The Corning Museum of Glass NewGlass Review 12

The Corning Museum of Glass Corning, New York 1991 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1990 calendar year. innerhalb des Kalenderjahres 1990 entworfen und gefertigt wurden.

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The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371

All rights reserved, 1991 Alle Rechte vorbehalten, 1991 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253

Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland

Standard Book Number 0-i 1-124-6 ISSN: 0275-469X

Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Biicherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite

Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 55 ach der Review des letzten Jahres, sind in den laufenden Ausga- Jury Statements Nben von Neues Glas verschiedene kritische Kommentare er- schienen. Eines haben sie deutlich gemacht: Wir haben verabsaumt, herauszustellen was die New Glass Review eigentlich ist. Das ist frustrierend, denn jedes Jahr, seit genau 14 Jahren*, haben meine ollowing last year's New Glass Review, various critical comments einfuhrenden Worte versucht, darauf hinzuweisen, daB die Review sich Fwere printed in the subsequent issue of Neues Glas. They made mit dem Neuen beschaftigt, nicht mit dem Besten. Wir sind bei dieser one fact quite clear: we have failed to communicate what the New Methode immer konsequent gewesen, und trotzdem wurden die „aus- Glass Review is supposed to be about. This is frustrating because gewahlten 100" als Quintessenz der alljahrlichen Aktivitaten und als each year, for 14* years, my introductory notes have emphasized that eine Art Ehrenliste aufgefaBt. Das sind sie aber keineswegs. the Review is about what's new, not what's best. We have been abso­ Als das Corning Museum das Projekt ins Leben rief, stand die Idee lutely consistent in this approach, and yet the "chosen 100" are still Veranderungen zu dokumentieren Pate: eine grundlegende Aufgabe viewed as a summary of the year's activities and as a sort of honor roll. des Museums. Sammler, Galerien und Sonderausstellungen konnen They are neither. sich nach ihren Wunschen richten, aber Museen mit ihren permanenten When The Corning Museum of Glass set the project up in 1976, the Sammlungen dokumentieren Geschichte - was nichts anderes bedeu- idea was simply to record change. This is a basic museum function. tet, als Veranderungen festzuhalten. Bei der sich in vollem Gang befin- Collectors can preserve whatever they wish, and galleries and special denden sogenannten Studio-Glas-Bewegung lag eine angemessene exhibitions can focus wherever they choose, but museums, with their Dokumentation durch Ankaufe jenseits unserer Mittel; diesem Umstand permanent collections, document history - which is no more than re­ verdankt sich die Idee einer Publikation, die den zusatzlichen Vorteil hat cording change. With the so-called Studio Glass Movement in full jederzeit einem breiten Publikum zuganglich zu sein. swing, adequate documentation through acquisition was beyond our Wir muBten einen Standard festlegen, deshalb legte die erste Erkla- means; hence, the idea of a publication that would have the additional rung von 1976 dar, daB „ein jahrlicher photographischer Uberblick benefit of being immediately available to a large, involved audience. etabliert werden soil, der eine Vielzahl der bedeutsamsten Glasarbei- We had to start with a standard against which change could be ten, die jedes Jahr in der ganzen Welt entstehen, prasentiert... Die measured, so the first explanatory statement in 1976 spoke of an Beurteilungskriterien legen Wert auf umfassende Qualitat mit der Beto- "annual photographic survey established to provide a record of the nung auf Originalitat und meisterliche Beherrschung des Kunsthand- most significant glass pieces made each year throughout the world ... werks ... Mit der Etablierung dieses Programms soli Neuerungen The judging criteria focused on overall quality with emphasis on origi­ wachsende Aufmerksamkeit gezollt werden." nality and craftsmanship ... As the program becomes established, 1977 enthielten die einfuhrenden Worte folgende Erklarung: „Das increasing attention will be paid to innovation." And so it has, for without Programm dokumentiert Veranderungen, keine qualitative Kontinuitat; change, there is no history. die Akzeptierung sollte nicht als Preis angesehen werden, sondern In 1977, the statement contained the following explanation: "The vielmehr als Anerkennung von Innovationen .. program documents change, not qualitative continuity; acceptance Wenn wir versucht hatten die 100 Besten auszuwahlen - eine tat- should not be considered as an award but rather as recognition of sachliche und fortdauernde Versuchung - hatte sich die Review noch innovation .. weitaus mehr wiederholt: Eine etablierte Gruppe ware einbezogen If we had attempted to select the 100 best - a real and continuing gewesen (und das bedeutet eingeladen), und es hatte wenig Platz, temptation - the Review would have been much more repetitious: an wenn uberhaupt, fur neue Talente gegeben. Die Publikation ware zu establishment of recognized artists and factories would have to be einer Papier-Akademie geworden. included (which means invited), and there would be little, if any, space Wir haben auch so schon genug Probleme: zunachst die Einschran- for new talent. This publication would have become a paper academy. kungen durch das Medium, winzige Diapositive; das zweite betrifft die We have problems enough as it is: the first is the limitation of the Berichterstattung, oder ihr Fehlen, durch die, die gleichzeitig Bilder ihrer media, tiny photographic transparencies; the second is the coverage, or Arbeiten einreichen; das dritte ist semantisch; und das vierte entsteht lack of it, represented by those submitting the pictures of their work; the durch den AuswahlprozeB selbst. third is semantic; and the fourth arises from the selection process itself. Eine sehr gute Arbeit kann durch eine inadequate Photographie Very good work can be misrepresented by inadequate photography, unangemessen oder sogar schlecht wiedergegeben sein, genauso wie and, perhaps even worse, poor work can be photographed to look eine schlechte Arbeit so photographiert sein kann, daf3 sie besser als in better than it really is. Glass making and decorating techniques are Wirklichkeit aussieht. Die Glasverarbeitung und dekorative Techniken sometimes unrecognizable, color is not true, and part or all of many sind manchmal nicht zu erkennen oder die Farben stimmen nicht. In images is out of focus. In some countries, available film and processing einigen Landern verursachen das Filmmaterial und die Entwicklung produce weak, fuzzy, incorrectly exposed images. In other words, we unscharfe, falsch belichtete Bilder. Mit anderen Worten, wir wahlen are choosing photographs, not objects. Photographien und nicht Objekte. And we are choosing from a group limited to those who choose to Und wir wahlen nur unter eingereichten Beitragen. Einige prominente submit. Some prominent, innovative glassmakers fail to participate, and Glaskunstler nehmen nicht teil und ganze Lander sind unterreprasen- whole countries go unrepresented - Argentina, Brazil, and China, for tiert - Argentinien, Brasilien und China. In der Geschichte der Review example (to take just the first three letters of the alphabet). In the history hat es nie Kostproben der Glaskunstler aus Murano gegeben. Auf der of the Review, we have never had even a modest sampling of the work anderen Seite sind andere Lander sehr emsig - Kanada, Australien of the glass artists of Murano. On the other hand, some countries are und Japan z. B. Daruber hinaus sind Kategorien wie Flachglas oder diligent - Canada, Australia, and Japan, for example - and we receive industrielles Glas zu ungleichmaBig reprasentiert und per Definition zu representation in depth. Furthermore, categories such as flat glass or wenig abgegrenzt, um getrennt behandelt zu werden. Zusammenfas- factory production are too unevenly represented and too ambiguous by send heiBt das, daB die Review weder einen Uberblick noch eine Zu- definition to be treated separately. In short, the Review is not, and can­ sammenfassung liefert oder liefern kann. not be, a survey or a summary. Innovation ist so relativ wie Qualitat und gleichermaBen subjektiv. Ich Innovation is as relative as quality, and as subjectively determined. I glaubte Tom Pattis Verwendung von Rot, nach Jahren des Arbeitens mit thought Tom Patti's use of red after years of working in an aqueous einem wasserigen Blau-Grun, sei es wert in die New Glass Review 10 blue-green was worthy of inclusion in New Glass Review 10; two of my aufgenommen zu werden; zwei meiner Kollegen stimmten (vehement) colleagues disagreed (strongly). We live in an era eager for violent dagegen. Wir leben in einer Ara, die rasche Veranderungen braucht change, which easily obscures subtle growth - so my argument went. und die subtile Entwicklungen leicht verdeckt - so argumentierte ich. The semantic quicksand surrounding the word "quality" is even more Der semantische Treibsand um den Begriff „Qualitat" ist sogar noch treacherous. Change or innovation without it is meaningless. If you heimtuckischer. Veranderungen oder Innovationen „ohne" sind bedeu- tungslos. Beim Erkennen von Qualitat herrscht bei der Durchsicht der * The first three issues appeared on microfiche and were designated by the years 1976, 1977, and 1978. * Die ersten drei Ausgaben erschienen in den Jahren 1976,1977 und 1978 auf Mikro- fiche. could see all the submissions involving feathers, you would see much Dias gewohnlich Konsenz; die Argumentation stutzt sich auf Innovation that is new - and much that is trite, banal, and kitsch. The recognition of Oder Qualitat in bezug auf die Arbeiten anderer. In alien unseren Dis- quality during the screening of the slides is usually a consensus; argu­ kussionen Jahr fur Jahr ist niemand in der Lage gewesen, das visuelle ment follows on the basis of innovation or the degree of quality relative Kriterium in Worte zu fassen, uber das wir uns oft einigen und ebenso to the work of others. In all of our discussions with all of our judges year oft unterschiedlicher Meinung sein konnen. after year, no one has ever been able to define the visual criteria on Die Problematik beim ProzeB der Auswahl ist gleichzeitig seine which we agree so frequently and disagree so strongly. Starke: die Meinungsverschiedenheiten der Juroren. Zwei von uns, The problem with the process of selection is also the strength of that Susanne Frantz und ich, gehoren zum festen Stamm; zwei andere process: the diversity of judges. Two of us, Susanne Frantz and I, are wechseln jedes Jahr. Einer von ihnen ist fur gewohnlich Glaskunstler regulars; two others are invited and change each year. One is usually a und der andere Kritiker, Kurator oder Sammler, Designer oder Mu- glassmaker, and the other is a critic or curator or collector. We have had seumsdirektor. Einige waren auf Glas spezialisiert, andere nicht; die designers and museum directors as well. Some have specialized in meisten waren Amerikaner. Es ging vor allem darum, unterschiedliche glass, and others have not; most have been Americans, but several Standpunkte in der Review zu bringen und gleichzeitig durch zwei have not. The point has been to bring a diversity of viewpoints to the Jurymitglieder des Hauses eine Kontinuitat zu halten. Clement Green­ Review while providing continuity through the two in-house judges. berg, Timo Sarpaneva und Ginny Ruffner sehen die Dinge anders. Clement Greenberg, Timo Sarpaneva, and Ginny Ruffner see things Jede Review hat eine eigene Personlichkeit; sie ist noch nicht einmal differently. As any judge can include anything he or she wishes within ein konsequenter Nichtuberblick. the total of 100, each Review has a personality of its own; it is not even Was ist sie aber dann? Sie ist ein jahrliches Buffet, ein glasernes a consistent non-survey. „Smorgasbord" neuer Gerichte (oder alter neu gewurzt), die einer oder What is it, then? It is an annual buffet, a glass smorgasbord of new mehrere schmackhaft finden, wenn nicht sogar kostlich. Man muB sie dishes (or old dishes newly flavored) that one or more of the four of us nicht alle mogen; keiner von uns tut das. found tasty, if not delicious. You don't have to like it all; none of us does. Als Veteran, der Jahr fur Jahr diese Glasparade voruberziehen sieht, I feel obliged, as the old-timer watching this parade of glass go by fuhle ich mich verpflichtet, noch einige Beobachtungen anzubieten uber year after year, to offer a few observations on what seems to me to be das, was mir bei der diesjahrigen Auswahl anders zu sein scheint: different about this year's selection: Das erste ist der anscheinende Ruckzug der Geometrie. Nur wenige The first is the apparent retreat of geometry. There are very few Stucke hangen noch von der Optik eines prazisen Schnitts ab (einst ein pieces depending on the optics of precision cutting (once a significant bedeutsamer Teil in der Review) und die Symmetrie selbst scheint im segment of the Review), and symmetry itself seems to be on the wane. Abnehmen begriffen zu sein. Die Klassik macht dem Barock Platz. The classic gives way to the baroque. Das zweite ist die steigende Zahl von Arbeiten mit strukturierten The second is the increase in the number of pieces with textured Oberflachen; die harte, hoch reflektierende, transparente AuBenschicht surfaces; the hard, highly reflective, transparent skin usually associated hat sich bei einigen Stucken geandert, um Stein, Stoff, Metall, Leder with glass has been changed in some pieces to resemble stone, cloth, oder einfach Farbe ahnlich zu sehen. Obwohl solche Effekte seit Be- metal, leather, or simply paint. Although such effects have been part of ginn Teil der Glasszene sind, scheint die Verleugnung des glasernen the glass scene since the beginning, the denial of the glass look may Aussehens zuzunehmen. be on the increase. Das dritte ist die Zunahme beim Gebrauch von subtileren Farben The third is the growth in the use of subtler colors and more delicate und ausgewahlteren Farbharmonien. Es gibt, so scheint es mir, weniger color harmonies. There are, it seems to me, fewer candy-like primaries, suBliche Bonbonfarben, weniger Stucke mit Fruchtgeschmack. fewer pieces in fruit flavors. Mit der vierten und letzten Beobachtung mochte ich meinen Beifall The fourth and final observation I would make is to applaud the num­ der Vielzahl funktionaler Arbeiten in dieser Review spenden, die mir ber of functional pieces in this Review that seem to me to be innovative innovativ ohne „trendy" zu sein scheinen. Ich habe immer gehofft, daB without being trendy. I have always hoped that the huge number of die riesige Zahl kreativer Menschen, die jetzt mit Glas arbeiten, uns creative people now working in glass would give us good new things to neue Dinge beschert, die man genausogut benutzen wie bewundern use as well as to admire - and it may be happening at last. kann - und es scheint so, als wiirde das endlich passieren. Thomas S. Buechner (TSB) Thomas S. Buechner (TSB) Founding Director Grundungsdirektor The Corning Museum of Glass The Corning Museum of Glass

s a student first, then later as a teacher with students of my own, I chon als Student, spater dann als Lehrender, habe ich immer eine Ahave always had a special appreciation for the egalitarian spirit as Sspezielle Wertschatzung fur eine egalitare Geisteshaltung, aber well as the ambition of the New Glass Review. It seemed to me that genauso auch fur den Ehrgeiz der New Glass Review gehabt. Es any competition open to student and professional alike that intends to schien mir, als ob jeder fur Studenten und Professionelle gleicherma- annually represent what is new for an entire field must be a wondrous Ben zugangliche Wettbewerb, der versucht alljahrlich die Neuheiten thing. And in theory, at least, it seemed conceivable that the constric­ eines ganzen Spezialgebietes zu zeigen, eine wundersame Angele- tions and opportunities that the slide format offers such a project (in­ genheit sein musse. In der Theorie zumindest schien es denkbar, daB cluding currency and economy) could further act as "leveler" in making die Einschrankungen und Moglichkeiten, die das Diaformat einem it truly possible for students to compete with professionals. Yet despite solchen Projekt auferlegt, auch als eine Art „Gleichmacher" funktionie- these considerable affirmations, I have always regarded the published ren konnten, der es Studenten moglich machen wurde, mit Professio- results with a distinct ambivalence. The outcome is more often predict­ nellen zu konkurrieren. Aber trotz dieser betrachtlichen Versprechun- able than exciting, with a seeming emphasis on "glitz." Indeed, this may gen habe ich die veroffentlichten Resultate immer mit ausgesprochener simply mirror the glass discipline at large, proving a certain efficacy of Ambivalenz betrachtet. Das Ergebnis war eher vorhersehbar als aufre- the Review. Having now participated in the review process, I am more gend. In der Tat mag dies einfach die Glasdisziplin im groBen spiegeln, aware of the limitations of this project, some of which raise compelling eine gewisse Wirksamkeit der Review beweisen. Indem ich jetzt an questions about the discipline it represents. For the New Glass Review, dem ProzeB der Auswahl teilgenommen habe, bin ich mir der Grenzen it may well be time to reconsider what its relationship and responsibili­ noch bewuBter, von denen einige zwingende Fragen uber die Disziplin ties are to the field it serves, and whether it should use its influence aufwerfen. Fur die New Glass Review scheint die Zeit gekommen, more actively as an advocate for change. noch einmal ihre Verantwortung zu uberdenken, und ob sie nicht aktiver Beginning with more accessible difficulties, there are: ihren EinfluB als Befurworterin von Veranderungen nutzen sollte. The limitations of submitted entries only. After reviewing the Um mit den naheliegenden Schwierigkeiten zu beginnen: Ein­ slides, I was acutely aware that some of the most challenging glass schrankungen allein auf eingereichte Exponate. Nach dem Betrach- imagery made recently was simply not submitted for review. Unavail- ten der Dias war mir bewuBt, daB einige der in letzter Zeit entstandenen 5 able for consideration was work by talented glass artists and sculptors anspruchsvollen Glas-Bilder einfach nicht vorgelegen haben. Genau- as well - some of whose glass work was made with assistance from sowenig konnten Arbeiten von talentierten Glaskunstlern und Bildhau- students and professionals from the glass discipline. A category of ern in Betracht gezogen werden, die mit Hilfe von Studenten und Pro- nominated work could easily be included so that this annual publication fessionellen gemacht worden sind. could present a year in review that is more comprehensive and perhaps Einschrankungen durch das Format. Es ist vorhersehbar, daft eine more inspirational in its portrayal of achievement and possibility for the Ausgabe, die wahrend der Ausjurierung entstand, Fotografie als Selbst- glass medium. zweck ansieht, vergleichbar mit ihrem gewohnlichen Gebrauch als The limitations of format. Predictably, an issue that arose during „objektive" Dokumentation. Unter diesen Umstanden war ich irgendwie the jurying process concerned photography as an end in itself, as com­ enttauscht, daft es keine Anstrengungen gab, visuelle Konstruktionen pared to its familiar use as "objective" documentation of a wrought einzureichen, in denen das Dia als eigentliche kunstlerische Leistung object. Under the circumstances, I was somewhat disappointed that anzusehen war. Tatsachlich versuchten alle eingereichten Dias Repra- there wasn't a real effort to submit visual constructs in which the slide is sentationen zu sein, aber unglucklicherweise griff das Bedurfnis zu the work. Virtually all of the submitted slides were intended to serve as interpretieren und Arbeiten in fotospezifischen Termini zu bewerten um factual representations of an object, but unfortunately, the need to inter­ sich und erschwerte eine ohnehin schon subjektive Aufgabe. pret and evaluate work in terms of photo quality was pervasive, making Ganz gleich, ob es um ein verfuhrerisches Dia einer mediokren an already subjective task even more so. Whether it was an enticing Arbeit oder um ein schlechtes Dia einer interessanten Arbeit ging, slide of mediocre work or the corollary bad slide of interesting work, unerfreuliche Auswahlen scheinen eher die Regel als die Ausnahme zu unpleasant choices seemed to be more the rule than the exception. In sein. Hinsichtlich eines Dias als dokumentarisches Beweismaterial terms of the slide as documentary evidence, there is cause for concern besteht Grund zur Sorge, daft die New Glass Review versehentlich if the New Glass Review, however inadvertently, is helping to encour­ hilft, die Auffassung, daft ein Dia ein adaquater Ersatz oder sogar wich- age a glib perception that the slide is an adequate substitute for, or tiger als das kunstlerische Objekt sei, zu unterstutzen. even more important than, the art object itself. The possibility of an Ein zusatzlicher Einfluft in Richtung Oberflachlichkeit spielt eine additional influence toward superficiality is significant to a small disci­ wichtige Rolle fur eine kleine Disziplin, die versucht sich jenseits des pline that is attempting to define itself apart from marketplace values. Marktes zu definieren. Es ist kaum moglich bessere Fotografie zu un­ Simply put, it is quite possible to promote better photography without terstutzen, ohne die Werte, die auf eine ambitionierte Kunst zufiihren. promoting the values that make for more ambitious art. The issue of Das Problem der Aufmachung fur diesen Uberblick - gleich ob es um format for this review - whether it be slide, publication, or exhibition - Dia, Publikation oder Ausstellung geht - kann keine einfache Losung may not have a simple solution, but its limitations can be mitigated by a haben, aber die Einschrankungen konnen durch eine konzentrierte concerted effort to reinforce essential values. Anstrengung zur Verbesserung essentieller Werte gelindert werden. Difficulties with the objective. As I came to understand it, our Schwierigkeiten mit der Zielvorstellung. So wie ich es verstanden objective as jurors was to select 100 slides that represented what is habe, war es unsere Aufgabe 100 Dias auszuwahlen, die vor Augen "new" to the field "that also has a certain quality to it." Clearly, lots of fuhren, was „neu" ist. Sicherlich, eine Menge Subjektivitat muft als subjectivity had to end up as an arbitrary but precise number. (What if willkurliche aber prazise Zahl enden. (Was ware, wenn es nicht 100 there aren't 100 examples of new work?) There was also a double Beispiele fur neue Arbeiten gabe?) Es gab zweierlei (oder mehr) (or more) standard at work to allow images of objects with wildly diver­ Maftstabe, nach denen die Abbildungen zugelassen wurden, um sich gent intentions to compete with one another - factory ware beside Konkurrenz zu machen - Fabrikware neben einzelnen Skulpturen zum unique sculptures, for example. (Why not have some categories for Beispiel. (Warum gibt es nicht einige Kategorien zur Klarung?) clarity?) Die Zahl versteckter Qualifikationskriterien wird fast komisch, weil wir The number of hidden qualifiers and contexts at work became almost scheinbar an so etwas wie einer Definition von „neu" herumschnippeln humorous as we seemed to whittle away at the definition of "new" and und darum kampfen, sie mit „Qualitat" in Einklang zu bringen. Wenn struggled to reconcile it with "quality." If it's not new as sculpture (this etwas als Skulptur nicht neu ist (was man fast voraussetzen kann), ist almost became a given), is it new for glass? For commercial glass? For es dann neu fur Glas? Was ist, wenn eine ausgezeichnete Arbeit eher this factory? For this country? For this individual? What if excellent evolutionar ist als „neu"? Was, wenn eine Arbeit frisch, aber sehr un- work is evolutionary and characteristic rather than "new"? What if work entwickelt ist? In der Tat, die Zwillingsprinzipien „Neuheit" und „Quali- is fresh but very undeveloped? In fact, the twin precepts of "new" and tat" scheinen ofter miteinander in Konflikt zu liegen, als sich zu ergan- "quality" seemed more often conflicting than connected. I all but gave zen. Ich habe es schon aufgegeben, „neu" immer wieder zu definieren up on redefining "new" and deferred to the notion of "quality" (to which I und habe mich statt dessen mehr der Qualitat zugewandt (an die ich more or less assigned the meaning "experimentative"). mehr oder weniger die Bedeutung „experimentell" knupfe). Although most of the submitted work relied on conventions from Obwohl die meisten der eingereichten Arbeiten sich an der zeitge- contemporary sculpture (and more rarely, painting), it was not possible nossischen Skulptur (und viel weniger der Malerei) orientieren, war es to hold to a standard based on these disciplines and still contribute nicht moglich, sich an einem Standard zu orientieren, der auf diesen constructively to selecting 100 examples of work. In the end, my Disziplinen basiert und konstruktiv dazu beizutragen, 100 Beispiele choices were very much relative to the array of submitted slides and to auszuwahlen. Am Ende verhielt sich meine Auswahl ziemlich relativ zur the glass discipline at large. Fulle der eingereichten Dias und zum Glas insgesamt. Limitations within the field. The provincialism that the glass move­ Einschrankungen innerhalb des Gebietes. Der Provinzialismus, ment is attempting to outgrow persists in abundance. A scarcity of dem die Glas-Bewegung versucht zu entwachsen, halt sich auch wei- innovation among submitted works seems to indicate a tendency for terhin. Nur eine geringe Anzahl Innovationen unter den eingereichten glass artists to be both overwhelmed by the historical conventions of Arbeiten scheint eine Tendenz anzuzeigen, bei der die Glaskunstler their medium and underexposed to issues of contemporary sculpture beides sind, uberwaltigt durch die historischen Konventionen ihres and painting. The remedy certainly does not lie in abandoning a rich Mediums und Themen der zeitgenossischen Skulptur und Malerei glassworking tradition only to ape the appearance of contemporary gegenuber unterbelichtet. Das Heilmittel besteht sicherlich nicht darin, sculpture. Indeed, some of the strongest works I saw were commercial eine reiche Glaskunsttradition zu verlassen, nur um die auftere Erschei- entries from factories and limited production studios. At its best, this nung zeitgenossischer Plastik nachzuaffen. In der Tat waren einige der functional ware seemed confident and direct, employing tradition easily ausdrucksstarksten Arbeiten kommerzieller Art und stammten aus and without pretension. A small number of non-commercial entries Fabriken und Studios, die in begrenzten Auflagen produzieren. Besten- stood out (Krasnican, Schaechter, Scheiner, and Van Cline, for ex­ falls diese funktionale Ware scheint vertrauenerweckend und die Tradi­ ample). They also were predominantly thoughtful developments of tion leicht zu verarbeiten ohne pratentios zu sein. Eine kleine Zahl ongoing investigations rather than something altogether new this year. nichtkommerzieller Eingange ragt heraus (Krasnican, Schaechter, Collectively, however, the array of slides suggested a hermetic, Scheiner und van Cline zum Beispiel). Sie waren auch in diesem Jahr sometimes incestuous world - one in which a few distinct archetypes uberwiegend gedankliche Weiterentwicklungen als ganzlich neu. are venerated and endlessly permuted in minute variation. I was fasci­ Insgesamt jedoch laftt das Aufgebot an eine hermetische, manchmal nated to see slides from three different people who by coincidence had inzestuose Welt denken - eine, in der nur wenige Archetypen verehrt 6 each staked out a separate period of Dale Chihuly's oeuvre to reprise - und in minutiosen Variationen permutiert werden. Ich war fasziniert, including his current work, which is itself an homage. There were com­ Dias von drei verschiedenen Leuten zu sehen, die durch Zufall jeder parable evocations of other glass artists, past and present. Many of the eine Periode aus Dale Chihulys CEuvre herausgepickt haben, um sie zu glass sculptures appeared to be unwitting and generic parodies of wiederholen - einschlieBlich seiner laufenden Arbeit, die selbst eine sculpture precedent. It was as though a rough description of an original Hommage ist. Es hat vergleichbare Heraufbeschworungen anderer sculpture had been acquired second- or thirdhand and then incidentally Glaskunstler gegeben. Viele der Glasskulpturen tauchen auf, um unbe- subjected to glass processes. Some work seemed blithely anachronis­ wuBte und artgemaBe Parodien von Skulptur-Prazedenzfallen zu sein. tic. A reflexive dependence on small-scale, neat, rectilinear bases, and Es war, als sei eine grobe Beschreibung eines Originals aus zweiter meticulous finish suggested a prevailing dogma at work as well. It oder dritter Hand ubernommen und dann wie beilaufig dem GlasprozeB seemed that a craftsman's love for detail was in unnecessary but per­ unterworfen worden. Einige Arbeiten schienen munter anachronistisch. petual conflict with an artist's need for unified intention. What I saw Es schien auch, als lage die Liebe eines Kunsthandwerkers zum Detail suggests that glass, as a discipline, must outgrow a habitual self-ab­ in einem dauernden Konflikt mit dem Bedurfnis eines Kunstlers nach sorption and strive to become directly conversant with the wide world. Einzigartigkeit. Was ich sah, laBt vermuten, daB Glas einer notorischen It must also give up a simplistic desire to find easy solutions and Selbstbeschaftigung entwachsen und sich bemuhen muB, mit der respectability in preconceptions about sculpture. Ultimately, the glass weiten Welt unmittelbar vertraut zu werden. Gleichfalls muB es den artist must develop faith in pure curiosity, which can lead to realizations simplen Wunsch aufgeben, leichte Losungen und Respektabilitat in that have no niche or name. vorgefaBten Meinungen uber Skulptur finden zu wollen. Zu guter Letzt The New Glass Review might help things in the meantime if it would muB der Glaskunstler den Glauben an reine Neugierde entwickeln, die consider changing to a biennial "search for the new." After all, glass as zur Realisation von etwas fuhren kann, was weder eine Nische, noch a contemporary discipline is very young and relatively small, and it may einen Namen hat. be unrealistic to expect significant change on a yearly basis. Rather Die New Glass Review konnte in der Zwischenzeit bestimmte Ten- than offer a myopic examination of incremental differences, a two-year denzen unterstutzen, wenn sie sich entschlieBen wurde, sich in eine interval could provide a larger overview of unfolding developments. A zweijahrige „Suche nach dem Neuen" umzuwandeln. Immerhin ist Glas biennial review would engender a longer gestation period for ideas and als zeitgenossische Disziplin sehr jung und relativ klein, und es konnte would undoubtedly result in a publication with greater impact and varia­ unrealistisch sein, innerhalb einer Jahresfrist bedeutsame Veranderun- tion. "A watched pot never boils." gen zu erwarten. Bevor man eine kurzsichtige Prufung anbietet, konnte Bruce Chao (BC) ein zweijahriges Intervall einen groBeren Uberblick uber sich entfal- Artist and Head of the Glass Department tende Entwicklungen verschaffen. Eine Biennale wurde eine langere Rhode Island School of Design Reifungszeit fur Ideen ermoglichen und zweifellos zu einer Publikation mit groBerer Wucht und Variation fuhren. Bruce Chao (BC) Kunstler und Leiter des Glass Departments Rhode Island School of Design hat's new and good among the objects entered for the New WGlass Review this year? A great deal of it was found in the tableware designs. Surely the most maddening task of the designer is as ist dieses Jahr unter den Exponaten fur die New Glass Re­ making the things we use every day beautiful, workable, affordable, and Wview neu und gut? Ein groBer Teil davon findet sich bei den also a pleasure to look at and touch. The designs of Kjell Engman and Entwurfen fur Tafelgeschirr. Sicherlich gehort es zu den unertraglich- Gunnel Sahlin for Sweden's Kosta Boda are so fresh in form and color sten Aufgaben eines Designers die Dinge, die wir jeden Tag benutzen, that they magnify the boredom of other products depicted in the interna­ schon, zweckdienlich und gleichzeitig optisch und haptisch angenehm tional trade magazines. Each year, my eyes are increasingly gratified by zu gestalten. Die Entwurfe von Kjell Engman und Gunnel Sahlin fur the functional entries. This is especially true after viewing the hundreds Kosta Boda (Schweden) sind so frisch in Form- und Farbgebung, daB of desk-top ornaments that acknowledge neither utility nor the decora­ sie die Langeweile anderer Produkte, wie sie in internationalen Magazi- tive arts, but instead posture as sculpture. nen abgebildet sind, vergroBern. Jedes Jahr sind meine Augen zuneh- Outside of commercial production, Jaromir Rybak, Jay Musler, Han- mend uber die funktionalen Eingange erfreut. Das trifft besonders nach neke Fokkelman, Michael Scheiner, Bertil Vallien, Susan Stinsmuehlen- der Durchsicht Hunderter von Schreibtisch-Dekorationsstucken zu, die Amend, and Judith Schaechter are once again among the many artists weder brauchbar sind noch als dekorative Kunst gelten konnen, son- represented by subtle, as well as not so subtle, artistic growth. Diana dern statt dessen als Skulpturen posieren. Hobson's brilliant and daring departure from the vessels of past years Jenseits der kommerziellen Produktion sind Jaromir Rybak, Jay has collectors pining for her old work (New Glass Review 8, 9), and it Musler, Hanneke Fokkelman, Michael Scheiner, Bertil Vallien, Susan is a good example of the change recorded by the Review. Such grad­ Stinsmuehlen-Amend und Judith Schaechter wieder unter den vielen ual development would ideally be noted for a great many more artists in Kunstlern, fur die eine subtile, genauso gut wie eine nicht so subtile, an expanded publication. Although not presented in print, the visual kunstlerische Weiterentwicklung steht. Diana Hobsons brillante und chronology of all entries remains in the archives at The Corning Mu­ mutige Abkehr von den GefaBen der vergangenen Jahre hat die seum of Glass, which are used by researchers tracking the path of Sammler auf ihre alten Arbeiten (New Glass Review 8, 9) geheftet; glass over the past 15 years. und das ist ein gutes Beispiel fur die von der Review festgehaltenen While on the subject of the format of New Glass Review, I would like Veranderungen. Derartigen allmahlichen Entwicklungen wurde idealer- to add a few words to the comments of my fellow jurors. During the six weise fur eine viel groBere Zahl Kunstler in einer erweiterten Publika­ years that I have been part of the Review, it has been my good fortune tion Beachtung geschenkt werden. Auch wenn sie nicht im Druck pra- to receive many helpful suggestions on ways to improve the publica­ sentiert werden, bleibt den Forschern eine sichtbare Chronologie der tion: Why not introduce categories, issue invitations, change the title to gesamten Eingange in den Archiven des Museums zuganglich. Best Glass Review, publish all of the entries, and make the Review Uber die Aufmachung der New Glass Review wurde ich gern den more selective? Each year, the jurors diligently point out the limitations Kommentaren meiner Mitjuroren ein paar Worte hinzufugen. Wahrend of the format and the fact that they can select only from objects that are der 6 Jahre, in denen ich bei der Review mitmache, war es mein Gluck entered. Also annually discussed (at times, it seems, futilely) are the viele Vorschlage zu erhalten uber die Art und Weise die Publikation zu objectives of the Review. Thomas Buechner has again addressed verbessern: Warum fuhrt man nicht Kategorien ein, Einladungen zur these matters, and I urge the conscientious reader to carefully consider Ausgabe, andert den Titel in Best Glass Review, veroffentlicht alle his lucid statement. Eingange oder laBt die Review selektiver sein. Jedes Jahr stellen die For me, the beauty of the Review has always been its absolute sim­ Juroren fleiBig die Einschrankungen durch die Aufmachung und die plicity and, believe it or not, its unpretentiousness. The Review remains Tatsache, daB sie lediglich unter den eingegangenen Objekten wahlen one of the few consistent opportunities where anyone, in any country, konnen, heraus. Ebenfalls jahrlich werden die Zielvorstellungen der working with glass in any way, can have his or her work studied and Review diskutiert (zeitweilig wie es scheint vergeblich). Thomas Buech- 7 perhaps published for an international audience. It is a controversial ner hat auf diese Dinge wieder hingewiesen, und ich fordere den wa- and often-cited historical document. I hope it never changes. chen Leser auf, seine luciden Gedanken mit Bedacht zu erwagen. Susanne K. Frantz (SKF) Fur mich hat die Schonheit der Review immer in ihrer absoluten Curator of 20th-century Glass Einfachheit bestanden und, glauben Sie es oder nicht, in ihrer unpra- The Corning Museum of Glass tentiosen Art. Die Review bleibt eine der wenigen bestandigen Mog- lichkeiten fur jeden, in jedem Land, der irgendwie mit Glas arbeitet, seine oder ihre Arbeiten studiert und vielleicht vor einem internationa- len Publikum publiziert zu sehen. Sie ist ein kontroverses und oft zitier- tes historisches Dokument. Ich hoffe das andert sich nie. 'm grateful to Susanne Frantz for offering me the challenge of identi­ Susanne K. Frantz (SKF) Ifying "new" glass, particularly against the backdrop of the remarkable Kuratorin fur Glas des 20. Jahrhunderts collection of The Corning Museum of Glass. Its historical panorama The Corning Museum of Glass includes Roman, Egyptian, Bohemian, and Venetian glass objects that would seem to have satisfied every esthetic and functional imperative. Is it possible to conceive a new vessel? Also, insisting that we identify ch danke Susanne Frantz fur das herausfordernde Angebot, „neues" what was "new" amid the hundreds of splendid objects that were sub­ IGlas zu untersuchen, besonders angesichts der bemerkenswerten mitted denies that a life's work can be dedicated to refinement and Sammlung des Corning Museum of Glass. Dessen historisches Pan­ subtlety. Do we discard the work of Josef Albers and Mark Rothko orama reicht von romischen, agyptischen und bohmischen zu venezia- because they devoted a lifetime to the development of a single brilliant nischen Glasobjekten, die jede asthetische und funktionale Notwendig- idea? keit zu erfullen scheinen. Ist es moglich, sich ein „neues" GefaB vorzu- As jurors, we were called upon to make our judgments on the basis stellen? Auch dann, wenn man darauf besteht, daB das, was wir als of mediated images - slides. Therefore, the duplicity or the veracity of „neu" unter den Hunderten von eingereichten prachtigen Objekten the reproduction governed our response; a slide can arbitrarily erode erkennen, die Tatsache verneint, daB ein Lebenswerk auch der Verfei- quality or disguise genuine talent. This was especially poignant be­ nerung und der Subtilitat gewidmet sein kann. Verwerfen wir etwa das cause our deliberations occurred during the first days of the war in the Werk von Josef Albers und Mark Rothko, weil sie ihr Leben der Weiter- Persian Gulf, when television imagery, which we absorbed after-hours, entwicklung einer einzigen brillanten Idee gewidmet haben? mediated the information we received. Als Juroren waren wir aufgefordert, unsere Beurteilungen auf der Rather than make observations on the specific selections, I prefer to Grundlage eines anderen Mediums - von Dias - abzugeben: Es kann comment on the richness and diversity of the work in general. We se­ Qualitat ausschalten und echtes Talent verstecken. Dies war nun beson­ lected pieces by renowned figures in the field as well as by many un­ ders deutlich, da unsere Uberlegungen wahrend der ersten Tage des knowns. It is unfortunate, though, that many masters of the medium Golfkriegs stattfanden, als es Fernsehbilder waren, die wir am Abend chose not to submit. New glass is not the exclusive domain of emerging geradezu verschlangen und die uns die Informationen iibermittelten. young artists; the appellation is intended to represent only new work. I Ich wurde gern uber die Vielfalt der Arbeiten sprechen. Wir wahlten cannot report that any new trends surfaced, but new directions of the Stucke von Bekannten und von Unbekannten. Leider haben viele es past decade - sculpture and environmental works - appeared increas­ vorgezogen, uberhaupt keine Arbeiten einzureichen. Neues Glas ist ingly challenging. nicht die Domane emporstrebender junger Kunstler; der Aufruf zur The weary divisions between function and sculpture were not impor­ Teilnahme hatte lediglich die Absicht, ausschlieBlich neuere Arbeiten zu tant; instead, objects that transcended these outworn nomenclatures reprasentieren. Ich kann nicht sagen, daB es irgendwelche neuen held the most interest for all of us. Many of the works submitted were Trends gabe, aber neue Richtungen des letzten Jahrzehnts - in der extensions of the historical continuum - drinking vessels, stained glass Plastik und im Environmentbereich - schienen mehr denn je eine Her- windows, and vases - but there were also the newer genres of abstract ausforderung zu sein. sculpture and installation. Certain leitmotifs, however, remained con­ Die ermudenden Abgrenzungen zwischen Funktion und Skulptur stant - material, process, and expressive color. The vessel was a con­ waren nicht so ausschlaggebend; statt dessen interessierten uns dieje- stant presence, either blatantly obvious or intentionally overruled. A nigen Arbeiten am meisten, die diese abgetragenen Begriffe moglichst tendency to manipulate scale also surfaced. There were small diora­ hinter sich lieBen. Viele der eingereichten Werke waren Erweiterungen mas containing miniature books and other household effects, but there des historischen Kontinuums - TrinkgefaBe, Bleiglasfenster und Vasen were also many life-size torsos. - aber es gab auch die neueren Genres abstrakter Plastik und Installa- What remained most evident in the diverse and provocative array set tionen. Bestimmte Leitmotive blieben allerdings konstant - Material, before us was the talent, intelligence, and skill of those working in glass Verarbeitung und ausdrucksstarke Farben. GefaBe waren bestandig today. The discipline has matured without having subverted a prevalent gegenwartig, entweder vollig offensichtlich oder absichtlich miBachtet. spirit of freedom. Perhaps the most interesting pieces deliberately broke Eine Tendenz, GroBenrelationen zu beeinflussen, war ebenfalls beob- away from the decorative arts or craft continuum and dwelt only upon achtbar. Es gab kleine Dioramen, die Miniaturbucher und andere be- the material - the liquidity, the sensuousness, and the translucence or kannte Effekte enthielten, aber es gab auch einige lebensgroBe Torsen. transparency of glass. Was ganz deutlich wurde innerhalb der verschiedenartigen und A rich diversity poured forth from each of the many countries that provokativen Auswahl, war das Talent, die Intelligenz und die Geschick- were represented. An abundance of good work emitted a universal lichkeit derer, die heutzutage in Glas arbeiten. Die Disziplin zeigt Reife, chorus of creativity instead of nationalistic messages; indeed, it was ohne den vorherrschenden Geist von Freiheit zu untergraben. Die impossible to identify national sensibilities. vielleicht interessantesten Stucke brachen offen mit dekorativer Kunst I wish to thank my colleagues on the jury: Thomas Buechner, Bruce oder Kunsthandwerk und konzentrierten sich allein auf das Material. Chao, and Susanne Frantz. Amid the anxieties of a war's inception, a Eine reiche Vielfalt entsprang den vielen teilnehmenden Landern. shared devotion to an art form was a welcome respite. And two days Eine Fulle guter Arbeiten erweckte den Eindruck einer universellen away from my desk to contemplate marvelous and inventive objects Kreativitat ohne irgendwelche nationalistischen Botschaften. was a splendid gift. Ich mochte meinen Kollegen danken. Inmitten der Befurchtungen Janet Kardon (JK) eines Kriegsbeginns war die Hingabe an eine Kunstform wie eine Director Ruhepause. American Craft Museum Janet Kardon (JK) Direktorin American Craft Museum Note: I wish to express my regret that the guidelines required absten­ Anmerkung: Ich bedaure es, daB die Richtlinien Enthaltung fur den tion if one was affiliated with an artist. Therefore, I did not participate Fall vorschreiben, daB man mit einem Kunstler personlich bekannt ist. when my colleagues on the American Craft Council were being Daher nahm ich nicht teil, wenn meine Kollegen vom American Craft reviewed. Council unter die Lupe genommen wurden. Note SchluBbemerkung

n 1990, more than 6,400 copies of the New Glass Review 12 pro­ ehr als 6400 Einladungen wurden 1990 zur Teilnahme an der spectus were mailed. Each entrant could submit a maximum of three MNew Glass Review 12 versandt. Jeder Teilnehmer konnte bis zu slides. A total of 795 individuals and companies representing 33 coun­ drei Dias einreichen. Insgesamt reichten 795 Einzelpersonen und tries submitted 2,128 slides. The 100 objects illustrated in this Review Firmen aus 33 Landern 2128 Dias ein. Die 100 Objekte, die in dieser were selected by the four jurors, whose initials follow the descriptions of Review abgebildet sind, wurden von den vier Jury-Mitgliedern ausge- the objects they chose. wahlt, deren Initialen den Beschreibungen ihrer ausgesuchten Objekte All slides submitted to New Glass Review are retained in the Rakow zugefugt sind. Library of the Corning Museum of Glass, where they may be viewed by Alle fur die New Glass Review eingereichten Dias werden in der the public. Copies of slides published in any of the past Reviews may Rakow-Library des Corning Glas-Museums gesammelt, wo sie der be purchased by special order from the Museum's Sales Department. Offentlichkeit zur Besichtigung zur Verfugung stehen. Kopien von Dias, Copies of New Glass Review 3 (1982), 7 (1986), 8 (1987), 9 (1988), 10 die den vergangenen Reviews erschienen sind, konnen durch geson- (1989), and 11 (1990) are still available from the Sales Department, derte Bestellung bei der Verkaufsabteilung des Museums erworben which can also supply all back issues of the Review in black-and-white werden. Exemplare der New Glass Review 3 (1982), 7 (1986), 8 (1987), microfiche. 9 (1988), 10 (1989) und 11 (1990) sind noch lieferbar. Diese Verkaufsab­ The coordinator of the New Glass Review competition at The Cor­ teilung kann auch alle alten Ausgaben der Review auf schwarzweiBem ning Museum of Glass would like to thank all of the artists and de­ Mikrofiche liefern. signers who submitted their slides for consideration. Special thanks are Der Koordinator des New-Glass-Review-Wettbewerbs beim Corning due to those who made this publication possible: Louise Bush, Char- Glas-Museum mochte sich bei alien Kunstlern und Designern bedan- lene Holland, Ernestine Kyles, Nina McPhilmy, Barbara Miller, Richard ken, die ihre Dias zum Wettbewerb eingereicht haben. Ein besonderer Price, and Violet Wilson. Dank steht jenen zu, die diese Ausgabe ermoglicht haben: Louise Bush, Charlene Holland, Ernestine Kyles, Nina McPhilmy, Barbara Miller, Richard Price und Violet Wilson.

