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NEW COLOR BASE "SLATE GRAY (-SG)" P.O. BOX 609 • 3601 S. Banker St. • Effingham, IL 62401 • Ph: (888) 431-2667 • Fax: (800) 433-2667 Introducing John Boos all new base color option "Slate Gray" This slate gray color is the perfect in between color. Not too dark and not too light! This is the perfect neutral color for any kitchen or room and gives that mysterious and calming tone that is reminiscent of the calm before a storm or that perfect little touch of modernity. Both masculine and feminine, it has the ability to bring a room together like yin and yang and adds depth and drama that can mirror the elegance of silver or the strong feel of stone. This is why Slate is the perfect choice. Slate stone, just like our gray, has a depth that is often overlooked. Slate is found in large sheets and formations in nature with strong beauti- ful layers upon layers of rock and when together is strong, rough, and masculine but when mined and broken down, Slate becomes elegant and smooth and shows a softer side of the stone. It’s depth lies in its character and we know you won’t be disappointed. Slate Gray Color Now Available On SELECT Boos Block Gourmet Furnishing Models! Use "-SG" after the model number when ordering. Color Base Options NEW! (-SG) (-CR) (-UG) (-N) (-SB) (-EP) (-BK) Slate Gray Warm Useful Natural Sporty Eggplant Caviar Cherry Stain Gray Stain Maple Blue Black (-BN) (-AL) (-TG) (-BS) (-S) (-BY) (-AG) Barn Red Albaster Tangerine Basil Sage Buttercup Apple Yellow Green 8/21/14 MADE IN [email protected] AMERICA www.johnboos.com.

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The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names
Uc 8 , .Department of Commerce Na Canal Bureau of Standards Circular UNITED STATES DEPARTMENT OF COMMERCE • Sinclair Weeks, Secretary NATIONAL BUREAU OF STANDARDS • A. V. Astin, Director The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names National Bureau of Standards Circular 553 Issued November 1, 1955 For sale by the Superintendent of Documents, U. S. Government Printing Office, Washington 25, D. C. Price 32 7 1 National Bureau of Standards NOV 1 1955 8 (0*118 QC 00 U555 Cop. 1 Preface I^Ever since the language of man began to develop, words or expressions have been used first to indicate and then to describe colors. Some of these have per- sisted throughout the centuries and are those which refer to the simple colors or ranges such as red or yellow. As the language developed, more and more color names were invented to describe the colors used by art and industry and in late years in the rapidly expanding field of sales promotion. Some of these refer to the pigment or dye used, as Ochre Red or Cochineal, or a geographical location of its source such as Naples Yellow or Byzantium. Later when it became clear that most colors are bought by or for women, many color names indicative of the beauties and wiles of the fan- sex were introduced, as French Nude, Heart’s Desire, Intimate Mood, or Vamp. Fanciful color names came into vogue such as Dream Fluff, Happy Day, Pearly Gates, and Wafted Feather. Do not suppose that these names are without economic importance for a dark reddish gray hat for Milady might be a best seller ; if advertised as Mauve Wine whereas it probably would not if the color were called Paris Mud.
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Metal Color Chart.Pdf
Quality Metals San Antonio Dallas McAllen Houston (210) 227-7276 (972) 331-6800 (956) 627-2826 (713) 944-4480 www.saqualitymetals.com • [email protected] Standard Colors Regal White Almond Sandstone Surrey Beige Sierra Tan SR=.72 E=.82 SR=.65 E=.84 SR=.60 E=.85 SR=.49 E=.85 SR=.46 E=.85 Ash Gray Slate Gray Musket Gray Charcoal Gray Patina Green SR=.51 E=.77 SR=.38 E=.85 SR=.32 E=.84 SR=.32 E=.88 SR=.42 E=.75 Slate Blue Evergreen Terra Cotta Colonial Red Seal Brown SR=.30 E=.83 SR=.25 E=.79 SR=.42 E=.82 SR=.29 E=.86 SR=.30 E=.86 Buckskin Medium Bronze Aged Bronze Copper Brown Dark Bronze SR=.37 E=.82 SR=.29 E=.84 SR=.30 E=.85 SR=.26 E=.82 SR=.26 E=.81 Premium Colors Matte Black Felt Green Hartford Green Brite Red Burgundy Regal Blue SR=.27 E=.84 SR=.25 E=.77 SR=.29 E=.83 SR=.40 E=.85 SR=.26 E=.84 SR=.22 E=.80 Metallic Colors Galvalume Silver Metallic Champagne Weathered Galvalume Copper Metallic SR=.57 E=.62 SR=.42 E=.79 SR=.44 E=.63 SR=.49 E=.88 Low Gloss - Low Sheen Colors Slate Gray Copper Brown Aged Bronze Dark Bronze Medium Bronze SR=.34 E=.84 SR=.25 E=.85 SR=.26 E=.84 SR=.29 E=.85 SR=.27 E=.86 *35 Year Limited Warranty on Dura Coat Durapon 70™ Painted Material. *Custom Color Matches are available. All Colors shown are within the limits of color chip reproduction.
