Download Download
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Iai – Naginata
Editor: Well House, 13 Keere Street, Lewes, East Sussex, England No. 301 Summer 2012 Takami Taizō - A Remarkable Teacher (Part Three) by Roald Knutsen In the last Journal I described something of Takami-sensei’s ‘holiday’ with the old Shintō- ryū Kendō Dōjō down at Charmouth in West Dorset. The first week to ten days of that early June, in perfect weather, we all trained hard in the garden of our house and on both the beach and grassy slopes a few minutes away. The main photo above shows myself, in jōdan-no-kamae against Mick Greenslade, one of our early members, on the cliffs just east of the River Char. The time was 07.30. It is always interesting to train in the open on grass, especially if the ground slopes away! Lower down, we have a pic taken when the tide was out on Lyme Bay. Hakama had to be worn high or they became splashed and sodden very quickly. It is a pity that we haven’t more photos taken of these early practices. The following year, about the same date, four of us were again at Charmouth for a few days and I recall that we had just finished keiko on the sands at 06.30 when an older man, walking his dog, came along – and we were half Copyright © 2012 Eikoku Kendo Renmei Journal of the Eikoku Kendō Renmei No. 301 Summer 2012 a mile west towards the Black Ven (for those who know Charmouth and Lyme) – He paused to look at us then politely asked if we had been there the previous year? We answered in the affirmative, to which he raised his hat, saying: ‘One Sunday morning? I remember you well. -
Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L
SWORD OF THE SAMURAI Computer Game MICROPROSE SOFTWARE INC. 180 Lakefront Drive, Hunt Valley, MD 2 1030 (410) 771-I 151 All rights reserved Copyright 0 I989 by MicroProse Software, inc. This bk may not be reproduced in whole or in part by any means without permission, except the quotation of brief passages for reviews. PRINTING HISTORY First printing 1989 Printing: 9 8 7 6 5 4 3 2 1 Sword of the Samurai is MicroProse Software’s trademark for its computer game of feudal Japan. SWORD OF THE SAMURAI Game Design/Project Leader Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L. BRIGGS JIM SYNOSKI Print Media Director Role-Playing Program IRIS IDOKOCI JIM SYNOSKI Full-Page Illustrations with SID MEIER RONNIE ORDANZA and MARCELL CIOLA Melee Program Spot Illustrations JOHN KENNEDY OSCAR RATTI* Battle Program Layout DAVID McKlBBlN MICHAEL HAIRE and MURRAY TAYLOR with DAN CHANG Paper Map Graphics Duel Program MARCELL CIOLA SID MEIER MURRAY TAYLOR and MICHAEL REIS Music and Sound Quality Assurance KEN LAGACE and JIM McCONKEY ALAN ROIREAU, CHRIS TAORMINO, Music by JEFFERY L. BRIGGS and RUSS COONEY Computer Graphics Packaging Design MICHAEL HAIRE MARK CIOLA and JOHN EMORY with JACKIE ROSS Type Fonts by BARBARA BENTS *(from Secrets of the Samurai by Oscar Ratti and Adele Westbrook; used by permission of the publisher, the Charles E. Tuttle Company, Inc.) CONTENTS INTRODUCTION THE LIFE OF A SAMURAI General Overview: Another Time, Another Culture 3 Quickstart: On the -
The Japanese Samurai Code: Classic Strategies for Success Kindle