Countries Represented/Vertretene Lander

Australia Ribka, Gerhard New Zealand Kohler, Lucartha Ryan, Luna Tittel, Monica Penman, John Krasnican, Susie Levi, David and Dimitri Michaelides (45) Austria Great Britain Sweden Lorenzi, Mark Ink, Jack Dartington Crystal Limited Engman, Kjell Lucas, G. Paul Riedel, Georg Hardy, Anne Nilsson, Anne McGlauchlin, Tom Salvenmoser, Joseph Hobson, Diana Sahlin, Gunnel McStay, Adrienne Langkilde, Kirsten Merete Vallien, Bertil Musler, Jay Canada McDonald, Sara F. A. Nichols, Kerstin Lynn, Lou U.S.A. Olmsted, Vincent Leon Rankin, Susan Israel Adachi, Fumio Patti, Tom Pick, Ruthi Adorno, Zoe Randal, Seth Beck, Rick Czechoslovakia Robbins, Dana L. Italy Berggren, Gretchen Harcuba, Jiff Robertson, T. C. and Lin Lakeman (71) Bubacco, Lucio Bernstein, William Janak, Frantisek Royal, Richard Bortin, Bruce Roubicek, Rene Ruffner, Ginny Japan Clayman, Daniel Rybak, Jaromir Ruth, David Fujiwara, Makoto Clevenger, Elizabeth Sabokova, Gizela Schaechter, Judith Ikuta, Niyoko Cohen, Joshua Slechta, Jaroslav Scheiner, Michael Kajiwara, Kuni Czeresko, Deborah Sramkova-Solcova, Ivana Schmid, Edward T. Kasahara, Shoko Dailey, Dan Simpson, Josh Kubo, Kouichi Fero, Shane Stinsmuehlen-Amend, Susan Finland Masuda, Hideko Friedlich, Donald Suh, Woo Mee Sarpaneva, Timo Mukaide, Keiko Gaspers, Rachel Josepher Swanson, Kurt and Lisa Schwartz (91) Muro, Shinichi Glasner, William Van Cline, Mary France Nanba, Ritsuko Halvorson, Erik Vanetik, Valentin Leperlier, Antoine Sano, Yasumasa Hartman, Donald Woodworth, John L. Perozeni, Michele Yamada, Riki Haszonics, Steven D. Ibex Glass Studio U.S.S.R. Germany, Federal Republic of The Netherlands Iris Arc Crystal Ibragimov, Fidail Grohs, Gunter Fokkelman, Hanneke King-Lehman, Eve and Keerdo, Viivi-Ann Isphording, Anja Van den Ham, Frank Dan King-Lehman (38) Machnev, Ivan Vasilyevich Peretti, Sibylle Willebrands, Frans Klumpar, Vladimira Ulozaite, Erika 1 Fumio Adachi Torso Machine Thread 725 Oak Lane Slump-cast glass Artists and Objects* Philadelphia, Abgesenktes, gegossenes Glas Pennsylvania 19126 H. 59.7 cm, W. 45.7 cm, Vermilion-Ecstasy D. 25.4 cm Mold-blown glass, metal, TSB, BC, SKF fiberglass, lacquer paint, plastic Kunstler und Objekte* pellets Formgeblasenes Glas, Metall, 4 Gretchen Berggren 523 Johnson Lane Fiberglas, Lackfarbe, Plastik- kugelchen Santa Fe, New Mexico 87501 * Descriptive information has been provided by the artists. Tallest: H. 227 cm, W. 30 cm College of Santa Fe Installation BC, SKF, JK Glass, painted steel, river * Die Bildbeschreibungen sind von den Kiinstlern geliefert worden. pebbles, wood Glas, bemalter Stahl, Kiesel- 2 Zoe Adorno steine, Holz 10599 Johansen Drive H. 244 cm, W. 305 cm, Cupertino, California 95014 D. 590 cm Untitled JK Fused, slumped, and hand- formed dichroic glass, granite base 5 William Bernstein Verschmolzenes, abgesenktes 469 Hannah Branch Road und von Hand geformtes, zwei- Burnsville, North Carolina farbiges Glas auf Granit 28714 H. 57 cm, W. 28 cm, D. 20 cm Millville Figure: Jersey Giant BC, JK Hot-tooledglass, paint, electro- formed copper Hei(3 bearbeitetes Glas, Farbe, 3 Rick Beck elektrisch geformtes Kupfer Route 3, Box 430 H. 54 cm, W. 22 cm, D. 22 cm Smithville, Tennessee 37166 TSB, BC, SKF Bruce Bortin Elizabeth Clevenger 1793 12th Street 29 Skillman Avenue Oakland, California 94607 Brooklyn, New York 11211 3 Plates: Wormwood Series Untitled Slumped glass; painted Blown glass; cut, polished, Abgesenktes Glas, bemalt acid-etched Largest: Diam. 30 cm Geblasenes Glas, geschnitten, BC, JK oliert, sauregeatzt RI. 12.5 cm, W. 17.5 cm, D. 10.0 cm Lucio Bubacco TSB, BC, SKF S. Polo, 1077/A 30125 Venice, Italy The Story of Romeo & Juliet 10 Joshua Cohen Flameworked and blown glass 3902 Huntington Street NW Lampengearbeitetes und Washington, D.C. 20015 geblasenes Glas H. 53 cm, W. 54 cm, D. 30 cm Untitled TSB, BC, JK Cast, slumped, fused, and hot-worked glass Gegossenes, abgesenktes, verschmolzenes und heiB Daniel Clayman verarbeitetes Glas 5 Judkins Street H. 63 cm, W. 76 cm, D. Rumford, Rhode Island 02916 13 cm TSB, BC, JK Impedimenta Cast glass, electroformed copper Gegossenes Glas, elektrisch geformtes Kupfer H. 42 cm, W. 27 cm, D. 7.5 cm TSB, BC, JK

iiiiiii

i tOi 11 Deborah Czeresko Linden Close, Great Torrington 2821 Carondolete Street, North Devon EX387AN, Apartment H England New Orleans, Louisiana 70115 Plate Harnessed Tear Vessels for Blown and cased glass with Ellis Island Project Graal border Blown glass, forcjed steel, Geblasenes Glas mit einem metal cnain, rubber and latex Graal-Saum uberfangen tubing Diam. 50 cm, W. 50 cm Geblasenes Glas, geschmie- TSB, SKF deter Stahl, Metallketten, Gummi und Latex-Rohrenwerk 14 Kjell Engman H. 240 cm, W. 240 cm Kosta Boda AB BC, JK S-36065 Bodaglasbruk, Sweden 12 Dan Dailey Betsy Rosenfield Gallery Tableware: Bon Bon 212 West Superior Blown glass Chicago, Illinois 60610 Geblasenes Glas Tallest: H. 35 cm, W. 21 cm, Equilibrium Man FV-37-90 D. 10 cm Blown, hot-worked, and TSB, SKF, JK enameled glass Geblasenes, heiBverarbeitetes und emailliertes Glas 15 Shane Fero H. 51 cm, W. 34 cm, D. 34 cm P.O. Box 266 TSB, JK c/o Penland School Penland, North Carolina 28765 13 Dartington Crystal Crylic Limited Flameworked glass Designed by Rachael Lampengearbeitetes Glas Woodman, made by H. 25 cm, W. 10 cm, D. 10 cm Neil Wilkin TSB, BC, SKF, JK

•Mm- 13

12

w . 16 Hanneke Fokkelman Crown Postbus 10919 Cast and fused glass; acid- 1001 EX Amsterdam, The polished Netherlands Gegossenes und verschmol- Untitled zenes Glas, saurepoliert Glass, clay H. 19 cm, W. 15 cm, D. 15 cm Glas, Ton SKF, JK H. 50 cm, W. 40 cm TSB, SKF, JK 19 Rachel Josepher Gaspers 2302 35th Street 17 Donald Friedlich Port Townsend, Washington 70 Arbor Drive 98368 Providence, Rhode Island Runes of My Ancient Soul ft1 02908 Kiln-cast glass, mortar Pattern Series Brooch HeiB gegossenes Glas, Mortel Carved and sandblasted glass, H. 48.3 cm, W. 30.5 cm, 18-karat gold, niobium; D. 15.3 cm anodized BC, JK GemeiBeltes und sand- bestrahltes Glas, 18 Karat Gold, anodisiert 20 William Glasner H. 4.5 cm, W. 6 cm, D. 1 cm 7491 Modock Road TSB, SKF, JK Victor, New York 14564 Luminous Sphere Wheel-cut and acid-etched 18 Makoto Fuiiwara glass Iwata Glass Company Ltd. Graviertes und sauregeatztes 4-65-4 Horikiri Glas Katsushika-ku H. 18 cm, W. 18 cm, D. 18 cm 16 Tokyo, Japan TSB, BC, SKF, JK

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18 21 GunterGrohs 24 Anne Hardy Friedrichstra(3e 89 B c/o Steve Forlonger D-3700 Wernigerode, Federal Central St. Martins Republic of Germany Charring Cross Road Lookout London W1, England Leaded and painted glass Untitled In Blei gefaGtes und bemaltes Glass, silicone, water, lead Glas Glas, Silikon, Wasser, Blei H. 82 cm, W. 110.5 cm H. 180 cm, W. 120 cm, BC, JK D. 30 cm JK

22 Erik Halvorson Alfred Station, New York 25 Donald Hartman The Cauldron, Fire over Water 728 21 st Place Blown and sand-cast glass; Santa Monica, California painted 90402 Geblasenes und sand- gegossenes Glas, bemalt Santa Monica Series #4 H. 33 cm, W. 25 cm, D. 20 cm Cast glass, copper, steel TSB, BC Gegossenes Glas, Kupfer, Stahl Overall: H. 48.2 cm, 23 Jin Harcuba W. 91.5 cm, D. 20.3 cm Janouskova 1 TSB, SKF, JK Prague 6, Czechoslovakia Dostoevski Engraved glass Graviertes Glas H. 20 cm, W. 20 cm, D. 4 cm TSB, BC 26 Steven D. Haszonics 28 Ibex Glass Studio 27 Elmwood Park 611 Tower Grove Avenue Maiden, Massachusetts 02148 St. Louis, Missouri 63110 Vase Wavy Vases Fused and slumped plate Mold-blown glass glass; assembled Formgeblasenes Glas Verschmolzenes und abge- Each: H. 28 cm, W. 6 cm, senktes Flachglas, verklebt D. 5 cm I H. 35.5 cm, W. 23 cm, TSB, BC, SKF, JK D. 23 cm TSB, JK 29 Fidail Ibragimov Str. Vernadskogo 95/2,171 117526 Moscow, U.S.S.R. 27 Diana Hobson Torso 7 Church Crescent, Hackney Mold-blown glass London E9 7DH, England Formgeblasenes Glas Benu Bird (detail) H. 38 cm, W. 21 cm, D. 13 cm Pate de verre, animal hair, TSB, BC, SKF limestone Pate de verre, Fell, Kalkstein H. 44.5 cm, W. 37 cm 30 Niyoko Ikuta SKF 6-22 Nishishikagakicho Nishinokyo, Nakagyoku Kyoto 604, Japan Swing - 21 Cut and laminated sheet glass Geschnittene und laminierte Glasscheiben H. 71 cm, W. 100 cm, D. 70 cm 26 BC 31 Jack Ink Fish School Vase Friedrich-Stockler-Platz 3 Blown glass; engraved, 2361 Laxenburg, Austria enameled, lustered Geblasenes Glas, geschliffen, Water Box emalliert Blown glass, metal fabrication Geblasenes Glas, Metall bear- H. 12 cm, Diam. 16 cm beitet TSB, BC H. 34 cm, W. 20 cm, D. 12 cm TSB, SKF 34 Frantisek Janak Mexicka 3 10100 Prague 10, 32 Iris Arc Crystal Czechoslovakia 114 East Haley Street Homage to Antonio Gaudi I Santa Barbara, California Cast glass; sandblasted, acid- 93101 etched Country Cottage Gegossenes Glas, sandbe- (limited edition) stranlt, sauregeatzt Cast, cut, and assembled glass H. 47 cm, W. 16 cm, D. 16 cm Geaossenes, geschliffenes TSB, BC, SKF, JK una verklebtes Glas H. 15.5 cm, W. 13.0 cm, D. 13.0 cm 35 Kuni Kajiwara TSB, BC 1996-1 Oturu-Machi Hita-City Oita-Prefectur, Japan Life 33 Anja Isphording Dalle de verre Am Weiher 19 Dalle de verre 31 3538 Marsberg 12, H. 350 cm, W. 210 cm Federal Republic of Germany TSB, SKF, JK 36 Shoko Kasahara Glasperlen, Draht, verhullter 5-2-C1-102 Kajiwara Torso Kamakura-City, Japan H. 85 cm, W. 43 cm, D. 65 cm Ice Field BC, JK Fused, slumped, and sand­ blasted glass, mirror base Verschmolzenes, abgesenktes und sandbestrahltes Glas auf 39 Vladimira Klumpar Spiegelbasis Rural Route #1, Box 64 H. 60 cm, W. 182 cm, D. 20 cm Shelburne Falls, TSB, BC, SKF, JK Massachusetts 01370 Rotation I 37 Viivi-Ann Keerdo Cast glass; cut, polished E. Wiiralt Str. 7-3 Gegossenes Glas, geschliffen, Tallinn 200001, Estonian U.S.S.R. poliert Necklace: Glasses H. 45 cm, W. 48 cm, D. 18 cm Cut, polished, and engraved SKF, JK glass, silver frame Geschnittenes, poliertes und graviertes Glas, silbern ge- 40 Lucartha Kohler rahmt U i 'M 915 South Second Street H. 3 cm, W. 11 cm, D. 0.5 cm Philadelphia, Pennsylvania TSB, JK 19147 38 Eve King-Lehman and Harmony's Realm of Light Cast, fused, and slumped Dan King-Lehman glass; sandblasted, assembled 20784 Medley Lane ^egossenes, verschmolzenes Topanga, California 90290 una abgesenktes Glas, sand- She's More Than She Senses bestrahlt, verklebt Glass beads, wire, wrapped Tallest: H. 240 cm 36 armature BC, JK

38 41 Susie Krasnican Geblasenes und poliertes 7202 Quincy Avenue Glas, Aluminium Falls Churcn, Virginia 22042 H. 150 cm, W. 400 cm, Duo D. 800 cm Pate de verre and enamels on BC, JK plate glass Pate de verre und Emaille auf Flachglas H. 36 cm, W. 33 cm, D. 17.5 cm 44 Antoine Leperlier BC, SKF, JK 26 rue Decorchemont 27190 Conches, France Evidence de la Pierre 42 Kouichi Kubo Pate de verre in a cire perdue Kagami Crystal Company Ltd. mold 4-5 Koyodai Pate de verre in einer Ryugasaki Cire-perdue-Form Ibaragi-ken, Japan H. 33 cm, W. 23 cm, D. 23 cm Mini Whisky Set TSB, JK Blown and cut glass Geblasenes und geschliffenes Glas Tallest: H. 26.5 cm, W. 7.5 cm 45 David Levi and TSB, SKF Dimitri Michaelides 611 Tower Grove Avenue 43 Kirsten Merete Lanqkilde St. Louis, Missouri 63110 23 Queen of Denmark Court Tableware: Untitled Finland Street Blown glass London SE16 1TB, England Geblasenes Glas Tallest: H. 58 cm, W. 13 cm Compound Mosaic TSB, BC, SKF, JK Cast and polished glass, aluminum

•

IMSIM 46 Mark Lorenzi Flachglas, gegossenes Alumi­ Paran Inc. nium 945 Stewart Street H. 41 cm, W. 47 cm, D. 14 cm Madison, Wisconsin 53713 TSB, JK 103 lbs. & 9 oz. Blown glass bottles, copper, tuning forks 49 Ivan Vasilyevich Machnev Geblasene Glasflaschen, Dyat'kovo Glass Factory Kupfer, Stimmgabeln Lenin Str., 212, Apartment 28 H. 67 cm, W. 92 cm, D. 92 cm Dyat'kovo BC, JK 242630 Bryansil Region, U.S.S.R. "The Golden Elexior" Composition 47 G. Paul Lucas Blown and gilded glass 1700 Broadway New Orleans, Louisiana 70118 Geblasenes und vergoldetes Glas Hellcat (Wives' Tale Series) Tallest: H. 27 cm Fused glass, slate base TSB, BC, JK Verschmolzenes Glas auf Schiefer H. 53 cm, W. 35.5 cm, D. 3 cm TSB 50 Hideko Masuda 30-24 Midorii 4-chome Asaminami-ku Hiroshima 731-01, Japan 48 Lou Lynn Growing Rural Route #1 Blown and sandblasted glass Windlaw, British Columbia, Geblasenes und sandbestrahl- Canada VOG 2JO tes Glas Enigma H. 30 cm, W. 24 cm, D. 8 cm Plate glass, cast aluminum TSB, BC, SKF, JK 51 Sara F. A. McDonald Geblasenes Glas, geschliffene 54 Park Street und polierte Rander Lincoln LN1 1UR, England H. 27 cm, W. 10 cm, D. 10 cm Dish TSB, SKF Kiln-formed laminated glass, metal inclusions HeiB geformtes, laminiertes Glas, Metalleinschliisse 54 Keiko Mukaide Diam. 40 cm, D. 2.5 cm 4-20-6 Syonawtakatori TSB, BC Yokosuka Kanagawa 237, Japan Kaze no Katachi No. 1 52 Tom McGlauchlin (Form of Wind) The Glass Studio Blown glass, pate de verre 1940 West Central Geblasenes Glas, Pate de Toledo, Ohio 43606 verre H. 11 cm, W. 45 cm, D. 40 cm On Display SKF Blown, cast, and enameled glass, wood Geblasenes, qegossenes und emailliertes Glas, Holz 55 Shinichi Muro H. 107 cm, W. 81 cm, D. 61 cm Joetu Crystal Glass SKF, JK Gumma-ken, Japan Ark??? Mold-blown and sandblasted 53 Adrienne McStay glass 4453 40th Avenue SW Formgeblasenes und sand- Seattle, Washington 98116 bestrahltes Glas Dancing Goblets H. 34.5 cm, W. 97.5 cm, Blown glass, cut and polished D. 45.5 cm rims TSB, BC, JK

52 56 Jay Muster Pate de verre, Holz 2748 Ninth Street Each: H. 51.3 cm, W. 33.3 cm, Berkeley, California 94710 D. 5.1 cm Untitled TSB, BC, SKF, JK Flameworked and slumped glass, oil paint t gearbeitetes und abgejgesenktes Glas, Olfarbe 59 Anne Nilsson H. 21.;1.25 cm, W. 40 cm, Orrefors Glasbruk D. 22.5 cm S-38040 Orrefors, Sweden TSB, BC, SKF, JK Sundance Blown Graal glass Geblasenes Graalglas H. 21 cm, W. 16.5 cm, D. 7 cm 57 Ritsuko Nanba TSB, SKF 11-3-4-8 Shinkotoni Kita-ku Sapporo 001, Japan Whisper Blown and sandblasted glass 60 Vincent Leon Olmsted Geblasenes und sand- 2700 East Main Street bestrahltes Glas Millville, New Jersey 08332 H. 60 cm, W. 70 cm, D. 35 cm Disillusionment over Love and TSB, SKF, JK Passion Sand-cast and pressed glass, cement; engraved, electro­ 58 Kerstin Nichols plated P.O. Box 359 Sandgegossenes und gepreB- Hartford, Vermont 05047 tes Glas, Zement, graviert H. 52 cm, W. 12 cm, D. 12 cm Fossilized Armor Installation TSB, JK (detail) Pate de verre, wood 61 Thomas Patti Untitled Morgan Gallery Mold-blown glass, rusted wire; 222 Newbury Street sawed, engraved, enameled Boston, Massachusetts 02116 Formgeblasenes Glas, Fragrance Container verrosteter Draht, gesagt, Fused glass, applied gold and graviert, emailliert silver H. 15 cm, W. 8 cm, D. 8 cm Verschmolzenes Glas mit Gold TSB, JK und Silber H. 14.3 cm, W. 14 cm, D. 9.5 cm TSB, JK 64 Michele Perozeni 15 rue Watteau 67200 Strasbourg, France 62 John Penman Sirus 2/50 Portland Road Pate de verre Remuera Pate de verre Auckland 5, New Zealand H. 25 cm, W. 25 cm, D. 18 cm BC, JK Coruscation #1 Blown glass, water, dye, plumbing, pump Geblasenes Glas, Wasser, 65 Ruthi Pick Farbe, Rohren, Pumpen 24 A Gruner Street H. 60 cm, W. 39 cm, D. 40 cm Ramat Aviv G. 69498, Israel TSB, BC, JK Family (detail) Cast glass, iron; cut, polished Gegossenes Glas, Eisen, 63 Sibylle Peretti geschliffen, poliert GraeffstrafBe 2 H. 190 cm, W. 650 cm, 5000 Cologne 30, D. 750 cm Federal Republic of Germany JK 66 Seth Randal 69 Georg Riedel Seattle, Washington Claus Josef Riedel Tiroler Les Serpents dArgent Glashutte GmbH Pate de crista! in a cire perdue A-6330 Kufstein, Austria mold Candlesticks: Evolution Pate de cristal in einer Molded glass; cut, polished Cire-perdue-Form Geformtes Glas, geschnitten, H. 36 cm, W. 33 cm poliert TSB Tallest: H. 36 cm TSB, JK

67 Susan Rankin Toronto, Canada 70 Dana L. Robbins 14371 Springer Avenue Vine Vessel #21 Saratoga, California 95070 Blown glass; enameled Geblasenes Glas, emailliert Artifact #7 H. 23 cm, W. 16 cm, D. 15.5 cm Blown glass, cast bronze TSB, SKF Geblasenes Glas, gegossene Bronze H. 15 cm, W. 20 cm, D. 13 cm BC, JK 68 Gerhard Ribka RugenerstraBe 4 D-6050 Offenbach am Main, Federal Republic of Germany Das eiserne Pferd Cast glass, acrylic paint Gegossenes Glas, Acrylf H. 36.1 cm, W. 31.8 cm TSB 71 T. C. Robertson and Untitled Lin Lakeman Blown and hot-worked glass 2435 St. Clair Street Geblasenes und heiB verarbei- Bellingham, Washington 98226 tiatfao f^lac H. 115 cm, W. 158 cm, D. 51 cm Undulating Octo TSB, BC, JK Blown glass; sandblasted Geblasenes Glas, sandbe- strahlt H. 35 cm, W. 17 cm, D. 9 cm 74 Ginny Ruffner TSB 84 University, #403 Seattle, Washington 98101 The First Step of Creativity Flameworked glass; 72 Rene Roubicek sandblasted, painted Laubova 10 Lampengearbeitetes Glas, 13000 Prague 3, sandbestrahlt, bemalt Czechoslovakia H. 35 cm, W. 46 cm, D. 30 cm Don't Worry Be Happy TSB, SKF, JK Mold-blown glass Formgeblasenes Glas Tallest: H. 228 cm, W. 27 cm, 75 David Ruth D. 10.5 cm Galerie DM Sarver BC, JK 6 rue du Tresor 75004 Paris, France Gomeisa Cast glass; polished 73 Richard Royal Gegossenes Glas, poliert Foster/White Gallery H. 210 cm, W. 103 cm, 311 1/2 Occidental Avenue D. 21 cm Seattle, Washington 98104 BC, JK 76 Luna Ryan 79 Gunnel Sahlin 11 Ducane Street Kosta Boda AB Forrest 2603 A.C.T., Australia Storavagen 102 Forest Spirit 36052 Kosta, Sweden Kiln-cast glass components Vases: Swirl, Cha Cha HeiG gegossene Glasteile Blown glass H. 16 cm, W. 41 cm, D. 41 cm Geblasenes Glas BC, JK Taller: H. 44 cm, W. 14 cm TSB, BC, SKF, JK

77 Jaromir Rybak Svazna 11 80 Joseph Salvenmoser Prague 653, Czechoslovakia Kitzbuhel, Austria Atmosphere of Venus Two Knights Molded glass; cut, polished Flameworked glass Geformtes Glas, geschnitten, Lampengearbeitetes Glas poliert Taller: H. 17 cm H. 52 cm, W. 28 cm, D. 17 cm TSB, SKF TSB, BC, SKF

78 Gizela Sabokova Zitna 1 11000 Prague 1, Czechoslovakia Pink Sculpture Cast glass Gegossenes Glas H. 50 cm, W. 40 cm, D. 20 cm TSB, BC, SKF 81 Yasumasa Sano Philadelphia, Pennsylvania 112-13 Koda, Notojima-machi 19146 Kashima-gun Caught in a Flood Ishikawa-ken, Japan Stained alass, copper foil To the Sea, to the Sky Buntes Glas, Kuperfolie Cut sheet glass, stainless H. 40 cm, W. 85 cm steel, stone; assembled TSB, BC, SKF, JK Geschnittene Glasscheiben, nichtrostender Stahl, Stein, 84 Michael Scheiner verklebt 10 Clinton Street H. 300 cm, W. 300 cm, Central Falls, D. 300 cm Rhode Island 02863 TSB, JK Duet Blown glass, oil paint, rope 82 Timo Sarpaneva Geblasenes Glas, Olfarbe, Schnur Venini W. 137 cm Marjatta Svennevig, TSB, BC, SKF, JK Takaniementie 4 SF-00200 Helsinki, Finland 85 Edward T. Schmid Stoppered Bottle: Aava 411 Rollwind Road "Incalmo" blown glass Glenview, Illinois 60025 „ln calmo" geblasenes Glas One Hundred Bottles for Beer Vase: Kelo on the Wall (None of Which Mold-blown glass; cut Are for Sale) Formgeblasenes Glas, Blown glass bottles, neon geschliffen lighting, shelving Taller: H. 47 cm Geblasene Glasflaschen, TSB, BC, SKF, JK Neonlicht, Regale H. 300 cm, W. 1,200 cm, 83 Judith A. Schaechter D. 1,600 cm 1532 Rodman Street BC, SKF, JK 86 Josh Simpson Gegossenes Glas Frank Williams Road H. 60 cm, W. 30 cm, D. 10 cm Shelburne, Massachusetts TSB, SKF 01370 No Discernible Pattern Blown glass, welded copper frame; sandblasted, 89 Susan Stinsmuehlen- acid-etched Amend Geblasenes Glas, ver- 1112 North Tamarind Avenue schweiBte Kupferrahmen, Hollywood, California 90038 sandbestrahlt Guardian of Isles H. 25 cm, W. 41 cm, D. 41 cm Glass, wood, paint; assembled JK Glas, Holz, Farbe, verklebt H. 92,5 cm, W. 82.5 cm, D. 22.5 cm BC, SKF 87 Jaroslav Slechta Zd'ar nad Sazavou, Czechoslovakia Skull 90 Woo Mee Suh Cast glass; cut, ground 166-5 Evergreen Terrace Gegossenes Glas, geschnit- Carbondale, Illinois 62901 ten, grundiert Untitled H. 16 cm, W. 22 cm Cast glass; sandblasted, acid- TSB, JK etched, painted Gegossenes Glas, sand­ bestrahlt, sauregeatzt, bemalt 88 Ivana Sramkova-Solcova H. 63.5 cm, W. 12.5 cm, Prague, Czechoslovakia D. 16.3 cm TSB, BC, SKF Human Character Cast glass 91 Kurt Swanson and 93 Erika Ulozaite Lisa Schwartz Ventos 37-36 Pinkwater Glass Mazeikiai, Lithuanian, U.S.S.R. R.D. 10, Church Hill Road Cicada Carmel, New York 10512 Stained glass, lead; Goblets sandblasted Blown glass Buntes Glas, Blei, Geblasenes Glas sandbestrahlt Each: H. 25 cm, W. 9 cm, H. 28 cm, W. 62 cm, D. 4 cm D. 9 cm TSB, SKF TSB, JK 94 Bertil Vallien Kosta Boda AB Afors 92 Monica Tittel 36104 Eriksmala, Sweden HedelfingerstraBe 132 Slot 7000 Stuttgart 61, Sand-cast glass; cut, polished Federal Republic of Germany Sandgegossenes Glas, ge- Mirror on Steel schliffen, poliert Mirror, steel, wire; drilled, as­ H. 70 cm, W. 68 cm, D. 30 cm sembled TSB, BC, SKF, JK Spiegel, Stahl, Draht, gedrillt, verklebt 95 Mary Van Cline H. 200 cm, W. 40 cm, 1473 Elliott Avenue West D. 0.6 cm Seattle, Washington 98119 TSB, JK Greek Vase Series Cast photosensitive glass Gegossenes, lichtempfind- liches Glas H. 60 cm, W. 26 cm, D. 13 cm BC, JK 96 Frank Van den Ham Abgesenktes Glas auf Stein, Nijverheidsstraat 22 sandbestrahlt 2802 AL Gouda, H. 24 cm, W. 74 cm, The Netherlands Diam. 74 cm Waiting for the Sun TSB, JK Fused and slumped glass, steel; etched Verschmolzenes und abge- senktes Glas, Stahl, geatzt 99 John L. Woodworth H. 18 cm, W. 85 cm, D. 95 cm 5402 40th Avenue SW BC, JK Seattle, Washington 98136 Goblets Blown and cast glass; as­ 97 Valentin M. Vanetik sembled P.O. Box 211 Geblasenes und gegossenes North Pownal, Vermont 05260 Glas, verklebt H. 15.2 cm, W. 7.6 cm, Fortress D. 10.2 cm Cast glass TSB, JK Gegossenes Glas H. 46 cm, W. 28 cm, D. 10 cm TSB, BC, JK 100 Riki Yamada 1-60-7 Sakuragaoka 98 Frans Willebrands Tama-City Bellamystraat 19 Tokyo, Japan 1053 BE Amsterdam, Growing The Netherlands Blown and hot-worked glass Big Bowl-Object Geblasenes und heiG Slumped glass, stone base; verarbeitetes Glas sandblasted, ground, polished, H. 92 cm, W. 18 cm, D. 18 cm assembled BC, SKF, JK Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS

Bibliographie KURZLICH VEROFFENTLICHTER ARTIKEL UND BUCHER OBER GLAS

This list includes publications added to the Rakow Library of The Corning Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie in der New Museum of Glass since the bibliography for New Glass Review 11. Glass Review 11 zu der Rakow-Bucherei des Corning Glas-Museums hinzu- gefugt worden sind. Contemporary Glass (after 1945) Flat Glass»(after (aftei 1945), including Architectural, Mosaic, Painted, Zeitaenossisches Glas (nach 1945) and Stained Glass Flacnglas (nach 1945), einschlieBlich architekturbezogenes Glas, Glas- Technology (after 1945) mosaik, Glasmalerei und Buntglas. Films ana videotapes Technoloaie (nach 1945) Filme una Videobander Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Man kann sie unter dem Autor des rezensierten Werkes finden. The following periodicals are recommended for comprehensive coverage of contemporary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitgenossische Glasgestaltung empfohlen: Glass Art (Japan) Glass Art Magazine Glass Art (Japan) Glass Art Society Journal Glass Art Magazine Glass Review (Czechoslovakia) Glass Art Society Journal Glasswork (Japan) Glass Review (Tschechoslowakei) Neues Glas/New Glass Glasswork (Japan) New Work Neues Glas/New Glass La Revue de la Ceramique et du Verre New Work Stained Glass Quarterly La Revue de la Ceramique et du Verre Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich in dem Journal of Glass Studies, das ebenfalls vom Corning Glas-Museum herausgegeben wurde. Entries beginning with a cardinal or ordinal number, expressed either as a numeral or spelled out, will be found after the alphabetical entries, arranged Titel, die mit einer Kardinal- oder Ordinalzahl anfangen und die als Zahl oder numerically. als Wort ausgedruckt sind, werden nach den alphabetischen Eintragen zah- lenmaBig geordnet. Exhibition catalogs, formerly listed under the name of the city in which each exhibition was held, are now listed in the following manner: Ausstellungskataloge, die fruher unter dem Namen der Stadt, in der die Ausstellung stattgefunden hatte, gefuhrt wurden, finden sich jetzt nach 1. Under the name of the author (person or organization). folgendem Schema geordnet: 2. Under the name of the city in which the exhibition was held (when the author's name is not provided). 1. Unter dem Namen des Autors (der Person oder Organisation) 3. Under the title (when neither the author's name nor the city name is 2. Unter dem Namen der Stadt, in der die Ausstellung stattgefunden hat provided). (sofern der Name des Autors nicht zur Verfugung steht) 3. Unter dem Titel (sofern der Name des Autors oder der Stadt nicht zur Verfugung steht).

