Nic Raine Studied Organ, Nic Raine Has Had a Special Collaborative Piano, Double Bass and Guitar

Total Page:16

File Type:pdf, Size:1020Kb

Nic Raine Studied Organ, Nic Raine Has Had a Special Collaborative Piano, Double Bass and Guitar nic|raine Composer|Conductor|Arranger nic|raine biography Born in London, Nic Raine studied organ, Nic Raine has had a special collaborative piano, double bass and guitar. As a con- relationship with John Barry. The two ductor he has appeared with the English have worked together for twenty years Chamber, Royal Philharmonic and Phil- on many films scores, including two Bond harmonia Orchestras, Academy of St. movies (A View to a Kill and The Living Martin in the Fields, Chamber Orchestra Daylights) ‘Enigma’ and on John’s highly of London, Czech Philharmonic Orches- acclaimed album ‘The Beyondness of tra, Ulster Orchestra, Royal Scottish Na- Things’. He has also arranged some of the tional Orchestra, Orchestra of the City of songs for Barry’s London west-end musi- Granada, the New Millenium Orchestra cal ‘Brighton Rock’. Nic has re-recorded de Gijon, the Berlin Symphony Orchestra, many of Barry’s older film scores and a the Radio-Philharmonie Hannover NDR successful four CD set of the complete the SWDR Orchestra of Kaiserslautern James Bond music. and the Staaskapelle orchestra of Weimar and the Orchestra of the City of Quebec. He is accustomed to working with silent He has also conducted more than thirty movies having orchestrated many scores recordings of film music for Silva Screen for Carl Davis including ‘The General’, records with the City of Prague Philhar- Safety Last’, ‘The Kid Brother’, ‘The Four monic Orchestra. Horsemen of the Apocalypse’, ‘Wings’ and the ‘Phantom of the Opera’. Nic also recon- As an orchestrator and arranger, Nic Raine structed Chaplin’s score for ‘City Lights’ has worked on film scores with Miklos and Hugo Riesenfelds score for ‘Sunrise’. Rozsa, Elmer Bernstein, George Fenton, He has also conducted live performances Maurice Jarre, Howard Blake, Hans Zim- of James Bernard’s silent movie score for mer, Stanley Myers, Gabriel Yared, Mark ‘Nosferatu’ at the Royal Festival Hall and Ayres, Stanislas Syrewicz, Shaun Davey, performances of ‘The General’ at the Al- Kevin Kiner and Michael Kamen. For televi- hambra in Granada, Spain. sion he has orchestrated the Wallace and Gromit animation films ‘The Wrong Trou- sers’ and ‘A Close Shave’ for Julian Nott and ‘The King’s Beard’ for Philip Appleby. Nic Raine has worked with contemporary In addition to his work as an orchestra- artists having arranged tracks for Maire tor and conductor, Nic Raine has had Brennan (Clannard), Duran Duran, Aha, success as a composer, writing the mu- B.A. Robertson, Desree and Texas. He also sic for ‘Lon Chaney, Man of a Thousand orchestrated the ‘Liverpool Oratorio’ for Faces’, ‘Cinema Europe, the other Hol- Carl Davis and Paul McCartney. More re- lywood,’ ‘D.W. Griffith, the Father of cently, Nic has orchestrated the music Film’, and the short film ‘Bathtime’. He for the fantasy Sony Playstation games has co-composed the musical ‘Ludwig 2’ ‘Primal’ and ‘Medievil II’ and for Micro- with Konstantin Wecker and Christopher soft, ‘Kameo’ and ‘Viva Pinata’ I and II Franke which played in Füssen, Bavaria. and Sega’s Vikings, Battle for Asgard. He He recently compsed the score for the has also orchestrated 90 minutes of the Swiss film ‘Impasse du Desir.’ Einfügen popular synthesizer music of Jean Michel am Ende: Nic Raine just wrote the score Jarre, including pieces from Oxygene, music for “Der Mann mit den Fagott” a Chronologie, Magnetic Fields and Indus- family drama based on the book of Udo trial Revolutions for CD release. Jürgens. Other film credits are the Oliver Stone movie ‘Alexander’ for which Nic orches- trated, arranged and conducted music by Vangelis, and the Wallace and Gromit film ‘Curse of the Were-rabbit’! Collabo- rating with Kevin Kiner, he has recently orchestrated the Lucasfilm animated Star Wars picture Clone Wars. Nic also works in the French film industry hav- ing recently collaborated with Laurent Boutonnat on ‘Jacquou le Croquant’ and Philippe Sarde on ‘Les Temoins’, ‘La Prin- nic|raine cesse de Montpensier – director Bertrand Tavenier’ – and ‘Once I was’. biography nic|raine filmography 2011 Den kæmpestore bjørn 2005 I’m King Kong!: The Exploits of (conductor) Merian C. Cooper 2011 Der Mann mit dem Fagott (documentary) (orchestrator) (composer, conductor, orchestrator 2005 Garbo 2011 Impasse du Desir (documentary) (orchestrator) (composer, conductor, orchestrator) 2004 So Funny It Hurt: 2010 GoldenEye 007 Buster Keaton & MGM (Video Game) (orchestrator) (TV documentary) (composer) 2010 Once I Was 2004 Alexander (arranger, conductor) (conductor, orchestrator) 2010 Jackboots on Whitehall 2003 Das Wunder von Bern (conductor, orchestrator) (conductor) 2010 Die Prinzessin von Montpensier 2002 War Game (short) (conductor, orchestrator) (conductor, orchestrator) 2009 Zoomerne 2001 Ein Weihnachtsmärchen (conductor) (conductor, orchestrator) 2009 Hulk Vs. 2001 Heiraten für Fortgeschrittene (video) (orchestrator) (conductor, orchestrator) 2008 Star Wars: The Clone Wars 2001 Der Schneider von Panama (conductor, orchestrator) (orchestrator) 2008 Viking: Battle for Asgard 2001 Enigma - Das Geheimnis (Video Game) (conductor, orchestrator) (orchestrator) 2007 Until Death 2000 David Copperfield (conductor, orchestrator) (TV movie) (orchestrator) 2007 Jacquou le croquant 1999 The Clandestine Marriage (orchestrator, conductor) (conductor, orchestrator) 2005 Kameo: Elements of Power 1998 T.R.A.N.S.I.T. (short) (Video Game) (conductor, orchestrator) (conductor, orchestrator) 2005 Wallace & Gromit – Auf der Jagd 1997 Amy Foster - Im Meer der Gefühle nach dem Riesenkaninchen (orchestrator) (orchestrator) 1996 True Blue (orchestrator) 1996 The Portrait of a Lady 1993 Wallace & Gromit - (music conductor) Die Techno-Hose (short) 1995 Wallace & Gromit - Unter Schafen (orchestrator ) (short) 1993 Kreuzfahrt ins Jenseits (orchestrator) (TV movie) (orchestrator) 1995 Kino Europa - Die Kunst der 1993 Der Prozeß bewegten Bilder (orchestrator) (TV mini-series documentary) (conductor - 4 episodes) 1992 Chaplin (orchestrator) · Opportunity Lost (1995) (conductor) 1990 Harold, der Pechvogel (orchestrator) · Art’s Promised Land (1995) (conductor) 1990 Ausgerechnet Wolkenkratzer (orchestrator) · Where It All Began (1995) (conductor) 1990 Roger Corman’s Frankenstein (orchestrator) · End of an Era (1995) (conductor) 1989 The Rainbow (orchestrator) 1995 New York 3D (orchestrator) 1989 Scandal (orchestrator) 1995 Der scharlachrote Buchstabe (orchestrator) 1989 Fragments of Isabella (orchestrator) 1995 Cry, the Beloved Country (orchestrator) 1987 James Bond 007 – Der Hauch des Todes 1995 Mutters Courage (orchestrator) (orchestrator) 1987 The Best of British Cinema 1994 Ein Mann ohne Bedeutung (video documentary short) (conductor, (orchestrator) orchestrator) 1994 Die Witwen von Widows Peak 1985 James Bond 007 – (orchestrator) Im Angesicht des Todes 1994 Best of British (1988-1994) (orchestrator - as Nicholas Raine) (TV series documentary) 1984 Die verrückten Abenteuer Thriller des Robin Hood (conductor, orchestrator) (TV movie) (orchestrator) Battle Cry (conductor, orchestrator) Conflict (conductor, orchestrator) Chase (conductor, orchestrator) Management: DNMM, Daniel Neubauer Osterwaldstr. 10 Haus B Eingang 8 80805 München · Germany [email protected] · www.dnmm.de M. +49.176.22018102.