THE JAPANESE SAMURAI CODE: CLASSIC STRATEGIES FOR SUCCESS PDF, EPUB, EBOOK Boye Lafayette De Mente | 192 pages | 01 Jun 2005 | Tuttle Publishing | 9780804836524 | English | Boston, United States The Japanese Samurai Code: Classic Strategies for Success PDF Book Patrick Mehr on May 4, pm. The culture and tradition of Japan, so different from that of Europe, never ceases to enchant and intrigue people from the West. Hideyoshi was made daimyo of part of Omi Province now Shiga Prefecture after he helped take the region from the Azai Clan, and in , Nobunaga sent him to Himeji Castle to face the Mori Clan and conquer western Japan. It is an idea taken from Confucianism. Ieyasu was too late to take revenge on Akechi Mitsuhide for his betrayal of Nobunaga—Hideyoshi beat him to it. Son of a common foot soldier in Owari Province now western Aichi Prefecture , he joined the Oda Clan as a foot soldier himself in After Imagawa leader Yoshimoto was killed in a surprise attack by Nobunaga, Ieyasu decided to switch sides and joined the Oda. See our price match guarantee. He built up his capital at Edo now Tokyo in the lands he had won from the Hojo, thus beginning the Edo Period of Japanese history. It emphasised loyalty, modesty, war skills and honour. About this item. Installing Yoshiaki as the new shogun, Nobunaga hoped to use him as a puppet leader. Whether this was out of disrespect for a "beast," as Mitsuhide put it, or cover for an act of mercy remains a matter of debate. While Miyamoto Musashi may be the best-known "samurai" internationally, Oda Nobunaga claims the most respect within Japan. -
Prayer on Mount Hiei
Primary Source Document with Questions (DBQs) EXCERPTS FROM SELECTED WRITINGS BY SAICHŌ: “PRAYER ON MOUNT HIEI” “ON THE POSSIBILITY OF ENLIGHTENMENT FOR ALL MEN” “VOW OF THE UNINTERRUPTED STUDY OF THE LOTUS SŪTRA” “THE MAHAYANA PRECEPTS IN ADMONITIONS OF THE FANWANG SŪTRA” Introduction Saichō (767‐822), posthumously titled Dengyō Daishi, was the founder of the Tendai School in Japan, which became the most prominent branch of Buddhism throughout the Heian period. Saichō learned of the Chinese Tiantai teachings during his trip to China in 804. After returning to Japan, he founded the Enryakuji temple on Mt. Hiei near Kyoto. At that point, the main Buddhist rituals were shifted from being performed at Todaiji in Nara, which followed the Vinaya (Hīnayāna) precepts, to Enryakuji, which adhered strictly to the Bodhisattva (Mahāyāna) precepts. Saichō also wrote important doctrinal commentaries on the Lotus Sūtra. Document Excerpts with Questions From Sources of Japanese Tradition, compiled by Wm. Theodore de Bary, Donald Keene, George Tanabe, and Paul Varley, 2nd ed., vol. 1 (New York: Columbia University Press, 2001), 125, 129, 140, 142‐144. © 2001 Columbia University Press. Reproduced with the permission of the publisher. All rights reserved. Excerpts from Selected Writings by Saichō “Prayer on Mount Hiei” Oh Buddhas Of unexcelled complete enlightenment Bestow your invisible aid Upon this hut I open On the mountain top. [Dengyō Daishi zenshū IV, p. 756 (1912 ed.)] “On the Possibility of Enlightenment for All Men” In the lotus‑flower is implicit its emergence from the water. If it does not emerge, its blossoms will not open: in the emergence is implicit the blossoming. -
Tokugawa Ieyasu, Shogun
Tokugawa Ieyasu, Shogun 徳川家康 Tokugawa Ieyasu, Shogun Constructed and resided at Hamamatsu Castle for 17 years in order to build up his military prowess into his adulthood. Bronze statue of Tokugawa Ieyasu in his youth 1542 (Tenbun 11) Born in Okazaki, Aichi Prefecture (Until age 1) 1547 (Tenbun 16) Got kidnapped on the way taken to Sunpu as a hostage and sold to Oda Nobuhide. (At age 6) 1549 (Tenbun 18) Hirotada, his father, was assassinated. Taken to Sunpu as a hostage of Imagawa Yoshimoto. (At age 8) 1557 (Koji 3) Marries Lady Tsukiyama and changes his name to Motoyasu. (At age 16) 1559 (Eiroku 2) Returns to Okazaki to pay a visit to the family grave. Nobuyasu, his first son, is born. (At age 18) 1560 (Eiroku 3) Oda Nobunaga defeats Imagawa Yoshimoto in Okehazama. (At age 19) 1563 (Eiroku 6) Engagement of Nobuyasu, Ieyasu’s eldest