CONTEMPORARY GLASS (after 1945)/ZEITGENOSSISCHES GLAS (nach 1945)

ANONYMOUS 10. "Artemide: Design spontaneo/Spontaneous 19. "Bohmische Glaskunst im Rosenthal-Thea- Design" ter in Selb" 1. "Absolut Ruffner" Ottagono, no. 96, Sept. 1990, pp. 152-155, ill. Die Schaulade, v. 65, no. 7, July 1990, p. 43, ill. The Crafts Report, v. 16, no. 170, May 1990, p. 51, In Italian and English. Roszsypal piece and other Czech glass in ill. Lamps and lighting. Rosenthal theater foyer. Ginny Ruffner work for Absolut advertising se­ ries. 11. "Artery: Gallery Profiles" 20. "Bottle Village" Art Cellar Exchange Magazine (San Diego), v. 2, Preservation News, v. 30, no. 1, Jan. 1990, p. 8. 2. "Adam Jabtonski" no. 6, June 1990, p. 19, ilL Szklo i Ceramika, no. 1,1989, front and back Three galleries handling glass. 21. "Brent Kee Young/Interview" covers, ill. Glasswork (Kyoto), no. 5, 1990, pp. 18-23, ill. 12. "Artist Updates" In Japanese and English. 3. "All-Glass Table" Collector Editions, v. 18, no. 2, March/April 1990, 22. "Cat in the Act" Glass Interiors (U.K.), Autumn 1990, p. 10, ill. p. 15, ill. Ontario Craft, v. 15, no. 2, Summer 1990, p. 8, ill. Salah Kawala table made from glass rods. Diiana Hobson, Rakow Commission recipient. Toan Klein vase. 4. "Alliance Approves Funding for Works by 13. "Artists News: Staatspreis fur Greiner- 23. "CGCA Announces Four Masterworks Fel­ Four Artists for Permanent Collection" Perth" lowships" Renwick Quarterly, June/July/Aug. 1990, pp. 2-3, Neues Glas, no. 4,1990, p. 311, ill. The Journal, a Newsletter for Friends of Whea- ill. ton Village, v. 13, no. 1, Jan./Feb./March 1990, Cast glass piece by Howard Ben Tre. 14. "At the Sklarny Bohemia Glassworks at p. 3. Podebrady" William Bernstein, Mary Van Cline, Tom Far- 5. "American Craft at the Armory" Glass Review, v. 45, no. 1,1990, pp. 2-5, ill. banish, Peter Andres. Glass Art, v. 5, no. 4, May/June 1990, pp. 22-23, ill. 15. "Ausstellung Ebeltoft/Danemark: Glas aus 24. "Commissions" Craft exhibition. Chris Hawthorne, Robert Spiel- der UdSSR" American Craft, v. 50, no. 2, April/May 1990, holz/Kathleen Hargrave, Peter Secrest. Kunst + Handwerk, no. 4,1990, p. 267, ill. pp. 86-87, ill. Soviet glass exhibit at Ebeltoft, Summer 1990. Sculptural and architectural work by Lee 6. "American Craft Council Honors the Field's Schuette and James Carpenter, Jamie Johnston, Finest" 16. "Award Received" Ray King, Craig Elliott. American Craft, v. 50, no. 4, Aug./Sept. 1990, The Corning Museum of Glass Newsletter, pp. 10-13, ill. Spring 1990, p. 5, ill. 25. "Commissions: Kathleen Mulcahy and Ron Frcranees and Michael Higgins, Edris Eckhardt. Cast sculpture award by William Carlson and Desmett" Steven Weinberg presented to The Corning American Craft, v. 50, no. 5, Oct./Nov. 1990, pp. 78-79, ill. 7. "American Craft on International Tour" Museum of Glass by the Art Alliance for Contemporary Glass. The Glass Art Society Journal 1989, pp. 90-91, 26. "Craft, Crystal and Design" Corning World, v. 2, no. 3, May/June 1990, 17. "Bacjliori colorati scolpiti nel vetro" pp. 2-3, ill. 8. "Anz Glass Prize, 1989" Antiquariato, no. 111, Jan. 1990, p. 124, ill. Steuben. Ausglass Magazine, Summer 1989, p. 8, ill. Vase by glass artist Rinaldi. Meza Rijsdijk, Katy O'Rourke. 27. "Crea: Michael Prentice" 18. "Besinnuna auf alte Erfolge - Ausbau der Table et Cadeau, no. 312, June/July 1990, 9. "L'arredo trasparente" modernen Linie' p. 42, ill. Casa Vogue, no. 214, Dec. 1989, pp. 182-185, Porzellan + Glas, no.10,1990, pp. 140-141, ill. Glass and metal drinking glasses by American Glass furnishings by Italian designers. Blown and engraved work at Moser glassworks. designer. 28. "A Crystal Sanctuary" May/June 1990, p. 63, ill. 68. "Glashiitte Mizzi: Mit neuen Wegen auf Corning World, v. 2, no. 5, Sept./Oct. 1990, p. 2, M. Negreanu, J. P. Raymond in Swiss exhibit. Marktliicken-Kurs" ill. Die Schaulade, v. 65, no. 7, July 1990, pp. 22-24, Eric Hilton piece for Steuben. 49. "Fire & Fluidity: Don Parker" ill. Glass Line, v. 3, no. 5, Feb./March 1990, p. 1+, ill. Glassworks in Uttendorf making historical "re­ 29. "Dale Chihuly Captures the Allure of An­ Alaskan lampworker. production" glass. cient Glass with 'Persians'" Antiques and The Arts Weekly, v. 18, no. 5, Feb. 50. "Forum Design" 69. "Glass Art Society Conference" 2, 1990, p. 109. ArtAurea, no. 4,1990, pp. 8-9, ill. Glasswork (Kyoto), no. 5,1990, pp. 53-55, ill. In German and English. In Japanese. 30. "Dale Chihuly/lnterview" New designs by Markku Salo, Kjell Engman. Glass work (Kyoto), no. 5,1990, pp. 2-11, ill. 70. "Glass Artist Mikko Merikallio" In Japanese and English. 51. "Foster/White Fosters Glass Art" Form-Function-Finland, no. 2,1990, p. 75, ill. Glass Art, v. 5, no. 5, July/Aug. 1990, pp. 58-59, 31. "Dana Zamecnikova" ill. 71. "Glass Gallery Road Trip" Ausalass Magazine, Winter 1990, p. 5, ill. Robert Carlson, William Morris, Frederick Heidel. Art Cellar Exchange Magazine (San Diego), v. 2, Brief article about Zamecmkova's work. no. 6, June 1990, pp. 8-9, ill. 52. "Freiraume ermoglichen erlesene Kunst" Galleries that feature studio glass. 32. "Una danza di vetri e cristalli" Porzellan + Glas, no. 3, 1990, pp. 90-91, ill. Casa Vogue, no. 222, Sept. 1990, pp. 262-267, ill. Orrefors gallery exhibits: Alberius, Lagerbielke, 72. "Glass: Makoto Ito" English summary. Englund, Nilsson, Cyren. Nagomi, no. 5, May 1990, pp. 92-97, ill. Lamps designeci by Toni Cordero for Artemide. In Japanese. 53. "Le Froid et le chaud" 33. "Dartington Crystal" Table et Cadeau, no. 313, Aug./Sept. 1990, p. 119, Tableware International, v. 20, no. 1, Feb. 1990, ill. 73. "Glass on the Rails" pp. 135-136, ill. Carlo Nason. Glass, Monthly Journal of the European Glass Designers Sara Bowler, Hilary Green, Rachael Industry, v. 66, no. 9, Sept. 1989, p. 370. Woodman. 54. "Gallery: Glass" 42-foot-high glass sculpture by Alexander Bele- American Craft, v. 50, no. 1, Feb./March 1990, schenko for British Rail s Reading station. 34. "Design Award for Rachel Woodman" p. 81, ill. Glass Circle News, no. 45, Feb. 1990, p. 3, ill. Sidney Hutter, Veruska Vagen, Anthony Cora- 74. "Glass School, Royal College of Art" detti. Glass work (Kyoto), no. 5,1990, pp. 46-48, ill. 35. "Designer Profiles: Kroma" In Japanese. Niche, v. 2, no. 4, Autumn 1990, p. 43, ill. 55. "Gallery: Glass" Murray and Rupama Schwartz dichroic glass American Craft, v. 50, no. 2, April/May 1990, 75. "Glass Sculpture by Russian Artist on windows, jewelry, masks, etc. p. 83, ill. Display at Corning" Work by Dan Dailey, James Watkins, Jude Antiques and The Arts Weekly, v. 18, no. 51, 36. "Detroit Institute of Arts Receives Major Schlotzhauer, James Holmes, Robert Levin. Dec. 21,1990, p. 14. Gift" Lyubov Savelyeva. Glass Focus, April/May 1990, p. 7. 56. "Gallery: Glass" 80 pieces of American and European studio American Craft, v. 50, no. 3, June/July 1990, 76. "The Glasshouse" glass. p. 85, ill. Neues Glas, no. 1,1990, p. 33, ill. Tony Hanning, Robert Carlson, Seth Randal, In German and English. 37. "Digest: Idees lumineuses" Paul Manners. David Taylor, Annette Meech. L Atelier, no. 4, Nov./Dec. 1990, p. 9, ill. Glass lamp by Stefano Poletti. 57. "Gallery: Glass" 77. "Glasskulpturen von Heide-Astrid Betz- American Craft, v. 50, no. 4, Aug./Sept. 1990, Schlierer" 38. "Distinctive Character" p. 77, ill. Glasforum, v. 40, no. 1, Feb. 1990, p. 29, ill. Form-Function-Finland, no. 1,1990, p. 54, ill. Michael Bokrosh, Michael Jaross and Ginger Kerttu Nurminen of Nuutajarvi. Kelly, William Bernstein, Irene Frolic, Noel Laue. 78. "Glasslight" Niche, v. 3, no. 1, Winter 1990, p. 45, ill. 39. "A Drawing Symposium of Glass Artists" 58. "Gallery: Glass" Chester County, Pennsylvania, blown glass lamp Glass Review, v. 45, no. 1,1990, p. 22, ill. American Craft, v. 50, no. 5, Oct./Nov. 1990, p. 75, firm. Czech glass artists meet to develop designs. ill. Work by Virginia Hoffman, Bruce Pizzichillo, Ra­ 79. " 'Glassworks' Will Be on View during In­ 40. "Du Pont Creates Benedictus Award" chel Mesrahi, Vincent Olmsted, Ruth Brock- stallation Beginning November 3" Glass Digest, v. 69, no. 13, Dec. 1990, p. 18, ill. mann. Renwick Quarterly, Sept./Oct./Nov. 1990, p. 3. Award for use of laminated glass in architecture Large glass assemblages by Chao, Harned, designed by Hans Frabel. 59. "Gallery: Glass" McDonnell, Schaechter, and Statom open to the American Craft, v. 50, no. 6, Dec. 1990/Jan. 1991, public during installation process. 41. " 'Durchblicke' - Glas aus der Bundesrepu- p. 79, ill. blik Deutschland und der Tschechoslowakei" Stephen Dale Edwards, J. Kenneth Leap, Diana 80. "Godbitar fran 'Gallery 90'" Die Schaulade, v. 65, no. 9, Sept. 1990, p. 94, ill. Hobson, Josh Simpson, Rick Melby. Glas och Porslin, v. 60, no. 2,1990, pp. 22-23, ill. Frankfurt Fair exhibition included work by Ivana Work on display at Orrefors gallery: Erika Lager­ Solcova, Pavel Molnar, Gabriele Kiistner. 60. "Gallery Information, Book Reviews, News" bielke, Olle Alberius, Helen Krantz, Eva Englund. Glasswork (Kyoto), no. 6, Aug. 1990, pp. 52-59, 42. "Dutch Summer is hoorn van overvloed ill. 81. "Hobson's Choice" voor glaskunst" In Japanese and English. Crafts (U.K.), no. 102, Jan./Feb. 1990, p. 10, ill. Bulletin, Vereniging van Vrienden van Modern Diana Hobson's commission for The Corning Glas, no. 3, 1990, pp. 3-6. 61. "Garth Edwards/Interview" Museum of Glass. Overview of exhibitions held in the Netherlands, Glass work (Kyoto), no. 5,1990, pp. 12-17, ill. Summer 1990. In Japanese and English. 82. "IHM Munchen: Form und Fantasie" Kunst + Handwerk, no. 3, May/June 1990, p. 175, 43. "Ercole Barovier 1889-1974" 62. "Geometry in Glass" Domus, no. 712, Jan. 1990, u.p. "Rassegna," ill. ill. Glass Interiors (U.KJ, Autumn 1990, p. 6, ill. Object by Jaroslav Matous. In Italian and English. Sculptural work by Clare Lloyd-Goodfellow. Exhibition in Venice, 1989. 63. "Gift to Pope John Paul II" 83. "Important Information" 44. "Exhibitions" Glass Review, v. 45, no. 8,1990, p. 27, ill. Paperweight Collectors Association, Oklahoma Craft Arts, no. 17, 1989, pp. 94-95, ill. Glass block engraved with the Last Supper, Chapter, v. 1, no. 4, Jan. 1990, p. 6. Work by Michael Glancy, Chuck Simpson, Gi­ made at the Moser glassworks, Karlovy Vary. Biography of Rick Ayotte. selle Courtney, James Minson, Thomas Buech- ner. 64. "Giornate napoletane di design" 84. "Inaugurata la grande mostr'a su Ercole Abitare, no. 288, Sept. 1990, p. 162, ill. Barovier" 45. "Exhibitions" English summary. Alte Vitrie, v. 2, no. 3, Nov. 1989, p. 26, ill. Craft Arts, no. 20, Oct./Dec. 1990, pp. 113-114, ill. Annibale Oste glass in design event in Naples. Work by Setsuko Ogishi, Warren Langley, James 85. "Informationen" Minson, Stephen Skillitzi, Yoko Kuramoto in 1990 65. "Glas aktuell" Neues Glas, continuing series: no. 1, Jan./March Australian shows. Glaswelt, v. 43, no. 10, Oct. 1990, p. 22, ill. 1990 - no. 4, Oct./Dec. 1990. Glass head by Pavel Molnar. News of conferences, new books, etc. 46. "Exhibitions/Ausstellungen" Neues Glas, continuing series: no. 1, Jan./March 66. "Glas av Paul Kedelv" 86. "Inspired by Autumn" 1990 - no. 4, Oct./Dec. 1990. Kulturspridaren fran Smalands Museum, no. 1, Glass Interiors (U.K.), Autumn 1990, p. 8, ill. Jan./March 1990, p. 10, ill. Sandblasted bowls and plates designed by Ruth 47. "Exhibitions: The Glass Forest" Exhibit at museum in Vaxjo. Dressman. Form-Function-Finland, no. 4,1990, p. 33, ill. Pauli Partanen. 67. "Glasdesign: Die kunstlerischen Ideen von 87. "Internationaal centrum voor glaskunst te Giinter Kehr" Schalkwijk" 48. "Expositions actualites: La Magie du verre" Glaswelt, v. 43, no. 9, Sept. 1990, pp. 90-92, ill. Glas & Keramiek, no. 5, Oct. 1990, p. 37, ill. La Revue de la Ceramique et du Verre, no. 52, Lampworked mosaic glass pieces by Kehr. Glass art center at Schalkwijk, the Netherlands. 88. "International Tabletop Award" 106. "Marc Newson progetti tra il 1987 e il 125. "News: Donald Friedlich" Form-Function-Finland, no. 4,1990, p. 51, ill. 1990" Ornament, v. 14, no. 1, Autumn 1990, p. 26, ill. "Geo" glassware by Ken Benson for littala-Nuu- Domus, no. 714, March 1990, pp. 64-71, ill. Jewelry craftsman designs glass brooches. tajarvi. In Italian and English. Bottles blown on Niijima island by designer Marc 126. "News: Vetri inglesi" 89. "Jack Ink - Glas" Newson. Domus, no.720, Oct. 1990, u.p., ill. Weltkunst, v. 60, no. 3, Feb. 1,1990, p. 231, ill. The Glasshouse, London. Exhibit at Lubeck museum. 107. "Marche de I'Art: Pleins feux sur le verre contemporain" 127. "NICHE Awards Honor Nation's Best" 90. "Just Imagine" L'Objet d'Art, no. 242, Dec. 1990, p. 18, ill. The Crafts Report, v. 16, no.166, Jan. 1990, Design in Finland 1988, pp. 64-65, ill. Toots Zynsky bowl and other glass in Paris auc­ p. 1 A, ill. Markku Salo. tion. Award designed by Stephen Jon Clements. 108. "Marcolin and Glass Art" 128. "Northeast Artist Pages" 91. "Kijken met je buik. Douwes Dekker Glas- galerie" Tableware International, v. 20, no. 5, June 1990, New Art Examiner, v. 17, no. 7, March 1990, Glas & Keramiek, no. 5, Oct. 1990, p. 39, ill. p. 37, ill. pp. 4-A and 30-A, ill. Utrecht gallery. Swedish firm. Kathleen Mulcahy. 109. "Marvin Lipofsky Goes to the USSR" 129. "Notable Works: Glassmost '89" 92. "Konige im glasernen Reich" Glasswork (Kyoto), no. 6, Aug. 1990, pp. 48-49, Professional Stained Glass, v. 10, no. 6, June Glas + Rahmen, v. 41, no. 11, June 1, 1990, ill. 1990, pp. 68-69, ill. pp. 648-649, ill. In Japanese and English. Art Glass Association of Southern California views in a Bavarian glasshouse. exhibition, San Diego. 110. "Les Materiaux" 93. "Kosta Boda: Synthese aus Design und Journal du FRAC (Fonds Regional d'Art Contem­ 130. "Notes: Soviet Artist Receives Rakow Handwerkskunst" porain de Haute Normandie, Rouen), single is­ Commission" Die Schaulade, v. 65, no. 11, Nov. 1990, sue, 1990, 4 pp., ill. Journal of Glass Studies, v. 32,1990, p. 209. pp. 48-50, ill. Glass artists included in "Les Materiaux" exhibit Lyubov Ivanovna Savelyeva. Ulrica Hydman-Vallien, Gunnel Sahlin, Kjell Eng- at Rouen, Oct. 1990. man. 131. "Nytt i Glasriket" 111. "Matter... of Fact" Skona Hem, no. 2, 1990, p. 235, ill. 94. "Kraus Sikes Announces American Craft Matter, v. 1, no. 1, Jan. 1990, p. 17, ill. New glass seen in Orrefors gallery. Award Winners" Molly Stone. The Crafts Report, v. 16, no. 168, March 1990, 132. "On en parlera: Bernard Pictet" p. 56, ill. 112. "Maurice Heaton 1900-1990" Table et Cadeau, no. 313, Aug./Sept. 1990, p. 120, Ann Troutner. American Craft, v. 50, no. 4, Aug./Sept. 1990, ill. p. 15, ill. French designer. 95. "Krehka sklenena krasa dotvari atmosferu vanoc" 113. "The Message from Mats" 133. "On en parlera: Christine Lievin" Sklar a Keramik, v. 39, no. 12,1989, centerfold Tableware International, v. 20, no. 5, June 1990, Table et Cadeau, no. 314, Oct. 1990, p. 34, ill. pp. 45-48, ill. p. 44, ill. French designer. Christmas ornaments made in Czechoslovakia. Mats Jonasson of Maleras Glassworks. 134. "On en parlera: Elisabeth Cibot" 96. "Kunst mit Glas: Glastransparente Polari- 114. "Modernes Glas aus Finnland" Table et Cadeau, no. 316, Dec. 1990, p. 37, ill. tat" Neues Glas, no. 1,1990, pp. 40-41, ill. Glass artist and designer. Glas + Rahmen, v. 41, no. 18, Sept. 1990, p. 936+, In German and English. ill. Circulating exhibition. 135. "Ou va notre verrerie?" Helga Oexle. Revue des Industries d'Art Offrir, no. 270, June 115. "Mostre: Ercole Barovier 1889-1974" 1990, pp. 11-29, ill. Abitare, no. 283, March 1990, p. 102, ill. Old and new glass from French firms. 97. "Kunst und Design bei Rosenthal" English summary. Die Schaulade, v. 65, no. 11, Nov. 1990, Exhibition in Venice in 1989. 136. "Paperweights: Eine runde Sache macht pp. 26-27, ill. Michael Boehm. von sich reden" 116. "Museumjaarobject 1990 National Glas- Porzellan + Glas, no. 2, 1990, pp. 214-217, ill. museum" Paperweights from Caithness and other firms. 98. "Kunstausstellung 'Neues Glas in Europa' Bulletin, Vereniging van Vrienden van Modern begleitet die GLAStec 90 Dusseldorf" Glas, v. 4, no. 2, June 1990, pp. 18-19, ill. 137. "Peacock Glass Works" Glas + Rahmen, v. 41, no. 18, Sept. 1990, p. 940, Siem van der Marel object. The Crafts Report, v. 16, no. 168, March 1990, ill. p. 28, ill. Exhibition of work of 50 European glass artists. 117. "Na'itus'Belvedere'" Indiana paperweight business. Vikerkaar, no. 3, March 1990, covers and 99. "Kunsthandwerker und Offentlichkeit. Inter­ pp. 18-19, 22-23, 26-27, 30-31, ill. 138. "Penn Smith Glass" view mit funf Kunsthandwerkern" In Estonian. Glass Interiors (U.K.), Autumn 1990, p. 8, ill. Crafts Council Schweiz/Suisse/Svizzera, no. 2, Literary journal illustrated with work by glass Blown glass ornaments by Sally Penn Smith, June 1990, p. 6. In French and German. artists Eve Koha, Ivo Lill, Vella Soa, from 1989 Gateshead. Guido Stadelmann. exhibition. 139. "Pilchuk [sicj Glass Collection at Seattle's 100. "Kurzubersicht/Vitae" 118. "NEA Fellowships 1990" Pacific First Centre Neues Glas, continuing series: no.1, Jan./March American Craft, v. 50, no. 6, Dec. 1990/Jan. 1991, Antiques and The Arts Weekly, v. 18, no. 6, 1990 - no. 4, Oct./Dec. 1990. pp. 24-35+, ill. Feb. 9, 1990, p. 97. Biographies of artists whose work appears in Howard Ben Tre, Richard Marquis, and others. The Prescott collection of works made by 36 eacn issue. artists at Pilchuck. 119. "Neues Glas in Europa" 101. "Les 'Lalique' sur le marche de I'art" Kunst + Handwerk, no. 6, Nov./Dec. 1990, p. 415, 140. "Poetry in Glass: A Retrospective Exhibit Revue des Industries d'Art Offrir, no. 269, May ill. of the Work of Paul Stankard" 1990, pp. 65-86, ill. Exhibit at Kunstmuseum, Dusseldorf, with work Bergstrom-Mahler Museum Preview, no. 27, Illustrates the cutting and polishing steps in by 50 artists. June/July/Aug. 1990, p. 1, ill. making a Bacchantes vase. 120. "New Glass Schools" 141. "Portfolio" 102. "Laminated Glass Innovation Recog­ The Glass Art Society Journal 1990, p. 112. Glasswork (Kyoto), no. 7, Dec. 1990, pp. 28-32, nised" Glassblowing school in Cincinnati, Ohio, and ill. Glass, Monthly Journal of the European Glass stained glass school in Oakland, California. In Japanese and English. Industry, v. 67, no. 11, Nov. 1990, p. 481, ill. Fumiaki Uzawa, Shinji Yonehara, Preston Single- Trophy designed by Hans Frabel. 121. "News" tary, Paul Kosberg, Latchezar Boyadjiev. Domus, no. 715, April 1990, u.p., ill. New glass lines at Baccarat, Salviati, Sarpaneva 142. "Portfolio: Ajin Togashi" 103. "Lubos Metelak: 25 annees de sculpture for Venini, Barovier & Toso, Moretti, and others. Glasswork (Kyoto), no. 5,1990, p. 35, ill. et de gravure chez Moser" In Japanese and English. Revue des Industries d'Art Offrir, no. 272, Sept. 122. "News" 1990, pp. 192-194, ill. Domus, no.718, July/Aug. 1990, u.p., ill. 143. "Portfolio: David Dowler" New Lalique designs; Daum "coral" in pasta di Collector Editions, v. 18, no. 3, May/June 1990, 104. "Maleras - Mats Jonasson: Une Verrerie vetro; Venetian chalice designed by Yoichi Ohira. p. 57, ill. pas comme les autres" Revue des Industries d'Art Offrir, no. 273, Oct. 123. "News and Events" 144. "Portfolio: James Houston" 1990, pp. 13-15, ill. The Glass Art Society Journal 1989, pp. 80-82. Collector Editions, v. 18, no. 1, Jan./Feb. 1990, p. 58, ill. 105. "Maleras Glasbruk 100 ar" 124. "News/Gallery Information" Kulturspridaren fran Smalands Museum, no. 1, Glass work (Kyoto), no. 4, Jan. 1990, pp. 53-58, 145. "Portfolio: James Watkins" Jan./March 1990, p. 11, ill. ill. American Craft, v. 50, no. 4, Aug./Sept. 1990, Exhibit at the museum in Vaxjo. In Japanese. pp. 56-57, ill. 146. "Portfolio: Ki-Ra Kim Noh, Melodie Beylik, Michael Mangiafico, Yoshihiro Kusagaya" 187. "Zeitgeist Glas - Edelstahl" Nakata Kazushi, Makato Shimazaki" Glass Art, v. 5, no. 3, March/April 1990, p. 68, ill. Glas + Rahmen, v. 41, no. 6, March 1990, p. 297, Glasswork (Kyoto), no. 4, Jan. 1990, pp. 41-44, ill. ill. In Japanese. 167. "Sklarske vystavy v Praze a v Brne" Glass and steel sculpture by Heide-Astrid Betz- Umeni a Remesla, no. 2, 1990, pp. 9-10, ill. Schlierer. 147. "Portfolio: Lee Hervey" Ivana Solcova, Gizela Sabokova. American Craft, v. 50, no. 6, Dec. 1990/Jan. 1991, 188. "Zur Erinnerung den Glasgestalter Ro­ pp. 48-49, ill. 168. "Sotheby's Auction a Boon for Creative berto Niederer:'... denn Glas ist meine Liebe'" Cast glass sculpture. Glass Center" Glaswelt, v. 43, no. 5, May 1990, pp. 22-23, ill. The Crafts Report, v. 16, no. 171, June 1990, p. 46. Glass work and philosophy of Niederer. 148. "Portfolio: Neal Drobnis" American Craft, v. 50, no. 1, Feb./March 1990, 169. "Den stora glasoffensiven ..." 189. "2nd New Zealand Crafts Biennale" pp. 62-63, ill. Skona Hem, no. 1,1990, p. 171, ill. Craft Arts (Sydney), no. 18, March/June 1990, Brief article about Ingeborg Lundin. p. 94, ill. 149. "Portfolio: Olle Alberius" Bowl by Peter Raos. Collector Editions, v. 18, no. 5, Sept./Oct. 1990, 170. "Szklo ve zd'arskem muzeu" p. 52, ill. Atelier, Sept. 3, 1990, p. 4, ill. 190. "20 let vyroby lustru" Czech glass sculpture exhibit at Okresni Mu­ Sklar a Keramik, v. 40, no. 5,1990, centerfold 150. "Portfolio: Peter Mangan" seum, zdar nad Sazavou. pp. 17-20, ill. Glass work (Kyoto), no. 5,1990, p. 37, ill. Chandeliers made at Zelezny Brod. In Japanese and English. 171. "Tiziano vetraio" Casa Vogue, no. 225, Dec. 1990, p. 148, ill. 191. "1989 Conference Highlights: The Glass 151. "Portfolio: Teiko Mochinaga" English summary. Orchestra Strikes Right Note" Glass work (Kyoto), no. 5,1990, p. 34, ill. Three blown glass pieces depicted in Titian's The Glass Art Society Journal 1989, p. 69, ill. In Japanese and English. paintings created by the firm Accademia. 192. ADLEROVA, ALENA 152. "Portfolio: Thomas Farbanish" 172. "Tosca Overdiep debuteert solo bij Arti- "Czechoslovak Artists at the Exhibition of Glass American Craft, v. 50, no. 5, Oct./Nov. 1990, Choque" Sculptures in Liege" pp. 52-53, ill. Bulletin, Vereniging van Vrienden van Modern Glass Review, v. 45, no. 1, 1990, pp. 20-21, ill. Glas, no. 3,1990, pp. 7-10, ill. 153. "Portfolio: Yasuko Tokita" Exhibition of Overdiep's work at a Velp gallery. 193. "Gizela Sabokova's New Works" Glasswork (Kyoto), no. 5,1990, p. 36, ill. Glass Review, v. 45, no. 6, 1990, pp. 12-15, ill. In Japanese and English. 173. "Trasparenze a Parigi" Casa Vogue, no. 216, Feb. 1990, p. 123, ill. 194. "Glasplastiken Ivan Mares" 154. "Portfolio No.76: Paddy Robinson" English summary. Neues Glas, no. 1, 1990, pp. 27-30, ill. Craft Arts (Sydney), no. 19, July/Sept. 1990, Olivier Gagnere, Pascal Mourgue. In German and English. p. 83, ill. Carved, engraved, and laminated float glass 174. "Tyskt Glas - ett levande hantverk" sculptures. 195. "Ivan Mares's Sculptures" Glas och Porslin, v. 60, no. 2, 1990, pp. 11-13, ill. Glass Review, v. 45, no. 7, 1990, pp. 24-26, ill. General article on German glassmaking. 155. "Prague's Newest Fountain" 196. Soucasne Uzite Umeni: Sklo, Keramika, For You from Czechoslovakia, no. 2, June 1989, 175. "Vase Line" p. 78, ill. Tapiserie, Sperk (Autorska Individualni Tvorba) Architectural Digest, v. 47, no. 2, Feb. 1990, Pavel Trnka. [Prague]: Severoceska Galerie Vytvarneho p. 256, ill. Umeni v Litomericich, 1979, [18] pp., ill. Brief article: Anthony Stern. 156. "Product Line: Where Art Thou, Steu­ 1979 exhibition included many Czech glass art­ ben?" ists: Jelinek, Platek, Klein, and a few others Corning World, v. 2, no. 6, Nov./Dec. 1990, p. 18, 176. "Vera Walther - Aus Freude am Glas" illustrated. ill. Die Schaulade, v. 65, no. 11, Nov. 1990, pp. 76-77, Three Shakespearean-themed works commis­ ill. 197. AJVAZ, MICHAL sioned by Steuben. Willebadessen tableware firm. "Espace Verre - stredisko sklarskych remesel v Montrealu" 157. "II punto di vista di Casa Vogue" 177. "Vernisazhu: Al'gimantas Stoshkus" Sklar a Keramik, v. 39, no. 11, 1989, inside covers, Casa Vogue, no. 216, Feb. 1990, p. 73, ill. Dekorativnoe Iskisstvo SSSR, no. 11 (384), 1989, ill. Glass object designed by Sottsass. cover and pp. 40-41, ill. Visit to Espace Verre, Quebec. Sculptural work by A. Stoshkus. 158. "Rakow Commission: A Message of 198. ALBERTAZZI, LILIANA Peace" 178. "Verre bohemien contemporain" "Lyons" The Corning Museum of Glass Newsletter, Win­ Le Courrier des Metiers d'Art, no. 89, Jan./Feb. Contemporanea, v. 3, no. 3, March 1990, ter 1990, p. 3, ill. 1990, pp. 8-9, ill. pp. 38-39, ill. Mold-blown, enameled piece by Lyubov Save- Paris exhibition. Larry Bell piece at the Musee d'Art Contempo­ lyeva. rain, Lyons. 179. "Verrerie suedoise: Kosta Boda, 159. "Rastal-Designer Horst Bartels bei New aujourd'hui" 199. ALLEN, CRAIG Glass/New York '90 ausgezeichnet" Revue des Industries d'Art Offrir, no. 273, Oct. "1989 Milan Furniture Fair" Die Schaulade, v. 65, no. 7, July 1990, p. 44, ill. 1990, pp. 9-12, ill. Crafts (U.K.), no. 102, Jan./Feb. 1990, pp. 48-49, Flask set by Horst Bartels. Ulrica Hydman-Vallien. ill. Borek Sipek. 160. "Return Encagement: Scottish Cabinet­ 180. "Vessels' Show Offers Toast to Art of maker Reproduces Ancient Roman Glass Drink" 200. ANDERSON, NOLA Masterpieces" Antiques and The Arts Weekly, v. 18, no. 51, Dec. "Pranks and Prunts" The Corning Museum of Glass Newsletter, Sum­ 1990, p. 24, ill. Craft Arts (Sidney), no. 17, 1989, 50-54, ill. mer 1990, pp. 1 -4, ill. American Craft Museum exhibit includes glass Richard Marquis. George Scott re-creates Roman cage cups. by Fred Tschida, William Bernstein. 201. ANDREANI, CAROLE 161. "Riedel at Tiffany's - Design Continuity" 181. "Vetri e tappeti di Federica Marangoni" "Expositions actualites: Dana Zamecnikova Continental Homewares, Fall 1990, pp. 42-43, ill. Abitare, no. 290, Nov. 1990, p. 96, ill. (Paris); Sylvie Gaudin (Coutances); Erich Riedel designs and Frank Lloyd Wright re-edi- English summary. Schamscnula (Paris)" tions for Tiffany. Marangoni glassware in Milan show. La Revue de la Ceramique et du Verre, no. 55, Nov./Dec. 1990, pp. 57-58, ill. 162. "A Season of Light" 182. "Vitrazhi iz shtata OgaTo (SCHA)" Glass Art, v. 6, no. 1, Nov./Dec. 1990, pp. 34-35, Dekorativnoe Iskusstvo SSSR, no. 11 (384), 1989, 202. "Expositions actualites: Gisela Sabokova" ill. pp. 30-31, ill. La Revue de la Ceramique et du Verre, no. 52, Exhibition at Davenport, Iowa, museum. Work by Ohio artist Henry Halem. May/June 1990, p. 59, ill. Review of Paris exhibit. 163. "Shop News" 183. "Vittorio Gottardi Prize" Bergstrom-Mahler Museum Preview, no. 26, Glass, Monthly Journal of the European Glass 203. "Expositions actualites: Le Regard d'Ann March/April/May 1990, p. 6, ill. Industry, v. 66, no. 9, Sept. 1989, p. 341, ill. Wolff" Harry and Kathleen Boyer, Michigan glass- A Venini bowl is awarded by International Com­ La Revue de la Ceramique et du Verre, no. 53, blowers. mission on Glass. July/Aug. 1990, p. 54, ill.