Recommended publications
  • Vliv Artificiální a Nonartificiální Hudby Na Hudbu Filmovou (Sociologicko-Psychologická Sonda Do Recepce Filmové Hudby)
    Masarykova univerzita Filozofická fakulta Ústav hudební vědy Hudební věda Martin Polák Vliv artificiální a nonartificiální hudby na hudbu filmovou (sociologicko-psychologická sonda do recepce filmové hudby) Bakalářská diplomová práce Vedoucí práce: Doc. PhDr. Mikuláš Bek, Ph.D. Brno 2010 Prohlašuji, ţe jsem diplomovou bakalářskou práci vypracoval samostatně a pouze s vyuţitím uvedených pramenů a literatury. ……………………………….. 2 Děkuji doc. PhDr. Mikuláši Bekovi Ph.D., za cenné rady při koncepci diplomové práce a výzkumu. Dále bych chtěl poděkovat Mgr. Viktoru Pantůčkovi za koncepčně pestré návrhy výzkumných destinací. Z hlediska motivační podpory a konzultační spolupráce bych rád poděkoval prof. Eeru Tarastimu, Ph.D.; prof. Erkki Pekkilovi, Ph.D a prof. Philipu Taggovi za poskytnuté materiály. V neposlední řadě bych chtěl poděkovat Mgr. arch. Stanislavu Grichovi za inspirační podporu při tvorbě výzkumné práce. Zároveň děkuji Bc. Magdaleně Pečtové za jazykovou korekturu. Zejména však děkuji všem respondentům, kteří se zúčastnili výzkumné části projektu. 3 Obsah: 1 Úvod: ..................................................................................................................................6 2 Filmová hudba .....................................................................................................................8 2.1 Typologie filmové hudby ..................................................................................................9 2.1.A Archivní hudba ..........................................................................................................
    [Show full text]
  • Indian and Polish Film Festivals
    Indian and Polish film festivals articles.latimes.com /2009/apr/16/entertainment/et-screening16 New films from India and Poland are highlighted in the seventh annual Indian Film Festival of Los Angeles and the 10th Polish Film Festival. The Indian Film Festival, which runs Tuesday through April 26, includes five feature films making their world premiere, five making their U.S. premiere and another five making their L.A. debut. The festivities begin with the world premiere of Anand Surapar's "The Fakir of Venice" at the ArcLight Hollywood Cinemas. Ani Kapoor of "Slumdog Millionaire" will also be saluted during the festival with screenings of two of his classic films and the premiere of the English-language version of 2007's "Gandhi, My Father," which he produced. www.indianfilmfestival.org The Polish Film Festival has its gala opening Wednesday at the Egyptian Theatre in Hollywood with a screening of "Perfect Guy for My Girl." It continues through May 3 at Laemmle's Sunset 5 Theatre and other venues in Los Angeles and Orange counties. www .polishfilmla.org -- French composers Two of the late Maurice Jarre's great scores -- for 1985's "Witness" and 1986's "The Mosquito Coast" -- are featured in the American Cinemathque's weekend retrospective "The French Music Composers Go to Hollywood" at the Aero Theatre in Santa Monica. The beautiful music begins tonight with a double bill of 1981's "Woman Next Door," composed by Georges Delerue, and 2001's "Read My Lips," scored by Alexandre Desplat. Michel Legrand supplied the score for 1968's "The Thomas Crown Affair," screening Friday with Michel Colombier's score for 1984's "Against All Odds." The Jarre double feature is scheduled for Saturday.
    [Show full text]
  • Click to Download
    v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures.
    [Show full text]
  • Track 1 Juke Box Jury
    CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper
    [Show full text]
  • 4BH 1000 Best Songs 2011 Prez Final
    The 882 4BH1000BestSongsOfAlltimeCountdown(2011) Number Title Artist 1000 TakeALetterMaria RBGreaves 999 It'sMyParty LesleyGore 998 I'llNeverFallInLoveAgain BobbieGentry 997 HeavenKnows RickPrice 996 ISayALittlePrayer ArethaFranklin 995 IWannaWakeUpWithYou BorisGardiner 994 NiceToBeWithYou Gallery 993 Pasadena JohnPaulYoung 992 IfIWereACarpenter FourTops 991 CouldYouEverLoveMeAgain Gary&Dave 990 Classic AdrianGurvitz 989 ICanDreamAboutYou DanHartman 988 DifferentDrum StonePoneys/LindaRonstadt 987 ItNeverRainsInSouthernCalifornia AlbertHammond 986 Moviestar Harpo 985 BornToTry DeltaGoodrem 984 Rockin'Robin Henchmen 983 IJustWantToBeYourEverything AndyGibb 982 SpiritInTheSky NormanGreenbaum 981 WeDoIt R&JStone 980 DriftAway DobieGray 979 OrinocoFlow Enya 978 She'sLikeTheWind PatrickSwayze 977 GimmeLittleSign BrentonWood 976 ForYourEyesOnly SheenaEaston 975 WordsAreNotEnough JonEnglish 974 Perfect FairgroundAttraction 973 I'veNeverBeenToMe Charlene 972 ByeByeLove EverlyBrothers 971 YearOfTheCat AlStewart 970 IfICan'tHaveYou YvonneElliman 969 KnockOnWood AmiiStewart 968 Don'tPullYourLove Hamilton,JoeFrank&Reynolds 967 You'veGotYourTroubles Fortunes 966 Romeo'sTune SteveForbert 965 Blowin'InTheWind PeterPaul&Mary 964 Zoom FatLarry'sBand 963 TheTwist ChubbyChecker 962 KissYouAllOver Exile 961 MiracleOfLove Eurythmics 960 SongForGuy EltonJohn 959 LilyWasHere DavidAStewart/CandyDulfer 958 HoldMeClose DavidEssex 957 LadyWhat'sYourName Swanee 956 ForeverAutumn JustinHayward 955 LottaLove NicoletteLarson 954 Celebration Kool&TheGang 953 UpWhereWeBelong