son, with Tokuhime, the daughter of Nobunaga. Changes his name to Ieyasu. Suppresses rebellious groups of peasants and religious believers who opposed the feudal ruling. (At age 22) 1570 (Genki 1) Moves from Okazaki 天龍村to Hamamatsu and defeats the Asakura clan at the Battle of Anegawa. (At age 29) 152 1571 (Genki 2) Shingen invades Enshu and attacks several castles. (At age 30) 豊根村 川根本町 1572 (Genki 3) Defeated at the Battle of Mikatagahara. (At age 31) 東栄町 152 362 Takeda Shingen’s151 Path to the Totoumi Province Invasion The Raid of the Battlefield Saigagake After the fall of the Imagawa, Totoumi Province 犬居城 武田本隊 (別説) Saigagake Stone Monument 山県昌景隊天竜区 became a battlefield between Ieyasu and Takeda of Yamagata Takeda Main 堀之内の城山Force (another theoried the Kai Province. -
Shingen Hatto No Hakkutsu ~ Ebook Shingen Hatto No Hakkutsu Hyakunensha ; Hatsubai Shin Jimbutsu Ōrai Sha - Das Gesetz Takeda Shingen's on JSTOR
- < Shingen hatto no hakkutsu ~ eBook Shingen hatto no hakkutsu Hyakunensha ; hatsubai Shin Jimbutsu Ōrai Sha - Das Gesetz Takeda Shingen's on JSTOR Description: - - Netherlands -- Cultural policy -- History -- 20th century. Arts, Dutch -- 20th century. Arts -- Netherlands -- Management. Art and state -- Netherlands -- History -- 20th century. Yamanashi-ken (Japan) -- Politics and government Law -- Japan -- History and criticism Feudal law -- Japan -- Yamanashi-ken -- History Takeda, Shingen, -- 1521-1573.Shingen hatto no hakkutsu -Shingen hatto no hakkutsu Notes: Includes bibliographical references. This edition was published in 1980 Filesize: 49.610 MB Tags: #Hattori #Hanzō Takeda Shingen (Uber Rare Cat) He was given the title of Iwami no Kami and his Iga men would act as guards of , the headquarters of the government of united Japan. Shingen hatto no hakkutsu The year he married Sanjou-no-kata, Ujiteru IMAGAWA passed away at Suruga Province, and , who took over the head of the family, made peace with the Takeda clan after Hanakura no Ran, Hanakura Rebellion. To sum up: Uesugi Kenshin wore at the fourth Battle of Kawanaka-jima among others a blade of Bizen Saburō Kunimune, namely at the time when he destroyed the troops of Takeda Shingen´s younger brother Tenkyū Nobushige. In no Shidai the Laws of the Province of Kai , it was defined that Yoriko would bring a suit to Yorioya regardless of its content. Detective work on the Tenkyūwari In the same year, he established no Shidai the Laws of the Province of Kai Shingen kaho the law in which was enforced by Shingen as the law individual sengoku-daimyo enforced in their own domain. -
Slide 36. Introduction of Miwa Deity to Mt. Hiei
Footnote Slide 36. Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher, 2017. INTRODUCTION OF MIWA DEITY TO MT. HIEI Scholars generally assume the Miwa deity (aka Ōmononushi, aka Ōnamuchi) was introduced to Mt. Hiei during the reign of Tenji 天智天皇 (r. 626–71). The prevailing view is that the Miwa deity was “invited” to Mt. Hiei around 663-667 CE, when Tenji moved his court out of the Yamato basin to the more secluded site of Ōtsu 大津 (near Mt. Hiei). In 667 CE, Tenji’s new palace was built just five kilometers south of Mt. Hiei. Before the court’s move to Ōtsu, one of the most important sites of court kami worship was Mt. Miwa, located on the eastern edge of the Yamato plain. The Miwa deity hailed from Mt. Miwa and was perhaps Japan’s most powerful kami in those days. It is therefore “reasonable” to assume the Miwa deity was “invited” by Tenji’s court to reside near the new capital in Ōtsu. NONETHELESS, it is impossible to say with certainty if the Miwa deity was installed at Mt. Hiei between 663-667 CE. It is safer to say the Miwa deity was “imported” to Mt. Hiei sometime in the 7th or 8th centuries (probably before the Nara era). Saichō 最澄 (767-822), founder of Hiei’s shrine-temple multiplex, was certainly aware of the Miwa deity and actively venerated it. • Writes Meri Arichi in Seven Stars of Heaven and Seven Shrines on Earth: The Big Dipper and the Hie Shrine in the Medieval Period, quote from pp. -