164. "Showcase" 184. "Wilhelm Wagenfeld verstorben" 204. "Expositions actualites: Les 20 ans du Glass Art, v. 5, no. 5, July/Aua. 1990, p. 76, ill. Kunst + Handwerk, no. 4,1990, p. 286. Pontil a Dieulefit" John de Wit, Michael Jaross/Ginger Kelly, panel La Revue de la Ceramique et du Verre, no. 54, by Hendrix and Landers Studio. 185. "William Morris, Master of His Art" Sept./Oct. 1990, p. 54, ill. Pioneer Square Exhibitions, Dec. 1990, p. 7, ill. Anniversary of Claude and Florence Morin's 165. "Showcase: David Schwarz, Zoe Adorno" Exhibit in Seattle. glass studio, June 1990. Glass Art, v. 5, no. 6, Sept./Oct. 1990, p. 44, ill. 186. "Z tvorby Jaroslava Svobody" 205. "Expositions actualites: Matieres et Lu- 166. "Showcase: Kathy McClelland-Cowan, Sklar a Keramik, v. 40, no. 6,1990, pp. 21-24, ill. mieres" La Revue de la Ceramique et du Verre, no. 54, New Art Examiner, v. 17, no. 11, Summer 1990, The Glass Art Society Journal 1990, Sept./Oct. 1990, p. 53, ilf. p. 38, ill. pp. 42-44, ill. Chartres exhibition of new work by French glass Sculpture includes glass. artists. 239. BATE, ULRICH 223. ARONOV, VLADIMIR "Freisprechung in Koblenz" 206. "Expositions actualites: PAAS" "II caso Boris Smirnov" Glaswelt, v. 43, no. 10, Oct. 1990, p. 98+, ill. La Revue de la Ceramique et du Verre, no. 55, Casa Vogue, no. 218, April 1990, pp. 172-175, ill. Work by Ursula Nowak, Thomas Schmickler, Nov./Dec. 1990, p. 56, ill. English summary. Domenicus Dedy in Koblenz fair. Paris exposition included glass by Jean-Luc Russian glass artist. Garcin, Danielle Froudiere, Scott Slagerman, 240. "Ordern im Halbjahrestakt" Barquere, Thierry Baudry. 224. ARONSON, MARGERY Glaswelt, v. 43, no. 10, Oct. 1990, p. 138+, ill. "Glorious Glass: A Salute to the Pilchuck Glass New glass at the Frankfurter fair. 207. "Expositions actualites. Pascal Mourgue: School" La Memoire de I'eau" The Glass Art Society Journal 1990, pp. 33-34, 241. BAUMANN, H. TH. La Revue de la Ceramique et du Verre, no. 50, ill. H. Th. Baumann: Design 1950-1990 (Text: H. Th. Jan./Feb. 1990, p. 60, ill. Baumann, Volker Kapp, Wilhelm Sieman) Paris exhibition. 225. ARTEUS, MARGARETA Hohenbera an der Eger: Museum der Deutschen "Sinnenfreude, Lebenslust" Porzellan Industrie, 1990, (Schriften und Kata- 208. "Expositions actualites: Verre en fete a la Glaswelt, v. 43, no. 10, Oct. 1990, pp. 84-85, ill. loge ... Bd. 18), 276 pp., ill. ferme" Gunnel Sahlin of Kosta Boda. Glass, pp. 134-338. La Revue de la Ceramique et du Verre, no. 54, Sept./Oct.' 1990, p. 52, ill. 226. ARTS FESTIVAL OF ATLANTA 242. BAYLISS, ARLON Claude Morin, Jean-Pierre Umdenstock, and 36th Arts Festival of Atlanta, 1989 Catalogue "Belief Is Somehow Greater Than Knowledge" others at a workshop at Rouen. Atlanta: the festival, 1989, 68 pp., ill. British Artists in Glass, no. 2,1990, pp. 4-6, ill. Nine glass artists, pp. 32-40. Author's experience of working at Pilchuck. 209. "Fontaine de Bernard Lallemand" La Revue de la Ceramique et du Verre, no. 50, 227. ASSOCIAZIONE PER LO STUDIO E LO 243. BEAUMONT, THIERRY DE Jan./Feb. 1990, p. 61, ill. SVILUPPO DELLA CULTURA MURANESE "Aux portes du style: Marco de Gueltzl" Metal and glass fountain in Vitry-sur-Seine. Premio Murano L'Atelier, no. 2, 1990, pp. 26-28, ill. Murano, Venice: Associazione per lo Studio e lo English summary. 210. "Ginny Ruffner: Idees folles et droles de Sviluppo della Cultura Muranese con il patroci- machines" nio del Comune di Venezia e la collaborazione 244. "Captain Glass: Bertil Vallien" La Revue de la Ceramique et du Verre, no. 50, del Museo Vetrario di Murano, 1989, 77 pp., ill. L'Atelier, no. 2,1990, pp. 48-49, ill. Jan./Feb. 1990, cover and pp. 44-46, ill. Drawings and completed pieces in the third English summary. glassmaking competition in Murano. 245. BECKMAN, ULF 211. "Mobilier de terre et de verre" 228. ATHENS. GEORGIA MUSEUM OF ART La Revue de la Ceramique et du Verre, no. 51, "Farg i minnets ljus" City on a Hill: Twenty Years of Artists at Cortona Form, v. 86, no. 7 (669), 1990, pp. 18-23, ill. March/April 1990, pp. 63-65, ill. Athens: Georgia Museum of Art, The University Danny Lane glass furniture. English summary. of Georgia, 1989,186 pp., ill. Goran Warff vase. Piece by Larry Millard. 212. "Quartz-Diffusion: Un Marketing a visage humain" 229. AUGUSTA, KAREL 246. "Formrevy: Sinnlighetens glaskonst" Form, no. 1,1990, p. 7, ill. La Revue de la Ceramique et du Verre, no. 51, "Historie a soucasnost skrdlovicke sklarny March/April 1990, p. 49, ill. Ustredi umeleckych remesel" Sigurd Persson. Paris gallery. Sklara Keramik, v. 40, no. 3,1990, inside covers and centerfold, ill. 247. BELANGER-TAYLOR, DENISE 213. "Rencontre: Denis Goudenhooft et la ga- Skrdlovice glassworks. "Commentary: Imitation Versus Inspiration" lerie Complement d'Objet" Ontario Craft, v. 15, no. 2, Summer 1990, La Revue de la Ceramique et du Verre, no. 55, 230. AUTOGENA, USE pp. 32-33, ill. Nov./Dec. 1990, p. 54, ill. "Bildwerk Sommerakademie Frauenau" Protecting original designs. Interview with ceramics and glass gallery owner, Neues Glas, no. 1,1990, p. 44, ill. Rouen. In German and English. 248. BELL, JUDITH Second summer course in art and glass tech­ "Matter of... Glass" 214. "Warren Langley, un homme de defi" niques at Frauenau. Matter, v. 1, no. 6, Nov. 1990, p. 6, ill. La Revue de la Ceramique et du Verre, no. 55, Barry Entner. Nov./Dec. 1990, pp. 42-45, ill. 231. AVGIKOS, JAN "The New Sculpture 1965-1975" 249. BELTRAME, OLGA 215. ANDREWS, PAULA Flash Art, no. 153, Summer 1990, pp. 138-139, ill. "Le scelte dell'Ente locale per il rilancio delle "Paula Andrews" Whitney Museum exhibition includes Keith Son­ produzioni vetrarie/The Poiicy of the Town Coun­ British Artists in Glass, no. 2, 1990, pp. 8-9, ill. nier, Barry Le Va, Robert Smithson. cil for the Relaunching of Glass-making" Glassworking at University of Kansas. Alte Vitrie, v. 2, no. 3, Nov. 1989, pp. 2-3, ill. 232. BABEY, MARIE-FRANQOISE Town of Altare begins artisan production of glass. 216. ANFAM, DAVID "Viva Ulrica" "Views and Reviews: Evaluating a Radical Table et Cadeau, no. 307, Jan. 1990, p. 106, ill. Decade" Ulrica Hydman-Vallien. 250. BERANEK, JAROSLAV Art International, no. 12, Autumn 1990, pp. 94-95, "The Glass and Paintings of Jiff Suhajek" ill. 233. BAKER, PATRICIA Glass Review, v. 45, no. 1,1990, pp. 17-19, ill. "New Sculpture 1965-1975" at the Whitney Mu­ "Exhibitions: David Reekie" seum includes neon. Glass (New York Experimental Glass Workshop), 251. " 'I Shall Not Say Goodbye no. 39, 1990, pp. 50-51, ill. Glass Review, v. 45, no. 1,1990, pp. 14-16, ill. Japanese student Setsuko Miura studies with 217. ANTWERP L'ANVERRE Jan Mares and other Czech artists. Objet de verre I'Anverre 234. "Reviews: Winter Lights" Antwerp: the gallery, 1989, [20] pp., ill. Crafts (U.K.), no. 104, May/June 1990, p. 55, ill. Exhibition of work by L'Anverre studio members Stephen Procter exhibit in Farnham, England. 252. BERGER, ALLISON Sam Schanzer, Edward Leibovitz, Marc Melis, "Allison Berqer: A Personal Vocabulary" Armin Homolka, Jin Suhajek. 235. BANDINI, MIRELLA Glass (New York Experimental Glass Workshop), "Exhibitions: Oltreluce" no. 42, Winter 1990, pp. 44-49, ill. 218. APPLETON, STEVEN Contemporanea, v. 3, no. 6, Summer 1990, p. 112, ill. 253. BERKMAN, SUE "'Found' Technology: Keith Sonnier" "Material Value: Breaking Into Glass" Artweek, v. 21, no. 13, April 5,1990, p. 13, ill. Light sculptures: Mario Merz, Dan Flavin, Keith Sonnier, Stephen Antonakos, and others. Esquire, Feb. 1985, [2 pp.], ill. Works include neon. Collecting contemporary glass. 236. BARCELONA. INVERNADERO 219. ARANGO, JORGE Federica Marangoni: Fragmentos de luz en la 254. BERLIN. STAATLICHE MUSEEN "The Glass Struggle" catedral del Mito = Federica Marangoni: Frag­ Kunsthandwerk der Gegenwart Zeitgendssische Matter, v. 1, no. 3, May 1990, pp. 8-11, ill. ments of Light in the Cathedral of the Myth Arbeiten aus der DDR in der Sammlung des "Art versus craft" and "sculptural form versus the Barcelona: Centre del Vidre, Ajuntament de Bar­ Berliner Kunstgewerbemuseums (Text: Chri- vessel" issues. celona, 1989, 44 pp., ill. stiane Keisch) Venetian artist uses glass, neon, mirrors. Berlin: the museum, 1989, 152 pp, ill. 220. "Matter of Glass" Glass by German Democratic Republic artists, Matter, v. 1, no. 3, May 1990, cover and p. 6, ill. 237. BAROVIER MENTASTI, ROSA pp. 125-138. Mary Kay Simoni. "Archimede Seguso compie ottant'anni" Rivista della Stazione Sperimentale del Vetro, v. 255. BETHESDA, MARYLAND. THE GLASS 221. "Matter of... Glass" 19, no. 4, July/Aug. 1989, pp. 305-306, ill. GALLERY Matter, v. 1, no. 5, Sept. 1990, p. 6, ill. Seguso is 80 years old. Four Australian Glass Artists Michael Joplin. [s. 1]: Australia Council; Victoria: Brush & Aba­ 238. BARR-GLOVER, FAITH cus, n.d. [1990?], 6-p. brochure., ill. 222. ARGYROPOLOUS, ANDY "The Fool's Journey: Robert Carlson on Existen­ Artists Tony Hanning, Warren Langley, Brian "Reviews: Joseph Litzenberger" tial Faith in Creativity" Hirst, Vicki Torr. 256. BILLECI, ANDRE G. 272. BREDIKHINA, LIUDMILA 30 Vases sur le CIRVA (Text by Frangoise "Glassmaking in India" "Konfigurativnost': sledy v prostranstve" Guichon and Gilbert Durand) The Glass Art Society Journal 1989, pp. 34-36, Dekorativnoe Iskusstvo SSSR, no. 10 (395), 1990, Marseille: CIRVA; Michel Aveline Editeur, 1989, ill. pp. 4-7, ill. 71 pp., ill. English summary. In French and English. 257. BIOT. GALERIE INTERNATIONALE DU Sculptural pieces constructed of sheet glass by Vessels by 30 international glass artists. VERRE Oleg Kulik. Verriales 90: Les pates de verre 288. CHAMBERS, KAREN S. Biot: the gallery, 1990, (Verrailes 90), 27 pp., ill. 273. BREMEN. GALERIE MONICA BORG- "Auction Benefits New York Experimental Glass In English. WARD Workshop" Exhibition of work by eight pate de verre artists. Neues Glas vor der Lampe Geblasen Craft Arts (Sydney), no. 19,1990, pp. 101-102, ill. Bremen: the gallery, 1990,108 pp., ill. 258. BISKEBORN, SUSAN Lampworking by more than 40 artists from 289. "Dan Dailey, a Designing Character" Artists at Work: Twenty-five Glassmakers, Cera­ various countries. Neues Glas, no. 1,1990, pp. 10-19, ill. mists, and Jewelers In English and German. Seattle and Anchorage: Alaska Northwest 274. BREMEN. MONICA TRUJEN GALERIE Books, 1990, 159 pp, ill. "Musik und Glas," "Meister der Gravur" und Hai- 290. "Exhibitions: Stanislav Libensky & Jaro- Glass artists Sonja Blomdahl, Ruth Brockmann, delis Jacob-Kalahne Scherenschnitte slava Brychtova" Paul Marioni, Joey Kirkpatrick/Flora Mace, Wil­ Bremen: the gallery, 1988, [49] pp., ill. Glass (New York Experimental Glass Workshop), liam Morris, Ginny Ruffner. Exhibition of glass engraved with musical no. 41, Fall 1990, p. 53, ill. themes by various European artists. New York exhibit. 259. "Rings of Fire" Creative Ideas for Living, March/April 1990, 275. BRIAND-LE BOT, HUGUETTE, ED. 291. "Glass in 1990: The European View" pp. 48-52, ill. "Traverses 46" Art Today, v. 5, no. 1, 1990, pp. 32-37, ill. Sonja Blomdahl. Centre National d'Art et de Culture Georges Pompidou, Centre de Creation Industrielle, 292. "Moving into Design" 260. BLAUENSTEINER, CHARLOTTE no. 46, March 1989, 162 pp., ill. The World & /, v. 5, no. 9, Sept. 1990, "Klarheit und Sprodigkeit: Glas von Fritz Prehal" 16 essays by various authors on glass as a tech­ pp. 226-231, ill. Kunst + Handwerk, no. 5, Sept./Oct. 1990, nical material (scientific uses, architecture, pho­ Craftsmen-designers today. pp. 328-329, ill. tography) and as an art form (studio glass, stained glass, symbolism in film). 293. "New York Letter" 261. BODONYI, EMOKE Glass work (Kyoto), no. 4, Jan. 1990, pp. 45-47, ill. "A Magyar liveg 1990-ben" 276. BRIERS, DAVID Also in no. 5, April 1990, pp. 30-33, ill; Uj Muveszet (Budapest), v. 1, no. 2, Nov. 1990, "Reviews: The Engraved Glass of David Peace" no.6, Aug. 1990, pp. 44-47, ill.; pp. 33-34, ill. Crafts (U.K.), no. 106, Sept./Oct. 1990, p. 57, ill. and no. 7, Dec. 1990, pp. 34-37, ill. News of 1990 Hungarian glass exhibits, sympo­ Exhibition at Bath and Kingswinford sites. In Japanese and English. sia. Review of New York exhibitions. 277. BRITTON, ALISON 262. BOETTGER, SUZAAN "Taking the Initiative" 294. "Opposites Attract: Joey Kirkpatrick and "Exhibitions: Donald Lipski" Crafts (U.K.), no. 97, March/April 1989, pp. 14-15, Flora Mace" Glass (New York Experimental Glass Workshop), ill. Art Cellar Exchange Magazine (San Diego), v. 2, no. 41, Fall 1990, p. 52, ill. Diana Hobson and other craftspersons in Farn- no. 6, June 1990, pp. 12-13, ill. New York exhibit. ham workshop. 295. "A Reflection of Glass: A Look at Glass in 263. BONAGUIL. LES JURANDES 278. BROADRUP, ELIZABETH the 'Eighties'" Com me une image dans I'eau: fixes sous verre. "Commissions: Deborah and Eric Staller in Art Today, v. 4, no. 4, 1989/1990, pp. 22-26, ill. Fred Bourguignon, Les Jurandes, Bonaguil Osaka" Bonaguil, France: Les Jurandes, 1990, [7] pp., ill. Sculpture, v. 9, no. 5, Sept./Oct. 1990, p. 17, ill. 296. "Robert Palusky, a Thinking Man's Artist" Installation with paperweights and optical fibers. Glass work (Kyoto), no. 4, Jan. 1990, pp. 8-13, ill. 264. BONUOMO, MICHELE, ED. In Japanese and English. Italo Scanga 279. BROADRUP, ELIZABETH AND s.lj: Amalfi Arte, 1989, 146 pp, ill. LEIGH, ANDREW 297. "Robin Grebe's Universe" n English and Italian. "Commissions: John David Mooney in Chicago" Includes glass cups and vases. Sculpture, v. 9, no. 5, Sept./Oct. 1990, p. 19, ill. Neues Glas, no. 4,1990, pp. 294-299, ill. Light sculpture. In German and English. 265. BOTTI MONTI, ADRIANA "Tra le righe" 280. BRYAN, HARVEY 298. CHEVERTON-WICK, LINDA Casa Vogue, no. 222, Sept. 1990, pp. 284-291, ill. "Drawing with Light" "Tabletop Artistry" English summary. Progressive Architecture, v. 71, no. 11, Nov. 1990, Food & Wine, Feb. 1990, u.p., ill. Vases designed by Barovier, Starck, Kuramata, 3.132-134, ill. Bowls by Stephen Smyers, Thomas Buechner III. Sottsass, Lalique, Mian, Sipek, P. Picasso. Sescribes neon and "what designers need to know about using it." 299. CHICAGO INTERNATIONAL NEW ART 266. BOURDON, DAVID FORMS EXPOSITION 1990 "Chihuly: Climbing the Wall" 281. BUFFALO. BURCHFIELD ART CENTER, Chicago: the exposition, 1990,135, [56] pp., ill. Art in America, v. 78, no. 6, June 1990, BUFFALO STATE COLLEGE pp. 164-167+, ill. Craft Art 1990 [from] Western New York 300. CHIHULY, DALE Chihuly's recent exhibitions. Buffalo: the center, 1990, 64 pp., ill. "Dale Chihuly" Pate de verre piece by Charlotte Boone. The Glass Art Society Journal 1990, 267. BRANCA, ERMANNO pp. 36-40, ill. "Intervista ad Augusto e Raffaello Bormioli: Dalla 282. BURNEY, JAN tradizione alia sperimentazione" "Different Thuns" 301. CHOISY, PASCALE Alte Vitrie, v. 2, no. 3, Nov. 1989, pp. 4-8, ill. House & Garden, v. 162, no. 4, April 1990, "Ob'Art 90" English summary. pp. 182-187+, ill. L'Atelier, no. 1, Feb./March 1990, pp. 57-58, ill. Interview with the Bormioli brothers, glassmakers includes glassware by Matteo Thun. The 5th Salon Ob'Art; piece by Ivana Masitova in Altare. and one by Thierry Baudry. 283. BUSCARLET, ALAIN 268. BRANCA, MARIA GABRIELLA "Concrete-Neon: A Paradoxical Alliance in Mod­ 302. CIBOT, ELISABETH "II museo di arti decorative di Losanna" ern Sculpture" "Expositions actualites: Fabienne Picaud" Alte Vitrie, v. 3, no. 1, July 1990, pp. 31 -32, ill. Leonardo, v. 23, no. 1, 1990, pp. 31 -34, ill. La Revue de la Ceramique et du Verre, no. 51, Contemporary glass at Lausanne museum; Clif­ March/April 1990, p. 69, ill. ford Rainey and Bretislav Novak pieces. 284. BYRD, RACHEL Paris exhibit. "Matter of... Glass" 269. BRANDT, FREDERICK R. Matter, v. 1, no. 4, July 1990, p. 6, ill. 303. "Verres a boire: Petite histoire" Late 20th-century Art: Selections from the Syd­ David Levi, Dimitri Michaelides, Sam Stang of La Revue de la Ceramique et du Verre, no. 51, ney and Frances Lewis Collection in the Virginia Ibex Glass Studio. March/April 1990, pp. 45-48, ill. Museum of Fine Arts Drinking glasses by Ann Wahlstrom, Sipek, Sott­ Richmond: Virginia Museum of Fine Arts, 1985, 285. CAMERON, DAN sass, Meech, Williams, and others. 206 pp., ill. "Incidents of Robert Smithson" Includes Christopher Wilmarth piece. Flash Art, v. 23, no. 155, Nov./Dec. 1990, 304. CLARK, GARTH pp. 103-107, ill. The Book of Cups 270. BRANZI, ANDREA New York: Abbeville Press, 1990, 96 pp., ill. "Vetri di Sergio Asti" 286. CAPALBO, CARLA Includes glass examples by Ann Wolff, Edie Ellis. KOS, Rivista di scienza e etica, no. 52, Jan. "Colors of the Night" 1990, p. 5 and illustrations throughout issue. Vogue Decoration, no. 29, Dec. 1990/Jan. 1991, 305. CLEMONS, DANIELA pp. 176-180, ill. "Miniatur Architekturen von Emily Brock/Minia­ 271. BRAY, CHARLES Contemporary lamps and chandeliers by Carlo ture Architectures from Emily Brock" "Contemporary European Sculpture in Glass at Moretti, venini, Artemide, Cordero, and others. Neues Glas, no. 1,1990, pp. 34-35, ill. Liege" British Artists in Glass, no. 2, 1990, pp. 10-11, ill. 287. CENTRE INTERNATIONAL DE 306. COCHRANE, GRACE Review of exhibition held in Liege bank building. RECHERCHE SUR LE VERRE (CIRVA) "2nd Crafts Biennale, Merit Awards" New Zealand Crafts, no. 30, Summer 1989, 326. CRAWFORD, GAIL School at Kamenicky Senov exhibit held at two pp. 10-12, ill. "Nova Scotia Theme Park Highlights Crafts" California sites. Glass by Vicki Torr, Ann Robinson, Peter Raos. The Crafts Report, v. 16, no. 171, June 1990, p. 19, ill. 342. DINELLA, LESLIE BLAKE 307. COE, DAVID Glassmaker Roman Bartkiw. Focus: Four Alabama Artists "Kaleidoscopes" Birmingham, Ala.: Birmingham Museum of Art, Craft Arts (Sydney), no. 18, March/June 1990, 327. CULLOWHEE. WESTERN CAROLINA 1989, 16 pp., ill. pp. 78-79, ill. UNIVERSITY Mixed media, including glass by Janice Kluge. Author's kaleidoscopes. North Carolina Glass '90 Cullowhee, N.C.: the university, 1990, 40 pp., ill. 343. DOELEMAN, FRANS P. J. 308. COHN, TERRI Work of 19 artists in exhibit circulating in South­ "Atelier L'Anverre: 'Vlaamse' glaskunst van inter­ "Light as Statement: Chris Byrd-Jones at The ern states. national niveau" Contemporary Museum, Honolulu" Glas & Keramiek, no. 5, Oct. 1990, pp. 23-26, ill. Artweek, v. 21, no. 32, Oct. 4,1990, pp. 13-14, ill. 328. CUSICK, DANIEL L. English summary. Sculptures with glass by the Welsh artist. "A Clear Look at Christopher Ries" Work of the artists of L'Anverre studio. Art Today, v. 5, no. 3, Fall 1990, pp. 24-26, ill. 309. COLLINS, MICHAEL AND PAPADAKIS, 344. DOLEZALOVA, JANA ANDREAS 329. CYPHERS, PEGGY " The Galerie de Boheme'" Post-Modern Design "Review: Giuseppe Penone" For You from Czechoslovakia, no. 3, Sept. 1990, New York: Rizzoli International, 1989, 288 pp., ill. Arts Magazine, v. 64, no. 7, March 1990, pp. 92-93, ill. Glassware, furniture, lamps and lighting by Peter pp. 112-113, ill. Czech glass shop in Tokyo. Shire, Sottsass, and others. 330. DALE CHIHULY: JAPAN 1990 345. DONOHUE, MARLENA 310. COLOGNE. KUNSTHAUS AM MUSEUM [s. I.: s. n.], 1990; (Tokyo: Toppan Printing), 80 pp., "Neon in Tinseltown" CAROLA VAN HAM ill. Sculpture, v. 9, no. 5, Sept./Oct. 1990, Internationale Studio-Glaskunst In Japanese and English. pp. 40-43+, ill. Koln: Kunsthaus am Museum Carola van Ham, Catalog for Tokyo exhibition. Neon and kinetic art in Los Angeles's Museum 1990, 80 pp., ill. of Neon Art. Work by 39 artists. 331. DANCYGER, RUTH Edris Eckhardt: Cleveland Sculptor 346. DOUGLAS, DIANE [s. 1.]: Roger A. Welchans, 1990, (John Carroll "Perspective: A Matter of Interpretation" 311. CONNECTIONS: THE BOROWSKY University Cleveland Artist Series), 202, [22] pp., Glass (New York Experimental Glass Workshop), COLLECTION (Curator: William Warmus) 36 plates, ill. no. 40, Spring/Summer 1990, p. 11. [s.1.:s.n.], 1989, [14] pp., ill. 332. DANISH SOCIETY OF ARTS AND 347. DU RUSQUEC, CLAIRE 312. CONNOR, MAUREEN CRAFTS AND INDUSTRIAL DESIGN "Alvar Aalto 1898-1976" "In Context: Domesticating Horror" The Arts of Denmark: An Exhibition Organized La Revue de la Ceramique et du Verre, no. 51, Glass (New York Experimental Glass Workshop), by the Danish Society of Arts and Crafts and March/April 1990, pp. 56-57, ill. no. 39, 1990, pp. 40-43, ill. Industrial Design (Erik Lassen, ed.) Author's work. [s. I.: s. n., 1960]; (Det Berlingske Bogtrykeri), 348. "Profession: Verrier" 154 pp., ill. La Revue de la Ceramique et du Verre, no. 51, 313. CONNORS, THOMAS Exhibit included Holmegaards glass designed by March/April 1990, pp. 50-51, ill. "Danny Lane: Breaking Glass" Per Lutken and A/S Kastrup glasses by Jacob Martine Durand-Gasselin. Glass (New York Experimental Glass Workshop), Bang, 1959-1960. (Not illustrated.) no. 41, Fall 1990, pp. 23-31, ill. 349. "Serge Mansau, la maTtrise du vide" 333. DAVEY, GRAHAM La Revue de la Ceramique et du Verre, no. 55, 314. CONTEMPORARY CRAFTS FOR THE "The Guild Exhibition" Nov./Dec. 1990, pp. 32-33, ill. HOME: FEATURING WINNERS OF THE The Glass Engraver, no. 57, Winter 1989/1990, Designer uses glass. AMERICAN CRAFTS AWARDS pp. 16-20, ill. New York: Kraus Sikes, 1990,159 pp., ill. At London University. 350. "Usuel II" Tableware and vessels, lamps and lighting, La Revue de la Ceramique et du Verre, no. 51, stained and flat glass panels, etc. 334. "Report on the Conference" March/April 1990, p. 17, ill. The Glass Engraver, no. 57, Winter 1989/1990, Commentary on utilitarian aspect of glass and 315. COOMBS, DAVID pp. 13-15. ceramics today. "The Editor's Desk: Art and Commerce" Summary of talks at Guild of Glass Engravers The Antique Collector, v. 61, no. 10, Oct. 1990, meeting: Glass symposium in Czechoslovakia, 351. DURDOVIQ DUSAN p. 27, ill. history of engraved Igass, glass restoration. "Glass Art in Zd'ar nad Sazavou" Glass medallion commemorating the Cunard Glass Review, v. 45, no. 12, 1990, pp. 12-13, ill. Line's 150th anniversary executed by Tessa 335. DAVIDSON, TERRY Work by eight Czech artists. Clegg and Dartington Glass Studio. "Exhibitions: Stephen Paul Day" Glass (New York Experimental Glass Workshop), 352. EAST HAMPTON. GUILD HALL MU­ 316. COPELAND, BEVERLY no. 40, Spring/Summer 1990, p. 50, ill. SEUM "Glass Focus Interviews Anne Haberland" In the Craft Tradition (Text: Rose C. S. Silvka. Glass Focus, April/May 1990, pp. 8-11. 336. DEARBORN. THE UNIVERSITY OF Curator: Christina Mossaides Strassfield) Wisconsin gallery owner. MICHIGAN East Hampton, N. Y.: the museum, 1989, [7] pp., Richard Q. Ritter: The First 20 Years (Text: Ste­ ill. 317. "Glass Focus Interviews Audrey Handler" ven D. Richmond) Exhibit includes glass by Julian Wolff. Glass Focus, Feb./March 1990, pp. 9-12. Dearborn: University of Michigan, 1990,14 pp., 353. EBELTOFT. GLASMUSEUM 318. "Glass Focus Interviews Joel Philip Glas fra sovjet = Glass from Soviet Myers" 337. DEBONI, FRANCO (Text: Finn Lynggaard) Glass Focus, Dec. 1990/Jan. 1991, pp. 9-11. Le verre Venini Ebeltoft, Denmark: the museum, 1990, 33 pp., ill. [Torino]: Umberto Allemandi, 1989, 219 pp., ill. 14 Soviet glass artists. 319. "Glass Focus Interviews Paul Seide" History of Venini and Co., including designs of Glass Focus, June/July 1990, pp. 10-11. various artists, 1921-1965. 354. ECKSTROM, KEVIN "Detroit Letters" 320. "Glass Focus Interviews Sheldon and 338. DESIGN AUSWAHL '88: AUSSTELLUNG Contemporanea, no. 23, Dec. 1990, p. 30, ill. Joan Barnett" GUT GESTALTETER INDUSTRIEPRODUKTE Albert Young's concrete and glass work included Glass Focus, Aug./Sept. 1990, pp. 9-11. = DESIGN SELECTION '88: EXHIBITION OF in Detroit exhibit. WELL-DESIGNED INDUSTRIAL PRODUCTS Stuttgart: Landesgewerbeamt Baden-Wurttem- 355. EDWARDS, GEOFFREY 321. "Glass Focus Interviews Stephen Dee berg; Design Centre Stuttgart, 1988, 468 pp., ill. "Like an Oriental Calzedonio/Neues Glas von Edwards" Exhibition at Stuttgart and Karlsruhe; "Glass- Klaus Moie" Glass Focus, Oct./Nov. 1990, pp. 9-11. Porcelain-Ceramics," pp. 145-164. Neues Glas, no. 3, 1990, pp. 202-209, ill.