    [Show full text]
  • 1 Concert 3 – Blockbusters & Beethoven January 25, 2020
    Concert 3 – Blockbusters & Beethoven January 25, 2020 Leonore Overture No. 3, op. 72a—Ludwig van Beethoven While today, opera—for any number of reasons—is not heard as frequently as the symphony orchestra, before the twentieth century it dominated the musical scene. Only gradually did permanent instrumental ensembles evolve that focused upon symphonies and the like. Composers made their reputations, or not, as composers of opera, and that’s what the nobility (who paid the bills) largely wanted to hear. And they wanted to hear the latest ones—not last year’s. And so, when Beethoven arrived in Vienna as a young composer shortly after Mozart’s death, money, reputation, and professional respect lay in that direction. It was only natural that Beethoven aspired to write one. Alas! It was a tortured affair for Beethoven; he labored long over it (and he is famed for revising his work) with more effort than any of his other compositions. He spoke frankly of his frustration, and claimed a “martyr’s crown” for the pain it caused him. That there are three versions of the opera and four overtures, alone, speaks volumes about the process of its genesis. He began in 1804, with the wildly popular French “rescue operas” of Cherubini and Méhul as models. The genre was a proto-romantic inspiration from the trials and terror of the times of the French Revolution, with heroines and heroes saved from death and disaster in the nick of time. “Heroic” imagery and noble sacrifice fascinated Beethoven—he had just finished the Eroica symphony about that time.
    [Show full text]
  • Compositori Da Oscar
    COMPOSITORI DA OSCAR Proposte di ascolto di compositori che con la loro musica hanno fatto la storia del cinema e consigli di visone di film premi Oscar per la colonna sonora CD AUDIO Anne Dudley, The full monty. Music from the motion picture soundtrack (1997), RCA Victor: FOX searchlight [CD] MUSICA COLONNE-SONORE FUL Max Goberman, West side story (1998), nell'interpretazione di New York Philarmonic, Leonard Bernstein, Sony Classical: Columbia: Legacy [CD] MUSICA COLONNE-SONORE WES Ennio Morricone, Per un pugno di dollari. Colonna sonora originale (1964), BMG [CD] MUSICA COLONNE-SONORE PER Ennio Morricone, Il buono, il brutto, il cattivo. Original motion picture soundtrack (1966), GMD [CD] MUSICHE COLONNE-SONORE BUO Nicola Piovani, Musiche per i film di Nanni Moretti. Caro diario, Palombella rossa, La messa è finita (1999), Emergency Music Italy: Virgin [CD] MUSICA COLONNE-SONORE MUS Steven Price, Gravity. Original motion picture soundtrack (2013), Silva Screen Records [CD] MUSICA COLONNE-SONORE GRA Nino Rota, La strada, Le notti di Cabiria. Original soundtracks (1992), Intermezzo, Biem, Siae, [CD] MUSICA COLONNE-SONORE STR Rota, Nino (et al), The Godfather. Trilogy 1- 2- 3 (1990), Silva Screen Records [CD] MUSICA COLONNE-SONORE GOD Ryuichi Sakamoto, The sheltering sky. Music from the original motion picture soundtrack (1990), Virgin [DVD] MUSICA COLONNE-SONORE SHE Ryuichi Sakamoto, The Last Emperor (1987), Virgin Records [CD] MUSICA COLONNE-SONORE LAS Vangelis, Blade runner (1982), WEA [CD] MUSICA COLONNE-SONORE BLA John Williams, The
    [Show full text]
  • Licence to Kill Music
    Licence To Kill Music Nonagenarian and simon-pure Evelyn sphering: which Art is chattiest enough? Expeditious Marty sometimes settling his limmer pat and besieging so inadvisably! Recessive and cariogenic Mateo excerpt her zonda crepitates or dong languidly. Can schedule send you emails about district and offers? Jays and tap once had always flirted with the same name, his score to put a well against a small monthly subscription. Michael Legrand, Mr. It from all. The Byron Allen Show. The Best of Bond. Perfect guard the turmoil, they better tell him lies. The former group tend to kill, kills without entering your favorite bigband score originally in? Be stamp To Subscribe! Select an inventory to resubscribe. If you behind cover songs, David Hedison plays Felix Leiter, they were scientists. The intro starts when James Bond is together with his friend Felix Leitner on the way to Felix wedding. Kamen was to kill. Like I mentioned before it is not a typical James Bond movie. Your comment is in moderation. And so other apple music and author of bond is a nigerian father and i have also a brawl breaks out the document. Walking through your black screen TV in a white circle, the theme songs have always been more about marketing than artistic vision, made as a demo by Bassey but recorded by Dionne Warwick. About one minute in and suddenly a pace that has been missing from whole soundtrack is found as the track blends nicely into a great rendition of The James Bond Theme. How to kill score originally in music you change this! But you to kill continues the musical part, kills without controversy either.
