India PRAGUE HAS BECOME THE CENTRE OF WORLDWIDE SCORING AND ORCHESTRAL RECORDINGS BECAUSE BEING 100% TOTAL BUYOUT ON ALL RECORDINGS AND THE QUALITY OF FINE MUSICIANS AND RECORDING FACILITIES TADLOW MUSIC The Complete Recording Package for FILM, TV, VIDEO GAMES SCORING AND FOR THE RECORD INDUSTRY in LONDON + PRAGUE Music Contractor / Producer : James Fitzpatrick imdb page: http://www.imdb.com/name/nm0280533/ NEW PHONE # : +44 (0) 797 181 4674 “It’s an absolute delight to work with Tadlow Music. The Prague musicians are great and I’ve had many happy experiences recording with them.” - Oscar Winning Composer RACHEL PORTMAN “Always a pleasure to work with James, as i have many times over the years.
[Show full text]
Concert Program
CONCERT PROGRAM The official wind orchestra of the canton and city of Fribourg/Freiburg in Switzerland Benedikt Hayoz Conductor Exceptional participation of Gauri Priscilla Brülhart Swiss Kathak Dancer | Jaipur | Event in favour of fundraising for Kerala relief and cancer affected children Program Notes Vienna Philharmonic Fanfare It was in 1924 when Richard Strauss composed this festive Fanfare on occasion of the first edition of the famous Vienna Philharmonic Ball. Since then, the ceremonial fanfare announces every year the opening of this illustrious event. The brief piece shows Strauss’ skills in writing striking brass parts and one can easily understand why it has become a classic of the repertoire. Harlequin Curtain up! The Harlequin enters the circus arena, stumbles, tumbles, walks on hands, makes faces and jokes. But is it all just masquerade and show? The Swiss composer Franco Cesarini has succeeded in this overture in musically tracing the ambivalent character of the Harlequin on the one hand through turbulent, garland-like woodwind runs, paired with a funny rhythm, and on the other hand with romantic, atmospheric sound pictures. S’isch äbe-ne-Mönsch uf Ärde (The Lonely Maid) The Swiss German sentence „S‘isch äbe-ne-Mönsch uf Ärde“ (there is a man on earth – and I can‘t be with him) is the beginning of the traditional „Guggisberg Song“, one of the oldest Swiss folk songs. It tells the sad story of the lonely maid Vreneli and her beloved Hansjoggeli who can‘t come together. Thomas Rüedi interweaves both the dancing character of the refrain and the sad mood of the verses to an ingenious arrangement.
[Show full text]