322. "Interview with Ferdinand Hampson" 339. DESIGN FROM DENMARK 356. EDWARDS, STEPHEN DALE Glass Focus, April 1988, pp. 10-15. (Kirsten Bjerregaard, ed. Special edition) "Stephen Dale Edwards" Copenhagen: World Pictures, [n.d.], 112 pp., ill. The Glass Art Society Journal 1990, p. 41, ill. 323. "Interview with Paul Stankard" Includes tableware, lamps ana lighting. Glass Focus, Nov./Dec. 1988, pp. 12-14. 357. EIGE, G. EASON 340. DESIGN: VIGNELLI "Pilgrim's New Cameo Glass" 324. COTTER, HOLLAND (Text: Germano Celant, Mildred Constantine, Glass Collector's Digest, v. 4, no. 3, Oct./Nov. "Reviews: Donald Lipski" David Revere McFadden, Joseph Rykwert) 1990, pp. 31-37, ill. ARTnews, v. 89, no. 8, Oct. 1990, p. 184, ill. New York: Rizzoli International 1990, 292 pp., ill. W. Va. glass company making sand-carved Includes lamps and lighting, tableware, etc. cameo glass from cased blanks. 325. CRAVEN, HELEN "Sources of Inspiration" 341. DILLS, KEITH 358. EINGER, ALFRED Crafts (U.K.), no. 106, Sept./Oct. 1990, pp. 40-43, "Exhibition Report: Free Form, Innovation and "Masters Class" ill. Tradition in Glass from Czechoslovakia" Glass Gazette, Winter 1990, pp. 14-15. Wendy Ramshaw jewelry. The Glass Art Society Journal 1990, p. 110, ill. Libensky and Brychtova at Pilchuck. 359. ELDER, ALAN Biographical information about 14 French and Freunde der Glasfachschule Zwiesel (Gemot H. "In Review: Celebrating National Clay, Glass & Czech glass artists. Merker, ed.) Enamel" Zwiesel: the Gesellschaft, 1990,132 pp., ill. Ontario Craft, v. 15, no. 1, Spring 1990, 374. FORSTER, SUE History, organization, student courses; examples pp. 37-38, ill. "Australian Crafts at the New York Gift Fair" of glassblowing, cutting, engraving, etc. John Kepkiewicz and Heather Wood pieces in Craft Arts (Sydney), no. 19,1990, pp. 98-99, ill. exhibit at a Waterloo gallery. Colin Heaney of (Jape Byron Hot Glass. 390. GIMENEZ RAURELL, MA CHRISTINA "Spanish Glass, Historical Survey/Geschichte 360. THE ELOQUENT OBJECT: 375. FRANKFURT AM MAIN. MUSEUM FUR und Uberblick" THE EVOLUTION OF AMERICAN ART IN KUNSTHANDWERK Neues Glas, no. 3, 1990, pp. 217-222, ill. CRAFT MEDIA SINCE 1945 Zeitgendssisches Deutsches Kunsthandwerk, (Organized by The Philbrook Museum of Art, 5. Triennale 1990/91 (Text: Sabine Runde, Helga 391. GIMPELSON, LESTER A. AND OTHERS Tulsa, Okla.) Hilschenz-Mlynek, Stefan Soltek) "Diskussions-Forum: Ann Wolff, Selbstmord ei- [Kyoto, Japan: The National Museum of Modern Munchen: Prestel Verlag, 1990, 443 pp., ill. nes Glashauses/Ann Wolff, The Suicide of a Art], 1989, 176 pp., ill. Work by 16 German glass artists and designers, Glasshouse" In Japanese and English. pp. 402-435. Neues Glas, no. 3, 1990, pp. 249-258. Japanese edition for the Philbrook catalog. Ten glass artists. 376. FRANTZ, JOHN PARRIS 392. GIRARD, SYLVIE "Dateline: Chicago. The Challenge of Restora­ "Expositions actualites: Hommage a la Tcheco- 361. ENGEN, LUC tion" slovaquie - Ivana Masitova, Ivana Solcova, Mi- "Glas, vom TrinkgefaB zum Kunstobjekt/Glass, Home Lighting & Accessories, v. 73, no. 7, July chal Machat et Martin Velisek" from Drinking Vessel to objet d'art" 1990, pp. 77-78, ill. La Revue de la Ceramique et du Verre, no. 53, Neues Glas, no. 3,1990, pp. 223-229, ill. Wrought iron and blown glass fixtures designed July/Aug. 1990, p. 54, ill. Three Antwerp exhibitions on the history of for Georgetown University chapel. Paris exhibit. glass, contemporary glass, and the Belgian group Glasatelier L'Anverre. 377. FRANTZ, SUSANNE K. 393. "Expositions actualites: Le Verre a An- Contemporary Glass: A World Survey from The vers" 362. ENGERER, ALFRED Corning Museum of Glass La Revue de la Ceramique et du Verre, no. 54, "Studio Profile: Robert Reichardt" New York: Harry N. Abrams, Inc., 1989, 264 pp. Sept./Oct. 1990, p. 55, ill. Glass Gazette, Spring/Summer 1990, p. 5+. Reviewed by: Patricia Baker in Crafts (U.K.), Exhibition at Antwerp museum included work by Toronto neon and glass artists. no. 102, Jan./Feb. 1990, p. 59; Robert Kehlmann 35 European glass artists. in The Glass Art Society Journal 1989, 363. THE ENGRAVED GLASS OF DAVID pp. 85-86; Joe Porcelli in Professional Stained 394. "Expositions actualites: 5 ans de studio PEACE: THE ARCHITECTURE OF LETTER­ Glass, v. 10, no. 6, June 1990, p. 18+; Graham M. lass vu par Peter Knaup" ING McLaren in British Artists in Glass, no. 2,1990, a Revue de la Ceramique et du Verre, no. 52, Sheffield: Ruskin Craft Gallery, Collection of the pp. 18-20; Helene Weis in Stained Glass Quar­ May/June 1990, p. 59, ill. Guild of St. George, 1990, 47 pp., ill. terly, v. 85, no. 4, Winter 1991, p. 255+. Photographs of studio glass exhibited at Paris Exhibition catalog. gallery during last five years. 378. FRANZ-XAVER HOLLER: GLASOB- 364. ERNOULD-GANDOUET, MARIELLE JEKTE UND ZEICHNUNGEN 1977-1990 395. GLAS VERSCHMELZUNGEN "Galeries: Paris, Toots Zynsky" Zwiesel: the artist; Munchen/Maising: Anderland Kassel: Elektrizitats-Aktiengesellschaft Mittel- L'Oeil, no. 425, Dec. 1990, pp. 119-120, ill. Verlagsgesellschaft, 1990, 52 pp., ill. deutschland (EAM) in cooperation with Galerie Monica Truien, Bremen, [1989], [26] pp., ill. 365. "Peter Knaup photographie les cinq ans 379. FRANZHEIM, ROBERTA Fusing workshop and exhibition: 30 artists who de Clara Scremini Gallery" "Four Glass Art Processes" work in pate de verre, casting, and other fusing L'Oeil, no. 418, May 1990, p. 90, ill. Art Cellar Exchange Magazine (San Diego), v. 2, techniques. Photos of glass that has been exhibited at Paris no. 6, June 1990, pp. 14-18, ill. gallery since 1985. Blowing by Max Cregar, etching by Joan Irving, 396. GLASS BLOWING ART BY SHIZUHO construction by Christoff Koon, fusing by Leslie FUNAKI 366. ESSEN. ESSENER GLASGALERIE Perlis. [Kyoto: Uneodo Publishers, 1990], 120 pp., ill. Theodor G. Sellner: Gefahrten der Traume In Japanese, English summary. (Text: Dorothee von Windheim and Gabriele 380. FRIDL, FRANTISEK Funaki's glassware, including "reproduction" bahmann) "A Competition in Glass-making Skill" historical styles. Essen: the gallery, 1989, 26 pp., ill. Glass Review, v. 45, no. 8,1990, pp. 8-10, ill. 397. GLASS NOW '90: WORLD STUDIO 367. FARBGLAS, PORZELLAN UND KERA- 381. FRIEDRICH, HELGA GLASS EXHIBITION MIK AUS RUSSLAND "The History of Kugler Color Rods" [Hamamatsu, Japan]: Yamaha Corp., 1990, [s. I.: s. n., 19891, (Ekspotsentr Izd. No. 1), [48] pp., The Glass Art Society Journal 1989, pp. 41 -43, 59 pp., ill. ill. ill. In Japanese and English. Exhibition held in Bonn, 1989, included glass Work of 65 artists. from Russian firms "Gusjchrustalny," "Krasny Mai," and Perwomaisk. 382. FROLIC, IRENE "Irene Frolic" 398. GLOWEN, RON 368. FARMINGTON HILLS. HABATAT The Glass Art Society Journal 1989, pp. 10-11, ill. "Glass on the Cutting Edge" GALLERIES Artweek, v. 21, no. 41, Dec. 6, 1990, p. 25, ill. The Eighteenth Annual International Glass Invi­ 383. FROST, JIM Pilchuck School. tational "Student Work on Show" Farmington Hills, Mich.: the galleries, 1990, [9] Glass, Monthly Journal for the European Glass 399. GOOKIN, KIRBY Industry, v. 67, no. 1, Jan. 1990, p. 35. "Reviews: Robin Winters" fists of invited artists and Michigan Glass Month West Surrey College of Art ana Design and Artforum, v. 29, no. 4, Dec. 1990, pp. 139-140, ill. events. Middlesex Polytechnic degree shows. Multimedia head sculptures. 369. FEENEY, LANCE 384. GAGNON, CLAUDE 400. GORDON, MORAG; BIRD-JONES, "Education - A Profile of Glass Studies" "Francois Houde" CHRIS; AND HAYHURST, JEANETTE Ausglass Magazine, Winter 1990, pp. 10-11, ill. The Glass Art Society Journal 1989, pp. 7-9, ill. "Degree Show Reviews: Manchester Polytech­ Glass program at Sydney College of the Arts. nic, Sunderland Polytechnic, Swansea, High 385. GALLOWAY, DAVID Wycombe, Middlesex Polytechnic, West Surrey 370. FERRIN, LESLIE "Happening in Hamburg" College of Art & Design" "Christie's Auction of Glass and Ceramics" Art in America, v. 78, no. 5, May 1990, p. 77+, ill. British Artists in Glass, no. 2,1990, pp. 22-27. The Crafts Report, v. 16, no. 170, May 1990, p. 1+. Mario Merz, Keith Sonnier in exhibits. 401. GOTLIEB, RACHEL 371. FINSTER, HOWARD 386. GEHR, CHRISTA "In Review: Prototypical" Howard Finster: Man of Visions (With an inter­ "Strukturen sichtbar machen: Jorg F. Zimmer- Ontario Craft, v. 15, no. 4, Winter 1990, pp. 37-38. view and afterword by Susie Mee) mann" Max Leser. Atlanta, Ga.: Peachtree Publications, 1989, Glaswelt, v. 43, no. 10, Oct. 1990, pp. 118-121, ill. 122 pp., ill. 402. GOTTLIEB, SHIRLE Poetry, photos, etc., by the folk artist. 387. GEIBEL, VICTORIA "Esthetics of the Machine Age" "Pushing the Bounds of Craft" Artweek, v. 21, no. 36, Nov. 1,1990, p. 10, ill. 372. FLORIDA GULF COAST ART CENTER Metropolis, v. 10, no. 5, Dec. 1990, pp. 28-29, ill. Keith Sonnier. Uncommon Vessels Glassware, glass screens, lamps, etc., by Staten Bellaire, Fla.: the art center, 1990, [22] pp., ill. Island design firm. 403. GOULD, MARTIN Exhibit included glass by William Dexter, Paul "Blowing a Future" Marioni, Karla Trinkley. 388. GEORGE, PHYLLIS Bermuda Business, Nov. 1990, pp. 46-49+, ill. Kentucky Crafts: Handmade and Heartfelt Bermuda glassblowing studio and shop. 373. FONDS REGIONAL D'ART New York: Crown, 1989, 203 pp., ill. CONTEMPORAIN DE HAUTE NORMANDIE Includes work by Ron King, Fred di Frenzi, Ste­ 404. GREENHALGH, PAUL (FRAC) phen Powell. "Reviews: Anna Dickinson and Judy Trim" Morceaux Choisis (Text: Roger Fosse) Crafts (U.K.), no. 106, Sept./Oct. 1990, pp. 56-57, Rouen: Editions du FRAC de Haute-Normandie, 389. GESELLSCHAFT FREUNDE DER ill. 1989, 59 sheets in a folder, ill. GLASFACHSCHULE ZWIESEL London exhibition. 405. GRENON, ARIANE 422. "Glass Art Society 20th Anniversary Con­ 438. HERMAN, LLOYD E. "Grand Prix de la creation de la Ville de Paris" ference Draws Record-breaking Attendance in Art That Works: The Decorative Arts of the Le Courrier des Metiers d'Art, no. 80, March Seattle" Eighties, Crafted in America 1989, p. 3. The Crafts Report, v. 16, no. 171, June 1990, p. 14. Seattle, Wash.: University of Washington Press, Award to Marie-Claude Lalique. 1990, 156 pp., ill. 423. HAPGOOD, SUSAN Traveling exhibition catalog. "Glass Tableware 406. "PAAS, salon de septembre: Un Vent de "Exhibitions: Sherrie Levine" and Other Accessories," pp. 39-64, and glass in creation" Glass (New York Experimental Glass Workshop), other chapters. Le Courrier des Metiers d'Art, no. 97, Sept. 1990, no. 39, 1990, pp. 52-53, ill. p. 16, ill. 439. HERSEY, JAN Glass cactus by Gunnel Sahlin. 424. "Remaking Art History" "Matter of... Glass" Art in America, v. 78, no. 7, July 1990, Matter, v. 1, no. 1,1990, p. 6, ill. 407. "Le Verre, tel qu'en lui-meme" pp. 114-123+, ill. Tom Philabaum. Le Courrier des Metiers d'Art, no. 93, June 1990, keith Sonnier, Bruce Nauman, Barry Le Va, and pp. 3-6, ill. others in article about reconstructing site-specif- 440. HICKEY, GLORIA French artists' work in "Glas-Metamorphosen ic art work of the 1960s-1970s. "Memories Under Glass: The Sculpture Collec­ 1990" exhibition at Cologne. tion of Joseph Marcovic" 425. HARALD KLINGELHOLLER The Glass Art Society Journal 1989, pp. 27-29, 408. GRONINGEN. GRONINGER MUSEUM [Text: Bart Cassiman and Denys Zacharopoulos) ill. Memphis 1981-1989 Eindhoven, The Netherlands: Stedelijk Van Ab- Private collection of Czechoslovakian glass. Groningen, The Netherlands: the museum, 1989, bemuseum; London: Whitechapel Art Gallery, 160 pp., ill. 1990, 52 pp., ill. 441. HILL, ROSEMARY In Dutch. Sculptor uses glass, mirrors. "Hedendaagse Glaskunst (Contemporary Exhibition includes glass by de Lucchi, Sottsass, Glass)" and Zanini; lamps and lighting by others. 426. HARLOW, FREDERICA TODD Crafts (U.K.), no. 106, Sept./Oct. 1990, pp. 49-50, "Shattering the Market: Italian Glass of the 1950s ill. 409. GRUENIG, DAVID Finds New Popularity" Review of Antwerp exhibition. "The Independent Glassblower or The Glass Art & Auction, v. 12, no. 10, May 1990, Bug vs. Survival" pp. 232-235, ill. 442. HILLHOUSE, VIRGINIA The Glass Art Society Journal 1989, pp. 45-46, "Claude and Isabelle Monod: Continuing the ill. 427. HARROD, TANYA Tradition of French Glass Sculpture" "Sources of Inspiration" Glass Art, v. 5, no. 5, July/Aug. 1990, pp. 72-75, 410. GUICHON, FRANQOISE Crafts (U.K.), no. 105, July/Aug. 1990, pp. 46-47, ill. "Art et applications industrielles avec les (pas- ill. sionnantes) recherches du CIRVA" Sam Herman. 443. HOBSON, DIANA Verre Actualites, no. 100, March 1990, "Diana Hobson" pp. 48-50, ill. 428. "An Un-English Country Garden" The Glass Art Society Journal 1989, pp. 30-33, Tne facilities at the Centre Recherche sur le Crafts (U.K.), no. 107, Nov./Dec. 1990, pp. 38-41, ill. Verre d'Art (CIRVA), Marseilles. ill. Sussex garden decorated with fountain, glass 444. HOLESOVSKY, KAREL 411. GUILD OF GLASS ENGRAVERS and mirror fragments, mosaics, etc. "Prirustkv UP oddeleni v roce 1987" "The Light Touch": The Guild of Glass Engravers Bulletin Moravske Galerie v Brne, no. 43,1988, National Exhibition 1990 429. HART, NOEL pp. 25-29, ill. [s. I.]: the guild, 1990, [9] pp. "Iridescent Vessels" Acquisitions include an 18th-c. engraved glass Craft Arts (Sidney), no.20, Oct./Dec. 1990, and sculpture by Dalibor Tichy, Libensky/Brych- 412. THE GUILD: A SOURCEBOOK OF pp. 34-39, ill. tova. AMERICAN CRAFT ARTISTS Colin Heaney. New York: Kraus Sikes, 1990, 479 pp., ill. 445. HOLLAAR, HENK "Atelier bezoeken: Frank van den Ham" Includes glass, architectural glass, lighting, furni­ 430. HARTMANN, ANTONIN ture. Bulletin, Vereniging van Vrienden van Modern "In the Sign of an Advent" Glas, v. 4, no. 2, June 1990, p. 13+. Glass Review, v. 45, no. 3,1990, pp. 12-15, ill. Visit to studio of van den Ham. 413. GUILLERMO, ALICE G. Work by Ivana Masitova, a Jugend gestaltet ex- "Two Contemporary Philippine Sculptors" hibition winner in Munich. Arts of Asia, v. 20, no. 4, July/Aug. 1990, 446. "Glas in Antwerpen" Bulletin, Vereniging van Vrienden van Modern pp. 159-160, ill. 431. HASS, JULIA Ramon Orlina. Glas, no. 3, 1990, pp. 21-23. "Designed for Production, Made for Use" Atelier L'Anverre exhibition. Canadian Society of Decorative Arts Bulletin, 414. THE HAGUE. GEMEENTEMUSEUM v. 8, no. 4, Autumn 1990, pp. 5-6, ill. 447. "Tsjechisch glas blijft rustig glanzen" Venetiaans Glas (Text: Giuseppe Dell'Oro & P.V.) Glass by Martha Henry and Robert Held in Van­ Bulletin, Vereniging van Vrienden van Modern The Haaue: the museum, 1954, [6] pp., ill. couver craft exhibit. Glas, no. 3, 1990, pp. 11-15, ill. 1950s Venetian glass. 432. HATAKEYAMA, KOZO 448. HOLLISTER, PAUL 415. HAJDAMACH, CHARLES R. "Review: 'Glass in Japan '90' Exhibition" "The Pull of Venice/Die magische Anziehung "Arlon Bayliss" Glasswork (Kyoto), no. 7, Dec. 1990, p. 46, ill. Venedigs" The Glass Cone, no. 25, Spring 1990, p. 6. In Japanese, English summary. Neues Glas, no. 1,1990, pp. 4-9, ill. Short note based on longer article in Neues Robert Willson, Dale Chinuly, Richard Marquis. Glas, no. 2,1990. 433. HAYT-ATKINS, ELIZABETH "Exhibitions: Michael Scheiner" 449. "The Pull of Venice/Die magische Anzie­ 416. "Arlon Bayliss: Belief Is Somehow Greater Glass (New York Experimental Glass Workshop), hung Venedigs. Part 2" than Knowledge no. 41, Fall 1990, pp. 50-51, ill. Neues Glas, no. 2, 1990, pp. 82-88, ill. Neues Glas, no. 2,1990, pp. 76-81, ill. Dan Dailey, Lino Tagliapietra, James Carpenter, In German and English. 434. HEARTNEY, ELEANOR Marvin Lipofsky, ana others. "Mario Merz Makes an Igloo (and a Crocodile)" 417. HALEM, HENRY ARTnews, v. 89, no. 1, Jan. 1990, pp. 107-108+, 450. HOLT, STEVEN "Perspective: Beyond Technique" ill. "The Art of Design" Glass (New York Experimental Glass Workshop), ARTnews, v. 89, no. 4, April 1990, pp. 118-127, ill. no. 39, 1990, p. 11. 435. HEISSENBUTTEL, ORVA WALKER Includes designers Peter Shire ana Borek Sipek. "Steuben Sculptures Exhibition at New York City 418. HANCOCK, BRIDGET Galleries" 451. HONOLULU. THE UNIVERSITY OF "Dante Marioni Glass Blowing Demo" Glass Collector's Digest, v. 4, no. 1, June/July HAWAII ART GALLERY Ausglass Magazine, Winter 1990, pp. 13-14, ill. 1990, pp. 82-83+, ill. Glass: Another View (Text by Ivan Treskow) In Sydney, Australia. David Dowler, Thomas Tisch. Honolulu: the gallery, 1988, 41 pp., ill. Work by Michael Aschenbrenner, Bruce Chao, 419. HANNES, ALFONS 436. HELSINKI. HELSINGIN KAUPUNGIN Laddie John Dill, Rick Mills, Richard Posner, Die Sammlung Wolfgang Kermer, Glasmuseum TAIDEMUSEO Therman Statom, Ivan Treskow. Frauenau: Glas des 20. Jahrhunderts - 50er bis Valo ja aine = Ljus och materie = Light and Ma­ 70er Jahre terial 452. HOOK, GAIL Munchen and Zurich: Verlag Schnell & Steiner, Helsinki: the museum, 1988, (Helsingin kaupun- "In Review: Whimsical Journeys" 1989, (Bayerische Museen; Band 9), 152 pp., ill. gin taidemuseo julkaisuja; 25), 98 sheets in a Ontario Craft, v. 15, no. 4, Winter 1990, pp. 38-39, Kermer Collection of 320 glass pieces from the folder, ill. ill. 1950s through the 1970s. In Finnish, Swedish, English. Timothy Laurin and Lorie Desroches in Ontario 1988 experimental exhibit arranged by the Finn­ exhibit. 420. HANSEN, CARYL ish Society of Crafts and Design. "Conference Highlights" 453. HORHAMMER, ARJA The Glass Art Society Journal 1990, pp. 97-101, 437. HERLITZ-GEZELIUS, ANN-MARIE "The Many Faces of Nordic Art Handicraft" ill. "Fantasin styr var framtid" Form-Function-Finland, no. 3,1990, pp. 24-27, ill. Glas och Porslin, v. 60, no. 3,1990, pp. 8-9, ill. NordForm '90 exhibits at Malmo included glass 421. "Earthquake Shatters Glass and More" NordForm '90 exhibit in Malmo; glass and metal hut by Markku Salo, sculpture by Bertil ValTien, The Glass Art Society Journal 1989, p. 83. sculpture by Markku Salo. OivaToikka, and Timo Sarpaneva. 454. HOUTEN, M B. VAN DEN Design in Finland 1990, p. 21, ill. 489. KANGAS, MATTHEW "Atelier bezoek Mieke Folgering" Designer at Nuutajarvi Glass, Finland. "Dale Chihuly: A Return to Origins" Bulletin, Vereniging van Vrienden van Modern Glass (New York Experimental Glass Workshop), Glas, v. 4, no. 2, June 1990, p. 11. 471. JOHNS, BARBARA no. 39, 1990, pp. 18-27, ill. Modern Art from the Pacific Northwest in the 455. HRIVNA, JOSEF Collection of the Seattle Art Museum 490. "Engendering Ben Tre" "Outstanding Products Originate Only in Perfect Seattle: the museum, 1990, 37 pp., ill. Glass (New York Experimental Glass Workshop), Harmony.. Exhibition included work by Chihuly. no. 40, Spring/Summer 1990, pp. 20-27, ill. Glass Review, v. 45, no. 3,1990, pp. 2-7, ill. Crystalex Novy Bor pieces. 472. JOHNSON, KEN 491. "Exhibitions: Fritz Dreisbach" "Mario Merz at the Guggenheim" Glass (New York Experimental Glass Workshop), 456. HUGHES, ROBERT Art in America, v. 78, no. 2, Feb. 1990, p. 171, ill. no. 42, Winter 1990, p. 53, ill. "Poetry in Glass and Steel" Time Magazine, June 26,1989, p. 88, ill. 473. "Review of Exhibitions: Robin Winters" 492. "Exhibitions John Brekke" Christopher Wilmarth. Art in America, v. 78, no. 11, Nov. 1990, Glass (New York Experimental Glass Workshop), pp. 193-194, ill. no. 41, Fall 1990, p. 50, ill. 457. HUTAROVA, H. AND PROCYKOVA, J. New York exhibit. "His Great Love Is Glass" 474. JONES, HARVEY Glass Review, v. 45, no. 11, 1990, pp. 23-27, ill. "The Piedouche" 493. "Nancy Mee: Distortion and Perfection" Markovic collection of post-war and contempo­ Paperweight News, v. 12, no. 1, Oct. 1990, Glass (New York Experimental Glass Workshop), rary Czech glass, Toronto. pp. 12-13. no. 42, Winter 1990, pp. 34-43, ill. Perthshire piedouche designed by Peter McDou- 458. INGOLD, GERARD gall. 494. "Rebirth of Venus: The Persistence of the "Les Cristalleries de Saint-Louis" Classical in Contemporary Sculpture" Le Courrier des Metiers d'Art, no. 89, Jan./Feb. 475. JONES, MIKE Sculpture, v. 9, no. 6, Nov./Dec. 1990, pp. 48-55, 1990, pp. 19-20. "Turning Japanese" ill. Brief article on recent changes in the company. Design (London), no. 503, Nov. 1990, pp. 42-53, Nancy Mee. ill. 459. INTERNATIONAL DESIGN YEAR­ Finland's industrial design and designers; in­ 495. "The State of the Crafts" BOOKS cludes glass by Jorma Vennola and Alvar Aalto. New Art Examiner, v. 18, no. 1, Sept. 1990, (Oscar Tusquets Blanca, ed.) pp. 28-30, ill. New York: Abbeville Press, 1990, 239 pp., ill. 476. JONSON, LOTTA Tableware, lighting. "Formrevy: Blick for pengar" 496. KAPP, VOLKER Form, v. 86, no. 8 (670), 1990, p. 4, ill. "Glasgrotesken von Otmar Alt" 460. THE INTERNATIONAL EXHIBITION OF Anne Nilsson's work in Stockholm exhibit. Neues Glas, no. 2,1990, pp. 109-110, ill. GLASS CRAFT '88 In German and English. Kanazawa: The Executive Committee of the 477. "Formrevy: Glasets styrka" nternational Exhibition of Glass Craft, 1988?], Form, no. 1, 1990, p. 13, ill. 497. H. Th. Baumann: Kunst und Design 216 pp., ill. Lars Hellsten. Marburg: Wolfram Hitzeroth Verlag, 1989, In Japanese with some English. 228 pp., ill. Largest contemporary glass exhibition held in 478. "Formrevy: Mer an batar" Designer's work for Daum, Sussmuth; "Glas- Japan. Form, no. 2, 1990, p. 8, ill. kunstler...," pp. 18-31; "Glasformen," pp. 66-81; Bertil Vallien in Stockholm exhibit. "Glas Unikate, pp. 124-137. 461. INTERNATIONAL EXHIBITION OF GLASS KANAZAWA '90 479. "Formrevy: Stilla men svavande" 498. Otmar Alt: Glasgrotesken Kanazawa: The Executive Committee of the Form, v. 86, no. 3 (667), 1990, p. 4, ill. Hamm: Artcolor Verlag, 1990, 80 pp., ill. nternational Exhibition of Glass Kanazawa], Glass and metal sculptures by Gun Lindblads. 1990, 240 pp., ill. 499. KARLEN, PETER H. In English and Japanese. 480. "A Glass Treat" "Art Law: Broken Glass and the Law" More than 450 works in international competi­ Form, v. 86, no. 4-5 (668), 1990, pp. 78-81+, ill. Art Cellar Exchange Magazine (San Diego), v. 2, tion. In Swedish and English. no. 6, June 1990, pp. 21-22. Fused and slumped glass by Tchai Munch of For artists, dealers, collectors who buy and sell 462. IOANNOU, NORIS Ebeltoft, Denmark. glass. "Glass Production at the Jam Factory" Craft Arts (Sydney), no. 19, July/Sept. 1990, 481. "Priest, Pilot or Potter" 500. KAZAKOVA, LIUDM I LA pp. 75-80, ill. Form, v. 86, no. 4-5 (668), 1990, pp. 106-113, ill. "Lvov. Sorevnovanie u stekol'noi pechi" Glass workshop in Adelaide. In Swedish and English. Dekorativnoe Iskusstvo SSR, no. 4 (389), 1990, Bertil Vallien. pp. 10-13, ill. 463. IOVANE, GIOVANNI AND CASORATI, Lvov competition at the furnace; symposium with CECILIA 482. JOYCE, MAX WYKES Czech, Soviet and other glass artists. "Per Barclay" "Images in Glass: Engraved Glass by Jane Web­ Contemporanea, v. 3, no. 5, May 1990, pp. 86-89, ster, James Denison-Pender and Simon Whis­ 501. KEEFE, JOHN W. ill. tler" "Sculpture in Glass: Works by Robert Willson" Norwegian sculptor uses glass, iron, sheet Arts Review, v. 42, no. 25, Dec. 14, 1990, Arts Quarterly (New Orleans Museum of Art), metal, motor oil. pp. 682-683, ill. v. 12, no. 2, April/May/June 1990, p. 1+, ill. London exhibition. 464. ISHIDA, KEIKO 502. KELLER, MARTHA "Review: Mamoru Uchida's Exhibition" 483. KALABISOVA, ZDENKA "Exhibitions: Klaus Moje" Glasswork (Kyoto), no. 7, Dec. 1990, p. 49, ill. "Ceske sklo v Hamburku" Glass (New York Experimental Glass Workshop), In Japanese, English summary. Atelier, no. 22, Oct. 29, 1990, p. 5, ill. no. 39, 1990, p. 50, ill. Czech glass in Hamburg exhibitions. 465. ITO, MAKOTO 503. KEPKIEWICZ, JOHN "Makoto Ito" 484. "The Glassmakers Competed for the "John Kepkiewicz" The Glass Art Society Journal 1989, pp. 37-38, Third Time" The Glass Art Society Journal 1989, pp. 17-18, ill. ill. Glass Review, v. 45, no. 9,1990, pp. 7-13, ill. Competition in glassmaking skill at Svetla nad 504. KESLING, MATHILDE DE 466. JACK INK GLAS Sazavou. "Verrerie suedoise" (Text: Ulrich Pietsch, Harvey Littleton) Revue des Industries d'Art Offrir, no. 272, Sept. Wien: Andruck u. Repro-Seyss, [1990], 97 pp., ill. 485. "Our Guest: Eliska Stolting" 1990, pp. 215-224, ill. Glass Review, v. 45, no. 9, 1990, pp. 20-22, ill. Orrefors history and new glass. 467. JASICKA, HANNA Interview with owner of a contemporary glass "Wszewtod Sarnecki" gallery in Hittfield, Germany. 505. KING, ELAINE A. Szklo i Ceramika, v. 40, no. 3, June 1989, "Reviews: Keith Sonnier" pp. 32-33, ill. 486. KALININSKAIA ORGANIZATSIIA Sculpture, v. 9, no. 1, Jan./Feb. 1990, p. 65, ill. Cut glass by Sarnecki. SOIUZA KHUDOZHNIKOV RSFSR" Neon works at the Hirshhorn Museum. Steklo Boris Fedorov 468. JIRASEK, IRVANA [s.Ls.n.,1988?], [8] pp., ill. 506. KIRKPATRICK, JOEY "Pate de verre and Cast Glass: An Exhibition at 1970s-1980s glass by Fedorov. "Flora Mace/Joey Kirkpatrick" the Glass Artists' Gallery" The Glass Art Society Journal 1990, p. 45, ill. Ausglass Magazine, Winter 1990, p. 12. 487. KANDEL, SUSAN Sydney exhibit, March/April 1990, with work of 12 "Review: Jon Kessler" 507. KLEIN, DAN Australian artists. Arts Magazine, v. 64, no. 7, March 1990, p. 126, ill. Glass: A Contemporary Art Sculpture of glass, steel, metal, and lights in Los New York: Rizzoli International, 1989, 224 pp., ill. 469. "Sydney College of the Arts Graduating Angeles gallery. Reviewed by Charles Hajdamach in Christie's Students' Exhibition at the Glass Artists Gallery" International Magazine, Feb./March 1990, Ausglass Magazine, Summer 1989, pp. 15-17, ill. 488. KANEKO, KENJI pp. 54-55, ill.; by Patricia Malarcher in Glass "Review: Ryoji Koie" (New York Experimental Glass Workshop), 470. JOENSUU, ELINA Glasswork (Kyoto), no. 7, Dec. 1990, p. 44, ill. no. 39,1990, pp. 44-45, and by Patricia Baker in "Kerttu Nurminen" In Japanese, English summary. Crafts (U.K.), no. 101, Nov./Dec. 1989, p. 58. 508. KLIVAR, MIROSLAV 525. "Olivier Gagnere - La Transparence d'un Oelzner, Ulricke & Thomas: Arbeiten in Glas "The Prague Salon 89" style" (Text: Dr. Fritz Kampfer) Glass Review, v. 45, no. 1, 1990, pp. 24-29, ill. La Revue de la Ceramique et du Verre, no. 51, Leipzig: the museum, 1990, 80 pp., ill. Forejtova, Sabokova, Masitova, Janak, Elias, March/April 1990, pp. 42-44, ill. Matous, Hlava, Rybak, Vasicek, and others. 542. LELIEVRE, JUDY 526. LAMAR, MICHAEL "Art Glass from Australia" 509. KLOPPMAN, LORRAINE "Exhibitions: Robin Grebe" Craft Arts, no. 20, Oct./Dec. 1990, pp. 63-69, ill. "Glass-Engraving" Glass (New York Experimental Glass Workshop), Hirst, O'Connor, Langley, Tysoe, Blum, Knotten- Craft Arts, no. 17, 1989, pp. 73-75, ill. no. 39, 1990, p. 46, ill. belt, Whiteley. Anne Dybka. 527. LAMAROVA, MILENA 543. LELIEVRE, JUDY AND ANDERSON, 510. KOCARKOVA, JAROSLAVA "O dvou zjdh'ch a autorovi" NOLA "Figurines of Chandelier Trimmings" Umeni a Remesla, no. 2,1990, pp. 13-17, ill. "Art Glass from Australia: The Story of Studio Glass Review, v. 45, no. 6,1990, pp. 2-6, ill. English summary. Glass" Includes glass by Borek Sipek. Neues Glas, no. 3, 1990, pp. 210-216, ill. 511. KOCK, JAN In English and German. "Vigtige danske studieglasvaerker og glaskunst- 528. LANGHAMER, ANTONIN nere" "Jin Harcuba, or In Praise of Engraved Glass" 544. LESAY, JOZEF Glasnyt (Aalbora), July 1989, 4-p. insert. Glass Review, v. 45, no. 4,1990, pp. 19-23, ill. "New Impulses" List of 37 Danish glass artists, with titles and Glass Review, v. 45, no. 4, 1990, pp. 2-7, ill. addresses. 529. "Jozef Soukup and His Pupils" Spojene Sklarne glassworks products. Glass Review, v. 45, no. 5,1990, pp. 18-21, ill. 512. KOIVISTO, KAISA 545. LEVIN, KIM "Frantisek Janak at the Museum of Finnish 530. "Marie Gluckaufova: A Glance Behind "Transparent Contradictions: New Glass in New Glass" Her Exhibition" York" Glass Review, v. 45, no. 12,1990, pp. 10-11, ill. Glass Review, v. 45, no. 10, 1990, pp. 12-17, ill. Glass (New York Experimental Glass Workshop), Exhibition at the glass museum at Kamenicky no. 40, Spring/Summer 1990, pp. 34-43, ill. 513. KOPLOS, JANET Senov. "Reviews: World Glass Now" 546. LEWENHAUPT, ANN Crafts (U.K.), no. 97, March/April 1989, pp. 50-51. 531. LARSEN, TERJE "Formrevy: Papper och glas" Review of Hokkaido Museum of Art exhibition. "Utfordring i et drammeglass" Form, v. 86, no. 8 (670), 1990, p. 9, ill. Glass & Porselen, v. 44, no. 4,1990, pp. 32-34, Group exhibit with eight Swedish glass artists in 514. KOROSTYNSKI, BETTY ill. Malmo. "Paperweights: Double Delight" Sculptural brandy glass by Gry Ringsets, com­ National Button Bulletin, v. 49, no. 2, May 1990, petition winner. 547. LIBENSKY, STANISLAV AND p. 77, ill. BRYCHTOVA, JAROSLAVA Double overlay basket paperweight buttons by 532. LARSSON, BJORN "Tribute to Freedom: Our Work in the New John Gooderham and Ed Poore. "Anders Wingard: Glasparadis pa Osterlen" Czechoslovakia" Antik et Auktion, no. 7/8, 1990, special issue "Var The Glass Art Society Journal 1990, pp. 7-10, ill. 515. KRIZ,JAN Konst," pp. 28-31, ill. "Artistic Profile/Profilo artistico: Pavel Werner" 548. LICHT, FRED llluminotecnica, no. 347/348, Nov./Dec. 1989, 533. LATHRUP VILLAGE. HABATAT Omaggio a Lucio Fontana = Homage to Lucio pp. 348-352. Also in Glass Review, v. 44, no. 1, GALLERIES Fontana 1989, pp. 14-17, ill. David R. Huchthausen (Text: Janet Koplos, Mark Venezia: Cataloghi Marsilio; The Solomon R. S. Talaba, and Sidney M. Goldstein) Guggenheim Foundation, 1989, 70 pp., ill. 516. "Stanislav Libensky and Jaroslava Brych- Lathrup Village, Mich.: the galleries, 1985, In English and Italian. tova at the Clara Scremini Gallery in Paris" [7] pp., ill. Oil paintings with applied glass fragments. Glass Review, v. 44, no. 6-7, 1989, pp. 19-22, ill. 534. LAUDANI, MARTA 517. KUMLIN, EWA AXELSON "Umberto Riva: Lampada da tavolo" 549. LIEBERMAN, WALT "Framat svenskt i Sao Paulo" Domus, no. 719, Sept. 1990, pp. 98-100, ill. "Twelve Good Artists" Form, no. 1, 1990, p. 72, ill. The Glass Art Society Journal 1990, Aluminum and glass lamp for Fontana Arte. pp. 52-53, ill. Eva Almberg mask. Artists who work in Seattle. 535. LAURENCE, ROBIN 518. KUNOVA, EVA "Mary Filer and Harold Spence-Sales Glass "Kvety ze Lvova" Sculpture at the Harbour Centre Campus of Si­ 550. LIGHT, AMY GRAY Atelier, no. 26, Dec. 27,1989, p. 8, ill. mon Fraser University" "New Designs by Michael Graves in Glass and Symposium of glass artists atJ_vov glasshouse, The Newsletter of the Glass Arts Association of Ceramic" Ukraine: Merikallio, Lipofsky, Suhajek, Janos, B.C. (Burnaby, B.C., Canada), v. 3, no. 4, July Architecture, Nov. 1989, p. 141, ill. Bokotei, Cernak, the Ivanovs, Savelyeva. 1990, p. 1. New pieces designed for Steuben. 519. KUROKI, RIKA 536. LAUSANNE. MUSEE DES ARTS 551. LILL; IVO "Interview: Dante Marioni" DECORATIFS DE LA VILLE DE LAUSANNE "International Glass Symposium '88" Glasswork (Kyoto), no. 4, Jan. 1990, pp. 34-37, ill. Expressions in verre II. 140 Sculptures de verre Kunstia Kodu, no. 59,1990, pp. 58-59, ill. In Japanese and English, p. 60. contemporaines d'artistes europeens, ameri- English summary. cains, canadiens, japonais, australiens de la 3rcf symposium at Novy Bor, Oct. 1988. 520. "Japan's New Generation: Ohgita Collection du Musee des Arts Decoratifs, Lau­ Katsuya" sanne 552. LINDEN, PATRICIA Glasswork (Kyoto), no. 6, Aug. 1990, Lausanne: the museum, 1989, 93 pp., ill. "Five-Star Hilton" pp. 34-39, ill. In French, German, English. Town and Country, v. 144, no. 5118, March 1990, In Japanese and English. Published on occasion of the exhibition "Les pp. 215-219, ill. Univers de la Transparence," Summer 1989. Hilton McConnico. 521. KYLE, CAROLYN AND BERETS, CHUCK Fusing Fun 537. LAYTON, PETER 553. LINEBERGER, KATHRYN Olympia, Wash.: CKE Publications, 1987, 60 pp., "Reviews: Pauline Solven" "Colored, Cut, or Crystal Clear" ill. Crafts (U.K.), no. 102, Jan./Feb. 1990, Lear's, v. 3, no. 9, Nov. 1990, pp. 122-124, ill. pp. 52-53, ill. Colorless and colored glass by Ulrica Vallien, 522. LA TOUR-DE-PEILZ. AC, LA GALERIE Baldwin/Guggisberg, Mark Lorenzi, and others. DU PORT 538. "Reviews: Twelve Bottles by David Taylor" Exposition des plus grandes maftres verriers Crafts (U.K.), no. 106, Sept./Oct. 1990, 554. LINEHAN, THOMAS E., Ed. contemporains pp. 53-54, ill. "Digital Image - Digital Cinema: Siggraph '90 Art La Tour-de-Peilz, Switzerland: the gallery, 1989, London exhibition. Show" Leonardo; Supplemental Issue 1990, Exhibition of work of 14 French artists held in 539. LEACH, ALAN pp. 1-128, ill. Chateau d'Allaman. "The Glass Association's Northumbrian Water includes two Sydney Cash pieces, p. 94. Award" 523. LACEY, ARDA The Glass Cone, no. 26, Summer 1990, p. 4, ill. 555. LISBON. FUNDAQAO CALOUSTE "Reviews: Festival of Contemporary Glass" Sunderland Polytechnic student designs piece to GULBENKIAN, CENTRO DE ARTE MODERNA Arts Review, v. 42, no. 11, June 1,1990, express idea of water. Arte em Berlim: 1900 ate Hoje pp. 293-294. Lisboa: the museum, 1989, 319 pp., ill. Exhibit of work by 42 British glass artists at 540. LEGARDEUR, LILI Exhibition includes inlaid glass mosaic sculp­ opening of new London gallery. "Vermont Glassblowers Are Making It on Their tures by Rainer Mang, pp. 256-259. Own" 524. LAKS, CLAUDIE The Crafts Report, v. 16, no. 168, March 1990, 556. LIU, ROBERT K. "Collectionner: Le Verre italien des annees 50" p. 29, ill. "American Glass Beadmakers" La Revue de la Ceramique et du Verre, no. 53, Mary Angus, Robert Burch. Ornament, v. 14, no. 1, Autumn 1990, July/Aug. 1990, pp. 22-27, ill. pp. 16-17, ill. Interview with Jean-Claude Bester, collector of 541. LEIPZIG. MUSEUM DES KUNSTHAND- Tom Andre, Don Schneider, Brian Kerkvliet, and 1950s Italian glass. WERKS, GRASSIMUSEUM others. 557. LLOYD, PHILIP 574. "I vetri di Ercole" The Crafts Report, v. 16, no. 176, Nov. 1990, "Exhibition at Winchester" Casa Vogue, no. 214, Dec. 1989, p. 149, ill. p. 23, ill. The Glass Engraver, no. 58, Spring 1990, Barovier glass. Tom Philabaum. pp. 5-10, ill. 1989 exhibition by members of the Guild of 575. MAHONEY, ROBERT 593. MEMPHIS. MEMPHIS BROOKS Glass Engravers. "Spotlight: Mario Merz" MUSEUM OF ART Flash Art, no. 150, Jan./Feb. 1990, p. 123, ill. Hilton McConnico 558. LOCKWOOD, KEN Marseille: Michel Aveline Editeur; Memphis: the "Australian Crafts at Atlantic City Buyers' Market" 576. MANSTORFER, SIGRID museum, 1990,157 pp., ill. Craft Arts (Sydney), no. 18, March/June 1990, "Schiffe aus Glas spiegelten sich im Altmuhltal" In French and English. pp. 92-93, ill. Glas + Rahmen, v. 40, no. 1, Jan. 1989, Glassware for Daum. Peter Crisp. pp. 25-26, ill. Mirrored glass "ships" in canal by Ursula Merker. 594. MERGL, JAN 559. LONDON. BARBICAN CENTRE "Muzeum moderniho skla v Coburgu" Baschet Sound Sculptures (Text: Roger Spar- 577. MARCHESSEAU, DANIEL Umeni a Remesla, no. 2,1990, p. 8. rowhawk) The Intimate World of Alexander Calder Museum of modern glass at Coburg. London: the centre, 1983, [10] pp., ill. Paris: Solange Thierry Editeur; New York: Harry Metal and glass sculpture. N. Abrams, 1989, 399 pp., ill. 595. MERKER, GERNOT H. Includes some sculpture and jewelry with glass. "Glasgultig/Glass Validity: Franz X. Holler" 560. LONDON. ROY MILES GALLERY Neues Glas, no. 3,1990, pp. 230-232, ill. Anna Dickinson, Judy Trim 578. MARIE GLUCKAUFOVA London: the gallery, 1990, 12 pp., ill. Liberec: Skloexport, 1990; (Severografia Decin), 596. MEYER, JOST-ULRICH Includes glass items by Anna Dickinson. 24 pp., ill. 4-p. section laid in: "Marie Gliickaufo- "Augenlust an Unikaten" va's Individual Work" by Jaromira Marsikova. Glaswelt, v. 43, no. 4, April 1990, p. 31, ill. 561. LONDON. SOUTH BANK CENTRE Czech glass artist. Eva Englund, Gunnar Cyren at Orrefors gallery. Wendy Rams haw: From Paper to Gold (Text: Christopher Frayling, Peter Dormer, Ed­ 579. MARKS, BEN 597. MICHIGAN GLASS MONTH, APRIL 1990 ward Lucie-Smith, and others) "Field of Dreams" [s.l.]: Michigan Glass Month, 1990, [6] pp., ill. [si: South Bank Centre?, 1990], [36] pp., ill. American Craft, v. 50, no. 3, June/July 1990, Jewelry includes glass. pp. 46-49, ill. 598. MILLER, BONNIE J. Ginny Ruffner's public art project in Seattle and "Exhibitions: Annual Pilchuck Exhibition" 562. LOS ANGELES. DEL MANO GALLERY other work. Glass (New York Experimental Glass Workshop), Kit Karbler and Michael David no. 40, Spring/Summer 1990, p. 53, ill. Los Angeles, Cal.: the gallery, 1990, [9] leaves., 580. "Review Shorts: Susan Stinsmuehlen- ill. Amend" 599. "Exhibitions: Ginny Ruffner" Album of photos, biographies. Artweek, v. 21, no. 4, Feb. 1, 1990, pp. 16-17, ill. Glass (New York Experimental Glass Workshop), no. 41, Fall 1990, pp. 52-53, ill. 563. Michael R. Bokrosh, III 581. "Richard Bernstein" Seattle exhibit. Los Angeles, Cal.: the gallery, 1990, [10] pp., Glasswork (Kyoto), no. 7, Dec. 1990, pp. 22-27, ill. 8 photos in an album, ill. In Japanese and English. 600. "Exhibitions: Mary Van Cline" Glass (New York Experimental Glass Workshop), 564. LOSKA, LAJOS 582. MARSIKOVA, JAROMIRA no. 40, Spring/Summer 1990, pp. 52-53, ill. "Uvegplasztikak Tihanyban" "Bohemian Pressed Glass" Uj Muveszet (Budapest), v. 1, no. 2, Nov. 1990, For You from Czechoslovakia, no. 3, Sept. 1990, pp. 35-39, ill. pp. 80-82, ill. 601. "Interview: Ginny Ruffner" Glass Triennial at Tihany, Hungary: Zoltan Glasswork (Kyoto), no. 6, Aug. 1990, pp. 2-11, ill. In Japanese and English. Bohus, Maria Lugossy, and others. 583. "Jan Gabrhel's Anniversary" For You from Czechoslovakia, no. 4, Dec. 1990, 565. LOUISVILLE. LIBERTY GALLERY 3. 55-59, ill. 602. MILLER, ELLIE Inner Space Sesigner at Chlum glassworks. "David Reekie: Conversations in Glass" Louisville, Ky.: the gallery, 1990, [7] folding Art Today, v. 4, no. 4, 1989/1990, pp. 30-31, ill. plates, ill. 584. "Marie Gluckaufova's Glass" Includes glass by Fred di Frenzi. For You from Czechoslovakia, no. 3, Sept. 1990, 603. MILLER, JOHN pp. 78-79, ill. "The Weather Is Here, Wish You Were Beautiful" 566. Wall Enamel: Painting with Glass Artforum, v. 28, no. 9, May 1990, pp. 152-159, ill. Louisville, Ky.: the gallery, 1990,14 pp., ill. 585. MATANO, KOJI Includes Sherrie Levine work. "Interview: Dan Dailey" 567. LUBECK. MUSEUM FUR KUNST UND Glasswork (Kyoto), no. 6, Aug. 1990, pp. 12-19, ill. 604. MIRO, MARSHA KULTURGESCHICHTE DER HANSESTADT In Japanese and English. "Eye on Art: Habatat Galleries" Werke aus dem Feuer: Glas, Keramik, Schmuck. Ausglass Magazine, Summer 1989, p. 21. Isgard Moje-Wohlgemuth, Otto Meier, Vera 586. MATTICK, PAUL, JR. Review of an exhibition of Hungarian, Czech, Vehring, Fritz Vehring, Erich Hergert "The Intimate World of Alexander Calder" Australian, and American glass. Lubeck: the museum, 1987, [36] pp., ill. American Craft, v. 50, no. 2, April/May 1990, Glass by Isgard Moje-Wohlgemuth. pp. 52-59, ill. 605. MOCATTA, CHARMIAN Includes jewelry with colored glass. "Forty Years of Lettering & Heraldry" 568. LUCBERT, FRANQOISE The Glass Engraver, no. 60, Autumn 1990, "Sculpture '90; une retrospective reussie" 587. MAZZOTTI, GIUSEPPE AND CARTA, pp. 5-10, ill. Vie des Arts, no. 141, Dec. 1990, pp. 66-67. TITTI Retrospective exhibition of the work of David Susan Edgerley glass included in Montreal Artigianato Veneto: Handicraft, Artisanat, Hand- Peace. exhibit. werk (Ente Nazionale per I'Artiganato e le Pic- cole Industrie, ed.) 606. MOEHL, KARL 569. LYNCH, SHEILA Rome: Carlo Bestetti, 1971, 429 pp., ill. "Reviews: Donald Lipski" "Present Into Past: Jannis Kounellis" In four languages. New Art Examiner, v. 18, no. 4, Dec. 1990, p. 46. Artweek, v. 21, no. 26, Aug. 16, 1990, p. 15, ill. Venetian glassware, lamps and lighting, stained Exhibit at Normal, Illinois. Installations include glass in Los Angeles exhibi­ glass, pp. 133-204. tion. 607. MONAHAN, KELLEE 588. MCDONNELL, MARK "Great Balls of Fire: Glasswork by Josh Simp­ 570. LYNN, MARTHA DREXLER "Mark McDonnell" son" "Exhibitions: Jane Bruce and Will Pappenhei- The Glass Art Society Journal 1990, p. 54, ill. Omni, v. 12, no. 6, March 1990, pp. 58-61, ill. mer" Glass (New York Experimental Glass Workshop), 589. MCTWIGAN, MICHAEL 608. MONTPELLIER. GALERIE PLACE DES no. 40, Spring/Summer 1990, p. 51, ill. "Conversation: Richard Yelle & Michael ARTS McTwiaan" Pour sourire a I'Eternite: Joel Linard. Oeuvres 571. LYON, CHRISTOPHER Glass (New York Experimental Glass Workshop), recentes 1989 (Text: Yvonne Brunhammer) "Kiki Smith: Body and Soul" no. 41, Fall 1990, pp. 12-15, ill. Montpellier, France: the gallery, 1989, 38 pp., ill. Artforum, v. 28, no. 6, Feb. 1990, pp. 102-106, ill. English summary. Cast glass work by the sculptor. 590. "Michael Glancy: Balancing Order and Chaos" 609. MONTREAL. MONTREAL MUSEUM 572. MACISAAC, HEATHER SMITH Glass (New York Experimental Glass Workshop), OF FINE ARTS "Crystal Gazing" no. 42, Winter 1990, pp. 20-29, ill. Salvador Dali House & Garden, v. 162, no. 9, Sep. 1990, p. 56, Montreal: the museum, 1990, 223 pp., ill. ill. 591. MELROD, GEORGE Pate de verre designs for Daum, 1968-1983, New artistic directors at Steuben and Daum. "Reviews: Tell It Like It Is" pp. 170-171 and 178-181. Sculpture, v. 9, no. 3, May/June 1990, p. 97, ill. 573. MAGGI, LAURA Maureen Connor's glass, steel, and wax work in 610. MONTREUX. MAISON VISINAND "Blu d'effetto" N.Y. exhibit. La Magie du verre Casa Vogue, no. 225, Dec. 1990, pp. 164-165, ill. La Tour-de-Peilz, Switzerland: Galerie du Port, English summary. 592. MELTZER, STEVE 1990, [11] pp., ill. Toni Zuccheri blue glass. "Tucson's Craft Scene Is Alive and Growing" Work of 14 European glass artists. 611. MORAIS, RICHARD Includes Ginny Ruffner pieces and Joyce Scott's 644. NODA, OSAMU "Forward to the Past" beadwork. "Niijima Glass Art Center, Japan" Forbes Magazine, May 28,1990, p. 86+, ill. The Glass Art Society Journal 1990, pp. 68-69, Moser Glassworks, Karlovy Vary, Czechoslova­ 627. Craft Today USA ill. kia. New York: the museum, 1989,130, [26] pp., ill. In French and English. 645. NORRIE, JANE 612. MOROWITZ, KANE Catalog for the exnibit when it appeared at the "London Reviews: Anna Dickinson, Judy Trim" "Fire It Round ..." Musee des Arts Decoratifs, Paris. Arts Review, v. 42, no. 11, June 1,1990, Glass Collector's Digest, v. 3, no. 6, April/May pp. 296-297, ill. 1990, pp. 18-26, ill. 628. NEWARK. THE NEWARK MUSEUM Sonja Blomdahl. New Jersey Arts Annual: Clay and Glass Newark, N.J.: the museum, 1989, 48 pp., ill. 646. "London Reviews: Collecting for the 613. MOSCOW. ART MODERNE GALLERY Work of 11 New Jersey glass and stained glass Future" Sovyet Sanatgilari Sergisi artists. Arts Review, v. 42, no. 13, June 29,1990, Zurich: Modus Vivendi, 1990, [14] pp., ill. pp. 354-355. In Turkish and English. 629. NEWHOUSE CENTER FOR CONTEM­ victoria & Albert Museum exhibition of 1980s Exhibition of Soviet art held in Istanbul; glass PORARY ART objects, including glass. sculpture by Svetlana Ryazanova. Sage Reynolds (Text: Olivia Georgia) Staten Island, N.Y.: Snug Harbor Cultural Center, 614. MUAL, MAKIRI 1989,16 pp., ill. 647. NOVOTNY, FRANTISEK "Zaslouzily umelec Pavel Hlava" "Jan van Gogh: De empathie van de glas- Exhibition included sandblasted glass vessels Sklar a Keramik, v. 39, no. 11,1989, pp. 345-346, kunstenaar" and furniture. Glas & Keramiek, no. 5, Oct. 1990, pp. 34-35, ill. ill. Exhibition at Nijmegen. 630. NICHE PRESENTS THE YELLOW PAGES OF AMERICAN CRAFT 648. O'CONNOR, D. THOMAS AND LOTTON, 615. MUNICH. DIE NEUE SAMMLUNG, Hunt Valley, Md.: Niche Magazine, 1990, 72 pp., CHARLES G. STAATLICHES MUSEUM FUR ANGEWANDTE ill. Lotton Art Glass KUNST Resource guide for craft market. Marietta, Ohio: Antique Publications, 1990, Italien: Design 1945 bis heute (Text by Hans 176 pp., ill. Wichmann) 631. NICHOLSON, CHUCK Munchen: the museum, 1988, 388 pp., ill. "Energy Contained, Energy Released" Glass by Ponti, Scarpa, Bianconi, Poli, Venini, Artweek, v. 21, no. 4, Feb. 1,1990, p. 15, ill. 649. OBYTOVA, MIROSLAVA Barovier, A. Toso, Potenza, Sottsass, Asti, Taglia- Neon sculpture by Larry Albright in Santa Ana "Fashion Jewellery from Czechoslovakia" pietra, pp. 48-75. exhibit. For You from Czechoslovakia, no. 2, June 1990, pp. 50-53, ill. 616. NANQAY. GALERIE CAPAZZA, GRENIER 632. NICKL, PETER Jablonec industry. DE VILLATRE "IHM Munchen: Vorschau 'Schmuckszene' und Art contemporain 'Jugend Gestaltet'" 650. OGAWA, MASATAKA, Ed. Nangay, France: the gallery, 1989, 203 pp., ill. Kunst + Handwerk, no. 2, March/April 1990, Scandinavian Design: A Way of Life Craft gallery includes work of 14 French glass pp. 110-112, ill. [s.l.]: The Japan Association of Art Museums; artists, pp. 104-135. Pieces by Kerstin Greiner-Perth and Pipaluke The Yomiuri Shimbun, 1987,140 pp., ill. Lake. In Japanese and English. 617. NASH, GARRY Exhibition circulating in Japan, 1987. Tableware "A Hot Time with Hot Glass" 633. NICOL, MICHELLE and other glass by 18 Scandinavian designers. New Zealand Crafts, no. 32, Winter 1990, "Ettore Sottsass - Die Ideographie des Mobels/ pp. 13-15, ill. The Ideography of Furniture" Lino Tagliapietra, Richard Marquis, and Dante ArtAurea, no. 4,1990, pp. 38-43, ill. 651. OGAWA, SHIN'EI Marioni in a Wellington workshop. "The International Glassware Show '90" 634. NICOLA, KARL GUNTER Glass (Tokyo), no. 28, June 1990, pp. 23-25, ill. 618. NEENAH. BERGSTROM-MAHLER MU­ "Ausstellung/Exhibition: Glas Metamorphosen In Japanese. SEUM 1990" Paul J. Stankard: Poetry in Glass. A 20-Year Neues Glas, no. 2,1990, p. 112+, ill. 652. ONTARIO CRAFTS COUNCIL Retrospective (Text: Paul Stankard, Douglas Hel­ French glass artists in Cologne exhibit. The Passage of Light: An Exhibition of Contem­ ler and Jan Smith) porary Glassworks, Organized by the Ontario Neenah, Wis.: the museum, 1990, 48 pp., ill. 635. "Frank van den Ham: Think Twice" Crafts Council (Tex\: Rosalyn J. Morrison) Neues Glas, no. 1,1990, pp. 20-24, ill. [Toronto]: the council, 1990, [10] pp., ill. 619. NELIS, ILSE D. In English and German. In French and English. "Bert van Loo" Alfred Engerer, Frangois Houde, and Lisette Le- Glas & Keramiek, no. 5., Oct. 1990, pp. 29-31, ill. 636. "Glass Education in Japan" mieux in exhibit at the Canadian Embassy, English summary. Neues Glas, no. 2,1990, pp. 101-104, ill. Washington. In German and English. 620. NESBITT, LOIS E. 653. OR, ARELA "Reviews: Donald Lipski" 637. "Glass from the USSR Exhibition" Artforum, v. 28, no. 10, Summer 1990, p. 164, ill. Neues Glas, no. 3, 1990, pp. 243-246, ill. "Checoslovakia chalutzat hayetzika hamodernit At the Glasmuseum in Ebeltoft. bezcucit" Omnuyot (Arts, Jerusalem), no. 7, May 1990, 621. NETZER, SUSANNE Museum fur Modernes Glas = Museum of Mod­ 638. "IHM Munchen: Jugend gestaltet" pp. 14-17, ill. ern Glass (Joachim Kruse, ed.) Kunst + Handwerk, no. 3, May/June 1990, 'Czech Pioneers of Modern Glass Casting": Sta- Coburg: Orangerie Schlo3 Rosenau, Kunst- pp. 166-169, ill. nislav Libensky and Jaroslava Brychtova. sammlungen aer Veste Coburg, Coburger Lan- Glass pieces by Laszlo Lukasci, Elke Paffmann. desstiftung, [1989], (Kataloge aer Kunstsamm- 654. "Zcucit - Nozel shekafa" lungen der Veste Coburg), 240 pp., ill. 639. "Internationale-Glaskunst Koln" Omnuyot (Arts, Jerusalem), no. 6, Feb. 1990, Catalog for the largest collection of modern Kunst + Handwerk, no. 4,1990, p. 266, ill. pp. 8-13, ill. glass in the Federal Republic of Germany. Exhibition at Kunsthaus am Museum, Carola van 'Glass - A Frozen Liquid": Studio Glass Move­ Ham in Cologne. ment, with work by Littleton, Chihuly, Patti, Shaf­ 622. NETZER, SYLVIA fer, van Loo, Libensky, and Brychtova. "Exhibitions: Nancy Bowen" 640. "Nicht nur Erfreuliches" Glass (New York Experimental Glass Workshop), Kunst + Handwerk, no. 4,1990, pp. 256-260, ill. no. 41, Fall 1990, p. 51, ill. Young craftsmen competition in Aachen; glass 655. ORCHARD, JAN New York exhibit. Lighting for a Beautiful Home sculpture by Sabina Ramershoven and Dorothee New York, Toronto: Barron's Educational Series, BecKersjurgen. 623. "Exhibitions: Oiva Toikka" 1990, 158 pp., ill. Glass (New York Experimental Glass Workshop), 641. NIEDERER, ROBERT no. 39, 1990, p. 47, ilf "'Glasi Hergiswil'" 656. ORREFORS. ORREFORS MUSEUM Schweizer Heimatwerk, v. 55, March 1990, Ingeborg Lund in 624. NEW GLASS REVIEW 11 pp. 69-74, ill. [Orrefors, Sweden: Orrefors Glasbruk, 1989], Corning, N.Y.: The Corning Museum of Glass, Glass by Monica Guggisberg, Philip Baldwin, 13 pp., ill. 1990, 55 pp., ill. and the author. Work by Lundin, 1950s-1960s. [Also added to Neues Glas, no. 2,1990]. 642. NIXON, BRUCE 625. NEW ORLEANS. NEW ORLEANS "Investigating Light and Space" 657. John Selbing: Fotograf och Formgivare MUSEUM OF ART Artweek, v. 21, no. 34, Oct. 18, 1990, p. 1+, ill. [Orrefors, Sweden: the museum, 1988]; (Borg- Sculpture in Glass: Works by Robert Willson Dan Flavin, Larry Bell, Bruce Nauman, and holm: Olandstryckarna), 16 pp., ill. [Text: John W. Keefe) others. Selbing's glass and photographs of contempo­ New Orleans: the museum, 1990, [6] pp., ill. rary glass. 643. NIYOKO IKUTA 1984-1990 626. NEW YORK. AMERICAN CRAFT Text: Peter Schmitt) 658. L'ORSA, VIGDIS MUSEUM s.l.]: the artist; Tokyo: Wacoal Ginza Art Space, "Pavel Hlava: Naturelsker i forurenset land" The Aesthetic of Excess 1990, 38 pp., ill. Glass & Porselen, v. 44, no. 4,1990, pp. 22-23, New York: the museum, 1990, 63 pp., ill. In German, Japanese, English. ill. 659. "Tsjekkiske Crystalex har flest glass- 678. "Profile: Shouting the Message" "Critique of the institutionalization of the public blasere i verden" Professional Stained Glass, v. 10, no. 3, March art process." Glass & Porselen, v. 44, no. 5,1990, pp. 26-27, ill. 1990, pp. 6-9, ill. Glassmaking and decorating at Crystalex fac­ Fused crushed glass by Richard Lalonde. 695. PRAGUE. UMELECKOPRUMYSLOVE tory, Czechoslovakia. MUZEUM 679. PETROVA, SYLVA Lisovane Sklo (Text: Alena Adlerova) 660. OTIS, LAUREN H. "Czechoslovak Glass Enchants Paris" Praha: the museum, 1962, [12] pp., ill. "Exhibitions. Henry Halem" Glass Review, v. 45, no. 8,1990, pp. 15-20, ill. Exhibition of pressed glass, 19tn c. to 1960. Glass (New York Experimental Glass Workshop), "Verres de Boheme" exhibition at the Musee des no. 42, Winter 1990, pp. 50-51, ill. Arts Decoratifs and the Czech stained glass ex­ 696. PRINCENTHAL, NANCY hibit at Chartres, Winter 1989-1990. "Review of Exhibitions: Donald Lipski" 661. "Exhibitions: Orshi Drozdik" Art in America, v. 78, no. 7, July 1990, Glass (New York Experimental Glass Workshop), 680. "The Prague Premiere of the Life Work of pp. 164-165, ill. no. 40, Spring/Summer 1990, p. 52, ill. Stanislav Libensky and Jaroslava Brychtova" Glass Review, v. 45, no. 3,1990, pp. 16-23, ill. 697. PRISANT, BARDEN 662. "Exhibitions: Suzanne Horvitz" "Glass Auctions: A Summary" Glass (New York Experimental Glass Workshop), 681. "Sklo ve Svycarsku" Art Cellar Exchange Magazine (San Diego), v. 2, no. 39, 1990, p. 52, ill. Atelier, no. 24, Nov. 26, 1990, p. 5, ill. no. 6, June 1990, p. 11. Libensky/Brychtova retrospective at Museum Christie auction of contemporary glass. 663. PAGGI, MARIO LORENZO Bellerive, Zurich. "Intervista a Dorino Bormioli" 698. PROCTOR, STEPHEN Alte Vitrie, v. 3, no. 1, July 1990, pp. 8-11, ill. 682. "Vladimir Kopecky" "West Surrey College of Art and Design" English summary. Glasswork (Kyoto), no. 7, Dec. 1990, pp. 2-11, ill. Glasswork (Kyoto), no. 7, Dec. 1990, pp. 42-43, Interview with "the last glassmaker of the old In Japanese and English. ill. generation of glassmen in Altare." In Japanese. 683. PHILADELPHIA. PHILADELPHIA MUSEUM OF ART 699. PULSONE, MARIA 664. PAPIER, DEBORAH Contemporary Philadelphia Artists: A Juried Ex­ "Focus: Howard Ben Tre" "Acquisitions: 'View from Saddleback Ridge"' hibition Museum of Fine Arts, Boston. Annual Report American Craft, v. 50, no. 2, April/May 1990, Philadelphia: the Museum, 1990,155 pp., ill. pp. 76-77, ill. 1989-90, p. 21, ill. Includes glass by Ray King, Jack Wax, and John Kreg Kallenberger piece. Circulating exhibition. Blackford, and stained glass by Judith Schaech- ter and J. Kenneth Leap. 665. PARIS. GALERIE ADRIEN MAEGHT 700. PURVES, LIBBY "The Glow and Glitter of Glass" Olivier Gagnere: Verreries 684. PHILIPPE, JOSEPH Paris: the gallery, 1989, [14] pp., ill. High Life (British Airways), April 1990, pp. 92-94, "Scoperta dell'arte vetraria sovietica in occa- ill. sione del primo simposio internazionale di Lvov" The Glasshouse, London. 666. PARKMAN, PAUL AND ELMERINA Alte Vitrie, v. 3, no. 1, July 1990, pp. 12-14, ill. "Beyond Acquisition" In French and Italian. 701. RACEKOVA, JARMILA The Glass Art Society Journal 1989, pp. 58-62, First international symposium of Lvov in the So­ ill. "Jan Mytny's Intellectual Message" viet Union. Glass Review, v. 45, no. 5,1990, pp. 22-25, ill. 667. PATE DE VERRE: SHINICHI HIGUCHI 685. PIETSCH, SABINE [AND] KIMIAKE HIGUCHI, SELECTED 702. RAFFAELE, PAUL "Reviews: Hannover. Neonstucke" "Reflections on Australian Glass" WORKS Contemporanea, no. 23, Dec. 1990. pp. 105-106, Australian Geographic, no. 17, Jan./March 1990, Saitama: the artists, 1990,18 pp., ill. ill. In Japanese and English. pp. 82-103, ill. Neon exhibit with Nauman, Sonnier, Nannucci, Bottles and industrial production; studio glass, Merz, Morellet. engraving, mosaics. 668. PATTERSON, TOM Howard Finster: Stranger from Another World; 686. PIGUET, PHILIPPE 703. RAKOW, JULIETTE K. Man of Visions Now on Earth (By Howard Finster "Bernard Moninot" "Barry R. Sautner: Diatretarius of Paperweights as told to Tom Patterson) L'Oeil, no. 4, 1990, p. 82, ill. Extraordinaire" Exhibition of drawings on glass (sprayed with New York: Abbeville Press, 1989, 223 pp., ill. Annual Bulletin of the Paperweight Collectors' Folk artist who incorporates glass in his assem­ graphite) by Moninot, Montbeliard. Association, 1989, pp. 32-40, ill. blages. 687. PLOWRIGHT, TERRENCE "Glass Sculpture Project" 704. RANDA, SIGRID 669. PAYTON, CRYSTAL "Amerikanisches Kunsthandwerk - heute" "The Making of Turned On" Ausglass Magazine, Winter 1990, pp. 21-22, ill. Author's work in Sydney shopping complex. Kunst + Handwerk, no. 1, Jan./Feb. 1990, Maine Antique Digest, v. 18, no. 11, Nov. 1990, pp. 4-11, ill. pp. 1-3C, ill. Glass by Ginny Ruffner and William Carlson in Decorative lamps of the 1950s. 688. POISSANT, LOUISE "Andre Fournelle en transit" "Craft Today USA" exhibition at Frankfurt. 670. PAYTON, LELAND AND CRYSTAL Vie des Arts, no. 140, Sept. 1990, pp. 45-49, ill. Installations with glass and neon. 705. "Amerikanisches Kunsthandwerk der Turned on: Decorative Lamps of the 'Fifties Gegenwart" New York: Abbeville Press, 1989, 96 pp., ill. 689. POL^SHIKOVA, LARISA Kunst & Antiquitaten, no. 1/2,1990, pp. 62-63, ill. "Craft Today, USA" exhibition in Europe. 671. PERIAINEN, TAPIO "Stekllannalaplastika Natalii Evert" Dekorativnoe Iskusstvo SSSR, no. 8 (393), 1990, "Promoting Design" 706. RASMUSSEN, LAURA Design in Finland 1990, pp. 62-63, ill. pp. 34-35, ill. Glass sculpture by Natalie Evert. "Bill Rasmussen, an Old Timer" Glassware line by Kerttu Nurminen for Nuuta- Glass Line, v. 4, no. 3, Oct./Nov. 1990, p. 1+, ill. jarvi. 690. POLYANSKAYA, ARINA Lampworker. "Mir iskusstava. Sled ot vzmakha - krylat" 672. PERREAULT, JOHN 707. RATCLIFF, CARTER "Exhibitions: Mario Merz" Dekorativnoe Iskusstvo SSSR, no.7 (392), 1990, pp. 2-6, ill. "Christopher Wilmarth: Translucent Geometries" Glass (New York Experimental Glass Workshop), Glass (New York Experimental Glass Workshop), no. 39, 1990, pp. 48-49, ill. English summary. Soviet artist Lyubov Savelyeva. no. 39,1990, pp. 28-33, ill.

