MOMENTS MUSICAUX Occasional Essays on Opera This PDF is one of a series designed to assist scholars in their research on Isaiah Berlin, and the subjects in which he was interested. The series will make digitally available both selected published essays and edited transcripts of unpublished material. The red page numbers in square brackets in this online text mark the beginning of the relevant page in the original publication, and are provided so that citations from book and online PDF can use the same page-numbering. The PDF is posted by the Isaiah Berlin Legacy Fellow at Wolfson College, with the support of the Trustees of the Isaiah Berlin Literary Trust. All enquiries, including those concerning rights, should be directed to the Legacy Fellow at
[email protected] MOMENTS MUSICAUX Occasional Essays on Opera Edited by Henry Hardy Isaiah Berlin’s writings on music have never been printed in collected form. His undergraduate music criticism can be read here. Later critical writing on music is in the process of being posted separately, with links provided in the relevant catalogue entries. This PDF comprises his other principal essays on music, all with operatic subjects. Links to the individual essays appear below. Mozart at Glyndebourne since 1934 Tchaikovsky and Eugene Onegin Khovanshchina Performances memorable – and not so memorable Surtitles © Isaiah Berlin 1971, 1975, 1984, 1986 Editorial matter © Henry Hardy 2019 Posted in Isaiah Berlin Online 5 January 2019 Mozart at Glyndebourne First published as ‘Mozart at Glyndebourne Half a Century Ago’ in John Higgins (ed.), Glyndebourne: A Celebration (London, 1984: Cape), 101–9 I wish that I could say that I was a member of that small company which, drawn by friendship, curiosity, hope, or simple faith, boarded the historic train which went from Victoria to Sussex in May 1934 for the inaugural performance of Le nozze di Figaro.