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Pac-Clad® Color Chart
pa c - c l a d ® c O l O R c H a RT Cardinal Red Colonial Red Burgundy Terra Cotta Sierra Tan Mansard Brown Stone White Granite Sandstone Almond Medium Bronze Dark Bronze Slate Gray Bone White Musket Gray Charcoal Midnight Bronze Matte Black Cityscape Interstate Blue Hemlock Green Arcadia Green Patina Green Hunter Green Military Blue Award Blue Teal Hartford Green Forest Green Evergreen Denotes PAC-CLAD Metallic Colors Denotes Energy Star® Colors Denotes PAC-CLAD Cool Colors Kynar 500® or Hylar 5000® pre-finished galvanized steel and aluminum for roofing, curtainwall and storefront applications. Berkshire Blue Slate Blue PAC-CLAD Metallic Colors Zinc Silver Copper Penny Aged Copper Champagne Weathered Zinc PETERSEN ALUMINUM CORPORATION HQ: 1005 Tonne Road 9060 Junction Drive 10551 PAC Road 350 73rd Ave., NE, Ste 1 102 Northpoint Pkwy Ext, Bldg 1, Ste 100 Elk Grove Village, IL 60007 Annapolis Junction, MD 20701 Tyler, TX 75707 Fridley, MN 55432 Acworth, GA 30102 P: 800-PAC-CLAD P: 800-344-1400 P: 800-441-8661 P: 877-571-2025 P: 800-272-4482 F: 800-722-7150 F: 301-953-7627 F: 903-581-8592 F: 866-901-2935 F: 770-420-2533 pa c - c l a d ® c O l O R aVa I l a BI l ITY PAC-CLAD 3 year STeeL ALuMiNuM eNeRGy STANDARD RefLectiviTy EmissiviTy SRi 24ga. 22ga. .032 .040 .050 .063 ® COLORS exposuRe STAR Almond 0.56 0.83 0.27 64 √ √ √ √ √ • Arcadia Green 0.33 0.84 0.32 33 √ √ • Bone White 0.71 0.85 0.71 86 √ √ √ √ √ √ • Cardinal Red 0.42 0.84 0.41 45 √ √ √ • Charcoal 0.28 0.84 0.28 27 √ √ √ • Cityscape 0.37 0.85 0.34 39 √ √ √ √ • Colonial Red 0.34
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Color Mixing…
JUST PAINTPublished by Golden Artist Colors, Inc. / Issue 26 From Mark Golden Twenty-six issues of this technical newsletter and I am delighted to share we are still continuing the dialogue on color! After the success of Sarah Sands’ article on the ‘Subtleties of Color’ (JP 21), we recognized the value of continuing to provide more color resources for artists. The Tint & Glaze Poster was the first significant new tool for artists to come from this research. Following up on this work to create a printed color chart trying to represent real paint colors, Chris Farrell, our Creative Director and person in charge of putting together this chart, is our principle advocate that printing, no matter how carefully it’s done, cannot be a substitute Color for paint. In this issue, Chris shares the significant differences in ranges possible with commercial printing processes and Mixing… real paint. Our Director of the GOLDEN Certified You can’t get it unless you do it! Working Artist Program and author, Patti Brady, shares her painterly insights into a By Patti Brady promote them. However, each of new Modern Theory Color Mixing Set for I had been given what to me seemed these concepts, whether historical, artists, which takes just the opposite tact like the daunting task of writing contemporary or genre specific, create from Chris, in working with a limited set an article on color mixing and to a starting point that is extremely of colors to produce an enormous range of introduce the new Modern Theory helpful for the artist beginning to mixing colors.