673. "Focus on the Vessel" 691. PORCELLI, JOE 708. RAVANTTI, KAIJA The Glass Art Society Journal 1989, pp. 56-57. "The Poetry of Glass - The Works of Paul Stan- "Finnish Design 1990" kard" Form-Function-Finland, no. 3,1990, pp. 66-67, ill. 674. "The Glass Book?" American Glass Quarterly, v. 1, no. 4, Spring Helsinki exhibit included glassware from littala- Glass (New York Experimental Glass Workshop), 1990, pp. 6-12, ill. Nuutajarvi designers. no. 41, Fall 1990, pp. 32-39, ill. Examples by Jervis/Krasnican, Dean, Horvitz, 692. PORGES, MARIA 709. "Industrial Designer of the Year" Sherman, Gazale, Kitchens. "Glass Does Not Grow in the Forest" Form-Function-Finland, no. 3, 1990, pp. 42-43, American Craft, v. 50, no. 5, Oct./Nov. 1990, ill. 675. "How Swedish Is It?" pp. 32-39, ill. Jorma Vennola. Glass (New York Experimental Glass Workshop), Summer exhibition in Antwerp church includes no. 42, Winter 1990, pp. 30-33, ill. work by Eisch, Leibovitz, Libensky/Brychtova, 710. "Markku Salo Awarded the Georg Jensen Tobin, Umbdenstock, and others. Prize" 676. "Michael Aschenbrenner: Glass Plus" Form-Function-Finland, no. 4, 1990, p. 50, ill. Glass (New York Experimental Glass Workshop), 693. "Steve Tobin: Breaking the Rules of no. 40, Spring/Summer 1990, pp. 28-33, ill. Glass" 711. "Thoughtful Installations" Art Today, v. 5, no. 2, 1990, pp. 32-37, ill. Form-Function-Finland, no. 3,1990, p. 67, ill. 677. PETERSON, CHRIS Glass and metal installations by Vesa Varrela, "The Golden Rule Applied to Marketing" 694. POSNER, RICHARD Helsinki. Professional Stained Glass, v. 10, no. 4, April Intervention and Alchemy: A Public Art Primer 1990, p. 14, ill. Minneapolis, Minn.: Division of Visual Arts, First 712. RAYMER, AMANDA Fused glass jewelry by Nancy Shott. Bank System, [1990], 60 pp., ill. "Czech Glass-Makers" Tableware International, v. 20, no. 4, May 1990, 729. ROBERTS, NEIL Murano Prize awarded to artists in all media who pp. 47-49, ill. "Australian Glass: An Overview" can best realize their ideas in glass: Pino Signo- At Novy Bor, Podebrady, and Chribska. The Glass Art Society Journal 1989, retto/Ennio Finzi and Licio Zanetti/Rodica Tana- pp. 19-22, ill. sescu. 713. READING. FREEDMAN GALLERY, ALBRIGHT COLLEGE 730. RODIGHIERO, L. 747. SASAKI CRYSTAL Donald Lipski: Poetic Sculpture (Text: David S. L'Eclairaae dans la maison Contemporary Glass Collection: Sasaki Crystal Rubin) Paris: Editions Charles Massin, [n.d.], 78 pp., ill. Calendar 1991 Reading, Pa.: Freedman Gallery, Albright Col­ Lamps and lighting, about mid-1950s. [Tokyo: the company, 19901, 7 leaves, ill. lege, 1990, 51 pp., ill. Work by Kubota, Togashi, Sato, Ohta, Kashiwa- Sculptures include glass. 731. ROMANELLI, MARCO bara, Takeuchi. "Mario Merz: Terra elevata o la storia del di- 714. REDHEAD, DAVID segno' al Castello di Rivoli" 748. SAVE, COLETTE "Borrowed Time" Domus, no. 720, Oct. 1990, pp. 58-65, ill. "L'Oeil de verre: Peter Knaup" Crafts (U.K.), no. 100, Sept./Oct. 1989, pp. 24-27, Exhibition with neon, glass tables, tent by Merz. L'Atelier, no. 2, 1990, pp. 42-45, ill. ill. Photographs by Knaup of glass shown over the Lisa Bailey's glass in article on educational 732. ROMBERG, EWA years at Clara Scremini Gallery, Paris. funding for craftsmen. "Svenskt konstglas i Hovmantorp ..." Antik etAuktion, no. 11, Nov. 1990, pp. 62-66, ill. 749. SAVELI EVA, LUBA AND IBRAGIMOV, 715. "Waterworks" Auction of 1920s-1980s Swedish glass. FIDAIL Crafts (U.K.), no. 99, July/Aug. 1989, pp. 24-29, "Our Visit to American Glassmakers" ill. 733. ROONEY, ALICE The Glass Art Society Journal 1989, Glass fountain by Danny Lane. "Two Decades of the Pilchuck Glass School" pp. 39-40, ill. The Glass Art Society Journal 1990, 716. REEKIE, DAVID pp. 85-87, ill. 750. SCALA, MARK "The Tim Shaw Glass Extravaganza" "Reviews: Jude Schlotzhauer" British Artists in Glass, no. 2,1990, p. 7. 734. ROSENSTOCK, LAURA New Art Examiner, v. 17, no. 9, May 1990, London exhibit. Christopher WUmarth pp. 57-58, ill. New York: Museum of Modern Art, 1989, 717. REIN METS. NAITUSTEL ESINEMISED 57 pp., ill. 751. SCHMITT, EVA Tallinn: ENSV Riiklik Kunstimuuseum, 1987, [16] Exhibition at the Museum of Modern Art, New "Glasdesign: Nuancen durch Gravur, Schliff und York. Malerei" Russian and English summaries. Glaswelt, v. 43, no. 8, Aug. 1990, pp. 72-73, ill. Jewelry of metal, enamel, glass, and other mate­ 735. ROUEN. COMPLEMENT D'OBJET Glass engraver and cutter Helmut Rotter. rials by Estonian artist Rein Mets. Papier de verre Rouen: the gallery, 1990, 49 pp., ill. 752. Jin Harcuba: Portratschnitte 1951-1990 718. RENO. NEVADA HISTORICAL SOCIETY Work of 15 French glass artists. Freiburg im Breisgau: Augustinermuseum, 1990, Neon Nights (Text: Peter L. Bandurraga) 88 pp., Ml. Reno, Nevada: the society, 1990, [16] pp., ill. 736. ROWE, KEITH "Portfolio No.69: Keith Rowe" 753. SCHNEIDER, BRUNO F. 719. REUTERSWARD, ANIKA Craft Arts (Sydney), no. 18, March/June 1990, "Hamburger Zeitreise" "Det unga glaset" p. 84, ill. ArtAurea, no. 4, 1990, pp. 46-49, ill. Skona Hem, no. 4,1990, pp. 105-109, ill. vessels by Australian glassmaker. In English and German. New glass designs from Orrefors, Pukeberg, Coordinating decorative arts, crafts, and modern Kosta Boda. 737. RUDGE, GERALDINE AND NAYLOR, commercial furnishings in the Museum fur GILLIAN Kunstgewerbe in Hamburg. 720. RHEBERGEN, ROBI "Exhibitions: NordForm 90" "Expositions actualites: Glass Metamorphosen Crafts (U.K.), no. 107, Nov./Dec. 1990, 1990" pp. 48-50, ill. 754. SCHON, ANDREAS La Revue de la Ceramique et du Verre, no. 53, Malmo exhibit of Nordic design; glass by Orre­ "V. Triennale des Deutschen Kunsthandwerks" Kunst + Handwerk, no. 6, Nov./Dec. 1990, July/Aug. 1990, p. 55, ill. fors, Kosta Boda, Bertil Vallien. Cologne exhibit of 30 French glass artists. pp. 390-396, ill. 738. RUFFNER, GINNY Includes work by Jochem Poensgen, Thomas 721. "Expositions actualites: L'Anverre Glass- "Ginny Ruffner" Lemke at Kestner Museum, Hannover. atelier (Almelo); 2e Salon de I'art du verre (Leer- The Glass Art Society Journal 1989, p. 44, ill. dam)" 755. SCHWARTZ, ROBERTA La Revue de la Ceramique et du Verre, no. 55, 739. RUHRBERG, KARL "Bringing Color to Light: Master Craftsman Wil­ Nov./Dec. 1990, p. 62, ill. "Konstruktion und Bewegung" liam Scudella" Kunst und Kirche, no. 3, 1990, pp. 162-164, ill. Victorian Sampler, v. 3, no. 1, Spring 1990, 722. "Expositions actualites: Le Verre, du go- Dusseldorf artist Hella Santarossa. pp. 32-33+, ill. belet I'objet d'art" Tiffany-style lamps. La Revue de la Ceramique et du Verre, no. 53, 740. RUMBLLE, JANET L. July/Aug. 1990, p. 55, ill. "Taking Shape" 756. SCOTT, JOHN Three Belgian sites for exhibits on the history of Metropolis, v. 9, no. 7, March 1990, p. 22, ill. "Rob Levin, Glass Artist at Wanganui" glass and the Studio Glass Movement. Borek Sipek tableware designs for Italian firm New Zealand Crafts, no. 32, Winter 1990, Driade. pp. 22-27, ill. 723. "La MaTtrise d'une force: Rencontre avec Penland artist teaches glassmaking in New Zea­ le sculpteur Bert van Loo" 741. RUSSELL, PAUL land. La Revue de la Ceramique et du Verre, no. 54, "Vitrix Exhibition" Sept./Oct. 1990, pp. 32-36, ill. Canadian Society of Decorative Arts Bulletin, v. 7, 757. SEATTLE. LYNN MCALLISTER GAL­ no. 4, Spring 1989, p. 8. LERY 724. "Mieke Groot: La Rupture" Review of Toronto exhibit of Canadian work, Second Annual Invitational Glass Exhibit La Revue de la Ceramique et du Verre, no. 52, Spring 1989. Seattle, Wash.: the gallery, 1990, [16] pp., ill. May/June 1990, pp. 54-55, ill. 27 glass artists. 742. RYZAK, WAINE 725. RICHMOND. VIRGINIA MUSEUM OF "Waine Ryzak" 758. SEDINA, VLASTIMIL FINE ARTS. AFFILIATE PROGRAM The Glass Art Society Journal 1989, p. 14, ill. "The Noble Shape and Decoration of Art Glass" The Good Design Collection of the Virginia Glass Review, v. 45, no. 1, 1990, pp. 6-9, ill. Museum of Fine Arts. Special Loan Exhibition 743. RYZCOVA, IVANA Richmond: the museum, 1989, [19] pp., ill. "The Best Glass-Making Workshop" 759. SELKURT, CLAIRE Exhibition included glass by William Gudenrath, Glass Review, v. 45, no. 1,1990, pp. 10-13, ill. "Scandinavian Modern Design in Postwar Richard Meier, William Morris, Robert Venturi. Competition won by Libochovice glassworks. America" Form-Function-Finland, no. 2,1990, 726. RICKE, HELMUT 744. SANO, TAKAKO pp. 35-43, ill. "Neues Glas/New Glass in Europa" "Marketing Glass in Japan: A Cultural Perspec­ Tapio Wirkkala, Alvar and Aino Aalto, Timo Neues Glas, no. 4,1990, pp. 301-309, ill. tive" Sarpaneva, Ingeborg Lundin, Nils Landberg. Exhibition at the Dusseldorf Art Museum. The Glass Art Society Journal 1990, pp. 70-72, ill. 760. SELLNER, JUDITH BRODER 727. RIIHIMAKI. SUOMEN LASIMUSEO = "Judaica under Glass" FINLANDS GLASMUSEUM 745. SARAVELLE, MADELEINE JOHNSON Hadassah Magazine, v. 72, no. 2, Oct. 1990, Suomen lasi elaa = Finnish Glass Lives 2 (Docu­ "Glass in the Blood" pp. 44-48, ill. mentation: Kaisa Koivisto and Uta Lauren) Connoisseur, v. 220, no. 943, Aug. 1990, Gianni Toso. Riihimaki: the museum, 1990, 89 pp., ill. pp. 94-95, ill. Work of 44 Finnish artists in 1990 exhibition. Archimede Seguso. 761. SELMAN, LAWRENCE "Debbie Tarsitano's The Outstretched Hand of 728. RIMER, DITAH 746. SARPELLON, GIOVANNI Liberty'" "Starting from Scratch: The New England Crystal "II terzo Premio Murano: Fra innovazione e tradi- Paperweight News, v. 12, no. 1, Oct. 1990, Company" zione" pp. 8-9, ill. China, Glass & Tableware, v. 108, no. 8,1990, Alte Vitrie, v. 2, no. 3, Nov. 1989, pp. 16-19, ill. Sculptural piece of eight engraved and cut pp. 18-20, ill. English summary. plaques. 762. "Edward Nesteruk - A New Artist" pp. 10-12+, ill. 796. STANISH, MARI Paperweight News, v. 12, no. 1, Oct. 1990, includes work by Ingeborg Lundin, Mats Jonas- Alladins: Designer Jewelery by Mari Stanish. p. 14, ill. son. Patterns for Fused Jewelry Using the Micro-Kiln veiled glass sculptures. EZ-5 780. SKARLANTOVA, JANA [Boardman, Ohio]: MLJS, 1989, 37 pp., ill. 763. "The Re-emergence of a Magnificent "Glass-Making Youth" Reptile" Glass Review, v. 45, no. 10,1990, pp. 9-11, ill. 797. STANKARD, MARTIN F. Paperweight News, v. 12, no. 1, Oct. 1990, p. 7, ill. "The Outstretched Hand of Liberty: A Family's Victor Trabucco creates lizard paperweight. 781. "Life Breathed into Glass: To Mark Jan Journey Told in Glass" Gabrhel's Life Anniversary" Annual Bulletin of the Paperweight Collectors' 764. "Victor Trabucco Creates Lucy Award" Glass Review, v. 45, no. 10,1990, pp. 2-8, ill. Association, 1989, pp. 49-51, ill. Paperweight News, v. 12, no. 1, Oct. 1990, p. 6. Eight plaques by Debbie Tarsitano. 782. "Tradition Continued" 765. SENNO, HIDEHARU Glass Review, v. 45, no. 12, 1990, pp. 6-7, ill. 798. STARA, EVA "Colored Glass" Engraved work by Milan Holubek of Moser. "The Best Products" Glass (Tokyo), no. 27, March 1990, pp. 12-14, ill. Glass Review, v. 45, no. 9,1990, pp. 2-6, ill. In Japanese. 783. SKELTON, JOHN 799. "A New Set of Glass Sculptures by Sta- 766. SERMONS IN PAINT: A HOWARD "Letters op papier in steen & in glas" nislav Kostka" FINSTER FOLK ART FESTIVAL Crafts (U.K.), no. 102, Jan./Feb. 1990, p. 48, ill. Glass Review, v. 45, no. 12,1990, pp. 28-31, ill. Lettering exhibition in Bruges included some (Ann Frederick Oppenhimer and Susan Hankla, examples on glass. ed.) 800. "10 x Pressed Glass" Richmond, Va.: University of Richmond, 1984, Glass Review, v. 45, no. 9,1990, pp. 14-19, ill. 36 pp., ill. 784. SKILLITZI, STEPHEN 10th exhibition of pressed glass at Frantiskovy Folk artist who incorporates glass in his assem­ "Letter to the Editor: Hot Glass in Australia" Lazne. blages. Ausalass Magazine, Summer 1989, p. 9. Brief review of Australian glass since 1960s. 801. STAVIS, AMY 767. SHATIN, YU. V. "Designer Spotlight: Peter Yenawine" "Dizain i ekologila: koeffitsient poleznogo 785. "18th Annual International Glass China, Glass & Tableware, v. 108, no. 8, Aug. delastvila" Invitational, the Habatat Galleries, Detroit, U.S.A." 1990, pp. 12-13+, ill. Mekhnicheskala Esmemika (Moscow), no. 2, Ausglass Magazine, Winter 1990, pp. 32-33, ill. Designs for Steuben, Saint Louis, and other 1990, pp. 2-5, ill. Author's cast glass sculptures at the Detroit ex­ firms. English summary. hibit. Design and ecology; includes FIAM glass furni­ 802. "Designer Spotlight: Thomas Bastide" ture. 786. SLOVART China, Glass & Tableware, v. 108, no. 10, Oct. Die Zeitgenossische Slowakische Bildende 1990, p. 22+, ill. 768. SHAW, MONTAGUE Kunst = Contemporary Slovak Fine Arts = L'Art Work of Baccarat's design director. David Kindersley: His Work and Workshop. With lastique slovaque (Text: Bohumir Bachraty) Illustrations from the Workshop Archives gratislava: Slovart (Czech art organization), 803. "Oiva and Inkeri Toikka" Cambridge, England: Cardozo Kindersley Edi­ 1989, [8] pp., ill. China, Glass & Tableware, v. 108, no. 2, Feb. tions; Uitgeverij de Buitenkant, 1990, 96 pp., ill. Work by Jozef Tomecko, Askold Zacko, Lubo 1990, pp. 10-11, ill. English lettering workshop; includes engraving Arzt. on glass. 804. STENSMAN, MAILIS 787. SMITH, JAN "Formrevy: Fem Glaskonstnarer" 769. SHAW, TIM "The Risks Behind the Art" Form, v. 86, no. 7 (669), 1990, p. 11, ill. "Battle of the Giants: Pilchuck versus Frauenau" Bergstrom-Mahler Museum Preview, no. 26, Sundsvall exhibit with Helena Gibson, Jerker British Artists in Glass, no. 2,1990, pp. 2-3, ill. March/April/May 1990, pp. 4-5, ill. Persson, Richard Rackham, Gunnel Sahlin, Paul Stankard. Christian von Sydow. 770. SHEBOYGAN. JOHN MICHAEL KOHLER ART CENTER 788. SMITH, KIKI 805. STEPANIAN, NONNA SURENOVNA Structure and Surface: Beads in Contemporary "Holding Memories for a Ghost" Galina [Aleksandrovna] Antonova American Art Glass (New York Experimental Glass Workshop), Leningrad: "Khudozhnik RSFSR," 1989,152 pp., Sheboygan, Wisconsin: the center, 1990, 32 pp., no. 41, Fall 1990, pp. 44-47, ill. ill. ill. Glass by Soviet artist, 1950s-1985. 789. SMITS, KATHY 771. SHELLEY "Museum Shop: Johne Parsley" 806. Viktor lakovlevich Shevchenko: Shest- "The Quest for Glass" Bergstrom-Mahler Museum Preview, no. 27, nadtsat' Reproduktsii British Artists in Glass, no. 2,1990, pp. 16-17, ill. June/July/Aug. 1990, p. 3, ill. Leningrad: "Khudozhnik RSFSR," 1980, 4 pp., 16 Student attends workshops. Paperweights. leaves of plates, ill. Glass by Shevchenko, 1963-1973. 772. SHERMAN, JAMIE 790. SOIUZ KHUDOZHNIKOV SSSR = "How I Got Started in Glass" USSR ARTISTS UNION 807. STERN, RUDI Glass Gazette, Winter 1990, pp. 11-12. Gusevskii Khrustal'nyi Zavod = Gus-Khrustalny The New Let There Be Neon (Enlarged and up­ Crystal Plant. Katalog = Catalog (Text: Vladimir dated ed.) 773. SHINOHARA, MAYUMI A. Filatov) New York: Harry N. Abrams, 1988,160 pp., ill. "Interview: Henry Halem" Moskva: Sovetskii Khudozhnik, 1990, [52], pp., ill. Glasswork (Kyoto), no. 7, Dec. 1990, pp. 12-21, ill. In Russian and English. 808. STERN, RUDI, Ed. In Japanese and English. Work of nine Soviet artists and list of participants Contemporary Neon in the glass artists' symposium at Gus- New York: Retail Reporting Corp., 1990, 774. "Review: 'Glass Art '90,' The Hakone Khrustalny, Sept. 1990. 192 pp., ill. Open-Air Museum" Glasswork (Kyoto), no. 7, Dec. 1990, p. 47, ill. 809. ST. PETERSBURG. MUSEUM OF FINE In Japanese, English summary. 791. SORENSON, DINA "Donald Lipski" ARTS Contemporary Glass: The Sam and Beverly Arts Magazine, v. 64, no. 10, Summer 1990, p. 81, 775. "Ryoji Shibuya/lnterview" Ross Collection Glasswork (Kyoto), no. 5,1990, pp. 24-29, ill. ill. St. Petersburg, Fla.: the museum, 1989, In Japanese and English. 24 pp., ill. 792. SOTHEBY'S 776. SILANDER, LIISA Creative Glass Center of America Benefit Auc­ 810. SUDJIC, DEYAN "Relics of the Future" tion: Contemporary American and European Ron Arad: Restless Furniture RISD Views (Rhode Island School of Design), Glass, March 17, 1990 New YorK: Rizzoli, 1989, (A Blueprint Mono­ v. 2, no. 5, Feb. 1990, p. 8, ill. New York: Sotheby's, 1990, 87 pp., ill. graph), 111 pp., ill. Howard Ben Tre. Includes glass screens and other uses of glass 793. SOUCHON, ANNIE in furniture. 777. SILBERMAN, ROBERT "Expositions actualites: Steven Newell" "Will Success Spoil the Glass Art Society?" La Revue de la Ceramique et du Verre, no. 52, 811. SZENASY, SUSAN S. American Craft, v. 50, no. 4, Aug./Sept. 1990, May/June 1990, p. 63, ill. "Contemporary Furniture" pp. 60-63+, ill. Metropolis, v. 9, no. 8, April 1990, pp. 14-15+, ill. 794. SOUR, ANNEMARIE Includes work by Danny Lane. 778. SILTAVUORI, EEVA "Het gerucht de wereld uit: Portret van glas- "Fact and Fiction in Design: 50 Years of Finnish kunstenares Mieke Groot" 812. TAGLIAPIETRA, LINO AND COMBRAY, Design. Press Cuttings 1940-1990" Bulletin, Vereniging van Vrienden van Modern NATALIE DE Form-Function-Finland, no. 2,1990, Glas, v. 4, no. 2, June 1990, pp. 2-4, ill. "Conversation" pp. 44-50, ill. Glass (New York Experimental Glass Workshop), includes glass by Tapio Wirkkala, Gunnel 795. SOVETSKOE KHUDOZHESTVENNOE no. 39, 1990, pp. 12-13. Nyman, Kaj Franck, Saara Hopea. STEKLO. KATALOG (Text by O.V. Piotravskaia) Interview, August 1988. Kalinin: Upravlenie Kul'tury Kalininskogo Obli- 779. SILVERSTOLPE, INGER spolkoma; Kaliniskaia Oblastnaia Kartinnala Ga- 813. TALLEY, CHARLES S. "Maleras - ett stort, litet glasbruk fyller 100 ar" lereia, 1986, 25 pp., ill. "Static Refinement: Three Glass Artists at Allrich Glas och Porslin, v. 60, no. 3,1990, Glass by various designers, 1960s-1980s. Gallery" Artweek, v. 21, no. 16, April 26, 1990, pp. 12-13, ill. Glass Circle News, no. 47, Aug. 1990, p. 4. 847. VIZNER, FRANTISEK Linda Ross, Nancy Mee, Ann Gardner in San Review of work by Jane Beebe and Rachael "Frantisek Vizner" Francisco exhibit. Woodman at Bath, England, gallery. The Glass Art Society Journal 1989, pp. 23-26, ill. 814. TALLEY, MARILEE 831. TRUJEN, MONICA "Reflections in Art" "Achtung zerbrechlich!" 848. VLASOVA, ELENA Artscan (Napa County Arts Council, Yountville, ArtAurea, no. 3,1989, pp. 44-49, ill. "Ol'ga Kirichek" Cal.), v. 4, no. 5, [n.d., u.p.], ill. English summary. Dekorativnoe Iskusstvo SSSR, no. 6 (391), 1990, Reverse painting on glass by Theo Fabian Overview of Studio Glass Movement; glass by p. 13, ill. English summary. Becker. Borowski, Clegg, Moje-Wohlgemuth, Sellner, Glassware by Leningrad artist Olga Kirichek. Reay-Young, Price, zynsky, and others. 815. TARAGIN, DAVIRA S. 849. VOGEL, SABINE B. AND CASORATI, "1989 Conference Highlights. Student Exhibition: 832. "Jack Ink - Maler mit Glas" CECILIA Toronto" ArtAurea, no. 1,1990, pp. 57-59, ill. "Letters: Frankfurt; Rome" The Glass Art Society Journal 1989, p. 68. English summary. Contemporanea, v. 3, no. 6, Summer 1990, pp. 49 and 52, ill. 816. TARCHINSKI, PAMELA J. 833. "Lebendiges Glas" Neon sculptures by Keith Sonnier, Maurizio Nan- "Exhibitions: Flo Perkins" Deutsches Arzteblatt, v. 85, no. 47, Nov. 24,1988, nucci. Glass (New York Experimental Glass Workshop, pp. 105-106, ill. no. 42, Winter 1990, p. 51, ill. Stanislaw Borowski. 850. VOLF, PETR "A Confrontation at the New Hall" 817. TAYLOR, GAY LECLEIRE Glass Review, v. 45, no. 4,1990, pp. 24-27, ill. "Gordon Smith Explores New Depths in Paper­ 834. TUDOR, ROBYN "Space 4" event in Prague: Compositions by weights" "JMGA 1990 Conference Report" Kopecky, Vanura, KareC Rozatova, and Matous. Annual Bulletin of the Paperweight Collectors' Craft Arts (Sydney), no. 19, July/Sept. 1990, Association, 1989, pp. 45-48, ill. pp. 90-91, ill. 851. "For the Fourth [and Best) Time About the Includes Giselle Courtney's lampworked glass Golden Glassmaker's Rod" 818. TAYLOR, JEFFREY jewelry. Glass Review, v. 45, no. 4,1990, pp. 8-11, ill. "Decorex '90 Exhibition" Competition for glassmakers in the hand produc­ Craft Arts, no. 20, Oct./Dec. 1990, p. 92, ill. 835. "Slumped Glass and pate de verre" tion of lighting glass. Pedestal bottles by Pauline Delaney. Craft Arts [Sydney), no. 18, March/June 1980, pp. 58-65, ill. 852. VON DRATELN, DORIS 819. THEODOR G. SELLNER: WEGZEICHEN Peter Crisp. "Exhibitions: Einleuchten" Text: Alexander Giese) Contemporanea, v. 3, no. 3, March 1990, Hannover: s.n.], 1990; (Carl Kuster Druckerei), 836. UGAROV, B. S. AND OTHERS pp. 84-85, ill. 23 pp., ill. Vera Ignat'evna Mukhina, 1889-1953. Skul'ptura, Mario Merz in Hamburg exhibit. Exhibit of Sellner's sculptures in Vienna and Dekorativno-Prikladnoe Iskusstvo, Grafika, Teatr. Hannover. Vystavka Ironzvedenii k 100-Letiiu so Dnia 853. VONDRA, VIKTOR Rozhdeniia. Katalog "At Pilchuck for the Fifth Time" 820. THOMSON, MARGOT Moskva: VRIB "Soiuzreklamkul'tura," 1989, For You from Czechoslovakia, no. 3, Sept. 1990, "The Western Frontier" 94 pp., ill. p. 92. Glass Gazette, Winter 1990, pp. 8-9. Soviet sculptor Vera Mukhina, who worked in Jiff Harcuba speaks of his experiences at Vancouver studio of David New-Small, Nora glass in the 1940s-early 1950s. Pilchuck. Sterling, and the author. 837. UNGER, MARJAN 854. VORONOV, NIKITA 821. THOR, LARS "Helly Oestreicher" "Dvadtsatlet na Gus'-Khrustal'nom" "Bengt Edenfalk - konstnar, glasformgivare, Glas & Keramiek, no. 5, Oct. 1990 pp. 40-41, ill. Dekorativnoe Iskusstvo SSSR, no. 2 (387), 1990, arafiker" p. 10, ill. / Varend och Sunnerbo, v. 31, no. 3,1990, 838. URBANCOVA, JANA AND STARA, EVA English summary. pp. 8-9, ill. "70 Years of Existence of the Secondary School Sculptural work oy A. Kurilov of the Gus- of Glass-Making in Zelezny Brod 1920-1990" Khrustalny plant. 822. THORKELSSON, IONE Glass Review, v. 45, no. 7,1990, pp. 16-23, ill. "lone Thorkelsson" 855. "Lyudmila Myagkova i Vladimir Murakh- The Glass Art Society Journal 1989, pp. 15-16. 839. VAN CLEVE, P. B. ver" "Steven Maddv" Dekorativnoe Iskusstvo SSSR, no. 12 (385), Dec. 823. TIMBERMAN, MARCY Art Cellar Exchange Magazine (San Diego), v. 2, 1989, pp. 17-20, ill. "Language, Thought and Reality: Joseph no. 6, June 1990, pp. 6-7, ill. English summary. Kosuth" Byelorussian glass designers. Artweek, v. 21, no. 31, Sept. 27,1990, p. 14, ill. 840. VARGA, VERA Neon. "Studiouveg-e a csehszlovak studiouveg?" 856. WAGGA WAGGA. WAGGA WAGGA Uj Muveszet (Budapest), v. 1, no. 3, Dec. 1990, CITY ART GALLERY 824. TOGNINI, JOYCE pp. 32-34, ill. Art Glass from Australia "Americans Abroad" Czech artists Libensky, Brychtova, Elias, Vizner. Wagga Wagga, N.S.W., Australia: the gallery; American Craft, v. 50, no. 6, Dec. 1990/Jan. 1991, Frankfurt am Main: Galerie Gottschalk-Betz, pp. 56-59+, ill. 841. VASTRICK, WALDY 1990, 21 pp., ill. Craftsmen, including glass artists, working in "Andries Copier als ontwerper van fraai In English and German. foreign factories or studios. gebruiksglas" Traveling exhibition of work by seven Australian Glas & Keramiek, no. 5, Oct. 1990, pp. 10-13, ill. artists. 825. TOKYO GLASS ART INSTITUTE English summary. Glass Works 1990: Graduation Exhibition Andries Copier's designs for functional glass, 857. WAGGONER, SHAWN Tokyo: the institute, 1990, 60 pp., ill. 1920s-1980s. "All the World's a Big, Blue Marble" In English and Japanese. Glass Art, v. 5, no. 5, July/Aug. 1990, pp. 4-13, ill. Work by the 8th graduates and the 7th postgrad­ Marbles and marble-making: Josh Simpson, uates. 842. VAXJO. SMALANDS MUSEUM Steven Maslach, Jody Fine/Ken Butterfield. Paul Kedelv fran tra till glas (Text: Bo G. Persson) 826. TOKYO. TAKASHIMAYA Vaxjo: the museum, 1990, [7] pp., ill. 858. "Bay Area Glass: Congenitally Worldly, Yoshinori Masuda Swedish designer for Flygsfors and Reijmyre Inherently Irrepressible. Part 1" s.l.: s.n., 1990], 50 pp. ill. glassworks since 1950s. Glass Art, v. 6, no. 1, Nov./Dec. 1990, pp. 4-15, ill. n Japanese only. Molly Stone, Michael Cohn, David Ruth, Steven 843. VENETIANS: DALE CHIHULY Maslach, Mark McDonnel, Jay Musler, John 827. TOKYO. UEDA CULTURE PROJECTS Altadena, Cal.: Twin Palms, 1989, 40 pp., Lewis, and others. Yoshiko Takikawa (Text: Masakazu Horiuchi) 44 plates, ill. Tokyo: Ueda Culture Projects, 1990, 24 pp., ill. 859. "Glass Art People: David Reekie" In Japanese and English. 844. VESELY, PAVEL Glass Art, v. 5, no. 6, Sept./Oct. 1990, pp. 4-9, ill. "A Few Moments at a Fragile Exposition" 828. TONG, ALLAN For You from Czechoslovakia, no. 2, June 1990, 860. "Glass Art People: James Lundberg" "Travels on the Public Purse and Corporate pp. 23-24, ill. Glass Art, v. 6, no. 1, Nov./Dec. 1990, Coffers" Museum of Glass and Fashion Jewelry at Jablo- pp. 38-42, ill. Ontario Craft, v. 15, no. 4, Winter 1990, nec nad Nisou. pp. 22-25, ill. 861. "Glass Art People: Mary Shaffer" Daniel Crichton. 845. VETROCQ, MARCIA E. Glass Art, v. 5, no. 3, March/April 1990, "Mario Merz" pp. 62-66, ill. 829. TONY CRAGG: SCULPTURE 1975-1990 Arts Magazine, v. 64, no. 5, Jan. 1990, p. 84, ill. [Text: Lucinda Barnes, Marilu Knode and others) Guggenheim exhibit. 862. "Heller Gallery: A Reflection of the Studio Newport Beach, Ca.: Newport Harbor Art Mu­ Glass Movement" seum, 1990, 177 pp., ill. 846. VICTORIA. ART GALLERY OF Glass Art, v. 5, no. 4, May/June 1990, British sculptor uses glass. GREATER VICTORIA pp. 38-42, ill. Suzanne Reese Horvitz, Sheila Reid: Pensee 830. TOWSE, JOHN sans mots = Thoughts Without Words 863. "Neon: Fluid Light in Motion" "Exhibition, Glass Designs" Victoria, Canada: the gallery, 1990, [8] pp., ill. Glass Art, v. 5, no. 2, Jan./Feb. 1990, pp. 4-10, ill. 864. "Sculpture by Regis: Breaking New 883. WELZEL, JOSEF Neues Glas, no. 2,1990, pp. 70-75, ill. Ground" "Erlesen in den Farben, Formen" Wolff's speech in Stockholm and a commentary Glass Art, v. 5, no. 6, Sept./Oct. 1990, Glaswelt, v. 43, no. 10, Oct. 1990, pp. 167-169, ill. by Zerhusen. pp. 38-42, ill. Vasa murrina, millefiori, mosaic glass work by Ernest Regis. the author. 901. WOLGENSINGER, JACQUES "Expositions actualites: Art Jonction" 865. "When the Walls Came Tumbling Down" 884. WEST SURREY COLLEGE OF ART La Revue de la Ceramique et du Verre, no. 54, Glass Art, v. 5, no. 3, March/April 1990, AND DESIGN: GLASS 1989 [together with] Sept./Oct. 1990, p. 50, ill. pp. 24-28+, ill. SCHOOL OF GLASS, SLIDE SELECTION OF Exhibition of glass from 14 countries in Nice, July Disaster recovery experiences of artists and GRADUATING STUDENTS 1990. craftsmen in South Carolina and California. Farnham, Surrey: the college, 1989, 6 pp., ill. Catalog and 17 slides. 902. "Expositions actualites: Nimagine" 866. WALLERIUS, INGA La Revue de la Ceramique et du Verre, no. 55, "Formrevy: Glas-o-djur" 885. WHITE, MARY B. Nov./Dec. 1990, p. 55, ill. Form, v. 86, no. 8 (670), 1990, p. 5, ill. "Bay Area Studio Art Glass" Veronique Monod, Nicole Cipres, Denis Bracke. Eva Hallsten and Marianne Palmgren in Gote- The Glass Art Society Journal 1990, borg exhibition. pp. 55-63, ill. 903. WOOLNOUGH, KRISTINA 18 artists and studios. "Upland Trends" 867. "Formrevy: Glasutblickar" Crafts (U.K.), no. 103, March/April 1990, Form, no. 2,1990, p. 7. ill. 886. WHITE, PATRICK E. pp. 38-41, ill. Goteborg exhibit; Paula Bartrons piece. "NEA Southern Arts Federation Awards: Glassmakers Annica Sanstrom and David Ka­ Jeanette Oliver" plan of the Scottish Borders. Sculpture, v. 9, no. 6, Nov./Dec. 1990, u.p. insert, 868. "Formrevy: Havsblast" 904. WOOSTER, ANN-SARGENT Form, v. 86, no. 3 (667), 1990, p. 4, ill. ill. Steel and neon sculpture. "Exhibitions: Robin Winters" Lars Sesterviks work in Goteborg exhibit. Glass (New York Experimental Glass Workshop), no. 42, Winter 1990, pp. 52-53, ill. 869. "Formrevy: Hugget glas" 887. WHITEHOUSE, DAVID "William Gudenrath: The Art of Experiment" Form, no. 2, 1990, p. 8, Ml. 905. YOUENS, JUDY Lindshammer Art Glass in Goteborg exhibit. Glass (New York Experimental Glass Workshop), no. 41, Fall 1990, pp. 40-43, ill. "The Studio Glass Movement in Southwest Texas, Louisiana and Oklahoma" 870. "Formrevy: Internationellt" Art Today, v. 5, no. 3, Fall 1990, pp. 27-29, ill. Form, v. 86, no. 6 (669), 1990, p. 4, ill. 888. WHITEHOUSE, SUSAN, ED. Reino Bjork exhibit, Goteborg. Glass 7a//c (Millville, N.J.) Creative Glass Center of America newsletter, v. 1, 906. ZACKOVA, AGATA Fall 1990. "The Best Winners" 871. "Formrevy: Sakert kort" News of past and present fellows, the Center's Glass Review, v. 45, no. 8,1990, pp. 2-7, ill. Form, no. 1,1990, p. 9, ill. activities, etc. Tableware. Glass sculpture by Jonas Torstenssons. 889. WICKMAN, KERSTIN 907. ZAJDELA, LOUIS-BERNARD 872. WALRAVEN, A. "Formrevy: Finskt Konstglas" "Creation et Industrie, pour un nouveau rapport" "Modern Glas in Hawaii" Form, no. 1,1990, p. 13, ill. La Revue de la Ceramique et du Verre, no. 51, Bulletin, Vereniging van Vrienden van Modern Finnish glass at Stockholm exhibit: Salo, Kokko, March/April 1990, pp. 52-55, ill. Glas, v. 4, no. 1, March 1990, pp. 10-12. Nordstrom, Toikka, Nurminen, Vennola. Enzo Mari, Achille Castiglioni. In Dutch. Travel report of glass artists, galleries. 908. ZURICH. MUSEUM BELLERIVE 890. "Formrevy: Nordiskt Glas" Skulpturen aus Glas: Stan is lav Libensky und Form, v. 86, no. 7 (669), 1990, p. 13, ill. Jaroslava Brychtova, Prag. Eine Retrospektive 873. WARMUS, WILLIAM Malmo exhibit of Scandinavian glass artists. "Economy of Taste" 1945-1990 (Sigrid Barten, ed.) Zurich: the museum, 1990, (Kat. Nr. 36), Glasswork (Kyoto), no. 6, Aug. 1990, pp. 30-33, 891. "Formrevy: Sprang framat/bakat" ill. 84 pp., ill. Form, no. 1, 1990, p. 11, ill. Libensky/Brychtova retrospective. In Japanese and English. Exhibit of Orrefors designers Jan and Berit Johannsson. 874. "Rushdie Affairs" 909. ZUURMAN, THEO The Glass Art Society Journal 1989, p. 63, ill. "Sien van Meurs, ondernemend glaskunstenaar" 892. "Pionjar Kaj Franck: Revoltor i bruks- Bulletin, Vereniging van Vrienden van Modern design" Glas, v. 4, no. 1, March 1990, pp. 4-7, ill. 875. WARNIA, PIERRE Form, no. 1,1990, pp. 70-72, ill. "Tchecoslovaquie: Chlum Story" 910. "Winnie Teschmacher: 'Ik heb bewust Revue des Industries d'Art Offrir, no. 272, Sept. 893. "Whispering Grace" 1990, pp. 174-191, ill. gekozen voor glas, daar heb ik m'n hele leven Form, v. 86, no. 4-5 (668), 1990, pp. 58-59+, ill. voor nodig'" In Swedish and English. Bulletin, Vereniging van Vrienden van Modern 876. WASHINGTON, D.C. MAURINE New Glass series by Ingegerd Raman. Glas, v. 4, no. 2, June 1990, pp. 5-8, ill. LITTLETON GALLERY John Littleton, Kate Vogel: A Decade of Collabo­ 894. WILLIAM MORRIS: GLASS, ARTIFACT ration AND ART[Text: Henry Geldzahler, Patterson Washington, D.C.: the gallery, 1990, [13] pp., ill. Sims, Narcissus Quagliata Kate Elliott, ed.) [Seattle, Wash.: William Morris; University of 877. WATTS, DAVID Washington Press, 1989], 88 pp., ill. "Stourbridge Glass Course Moves to Wolver­ hampton" 895. WILSON, CARIN Glass Circle News, no. 48, Oct. 1990, p. 7. "Philips Studioalass Award, 1985" New Zealand Crafts, no. 14, Winter 1985, 878. WEISS, DICK pp. 21-23, ill. "Letter from the Northwest" Interview with Klaus Moje, a juror for the compe­ Glasswork (Kyoto), no. 4, Jan. 1990, pp. 38-40, tition. ill. In Japanese and English. Dick Marquis, Catherine Thompson, Ed Wicklan- 896. WILSON, CLAIRE der, Flora Mace/Joey Kirkpatrick. "Glass: The Cutting Edge" Connoisseur, v. 220, no. 938, March 1990, 879. "Northwest Letter" p. 122+, ill. Glasswork (Kyoto), no. 5,1990, pp. 38-41, ill. Daum designers Hilton McConnico, Philippe In Japanese and Enqlish. Starck, Garouste and Bonetti. Work by Martin Blank, Fritz Dreisbach, Robbie Miller, Susan Plum. 897. WILSON, DENISE "Matter of... Glass" 880. "Northwest Letter" Matter, v. 1, no. 2, March 1990, p. 6, ill. Glasswork (Kyoto), no. 7, Dec. 1990, pp. 38-41, ill. Fused glass work by Fred Munro. In Japanese and English (p. 60). 898. WILSON, WADE 881. "Robert Carlson" "Exhibitions: William Carlson" Glasswork (Kyoto), no. 4, Jan. 1990, pp. 2-7, ill. Glass (New York Experimental Glass Workshop), In Japanese and English. no. 39, 1990, p. 51, ill.

