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5-2019 Vocal, Ol-Z 78 rpm VOCAL RECORDS MAGDA OLIVERO [s] 3575. 12” Green Cetra BB 25028 [2-70330-II/2-70331-II]. ADRIANA LECOUVREUR: Io sono l’umile ancella / ADRIANA LECOUVREUR: Poveri fiori gemme (Cilèa). Just about 1-2. $35.00. MARIA OLSZEWSKA [c] 2470. 12” Red acous. Polydor 72778 [753av/882av]. TRAUME / SCHMERZEN (Wagner, from Wesendonck Lieder). Gleaming mint copy. Just about 1-2. $35.00. 2413. 12” Red acous. Polydor 72778 [753av/882av]. Same as preceding listing [#2470]. Few lightest superficial mks., cons. 2. $30.00. AUGUSTA OLTRABELLA [s] 3073. 12” Italian Gram. DB 2828 [2BA1204-II/2BA1205-I] IL DIBUK: Eccoti, bellal amica / IL DIBUK: Ma ora torno mverso l’anima tua (Rocca). With GINO DEL SIGNORE [t]. Orch. dir. Giuseppe Antonicelli. Just about 1-2. $12.00. COLIN O’MORE [t] 1475. 10” Brown Shellec Vocalion 24031 [9503/ ? ]. WERTHER: Pourquoi me réveiller / MANON: Le rêve (both Massenet). Just about 1-2. $8.00. SIGRID ONEGIN [c] 1322. 10” Purple acous. Brunswick 10118 [12157/12013]. VAGGVISA (ar. Raucheisen) / HERDEGOSSEN (Berg). Side one piano acc. Michael Raucheisen. Side two with orch. Just about 1-2. $8.00. 1677. 10” Purple acous. Brunswick 10132 [ ? / ? ]. DER LINDENBAUM (Schubert) / ES IST BESTIMMT IN GOTTES RATH (Mendelssohn). Just about 1-2. $8.00. 3173. 12” Red Schall. Grammophon 72714 (043336/043337) [1462s/1461s]. SAPPHISCHE ODE (Brahms) / DER KREUZZUG (Schubert). Piano acc. In absolutely top condition. Just about 1-2. $25.00. 2643. 12” Red Scroll “Z”-type shellac Victor 7320 [CLR5799- II/CLR5800-I]. SAMSON ET DALILA: Printemps qui commence/ SAMSON ET DALILA: Mon coeur (Saint- Saëns). What a superb copy! Just about 1-2. $8.00. LOUIS ORLIAC [t]. He is referred to on the label as “le célèbre tenor Toulousian”, where probably much of his career was centered. 1954. 10” Green elec. Fr. Odeon 249.002 [KI-5826-1/KI5829-I]. RIGOLETTO: La donna è mobile (Verdi). In French. / LA SIGRID ONÉGIN and baby FRITZ, JUIVE: Dieu que ma voix tremblante (Halévy). Few 1926 lightest mks., cons. 2. $15.00. KARL OSTERTAG [t]. Ulm, 1903 – Munich, 1979. After vocal studies with Anna Henneberg in Munich he first appeared in the 1928-1930 seasons at the Landestheater in Neustrelitz. Primarily he sang parts in operas of Verdi, Puccini, Wagner and Strauss and by the end of his career also added to his repertoire comprimario roles. He appeared in Munich in the premieres of the operas Der Friedenstag by Richard Strauss (1938) and Der Mond of Carl Orff (1929). Guest performances led him to the Staatsopern in Wien (1939, 1942), Stuttgart, and the Salzburg festival (1943, 1944). In 1938 he made guest appearances with the Munich ensemble at La Scala and in 1956 he performed at Covent Garden in London. In addition he had a significant career as a concert singer. -Ashot Arakelyan (Internet). 1354. 10” Red elec. Grammophon 10657 [7105½GR/7106½GR]. TOSCA: Recondita armonia / TOSCA: E lucevan le stelle (Puccini). In German. Minor lbl. rubs. One tiny scr., otherwise just about 1-2 $12.00. JOHN O’SULLIVAN [t] 1635. 