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Gull ID Manual
The Morlan Method Dichotomous Keys for Western North American Gull Identification Dichotomous keys copyright 1980 by Joseph Morlan. Reprinted by permission. Developed for birding classes at San Francisco City College. See <http://fog.ccsf.cc.ca.us/~jmorlan/> for course schedules and further information. The following dichotomous keys are designed to aid beginning and intermediate gull watchers. They will not resolve the identification of all gulls found on the West Coast. They are geared toward identification of our regularly occurring gull species from September through March and may not match features shown in spring and summer. Hybrid gulls, which are readily seen in some areas, are not addressed. Successful use of these keys first requires determination of the age of the bird. Some useful points to focus in aging gulls are given at the beginning of each key. Distinctive species, such as Bonaparte’s, Heermann’s and Sabine’s gulls and Black-legged Kittiwake are not included. Molt Sequence in Gulls winter, which corresponds to the second winter plumage of the larger gulls. In these birds, the juvenal plumage is Most gulls undergo a complete molt of feathers in late sum- retained only through early October. Their first winter mer. During August and September, most gulls will be in plumage is acquired rapidly by wear and a partial molt dur- molt and, thus, will show transitional plumages. However, ing September and October. After this partial molt, a stable the sequence is different for first year birds. A juvenal first winter plumage is worn until the first complete molt, plumage (the first full set of real feathers) is acquired during which often starts as early as February.
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Air Force Blue (Raf) {\Color{Airforceblueraf}\#5D8aa8
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Swatch Name HLS RGB HEX Absolute Zero 217° 36% 100% 0 72
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Circular of the Bureau of Standards No. 553: the ISCC-NBS Method Of
Uc 8 , .Department of Commerce Na Canal Bureau of Standards Circular UNITED STATES DEPARTMENT OF COMMERCE • Sinclair Weeks, Secretary NATIONAL BUREAU OF STANDARDS • A. V. Astin, Director The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names National Bureau of Standards Circular 553 Issued November 1, 1955 For sale by the Superintendent of Documents, U. S. Government Printing Office, Washington 25, D. C. Price 32 7 1 National Bureau of Standards NOV 1 1955 8 (0*118 QC 00 U555 Cop. 1 Preface I^Ever since the language of man began to develop, words or expressions have been used first to indicate and then to describe colors. Some of these have per- sisted throughout the centuries and are those which refer to the simple colors or ranges such as red or yellow. As the language developed, more and more color names were invented to describe the colors used by art and industry and in late years in the rapidly expanding field of sales promotion. Some of these refer to the pigment or dye used, as Ochre Red or Cochineal, or a geographical location of its source such as Naples Yellow or Byzantium. Later when it became clear that most colors are bought by or for women, many color names indicative of the beauties and wiles of the fan- sex were introduced, as French Nude, Heart’s Desire, Intimate Mood, or Vamp. Fanciful color names came into vogue such as Dream Fluff, Happy Day, Pearly Gates, and Wafted Feather. Do not suppose that these names are without economic importance for a dark reddish gray hat for Milady might be a best seller ; if advertised as Mauve Wine whereas it probably would not if the color were called Paris Mud.
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C L E a R T O M I S T Y C O L O
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Report on Six Recent Sightings of the Iceland
EO O SI ECE SIGIGS O E ICEA GU I O CAOIA WI COMMES O OEMS O IE IEIICAIO JOHN O. FUSSELL III, MICHAEL J. TOVE, and HARRY E. LeGRAND JR. Abstract.—Observations of six Iceland Gulls, seen in Carteret and Dare Counties in 1980 and 1981, are discussed. Evidence is presented to show that these gulls were not hybrids, or albinistic or leucistic individuals, or Glaucous or Thayer's Gulls. Separation of Iceland Gull and Thayer's Gull can be difficult and some individuals probably cannot be safely identified. Emphasis is placed on "building a case" for the identification of any "white-winged" gull. Reports of "white-winged" gulls [in this paper, Glaucous Gull (r hprbr and Iceland Gull (. ld] in the Carolinas are increasing. Including those in this paper, there are 78 known records-51 of Glaucous Gull, 23 of Iceland Gull, and four of unidentified species. Almost three-fourths of these records were made during the last decade. This increase is probably due in part to an increase in gull populations and in part to an increase in the number of capable observers, especially in regard to coverage along the coast in winter. Many of the recent winter records were made after periods of abnormally cold weather. With the increase in "white-winged" gull sightings, there have been some controversies in the Carolinas (see Am. Birds 31:321, Chat 42:10). This is not surprising, for this group of birds can pose identification problems in the field (and sometimes in the hand). A frequent problem is that in areas where Glaucous and Iceland Gulls are uncommon to rare, or among observers unfamiliar with these species, there has been a strong tendency to misidentify small Glaucous Gulls as Iceland Gulls.
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