882. WELANDER-BERGGREN, ELSEBETH 899. WOLFF, ANN "Nordiskt konstglas" "Glaset en vacker falla" Antik et Auktion, no. 7/8, July/Aug. 1990, Form, no. 2, 1990. pp. 60-61. pp. 72-75, ill. Lindstrands, Cyren, Palmqvist, Englund, Lundin, 900. WOLFF, ANN AND ZERHUSEN, KLAUS Motzfeldt, Franck, Lynggaards, Lutken, Sarpa- "Selbstmord eines Glashauses .. ./Suicide of a neva, Wirkkala, Johansson. Glasshouse" FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass

FLACHGLAS (nach 1945), einschlieBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Buntglas

ANONYMOUS pp. 135-140, ill. 944. "Notable Work: Mayer of Munich" Hans Gottfried von Stockhausen. Professional Stained Glass, v. 10, no. 11, Nov. 911. "Acquisitions" 1990, p. 44, ill. Vitrea (Revue du Centre International du Vitrail, 927. "Glass Wall for the Victoria and Albert" Stained glass framework for a tent in diplomatic Chartres), no. 5/6,1990, p. 62, ill. Glass, Monthly Journal of the European Glass area, Riyadh. Hessisches Landesmuseum, Darmstadt, Industry, v. 66, no. 9, Sept. 1989, p. 342. acquires stained glass by French artists Louis- Designed by Jackie Sneade. 945. "Notable Works: Cory Sesko" Rene Petit, Didier Quentin, Thierry Boissel. Professional Stained Glass, v. 10, no. 7, July 928. "Hartley Wood Re-Opens" 1990, pp. 44-45, ill. 912. "Andy Thorntons Have Landed" Stained Glass 1990 (British Society of Master Glass Interiors (U.K.), Autumn 1990, pp. 12-13, ill. Glass-Painters), p. 13. 946. "Notable Works: Dawn Douet" Architectural stained glass and acid-etched Manufacturers of blown antique glass, Sunder­ Professional Stained Glass, v. 10, no. 9, Sept. panels for commercial market. land. 1990, pp. 44-45, ill.

913. "Architectural Glass/Stained Glass" 929. "Hoffner on Show" 947. "Notable Works: Jos Gomolka" Glasswork (Kyoto), no. 4, Jan. 1990, pp. 24-33, Glass Interiors (U.K.), Autumn 1990, p. 15, ill. Professional Stained Glass, v. 10, no. 5, May ill. Michele Hoffner commissions. 1990, pp. 44-45, ill. In Japanese, Enalish summary. Work by Yasuhiae Kiuchi, Shinpei Sato, Atsuo 930. "Honors across the Sea" 948. "Notable Works: Karen Carbone" Hirao, Masahiro Hatta, Reiko Nishimura, Kristin Professional Stained Glass, v. 10, no. 4, April Newton. Journal of the Interfaith Forum on Religion, Art & Architecture, v. 24, Winter 1990/1991, p. 8, ill. 1990, pp. 52-53, ill. Brief note about Jenny Clark, English artist. 914. "Art Glass for the People's Republic of 949. "Notable Works: Linley Adams" China" 931. "lie de France, Grands Prix de la SEMA" Professional Stained Glass, v. 10, no. 8, Aug. The Crafts Report, v. 16, no. 168, March 1990, 1990, pp. 36-37, ill. p. 28, ill. Le Courrier des Metiers d'Art, no. 95, Sept. 1990, Toledo firm creates panda panels for the Toledo pp. 14-15, ill. verdiano Marzi, mosaics. 950. "Notable Works: Marie-Paule Grusen- Zoo and the Chinese people. meyer" 932. "Image, Light and Structure 1990" Professional Stained Glass, v. 10, no. 2, Feb. 915. "Artful Educators" 1990, pp. 52-53, ill. Ontario Craft, v. 15, no. 1, Spring 1990, p. 8, ill. Stained Glass Quarterly, v. 85, no. 4, Winter 1990, Neil Hanscomb panel for University of Guelph. pp. 292-293, ill. Exhibition in Pontiac, Michigan. 951. "Notable Works: Mary B. White" Professional Stained Glass, v. 10, no. 1, Jan. 916. "Artists News. Jochem Poensgen: Raum- 1990, pp. 52-53, ill. teiler fur Triennale 'Deutsches Kunsthandwerk'" 933. "In Memoriam: Georg Meistermann 1911-1990" Neues Glas, no. 4,1990, p. 310, ill. 952. "Notable Works: Mimi Tawes" Glass space divider for Frankfurt arts and crafts Stained Glass Quarterly, v. 85, no. 4, Winter 1990, p. 270. Professional Stained Glass, v. 10, no. 3, March exhibition. 1990, pp. 52-53, ill.

917. " 'California Sunscreen' Wins 'Best of 934. "Informationen zum Thema" 953. "Opening the Door to Art in Architecture" Show'" Kunst und Kirche, no. 3,1990, p. 170, ill. Ontario Craft, v. 15, no. 1, Spring 1990, Stained Glass Quarterly, v. 85, no. 1, Spring 1990, News of contemporary stained glass exhibits, pp. 20-27, ill. p. 56, ill. seminars, etc. Panels by Lutz Haufschild and Mimi Gellman in Leslie Perlis collaborates with a woodworker to new Ontario Crafts Council headquarters. make screen. 935. "Joachim Klos" Artists in Stained Glass Bulletin, Feb. 1990, 954. "Portfolio: Catherine Thompson" 918. " The Calling of Andrew'" pp. 1-2. Stained Glass 1990 (The Magazine of the British American Craft, v. 50, no. 2, April/May 1990, pp. 62-63, ill. Society of Master Glass-Painters), Spring, 936. "Johannes Schreiter wird 60" p. 23, ill. Neues Glas, no. 1,1990, p. 43, ill. Window by Jane Gray in Somerset church. 955. "Le Prix 'Jean Marais' a Mireille Juteau" In German and English. Le Courrier des Metiers d'Art, no. 89, Jan./Feb. 919. "Commissions: Ellen Mandelbaum" 1990, p. 19, ill. 937. "The Laporte Rose Window at St. Albans Stained glass panel by Mireille Juteau. American Craft, v. 50, no. 5, Oct./Nov. 1990, Abbey" p. 80, ill. Glass Technology, v. 31, no. 1, Feb. 1990, Stained glass sidelights. 956. "Robert Pinart: An Interview" pp. 4-5, ill. Stained Glass Quarterly, v. 85, no. 2, Summer Designed by Alan Younger. 920. "Commissions: Larry Zgoda" 1990, pp. 97-105+, ill. American Craft, v. 50, no. 4, Aug./Sept. 1990, pp. 80-81, ill. 938. "Lead and the Stained Glass Industry" 957. "Shortform: Ecclesiastical Commission" Panels for Chicago home. Professional Stained Glass, v. 10, no. 7, July Crafts (U.K.), no. 106, Sept./Oct. 1990, p. 12, ill. 1990, pp. 5 and 28-29. Mark Angus window for Somerset church. Proposed bill to outlaw lead manufacture and 921. "Commissions: Michael Davis" use. American Craft, v. 50, no. 6, Dec. 1990/Jan. 1991, 958. "Shortform: Sax Shaw" p. 83, ill. Crafts (U.K.), no. 102, Jan./Feb. 1990, p. 12, ill. Window for Vermont home. 939. "Leucos: La luce di Venezia" Commission for a commemorative window in Abitare, no. 290, Nov. 1990, pp. 112-113, ill. East Lothian. 922. "Commissions: Richard LaLonde" English summary. American Craft, v. 50, no. 3, June/July 1990, Glass tiles made in Murano. 959. "Showcase: Kevin Laird Johnson" pp. 88-89, ill. Glass Art, v. 5, no. 2, Jan./Feb. 1990, p. 52, ill. Fused glass triptych for Tacoma library. 940. "Major Glass Artists in Oakland" Stained Glass Quarterly, v. 85, no. 1, Spring 1990, 960. "Spotlight on Members: Karen Krupa" 923. "A Decade of Excellence" . 14. Artists in Stained Glass Bulletin, Nov./Dec. 1990, Professional Stained Glass, v. 10, no. 7, July ecture series at California College of Arts and p. 3, ill. 1990, pp. 6-11, ill. Crafts: J. Carpenter, Stern, Quagliata, E. Carpen­ Competition sponsored by the periodical; win­ ter, Kehlmann, McDonnell, Schreiter. 961. "Spotlight on Members: Virginia Smith" ners include Peter McGrain, Reiner John, Mark Artists in Stained Glass Bulletin, Sept./Oct. 1990, Abildgaard, and others. 941. "Mathilda de Carpentry" p. 3, ill. Le Courrier des Metiers d'Art, no. 93, Juni 1990, Toronto artist. 924. "Doors & Entries" p. 22, ill. Professional Stained Glass, v. 10, no. 11, Nov. Reverse paintings on glass by French artist. 962. "Stained Glass at the Pilkington Museum" 1990, pp. 4-24, ill. Glass Circle News, no. 46, June 1990, p. 4. 942. "National IFRAA Award to Jack Goldstein Work by Paul Casciani and Ervin Bossanyi. 925. "Four Contemporary Stained Glass Proj­ and the Greenland Studio" ects" Stained Glass Quarterly, v. 85, no. 3, Fall 1990, 963. "Surface Lit Piece Wins Award" Stained Glass 1990 (British Society of Master pp. 168-169, ill. Stained Glass Quarterly, v. 85, no. 1, Spring 1990, Glass-Painters), pp. 10-12, ill. p. 24, ill. Brian Clarke, Graham Jones, Susan Bradbury, 943. "New Installations at Guelph University" Susan Russell. Jane Gray. Canadian Society of Decorative Arts Bulletin, v. 8, no. 3, Spring 1990, p. 15, ill. 964. "Vitrail, Paris-Sion" 926. "Glas aus meiner Sicht" Stained glass panel by Neil Hanscomb in En­ Le Courrier des Metiers d'Art, no. 95, Sept. 1990, Glaswelt, v. 43, no. 5, May 1990, p. 4 and gineering Science College. p. 14. Stained glass school (ESAAMA) in Sion, Swit­ 980. BLAUENSTEINER, CHARLOTTE (7. Aufl.) zerland. "Komposchspiegel - Das seitenverkehrte Ich" Wurzburg: Echter Verlag, 1988, (Die Chagall- Kunst + Handwerk, no. 1, Jan./Feb. 1990, Fenster zu St. Stephan in Mainz; Band 2: Die 965. "World Design Expo '89" pp. 16-20, ill. Flankierenden Mittelfenster), 82 pp., 20 leaves of Stained Glass Quarterly, v. 85, no. 4, Winter 1990, Cut mirrored pieces by Arnulf Komposch. plates. pp. 278-280, ill. Chagall windows in St. Stephen's in Mainz, done Nagoya, Japan, competition in 1989. 981. BOISSIERE, OLIVIER in the 1970s. "The Hand of the Architect" 966. ALGIMANTAS STOSKUS: REPRODUK- Vogue Decoration, no. 28, Oct./Nov. 1990, 995. CHARTRES. CENTRE INTERNATIONAL CIJU ALBUMAS = AL'BOM REPRODUKTSII = pp. 96-103, ill. DU VITRAIL A BOOK OF REPRODUCTIONS Oklahoma 1950s house (by Bruce Goff) with Matieres - Lumiere: Le nouvel art verrier fran- Vilnius: "Vagos" Leidykla, 1989,186 pp., ill. engraved glass doors, windows, colored mirrors, gais = Licht und Materie: Die neue franzdsische Russian ana English summaries. ana a garden of glass chunks. Glaskunst Lithuanian stained glass artist. [Chartres]: Centre International du Vitrail, 1989, 982. BONTE, CLAUDE 78 pp., ill. 967. ANDREANI, CAROLE "Vitrail, une commande exceptionelle" "Giovanna Galli" Le Courrier des Metiers d'Art, no. 98, Dec. 1990, pp. 16-17, ill. 996. CHARTRES. GRENIER DE LOENS, La Revue de la Ceramique et du Verre, no. 54, CELLIER DE LOENS Sept./Oct. 1990, pp. 46-49, ill. Panels for the basilica Notre Dame de la Paix de Yamoussoukro, Ivory Coast. lie Salon International du Vitrail 1989 Mosaics by Italian artist working in Paris. Chartres: Editions du Centre International du 983. BORGWARD, MONICA AND Vitrail, 1989, 326 pp., ill. 968. "Janine Jacquot-Perrin: La Lumiere REAY-YOUNG, HELGA Also exhibited at Galerie Julles Salles in Nimes. goutte a goutte" "Glass from Iceland/Begegnung mit Sigridur La Revue de la Ceramique et du Verre, no. 52, Asgeirsdottir" 997. CHRISTENSEN, JANET May/June 1990, pp. 46-47, ill. Neues Glas, no. 3, 1990, pp. 233-236, ill. Architectural glass by Jacquot-Perrin. "The Screen as Sovereign" Professional Stained Glass, v. 10, no. 3, March 984. BORRMANN, GOTTFRIED 1990, pp. 10-13, ill. 969. "Les Saisons du temps" "Erstes Museum fur Glasbildkunst Langen" Author's work. La Revue de la Ceramique et du Verre, no. 53, Kunst + Handwerk, no. 3, May/June 1990, July/Aug. 1990, pp. 34-39, ill. pp. 163-165, ill. Sylvie Gaudin, glass painter. 998. CONWAY, PATRICIA Lukas Derow, Brian Clarke, Johannes Schreiter. Art for Everyday: The New Craft Movement 970. "Vitrail yemenite: Un Art populaire unique New York: Clarkson Potter, 1990, 264 pp., ill. 985. "Museum Langen: Insel der Glasmalerei" Glass, pp. 159-174: Ray King, Susan Stinsmueh- dans le monde arabe" Neues Glas, no. 2,1990, pp. 93-100, ill. La Revue de la Ceramique et du Verre, no. 52, len-Amend, Marni Bakst, Ellen Mandelbaum, Ed In German and English. Carpenter. May/June 1990, pp. 42-45, ill. Johannes Schreiter and the new museum of contemporary glass painting in Langen. 971. "ARS EESTI NSV KUNSTIFONDI 999. COTTINGHAM, JENNIFER TALLINNA KOMBINAAT 986. BRU, DOMINIQUE "Looking Up: Adding a Skylight to a Home" ARS Eesti NSV Kunstifondi Tall in na Kombi- Approches de Toeuvre de Fred Bourguignon: Beautiful Glass for Home & Office, v. 1, no. 2, naat... = The Tallin Combined "ARS" of the Art Memoire de Matrise Summer 1990, pp. 30-34, ill. Fund of the ESSR [Bordeaux: Universite de Bordeaux III, 1988], Tallin: the organization, [n.d.], 40 pp., ill. 153 pp., ill. 1000. COURTNEY, NORMAN In five languages. Paintings and stained glass by Bourguignon. "Architectural Glass Review: Toronto Skydome" Estonian collective art workshops, including one Glasswork (Kyoto), no. 5,1990, pp. 42-45, ill. for stained glass. 987. CAMPBELL, LOUISE In Japanese and English. To Build a Cathedral: Coventry Cathedral, Cast glass panels by the author, Lutz Haufschild, 972. BARCELONA. CAJA DE MADRID 1945-1962 and Ken Clarke. Vitralls dins TEspai: Collectiu del taller de vitralls [Warwick]: University of Warwick, 1987, 79 pp., ill. Includes windows by Lawrence Lee, Keith New, de TEscola Massana (Text: Jose Maria Valverde, 1001. COUTANCES. MUSEE QUESNEL-MO- Lourdes Cirlot, and Antoni Gomez) John Piper, Patrick Reyntiens, Basil Spence, RINIERE Barcelona: Caja de Madrid, [1987?], [15] pp., ill. John Hutton. Sylvie Gaudin: The Little Sisters (Catalog: Jean In Catalan. Buzelin) Exhibition of stained glass by 10 Spanish artists. 988. CAPRILE, LUCIANO "Valerio Adami e le vetrate per il municipio di [Coutances, France: the museum], 1990; (Valog- nes: Le Reverend), [14] pp., ill. In French. 973. BATE, ULRICH Vitry-sur-Seine" "Veranstaltungen: 1. Glasspektrum Vilshofen und Alte Vitrie, v. 3, no. 1, July 1990, pp. 15-17, ill. Freisprechungsfeier" English summary. 1002. CRESTOU, NICOLE Glaswelt, v. 43, no. 9, Sept. 1990, pp. 24-29, ill. Valerio Adami and the windows for the town hall "Formation enseignement: Le Vitrail a I'EN- Student panels. of Vitry-sur-Seine. SAAMA" La Revue de la Ceramique et du Verre, no. 52, 974. BATES, ANGI 989. CARR, RICHARD May/June 1990, p. 66, ill. "Handsome Tilework" "Kirk Commissions" Interiors, v. 149, no. 10, May 1990, p. 84, ill. Crafts (U.K.), no. 106, Sept./Oct. 1990, pp. 44-47, 1003. DAVID PETER Ravenna firms making handworked mosaics. ill. "Innovation as a Blasting Tool" Aberdeen church window by Shona Mclnnes. Professional Stained Glass, v. 10, no. 2, Feb. 975. BAY CITY, MICHIGAN. HISTORICAL 1990, pp. 10-12, ill. MUSEUM OF BAY COUNTY 990. CENTRE DEL VIDRE DE BARCELONA/ Sandblasted work by the author. Expressions in Glass: Yesterday and Today FAD Vitrail contemporani en Tarquitectura: 7 artistes Bay City, Mich.: the museum, 1990, [10] pp. 1004. DECHANET, HENRI Work by 23 artists. Barcelona: Ajuntament de Barcelona, 1990, 116 pp., ill. "Une Premiere en Espagne: La Cathedrale de English and French summaries. Cuenca et I'art contemporain" 976. BECKMAN, MADELEINE Contemporary Spanish stained glass, including Vitrea (Revue du Centre International du Vitrail, "Through a Looking Glass: James Carpenter" architectural work of seven artists. Chartres), no. 4,1989, pp. 49-51, ill. Lighting Dimensions, v. 14, no. 8, Nov. 1990, pp. 54-57+, ill. 991. CHAGALL, MARC AND MAYER, KLAUS 1005. DELL'AQUILA, ETTORE Der Gott der Vater (8. Aufl.) "Eric Wesslow" 977. BEEH, SUZANNE Wurzburg: Echter Verlag, 1987, (Die Chagall- Artists in Stained Glass Bulletin, Feb. 1990, p. 3, "Glasmalerei in der Architektur: Multifunktionale Fenster zu St. Stephan in Mainz; Band 1: Das ill. Kunst/Glass Painting in Architecture: Multifunc­ Mittelfenster), 54 pp., 12 leaves of plates. tional Art" Chagall windows in St. Stephen's in Mainz, done 1006. DELLATOLLA, LESLEY Neues Glas, no. 2,1990, pp. 89-92, ill. in the 1970s. Ursula Huth, Thomas Hauser, Georg Frey, Jo­ "Painting with Light" hannes Hewel. South Africa Today, v. 6, no. 10, Dec. 1989, 992. Herr, mein Gott, wie groB bist du! (5. Aufl.) pp. 40-42, ill. Wurzburg: Echter Verlag, 1988, (Die Chagall- Stained glass windows in Umtata, South Africa. 978. BEEH-LUSTENBERGER, SUZANNE E. Fenster zu St. Stephan in Mainz; Band 3: Die "Werke der achtziger Jahre; Eine Analyse" Seitlichen Fenster), 74 pp., 20 leaves of plates. Kunst und Kirche, no. 3,1990, pp. 134-142, ill. Chagall windows in St. Stephen's in Mainz, done 1007. DOLDEN, MARY Brian Clarke, Alex Beleschenko, Ursula Huth, in the 1970s. "Lumieres apprivoisees" and others. Techniques & Architecture (Paris), no. 391, Aug./ 993. Die Himmel der Himmel fassen dich nicht Sept. 1990, u.p. [8 pp.], ill. 979. BENTLEY, ALLEN Wurzburg: Echter Verlag, 1986, (Die Chagall- English summary. "Molly Lamb Bobak and Hugh MacKinnon Fenster zu St. Stephan in Mainz; Band 4: Die James Carpenter projects. Stained Glass Windows" Querhausfenster), 62 pp., 12 leaves of plates. ArtsAtlantic, v. 10, no. 1, Spring/Summer 1990, Chagall windows in St. Stephen's in Mainz, done 1008. DOMES, DIETHER F. pp. 19-20, ill. in the 1970s. "Wohnerlebnis durch farbiges Glas" Commemorative windows in the University of Glasforum, v. 40, no. 1, Feb. 1990, pp. 19-20, ill. New Brunswick, Fredericton. 994. Ich stelle meinen Bogen in die Wolken Author's residential skylights. 1009. DONEFER, LAURA 1026. GOODDEN, TED, Ed. Stained Glass Quarterly, v. 85, no. 2, Summer "Skydome" "Burleighfield Alumni" 1990, pp. 112-114+, ill. Glass Gazette, Winter 1990, pp. 4-5. Leadline (Artists in Stained Glass), 1990, pp. 2-8 Interview with Norman Courtney about the and 15-24, ill. 1044. "The Quintessential Lutz Haufschild: It Toronto sports stadium. Work and statements by Doreen Balabanoff, Needs to Be Said" Frederick Birkhill, Clive Blewchamp, Liefur Stained Glass Quarterly, v. 85, no. 3, Fall 1990, 1010. DORMER, PETER Breidfjord, Ed Carpenter, and others. pp. 194-200, ill. "Judgement Day" Crafts (U.K.), no. 101, Nov./Dec. 1989, pp. 44-47, 1027. "Patrick Reyntiens & the Burleighfield 1045. KAZAKOS, GEORGE ill. Experience: Editor's Preface" "A Year in Ed Carpenter's Studio" John Hutton screens and windows in Coventry Leadline (Artists in Stained Glass), 1990, pp. 1-2. Glass Art, v. 5, no. 2, Jan./Feb. 1990, pp. 40-43, Cathedral. ill. 1028. GRAYSON, JUNE 1011. DROSSOPOULOS, CATHERINE "Char and Kevin Eagleton, Contemporary Glass 1046. KAZAKOVA, LIUDMILA VASIL'EVNA Lea Roussopoulous, "The Stelae"(Transl. by Artists" Decorativnoe Steklo v Sovetskoi Arkhitekture Caroline Harbouri) Glass Collector's Digest, v. 4, no. 1, June/July (1960-1980-e gody) Athens: Trito Mati, 1989, [8] pp., ill. 1990, pp. 70-73, ill. Moskva: Izobrazitel'noe Iskusstvo, 1989, 239 pp., ill. 1012. ELFORD, CLIFFORD 1029. GRENON, ARIANE Decorative glass in Soviet architecture, "Light and Order" "Les Loire, une famille de maitres verriers" 1960-1980. Ontario Craft, v. 15, no. 2, Summer 1990, Le Courrier des Metiers d'Art, no. 96, Oct. 1990, pp. 10-15, ill. pp. 16-18, ill. 1047. KEARNEY, VICTORIA M. Lutz Haufschild. Three generations of the Loire family of stained "Patrick Reyntiens" glass artists, Sevres. Stained Glass Quarterly, v. 85, no. 3, Fall 1990, pp. 220-222, ill. 1013. EMERY, JOHN C. "Creating New Designs in the Tiffany Tradition" 1030. GRISHAM, SUSAN "Will Uncle Sam Ban Tiffanies?" 1048. KEEBLE, K. COREY Professional Stained Glass, v. 10, no. 7, July Home Lighting & Accessories, v. 73, no. 8, Aug. "In Review: Patrick Reyntiens and the Burleigh- 1990, pp. 14-15, ill. 1990, p. 36+. fiplH Fynpripnrp" Proposed leaded glass legislation. Ontario Craft, v. 15, no. 3, Fall 1990, pp. 30-31, ill. 1014. "How to Make Stained/Beveled Glass More Acceptable and Useful" 1031. GRUEN, CONNIE 1049. "Patrick Reyntiens and The Burleighfield U.S. Glass, Metal & Glazing, v. 25, no. 2, Feb. "Beauty and the Bath" Experience" 1990, pp. 38-40, ill. Beautiful Glass for Home & Office, v. 1, no. 1, Canadian Society of Decorative Arts Bulletin, Spring 1990, pp. 44-51, ill. v. 8, no. 4, Autumn 1990, pp. 3-4, ill. 1015. ENAUD, FRANQOIS Stained glass, sandblasted panels, etc. Review of exhibitions in Toronto of work by "Un Demi siecle de vitrail en France, 1939-1989" Reyntiens and 22 artists who studied with him. Vitrea (Revue du Centre International du Vitrail, 1032. "A Feast of Glass" Chartres), no. 4, 1989, pp. 3-16, ill. Beautiful Glass for Home & Office, v. 1, no. 2, 1050. KEHLMANN, ROBERT Summer 1990, pp. 23-29, ill. "In Memoriam: Robert Sowers, 1923-1990" 1016. FERRELL, GINGER Stained glass in kitchens. The Glass Art Society Journal 1990, p. 11, ill. "Stained Glass Exhibition" Stained Glass 1990 (The Magazine of the British 1033. "The Magical Bevel" 1051. "20th Century Stained Glass" Society of Master Glass-Painters), Spring, p. 9, Beautiful Glass for Home & Office, v. 1, no. 1, Glasswork (Kyoto), no. 4, Jan. 1990, pp. 14-22, ill. ill. Spring 1990, pp. 20-24, ill. In Japanese. Kathy Shaw. 1034. GRUNSEIT, MARC 1052. "20th Century Stained Glass" 1017. FERRY, MARCEL "Neil Finn: A Glass Survivor" Glass work (Kyoto), no. 6, Aug. 1990, pp. 20-29, "Le Vitrail moderne en Franche-Comte" Ausglass, Summer 1989, pp. 10-11, ill. ill. In Japanese. Vitrea (Revue du Centre International du Vitrail, Australian stained glass artist. Chartres), no. 4, 1989, pp. 17-48, ill. 1053. KLOOS, WERNER 1035. HAJDAMACH, CHARLES Heinz Lilienthal: Werdegang und Werk. Gestal- 1018. FOUCAULT, MARIE PASCALE "Hartley Wood to Re-Open" tung in Glas, Stein und Metal I "Henri Guerin: Master of the Facet" The Glass Cone, no. 26, Summer 1990, p. 2. Bremen: Carl Schunemann Verlag, 1985, Professional Stained Glass, v. 10, no. 8, Aug. 95 pp., ill. 1990, pp. 6-9, ill. 1036. HALIBURTON, CHRISTINE "Stained Glass Degree Show at Edinburgh Col­ 1054. KNOPPER, HANS 1019. "The 1 st International Stained Glass lege of Art 1990" "Georg Meistermann: Ein streitbarer, universeller Symposium" Stained Glass 1990 (British Society of Master Kunstler/A Fighting Universal Artist" Professional Stained Glass, v. 10, no. 9, Sept. Glass-Painters), pp. 16-17. Neues Glas, no. 4, 1990, pp. 284-293, ill. 1990, pp. 29-32. Barcelona, Spain, in May 1990. 1037. HAUFSCHILD, LUTZ 1055. "Georg Meistermann, Deceased" "The Public Art of Lutz Haufschild" Neues Glas, no. 3, 1990, pp. 247-248, ill. 1020. FRANCOIS GILLEN / PARIS The Glass Art Society Journal 1989, pp. 12-13, [Text: Joseph-Emile, Muller and others) ill. 1056. KYLE, CAROLYN, Ed. Luxemburg; Paris: Editeur Raymon Mehlen, Best Designs Showcase: Forty-six New Prize- 1966, [42] pp., ill. 1038. HIGGINS, SUSAN winning Designs... 1966 Montreal exhibition of Gillen's work from "Patrick Reyntiens" Olympia, Wash.: CKE Publications, 1990, 1948 to 1965. Artists in Stained Glass Bulletin (Toronto), April 60 pp., ill. 1990, p. 1, ill. Stained glass pattern book. 1021. GABALDO, VIRGINIA "Fused Glass Combo" 1039. HILL, ROSEMARY 1057. Glass Patterns in Color II Professional Stained Glass, v. 10, no. 4, April "Sources of Inspiration" Olympia, Wash.: CKE Publications, 1990, 1990, pp. 10-12, ill. Crafts (U.K.), no. 98, May/June 1990, pp. 42-43, 49 pp., ill. Fused glass on painted wood. ill. Lawrence Lee. 1058. LAGIER, JEAN-FRANQOIS "Aspekte des zeitgenossischen franzosischen 1022. GAL, REGIS 1040. HILLMAN, BILL Glasfensters in Sakralbauten" "Park Guell: Le Jardin de Gaudi. Les Vitraux" Victorian Stained Glass for Today Kunst und Kirche, no. 3,1990, pp. 144-147, ill. La Revue de la Ceramique et du Verre, no. 53, Olympia, Wash.: CKE Publications, 1989, Church panels by French artists Boissel, Fleury, July/Aug. 1990, pp. 51-52, ill. 40 pp., ill. and others. Stained glass by Gaudi in the Guell family crypt, Pattern book. Barcelona. 1059. "Expositions: Matieres-Lumiere, le nou- 1041. HOGG, DOUGLAS vel art verrier francais" 1023. GERCKE, HANS "The Stained Glass Degree Course at Edin­ Vitrea (Revue du Centre International du Vitrail, "Mit dem Licht malen. Aspekte neuerer Glasma- burgh" Chartres), no. 4,1989, pp. 57-58, ill. lerei" Scottish Glass Society Newsletter, no. 36, June Brussels exhibition, 1989. Kunst und Kirche, no. 3,1990, pp. 148-151, ill. 1990, pp. 10-11. Also in Stained Glass 1990 (The Joachim Dorn, Lukas Derow, Barbara Schonian, Magazine of the British Society of Master Glass- 1060. "Expositions: Vitrail de Tchecoslova- Bob Budd, Brenda Malkinson. Painters), Spring issue. quie" Vitrea (Revue du Centre International du Vitrail, 1024. GIGON, MICHEL 1042. HOLDEN, AGNES Chartres), no. 4,1989, pp. 60-61, ill. "Les Peintres et le vitrail" "Barcelona '90:1st International Stained Glass Exhibit at Chartres center; work by Eliska Vitrea (Revue du Centre International du Vitrail, Symposium, May 1990," Rozatova illustrated. Chartres), no. 4,1989, pp. 52-53. Stained Glass 1990 (British Society of Master Glass-Painters), p. 9, ill. 1061. LAMACRAFT, JANE 1025. GLOVER, LARRY "Leading Light" "Keeping the Lead In" 1043. HOOVER, RICHARD L. Crafts (U.K.), no. 97, March/April 1989, Artists in Stained Glass Bulletin, Nov./Dec. 1990, "A Conversation with Consultant/Restorer Arthur pp. 24-27, ill. p. 2+. J. Femenella" Mark Angus commission for Islington church. 1062. LAMPTON, PATRICE 1078. MCDONALD, TIMOTHY B. April 1990, pp. 6-9, ill. A Touch of Tiffany "The Resurging Craft of Decorative Glass" Fused glass by Liz Mapelli. Olympia, Wash.: CKE Publications, 1989, Architecture, Aug. 1990, pp. 117-119. 36 pp., ill. 1095. "Calculated Response" Pattern book. 1079. MCGRAIN, PETER Professional Stained Glass, v. 10, no. 6, June "Stained Glass of the Holy Land" 1990, pp. 6-9, ill. 1063. LAURENCE, ROBIN Glass Art, v. 5, no. 2, Jan./Feb. 1990, Ed Carpenter's work in Alaska and Oregon. "Glass Work Reflects Urban Impact" pp. 48-49, ill. Artists in Stained Glass Bulletin, Sept./Oct. 1990, 1096. "An Educational Opportunity" p. 1, ill. 1080. MESRAHI, RACHEL Professional Stained Glass, v. 10, no.5, May Panel at Simon Fraser University, Vancouver, by "Heart, Mind & Soul" 1990, pp. 22-24, ill. Mary Filer and Harold Spence-sales. Stained Glass Quarterly, v. 85, no. 2, Summer Quagliata/Mesrahi Studio and the California 1990, pp. 108-110, ill. Stained Glass and Design School. 1064. "Mary Filer's Urban Designs in Glass" Work by the author. Canadian Society of Decorative Arts Bulletin, 1097. "A Gracious Introduction" v. 8, no. 3, Spring 1990, p. 10, ill. 1081. METZINGER JORG Beautiful Glass for Home & Office, v. 1, no. 1, Architectural murals. "Shimpei Sato" Spring 1990, pp. 8-18, ill. Kunst und Kirche, no. 3,1990, p. 143, ill. Entryways by Haufschild, Quagliata, vonRoenn, 1065. LEVY, DEBRA Preston Studios, and others. "If This Is Tuesday, It Must Be Pilkington" 1082. MEYER, BRUNO; KUSKE, MAX; AND Glass Magazine (National Glass Dealers Asso­ BRUNNER, MAX 1098. "Profile: Markian Olynyk" ciation), v. 40, no. 1, Jan. 1990, pp. 50-52, ill. "Wieder neu nach dreiBig Jahren" Professional Stained Glass, v. 10, no. 9, Sept. Visit to Goddard and Gibbs Studios, London. Glaswelt, v. 43, no. 3, March 1990, pp. 21-23, ill. 1990, pp. 6-9, ill. Stained Glass in Bettlach church. Vancouver artist.