    [Show full text]
  • EMR 12366 the Cider House Rules
    The Cider House Rules L’oeuvre de Dieu, la part du Diable / Gottes Werk & Teufels Beitrag The Cider House / The Ocean / Picker Leave / End Credits Wind Band / Concert Band / Harmonie / Blasorchester Arr.: Jirka Kadlec Rachel Portman EMR 12366 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute / Piccolo 1 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass st 5 1 B Clarinet 1 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Timpani 1 B Bass Clarinet (optional) 1 1st Percussion (Glockenspiel / Xylophone) 1 B Soprano Saxophone (optional) 1 2nd Percussion (Suspended Cymbal / Claves) 2 1st E Alto Saxophone 1 Drum Set 2 2nd E Alto Saxophone 2 B Tenor Saxophone Special Parts Fanfare Parts 1 E Baritone Saxophone (optional) st 1 1st B Trombone 2 1 Flugelhorn 1 E Trumpet / Cornet (optional) nd nd 2 2 Flugelhorn st 1 2 B Trombone 2 1 B Trumpet / Cornet rd 1 B Bass Trombone 2 3 Flugelhorn 2 2nd B Trumpet / Cornet 1 B Baritone 2 3rd B Trumpet / Cornet 1 E Tuba 2 1st F & E Horn 1 B Tuba 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch Recorded on CD - Auf CD aufgenommen - Enregistré sur CD | Photocopying The Cider House Rules is illegal! L'oeuvre de Dieu, la part du Diable / Gottes Werk & Teufels Beitrag The Cider House / The Ocean / Picker Leave / End Credits Rachel Portman Arr.: Jirka Kadlec THE CIDER HOUSE 4 5 6 7 8 9 10 q = 100 1st Flute mp mf mp mp mf Fl.
    [Show full text]
  • Film Music Week 4 20Th Century Idioms - Jazz
    Film Music Week 4 20th Century Idioms - Jazz alternative approaches to the romantic orchestra in 1950s (US & France) – with a special focus on jazz... 1950s It was not until the early 50’s that HW film scores solidly move into the 20th century (idiom). Alex North (influenced by : Bartok, Stravinsky) and Leonard Rosenman (influenced by: Schoenberg, and later, Ligeti) are important influences here. Also of note are Georges Antheil (The Plainsman, 1937) and David Raksin (Force of Evil, 1948). Prendergast suggests that in the 30’s & 40’s the films possessed somewhat operatic or unreal plots that didn’t lend themselves to dissonance or expressionistic ideas. As Hollywood moved towards more realistic portrayals, this music became more appropriate. Alex North, leader in a sparser style (as opposed to Korngold, Steiner, Newman) scored Death of a Salesman (image above)for Elia Kazan on Broadway – this led to North writing the Streetcar film score for Kazan. European influences Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). • Director Frederico Fellini &composer Nino Rota (many examples) • Director François Truffault & composerGeorges Delerue, • Composer Maurice Jarre (Sundays & Cybele, 1962) and later the • Professionals, 1966, Composer- Ennio Morricone (Serge Leone, jazz background). (continued) Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background).
    [Show full text]
  • ANSAMBL ( [email protected] ) Umelec
    ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol.
    [Show full text]
  • Contemporary Film Music
    Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
    [Show full text]