10” Dk. Odeon elec. O-2602 [Be6922/Be6923]. IL TROVATORE: Di quella pira / IL TROVA- TORE: Ah si ben mio (Verdi). In Italian. Orch. dir. Dr. Weissmann. Just about 1-2. $15.00. ADAM OSTROWSKI [bs]. See: IGNACY DYGAS [t] GIUSEPPE OXILIA [t] 1647. 10” Blk. Milano G&T 52356 [2832-R]. LUISA MILLER: Quando le sere al placido (Verdi). Small harmless inherent pressing indentations. 2-3. $75.00. ADOLFO PACINI [b]. Pacini studied at the Accademia di Santa Cecilia in Rome with Antonio Cotogni. 1904 marked his debut at the Teatro Dal Verme, Milan in Marchetti’s Ruy Blas . In 1905 he undertook a guest performance tour through Central America. In 1907 he became a member of the Lombardi Opera Company, with which he toured through the USA and Canada. After returning to Italy, he sang in Bologna, Pisa and Napoli, then in 1910 in South America. That same year he was engaged by La Scala; here he was principal baritone in Simon Boccanegra and Siegfri ed. In 1912 marked guest appearances at the Teatro Liceo of Barcelona in Manon Lescaut, Siegfried and Romeo et Juliette . In 1920 he performed in Cairo, two years later in Istanbul. From 1928 he undertook comprimario roles until his retirement in 1941. 1935. 10” Green acous. Italian Disco Gram. R.6799 [98MIII/118M]. IL CANTO DEI FASCISTI [GIOVINEZZA] (G. Blanc) / L’INNO DEI FASCISTI [ALL’ ARMI] (Landi). There can’t be many remaning examples of this! Few LGTs side one (when chorus joins in), cons . 2. Side two just about 1-2. $15.00. - 91 - 78 rpm VOCAL RECORDS LUELLA PAIKIN [s]. Warrington, England, 1896 – New York City, 1969. She studied with Marie Brema in Manchester as well as in Italy and began her operatic career in 1920 at the Naples Teatro San Carlo. There she appeared in 1922 in the premiere of Franchetti’s opera Glauco . 1923 marked her La Scala debut in The Magic Flute under Toscanini. After having sung in various Italian houses, she returned to England and became a member of the British National Opera Company and the Carl Rosa Company. She subsequently appeared in operetta, on the radio (both on the BBC and in the U.S.) as well as undertaking further occasional operatic performances, including Lakmé at the Paris Opéra-Comique and Gilda in a 1938 Covent Garden Rigoletto . She was married for a period to tenor Angelo Minghetti. She moved to New York City in 1941 and became a naturalized U.S. citizen in 1946, in 1943 wedding chemical engineer Joseph Bernham, ten years her junior. However she managed to catch up and even surpass her husband’s age by declaring her birth year as 1911. She evidently had little career success here. 2924. 12” SS vinyl HMV DB 952 [Cc8542-3]. RIGOLETTO: E il sol dell’anima (Verdi). With ANGELO MINGHETTI [t]. Just about 1-2. $12.00. 3668. 12” Red PW HMV DB 952 [Cc8542-3/Cc8638-I]. RIGOLETTO: E il sol dell’anima (Verdi). With ANGELO MINGHETTI [t]. / MINGHETTI [t]. LA BOHÈME: Che gelida manina (Puccini). Just about 1-2. $20.00. 2520. 12” PW Red HMV DB 1057 [Cc8588-V/Cc10847-III]. ABDUCTION FROM THE SERAGLIO: Ah! I Loved Him / AIR AND VARIATIONS (both Mozart). Side one with orchestra. Side two with Gordon Walker [flute] and Ivor Newton [piano]. Fine copy. Small lbl. stkr. Few lightest rubs. Cons. 2. $12.00. JOSÉ PALET [t] 2014. 