Shogun Total War 2 Download Full Game Free Shogun Total War
shogun total war 2 download full game free Shogun Total War. Feudal Japan: a time of immense bravery, loyalty and. Category Real-Time Size 95.1 MB Program by Creative Assembly. Shogun Total War. Feudal Japan: a time of immense bravery, loyalty and courage, and a time of deception, betrayal and murder. Enter the world of Shogun: Total War, the most ambitious, epic, and visually spectacular real-time strategy game ever created. Battle to the death for the ultimate honour: become Shogun, supreme dictator of all Japan. Plants vs. Zombies 3.2.1. Game that allows users to defend themselves against zombies with plants. Age Of Empires II Age of Kings Gold Edition. Strategic conquest game with 18 civilizations to choose from. Ice Age Adventures 1.0.0.0. Android and Windows mobile adventure game based on the movie. Farming Simulator 17 Preview. Learn how to plant and prepare for the coming harvest with this realistic new program. Total War Shogun 2 Complete Free Download. Anda akan memerankan berbagai karakter secara bergantian sesuai dengan jalannya cerita. Selain berperang, Anda juga harus mampu berdiplomasi dengan pihak lawan. Kebudayaan Jepang seperti Ninja dan Geisha dapat ditemukan dalam permainan ini. Keduanya bertindak sebagai pembunuh bayaran dan mata-mata untuk mengungkap rahasia musuh. Setelah berakhirnya Perang Onin di bawah pemerintahan Shogun Ashikaga, Jepang terbagi menjadi beberapa klan yang dipimpin oleh seorang panglima perang. Setiap klan berperang dengan klan lainnya untuk menguasai Jepang secara keseluruhan. Masing-masing klan memiliki kekuatan militer dan politik yang berbeda. Beberapa klan menyewa samurai yang handal, sementara yang lainnya menggunakan pemanah untuk menghabisi lawan. -
Feudal Japan
The Japanese had a deep respect for nature due to their geography Tsunami Tsunami 2 • How do you think that played into their early religion? • How do you think that played into their early religion? • Polytheistic • SHINTOISM Yamato Period: 300-710 Began promoting the adoption of Chinese culture: Confucianism. Language Buddhism Chinese art & architecture. Strong Government “Great Kings” era Heian Period: 700’s-1100’s Characteristics: Growth of large estates.(Nobles) Arts & literature of China flourished. Elaborate court life [highly refined] . ETIQUETTE. Great novel The Tale of Genji by Lady Murasaki Shikibu [1000 pgs.+] Heian Court Dress Tale of Genji (first novel) Tale of Genji Scroll (first novel) Heian Period: Selective Borrowing 1.Chinese writing. 2.Chinese artistic styles. 3.Buddhism [ZEN]. 4.BUT, not the Chinese civil service system! Feudalism A political, economic, and social system based on loyalty, the holding of land, and military service. Europe: King Land - Fief Loyalty Land - Fief Loyalty Lord Lord Food Knight Knight Knight Protection Peasant Peasant Peasant Peasant Feudalism A political, economic, and social system based on loyalty, the holding of land, and military service. Japan: Shogun Land - Shoen Loyalty Land - Shoen Daimyo Daimyo Loyalty Samurai Samurai Samurai Food Protection Peasant Peasant Peasant Peasant The emperor reigned, but did not always rule! Feudal Society Medieval Warriors vs. European knight Samurai Warrior Medieval Warriors vs. Knight’s Armor Samurai Armor Code of Bushido * Respect for