11” Fonotipia 39294/39321 [XPh319/XPh331]. LUCIA: Tu che a Dio spiegasti (Donizetti) / RIGOLETTO: Parmi veder le lacrime (Verdi). Just about 1-2. $25.00. GERTRUD PÅLSON-WETTERGREN [ms]. 1634. 10” Plum elec. HMV X.2644 [Bk2585-IITI/ BK2586- ITI]. CARMEN: Seguedilla / CARMEN: Habanera (Bizet). Just about 1-2. $12.00. LUCILE PANIS [c ]. Sérignan, France, 1887-1966. A student at the Paris Conservatoire, Panis secured a first prize and was then hired by the Paris Opéra in 1911 as Elizabeth in Tannhäuser. Her Paris Opéra career continued until 1933, where she was heard as Elsa (Lohengrin ). Salomé (Hérodiade ), Brünnhilde (in Die Walküre and Siegfried ), Valentine (Les Huguenots ) and Alix (Le Miracle ) and elsewhere parts such as Aida and Tosca. In an internet biographical sketch of Panis by Johanna Van Meel- Sauzet, the voice of Panis is described as “identical to that of Maria Callas”. Her only recordings were of four sides of light music for the French Gramophone Co. in 1908. 1201. 10” Blk. Vr 63103 [5527h/5528h]. FROU FROU [VALSE] (Chateau) / L’ANNEAU D’ARGENT (Cha- minade). Just about 1-2. $15.00. CHARLES PANZÉRA [b] 1382. 10” Blk. PW Disque Gram. P-845 [BS-3734-I/BS- 3735-I]. AUPRÈS DE CETTE GROTTE SOMBRE/ JE TREMBLE EN VOYANT TON VISAGE (Debussy, from Le Promenoir des deux Amants ). Piano acc. Just about 1-2. $10.00. ANTONIO PAOLI [t] ANTONIO PAOLI 1799. 10” Red Angel Pre-Dog. Gram.2-52712 [13258b]. ROBERTO IL DIAVOLO: Di mia patria (Meyerbeer). Few silent marks. Label lightly stained (discolored). Should play without problems. 2-3. $25.00. 3021. 12” Red Dog Monarch Gram. 052330 [324ai]. AIDA: Se quell Guerrier … Celeste Aida (Verdi). One very tiny bump (harmless). As mint. Just about 1-2. $40.00. GRAZIELLA PARETO [s]. See also: DMITRI SMIRNOV [t] 3667. 12” Red Victor 76003 [1401½c]. LA SONNAMBULA: Ah! non credea mirarti (Bellini). Just about 1-2. $15.00. 1973. 10” Red acous. Spanish Gramophone DA 771 [BS-2244-2/BS-2258-1]. MUÑEQUITA (M. Zaragosa-F. Longas) / LA GUINDA (P. Mata-F. Longas). Piano acc. by the composer, Federico Longas. Not reissued by Historic Masters. Cons . 2. $50.00. ELIZABETH PARKINA [s] 1972. 10” Blk. London G&T 3586 [6201b]. SHOULD HE UPBRAID (Bishop). Piano acc. Excellent copy. Just about 1-2. $75.00. ARMIDA PARSI-PETTINELLA [ms] 2184. 11” Fonotipia 39069/39912 [XPh120-II/XPh2200]. AMORE E MAGGIO (Faini) / LE PRO- PHÈTE: Figlio mio (Meyerbeer). Cons. 2. $35.00. 2037. 11” Fonotipia 62290/62291 [XPh3063/XPh3017]. SERENATA MEDIOÈVALE (Costa) / È L’UCCELLINO (Puccini). Piano acc. Cons. 2. $40.00. - 92 - 78 rpm VOCAL RECORDS HERCULES PASCALIDIS [bs]. 1878 – Thessaloniki, 1938 . His family emigrated from Russia to Greece. Mention is made of him singing in the “Piccola Scala” in 1905, whatever that might have been. From 1907 he was a bass of the “Third Greek Melodrama”, an organization which was effectively the Lyric Opera of Athens at the turn of the 20 th century. In 1922 he was one of the founders of the Macedonian Conservatory of Music in Salonica. He must have appeared in the U.S.
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