1066. LEVY, HOWARD 1083. MILLARD, RICHARD 1099. "A Social Artist" "Scintillating Surfaces" "Transparency Sketches" Professional Stained Glass, v. 10, no. 1, Jan. Beautiful Glass for Home & Office, v. 1, no. 2, U.S. Glass, Metal & Glazing, v. 24, no. 7, July 24, 1990, pp. 6-11, ill. Summer 1990, pp. 8-15, ill. 1989, pp. 30-31. Linda Lichtman. Etched glass shown in commercial and home Making transparent colored drawings of a pro­ sites. posed stained glass design. 1100. PLATT, EMMA "Faint Praise" 1067. LLOYD, MATTHEW AND 1084. MOOR, ANDREW Design (London), no. 504, Dec. 1990, BLACKMORE, JANET "Introduction to the Recent Work of Patrick pp. 32-33, ill. Glass for a Beautiful Home Reyntiens" Church commissions; includes Mark Angus win­ New York, Toronto: Barron's Educational Series, Leadline (Artists in Stained Glass), 1990, dow. 1990,160 pp., ill. pp. 9-14, ill. Includes tools, techniques, suppliers; restoration; 1101. PORCELLI, JOE studios and suppliers, etc. 1085. MORSE, NATALEE "Review: The New American Glass Show and "Beveled Design Alternatives" Glass Craft Festival '89" 1068. LONDON. AUSTIN/DESMOND Professional Stained Glass, v. 10, no. 5, May Professional Stained Glass, v. 10, no. 2, Feb. FINE ART 1990, pp. 18-19, ill. 1990, pp. 33-35. Contemporary Artists from Ireland London: the gallery, 1990, 48 pp., ill. 1086. NORRIE, JANE 1102. POSNER, RICHARD Includes stained glass by James Scanlon, "Images in Glass: Stained Glass by Patrick "In Context: Throucjh the Glass Canvas" pp. 23-25. Reyntiens" Glass (New York Experimental Glass Workshop), Arts Review, v. 42, no. 25, Dec. 14,1990, p. 683. no. 40, Spring/Summer 1990, pp. 44-47, ill. 1069. LONDON. THE MAYOR GALLERY London exhibition. Author's work. Brian Clarke: Into and Out of Architecture London: the gallery, 1990, 69 pp., ill. 1087. NUDSON, TENY 1103. POYNOR, RICK Dimensions of Christmas "Master of the Matrix" 1070. LOUVET, JACQUELINE Olympia, Wa.: CKE Publications, 1989, 36 pp., ill. Blueprint (London), no. 66, April 1990, pp. 32-35, "Expositions actualites: A Batimat 89" Stained glass pattern book. ill. La Revue de la Ceramique et du Verre, no. 50, Brian Clarke. Jan./Feb. 1990, p. 62, ill. 1088. O'CONNOR, D. THOMAS Construction trade show in Paris included mo­ "George Schlicher: Stained Glass Artist" 1104. PRACHE, ANNE saics, stained glass, sandblasted panels, etc. Glass Collector's Digest, v. 4, no. 3, Oct./Nov. "Le Quinzieme colloque international du Corpus 1990, pp. 10-14, ill. Vitrearum Medii Aevi 1071. "Yamassoukro, les vitraux de la deme- Marietta, Ohio, artist. Vitrea (Revue du Centre International du Vitrail, sure" Chartres), no. 4, 1989, pp. 54-56, ill. La Revue de la Ceramique et du Verre, no. 55, 1089. OVERBOOK-ESSER STUDIOS Nov./Dec. 1990, pp. 46-48, ill. The Frank Lloyd Wright Art Glass Window 1105. PYLE, HILARY Stained Glass for cathedral, Ivory Coast. Collection "Cork Glass Now" Oconomowoc, Wis.: Oakbrook-Esser Studios; Irish Arts Review Yearbook, 1990-1991, 1072. MAHONEY, ROBERT [s. 1.1: The Frank Lloyd Wright Foundation, 1988, pp. 44-52, ill. "Exhibitions: Wim Delvoye" [20] pp., ill. James Scanlon and Maud Cotter. Glass (New York Experimental Glass Workshop), Reproductions of Wright windows. no. 40, Spring/Summer 1990, pp. 50-51, ill. 1106. QUAGLIATA, NARCISSUS 1090. PATTI, TOM "Design: The Function of Sketching" 1073. MALLARD GENE "Santa Fe Windows" Professional Stained Glass, v. 10, no. 5, May "A Brush with Freedom" American Craft, v. 50, no. 1, Feb./March 1990, 1990, pp. 25-26, ill. Professional Stained Glass, v. 10, no. 2, Feb. pp. 52-53, ill. 1990, pp. 6-9, ill. Five windows of stacked cast glass panels for a 1107. "Universe in Red" Ellen Mandelbaum. New Mexico home. Professional Stained Glass, v. 10, no. 1, Jan. 1990, p. 14+, ill. 1091. PEPCHINSKI, MARY Author's work. 1074. MARBURG. MARBURGER KUNST- "Verwandlung des Raumes durch Licht und VEREIN Glas (1)" 1108. RAGUIN, VIRGINIA C. Erhardt Jakobus: Glasmalerei (Einfuhrung von Glasforum, v. 40, no. 5, 1990, pp. 18-23, ill. "Many Voices: First International Symposium, Herwig Brendel) Work by James Carpenter. Barcelona" Marburg: the gallery, 1990, [7] pp., 12 leaves of Stained Glass Quarterly, v. 85, no. 3, Fall 1990, plates. 1092. PERTEGAZ Y HERNANDEZ, pp. 206-210, ill. VIDRIERAS: "DESDE LA ARENA" 1075. MARSH, JOHN (Text: Victor Nieto Alcaide, A. Atienza Cantero, 1109. RALLI, GIOVANNA "Jenny Clark, Sculptor and Engraver of Glass" Rafael Prats Rivelles) "Vetri dai mille colori" Journal of the Interfaith Forum on Religion, Art & Valencia, Spain: Caja Ahorros de Valencia, 1990, Casa Vogue, no. 214, Dec. 1989, p. 101, ill. Architecture, v. 22, Winter 1988/1989, 46 pp., ill. Giuliani, stained glass studio in Rome. pp. 18-19, ill. In Spanish and English. Spanish stained glass artists Icjnacio Pertegaz 1110. REEKIE, DAVID 1076. MASAHIRO, HACHIDA und Nini Hernandez in Valencia exhibition. Alternative Uses of Glass Art in Architecture in "A Talk with Ludwig Schaffrath" the U.S.A. A Report by David Reekie for the Glass work [Kyoto), no. 6, Aug. 1990, 1093. PESTRIDGE, CHRISTINE Winston Churchill Memorial Trust pp. 40-43, ill. "Picturing the Intangible" [s. 1.: the author], 1989,12 leaves, 11 leaves of In Japanese and English. Professional Stained Glass, v. 10, no. 3, March plates. Work by 11 artists: Du Grenier, Harmon, 1990, p. 14+, ill. Ben Tre, Freeman, Dailey, Aldridge, Troutner, 1077. MASHBURN, RICK Screen by J. Kenneth Leap. Marioni, Perkins, Carpenter, King. "The New Gleam in Stained Glass" Diversion, v. 18, no. 1, Jan. 1990, pp. 121 -122-*-, ill. 1094. PETERSON, CHRIS 1111. RHEBERGEN, ROBI Ed Carpenter, Dick Weiss, Kenneth vonRoenn, "An Architectural Alternative" "Expositions actualites: Vitrail de tchecoslova- Susan Stinsmuehlen-Amend. Professional Stained Glass, v. 10, no. 4, quie" La Revue de la Ceramique et du Verre, no. 50, Society of Master Glass-Painters), Spring, 1143. WATSON, VALERIE Jan./Feb. 1990, p. 59, ill. pp. 16-17, ill. "A conversation about Light: Richard T. Spauld- Czech stained glass exhibit at Chartres. Johannes Schreiter class held at Swansea, ing" Aug. 1989. Art Cellar Exchange Magazine (San Diego), v. 2, 1112. RUHRBERG, KARL no. 6, June 1990, pp. 23-24, ill. "Ein gro(3er Bildarchitekt: Zum Tode von Georg 1128. SOMARE, MARILEA Meistermann" "Vetrate su misura" 1144. WEINER, KAY BAIN Kunst und Kirche, no. 3,1990, p. 166, ill. Casa Vogue, no. 222, Sept. 1990, p. 204, ill. Line and Color Magic for Glass Design Stained glass studio, Milan. [Roselle, N.J.]: Eastman Publications, 1990, 1113. RUSSELL, JAMES S. 83 pp., ill. "Steel and Glass Bring Form to Light" 1129. SOUR, ANNEMARIE Architectural Record, Nov. 1990, pp. 108-111, ill. "Nieuwe Molukse moskee in Waalwijk" 1145. WEIS, HELENE H. Curving entrance-lobby walls for office buildings Bulletin, Vereniging van Vrienden van Modern "A Natural View" by James Carpenter. Glas, v. 4, no. 2, June 1990, pp. 8-10, ill. Stained Glass Quarterly, v. 85, no. 3, Fall 1990, Angela van der Burght, Jan Willem van Zijst de­ pp. 202-205, ill. 1114. SALVIONI, DANIELA sign lighting for a mosque in Waalwijk, the Naturalist, photographer, and stained glass artist "Dan Graham" Netherlands. J. Kenneth Leap. Flash Art, no. 152, May/June 1990, pp. 142-144, ill. 1130. SOWERS, ROBERT 1146. WEIS, HELENE H. AND Artist's mirrored pavilions. Rethinking the Forms of Visual Expression HOOVER, RICHARD L. Berkeley: University of California Press, 1990, "A Civic Celebration of Stained Glass Renews 1115. SCHAECHTER, JUDITH AND FRANTZ, 139 pp., ill. the Spirit" SUSANNE K. "Stained Glass: Painting with Structure and Stained Glass Quarterly, v. 85, no. 4, Winter 1990, "Conversation" Light," pp. 50-72; includes glass by Schreiter, pp. 260-262+, ill. Glass (New York Experimental Glass Workshop), Schaffrath. New Rochelle, N.Y., focuses on its stained glass no. 40, Spring/Summer 1990, pp. 12-13, ill. heritage; artists Elskus, Gallin, Hyams, Mandel- 1131. STATENS KONSTRAD baum, and others. 1116. SCHMITT, PETER "Konsten ar pa vag att bliva alias..." "Klasse: Schaffrath, Akademie Stuttgart" Statens konstrad 1937-1987 1147. WEISS, DICK Neues Glas, no. 3,1990, pp. 237-240, ill. (The National Arts Council of Sweden) "The Joys and Pains of Large Architectural Exhibition of student work from Schaffrath's Stockholm: the council, 1987, 223 pp., ill. Commissions in Glass: Interview with Paul class in the gallery of the Derix company. In Swedish and English. Marioni" Architectural glass by Ann Wolff, Edvin Ohr- Glasswork (Kyoto), no. 4, Jan. 1990, pp. 48-51, ill. 1117. "Stuttgart und die junge Glasmalerei in strom, Torgny Larsson, Sven Palmqvist. In Japanese. Deutschland Kunst und Kirche, no. 3,1990, pp. 152-158, ill. 1132. STINSMUEHLEN-AMEND, SUSAN 1148. "Nuts and Bolts of Major Stained Glass Stuttgart school of younger artists: Johannes "Glass Goes Public" Commissions" Hewel, Sigrid Gloggler, Ursula Huth, Helga The Glass Art Society Journal 1990, The Glass Art Society Journal 1990, pp. 47-51, Reay-Young, Ada Isensee, and others. pp. 21-25, ill. ill. Work of Garth Edwards, Catherine Thompson, 1118. SCHNEIDER, PIERRE 1133. SULLIVAN, J. M. and the author. "Matisse's Chapel of the Rosary" "Graham Howcroft: Glass Mask" The Journal of Art, v. 3, no. 3, Dec. 1990, Arts Atlantic 38, v. 10, no. 2, 1990, p. 8, ill. 1149. WERBLOWSKY, R. J. ZWI pp. 34-35, ill. Exhibition of Howcroft's stained glass in "The Stained Glass Window of Regine Heim in vence chapel. St. John's, Newfoundland. Jerusalem" Jewish Art, v. 15,1989, pp. 108-115, ill. 1119. SCHREITER, JOHANNES 1134. SWASH, CAROLINE " 'Der Geist will auch uns Kunstler bebruten.' "Brian Thomas" 1150. WILCOX, ELIZABETH Kriterien fur Glasbildner im Kirchenraum - eine Stained Glass 1990 (The Magazine of the British "Commissions: Ed Carpenter" Frage an Johannes Schreiter" Society of Master Glass-Painters), Spring, Sculpture, v. 9, no. 1, Jan./Feb. 1990, p. 33, ill. Kunst und Kirche, no. 3,1990, p. 161, ill. pp. 6-7, ill. Light sculpture for Salem movie theater. Schreiter discusses criteria for glass images in church commissions. 1135. "Craftnotes: Glass Class" 1151. WILLIAMS, OLGA M. 1120. SCHWARTZ, ROBERTA Crafts (U.K.), no. 100, Sept./Oct. 1989, p. 13. "The Quest of Eric Wesselow" "Michigan Glass Artist Re-Creates Master Works May 1989 conference on stained glass at the Canadian Society of Decorative Arts Bulletin, Victoria & Albert Museum. by Louis Tiffany" v. 8, no. 3, Spring 1990, pp. 10-11, ill. The Crafts Report, v. 16, no. 168, March 1990, Laminated colored panels. p. 29, ill. 1136. "Reviews: Into and Out of Architecture" Lamps by Bill Scudella. Crafts (U.K.), no. 105, July/Aug. 1990, 1152. WILSON, DAVID AND OTHERS pp. 53-54, ill. "Profile: Robert Sowers - 1923-1990" 1121. SCHWARZ, HANS-PETER London exhibition of Brian Clarke's work. Professional Stained Glass, v. 10, no. 5, May " 'Ohne einen Glaspalast ist das Leben eine 1990, pp. 6-9, ill. Last.' Die Architektur als Schicksal des Glases" 1137. TIFFANY, LOUIS COMFORT, FOUNDA­ Kunst und Kirche, no. 3, 1990, pp. 128-133, ill. TION 1153. WINNEKES, KATHARINA Recent architectural uses of glass: Museum for The Louis Comfort Tiffany Foundation 1989 "Lux continua: Zu den Glasbildern von W. Gies" Modern Glass Painting in Langen, Louvre pyra­ Awards in Painting, Sculpture, Printmaking, and Kunst und Kirche, no. 3,1990, p. 165, ill. mid, work by Kenneth vonRoenn, Ed Carpenter, Craft Media Cologne glass painter. David Clegg. New York: the foundation, 1990, 63 pp., ill. Judith Schaechter, pp. 42-43. 1154. WRIGHT, DAVID 1122. SEATON, JOHN "Chapel of the Holy Spirit, St. James, Sydney" "Windows of Clarity and Intent" 1138. TOKYO. GALLERY BIOT Ausglass Magazine, Winter 1990, pp. 15-17, ill. Stained Glass Quarterly, v. 85, no. 2, Summer Ekatherina Getsova: Glass Art Window by the author. 1990, pp. 122-126, ill. (Text: Tatiana Dimitrova) West Coast artist Mark Eric Gulsrud. Tokyo: the gallery, 1989, [14] pp., ill. 1155. WRIGHT, GORDON In English and Japanese. "Profile of a commission in Stained Glass" 1123. SHAW, PHILLIDA Monumental glass reliefs by Bulgarian artist. New Zealand Crafts, no. 31, Autumn 1990, "Design in Glass at Glassex '90" pp. 12-14, ill. Stained Glass 1990 (The Magazine of the British 1139. VETTISE, ANTHONY R. Author's work, Christchurch. Society of Master Glass-Painters), Spring, p. 11. "Regional Reviews: John Piper in Wales" "Design in glass" section at a British exposition. Arts Review, v. 42, no. 16/17, Aug. 10-24, 1990, 1156. YOUNGER, ALAN p. 441. "The St. Albans Rose" 1124. "Two Stained Glass Projects in New Stained Glass 1990 (The Magazine of the British Zealand" 1140. VOLP, RAINER Society of Master Glass-Painters), Spring, Stained Glass 1990 (British Society of Master "Glas als Schirm und Scheibe" pp. 12-13, ill. Glass-Painters), p. 8, ill. Kunst und Kirche, no. 3, 1990, pp. 158-160, ill. Cathedral rose window by the author. Karl-Martin Hartmann work in Kelkheim and 1125. SLOAN, JULIE L. Willgartswiesen churches. 1157. ZGODA, LARRY "Books on Contemporary Stained Glass Artists" "The Beauty of Stainless Glass" Beautiful Glass for Home & Office, v. 1, no. 1, 1141. "Vorwort" Professional Stained Glass, v. 10, no. 5, May Spring 1990, pp. 53-54. Kunst und Kirche, no. 3,1990, pp. 126-127, ill. 1990, pp. 12-14, ill. English summary. Bevels and beveling. 1126. "The Lead Issue in the U.S. Senate" Glass painting is experiencing a revival. Professional Stained Glass, v. 10, no. 8, Aug. 1158. ZIJST, JAN-WILLEM VAN AND 1990, p. 28. 1142. WAGGONER, SHAWN BURGHT, ANGELA VAN DER "Liturgical Commission Brings to Life 'The Sea­ Een Teken van Leven = Ein Zeichen von Leben 1127. SNELLING, DAVID AND sons of Salvation'" Achel, Belgium: Fenestra Ateliers, [1990], 32 pp., FERRELL, GINGER Glass Art, v. 5, no. 3, March/April 1990, ill. "The Schreiter Masterclass" pp. 4-9, ill. Jan-Willem van Zijst and Angela van der Burght Stained Glass 1990 (The Magazine of the British Barbara Cunha windows in Mass. church. exhibition at Glasmuseum Immenhausen. TECHNOLOGY (after 1945)/Technologien (nach 1945)

ANONYMOUS (Atlantic City, N. J., June 27-July 1, 1988), 1193. FORRESTER, ANDY Toledo, O.: the society, 1989, pp. 48-53, ill. "Chance Has Known How Since 1824" 1159. "Entwurfe fur ein Glasmuseum (1)" Pilkington News, Aug. 15, 1990, pp. 8-9, ill. Glasforum, v. 39, no. 6, Dec. 1989, pp. 39-44, ill. 1177. CARBERRY, EDWARD Chance Brothers, firm making products from Part 2: v. 40, no. 1, Feb. 1990, pp. 11 -18, ill. "Introductory Scientific Glassblowing Course at glass tubing and rods. Competition for designing a glass museum Southwest State University" [in] sponsored by Institut fur offentliche Bauten, Uni- American Scientific Glassblowers Society 1194. FREY, THOMAS G. versitat Stuttgart. Symposium and Exhibition on the Art of Glass- The Chemistry of Glass blowing, 34th Proceedings [San Luis Obispo, Cal.: the author; California 1160. "Glassmakers Urged to Reconsider the (Milwaukee, Wis., June 26-30, 1989), Polytechnic State University Extension, 1990], ill. Designer's Role" Toledo, O.: the society, 1989, pp. 44-48, ill. Photocopied sheets relating to glass structure, Glass, Monthly Journal of the European Glass raw materials, hazardous chemicals, glass cal­ Industry, v. 67, no. 12, Dec. 1990, p. 509+. 1178. CATE, CURTIS culations, color, annealing, etc. Charlie Bray and others discuss role of glass art "Pei's Pyramid" design graduates in Britain's glass industry. The World & I, v. 5, no. 3, March 1990, 1195. GABALDO, VIRGINIA pp. 182-187, ill. "An Introduction to Airbrushing" 1161. "Infrared Radiation in Glass Work Professional Stained Glass, v. 10, no. 9, Sept. Studied" 1179. CHRISTENSEN, BOB 1990, pp. 10-14, ill. ACTS Facts (Arts, Crafts and Theater Safety), "Optimum Lighting for Sandblasting" v. 4, no. 10, Oct. 1990, p. 1. Professional Stained Glass, v. 10, no. 5, May 1196. GIBERSON, DUDLEY F., JR. Risks for glass artists while working at the 1990, p. 28+. Joppa Glassworks Catalogue of Fact and Know­ furnace and while shaping hot glass. ledge (4th ed.) 1180. "Sandblasting in Comfort" Warner, N. H.: Joppa Glassworks, 1989,18 pp., ill. 1162. "Material for Glass" Professional Stained Glass, v. 10, no. 4, April Furnaces, fuel economy, and other suggestions. Glass work (Kyoto), no. 6, Aug. 1990, pp. 50-51, ill. 1990, pp. 41-42, ill. In Japanese. 1197. GILMER, WILLIAM B. 1181. CORBIN, LISA "A Primer to Common Types and Shapes of Sky­ 1163. "Materials: Switchable Glass" "Restoration: Documentation Is the Key" ID (Industrial Design), v. 37, no. 6, Nov./Dec. 1990, lights" Professional Stained Glass, v. 10, no. 10, Oct. Professional Stained Glass, v. 10, no. 1, Jan. p. 84. 1990, pp. 20-22, ill. 1990, pp. 18-19, ill. New glass panels that can be changed from Importance of keeping records while restoring clear transparency to frosted translucence by the old stained glass. user. 1198. GRUENIG, DAVID The Independent Glassblower("A Hot Glass 1182. COTTINGHAM, JENNIFER Information Exchange," West Barnet, Vt.), six 1164. "Patterned Moulds from Ceramics" "Technical Matters: Federal Codes for Art Glass" Glass, Monthly Journal of the European Glass newsletters: no. 14, Dec. 1989/Jan. 1990 - no. 19, Beautiful Glass for Home & Office, v. 1, no. 2, Oct./Nov. 1990. Industry, v. 66, no. 9, Sept. 1989, p. 345, ill. Summer 1990, pp. 35-36. Molds for the glass industry. Hot glass technical information. 1183. DAVIDSEN, JUDITH 1165. "Protect Yourself" 1199. HALL, DONALD "Fiber Optics" "The Physics of Musical Glasses" Ausglass Magazine, Winter 1990, pp. 23-26. Interior Design, v. 61, no. 7, May 1990, Health and safety measures for craftsmen. Experimental Musical Instruments (Nicasio, Cal.), pp. 274-277, ill. v. 6, no. 2, Aug. 1990, pp. 7-8, ill. 1166. "Selecting Quality Bevels" Glass Art, v. 5, no. 2, Jan./Feb. 1990, p. 14, ill. 1184. DE VRIES, STEVEN 1200. HOBSON, DIANA "Chemical Bonding of Vitreous Substrates: "Pate de verre Process" Sticky Stuff 101" 1167. "Techniques" Glass Art Society Technical Journal, 1989, Glass Art, v. 5, no. 5, July/Aug. 1990, pp. 6-9, ill. Professional Stained Glass, continuing series: pp. 62-66, ill. v. 10, no. 1, Jan. 1990 - v. 10, no. 11, Nov. 1990. 1201. HOFFMAN, UTE 1168. "Vetro, la materia della trasparenza" 1185. DOBBINS, NORM "High Tech in Every Detail" Domus, no. 715, April 1990, u.p. "Rassegna," "Getting Down to the Nitty Gritty" Schott Information, no. 51,1989, pp. 18-19, ill. [16 pp.], ill. Professional Stained Glass, v. 10, no. 2, Feb. New museum of science and industry with glass Glass in architecture and furniture. Includes brief 1990, pp. 13-17, ill. geodesic dome in Paris. history of flat glass manufacturing. Sandblasting techniques. 1202. HOOVER, RICHARD L. 1169. AMERICAN SCIENTIFIC GLASS- 1186. FEMENELLA, ARTHUR "Lead Safety" BLOWERS SOCIETY "Educating Rita" Stained Glass Quarterly, v. 85, no. 4, Winter 1990, Symposium and Exhibition on the Art of Glass- Glass Art, v. 6, no. 1, Nov./Dec. 1990, pp. 36-37. pp. 258-259, ill. blowing, 33rd Proceedings Stained glass restoration. (Atlantic City, N. J., June 27-July 1, 1988) 1203. HOYT, HOMER L. Toledo, Ohio: the society, 1989, 67 pp. 1187. "Protective Glazing" Glass Art, v. 5, no. 6, Sept./Oct. 1990, pp. 18-21, Glassblowing: An Introduction to Solid and ill. Blown Glass Sculpturing 1170. Symposium and Exhibition on the Art of Golden, Colo.: Crafts & Arts Publishing, 1989, vii, Glassblowing, 34th Proceedings Protective glazing materials, their application and use. 267 pp., ill. (Milwaukee, Wis., June 26-30,1989) Lampworking. Toledo, Ohio: the society, 1989, 74 pp., ill. 1188. "Restoration Philosophy: Socrates and Stained Glass" 1204. LEWIS, MATTHEW 1171. BARAZANI, GAIL "Currents of Light" "Beware of Potential Hazards in Working with Glass Art, v. 5, no. 4, May/June 1990, pp. 16-17. Purpose, degree, and scope questions to ask Metropolis, v. 9, no. 10, June 1990, pp. 62-65+, ill. Glass" The fiber optic revolution. The Crafts Report, v. 16, no. 170, May 1990, p. 4. before restoring windows. 1205. LIEBERMAN, WALT 1172. "A Few More Words about Stained Glass 1189. FERGUSON, CARY "New Bevel Applications" Walt's Glass Guide Safety" Seattle, Wash.: Walt Lieberman, 1982 (1990), The Crafts Report, v. 16, no. 175, Oct. 1990, p. 4+. Professional Stained Glass, v. 10, no. 5, May 1990, pp. 10-11, ill. 19 pp., ill. Beginning glassblowing suggestions. 1173. "From Fumes to Foam: More Glass Safety Tips" 1190. "Polishing the Bevel" The Crafts Report, v. 16, no. 176, Nov. 1990, p. 4. Professional Stained Glass, v. 10, no. 1, Jan. 1206. LINDEBORG, MICHAEL 1990, pp. 20-22, ill. "On-Site Glass Etching" 1174. "More Questions about Glass and Glass Art, v. 6, no. 1, Nov./Dec. 1990, Safety" 1191. FERRELL, GINGER pp. 18-23, ill. The Crafts Report, v. 16, no. 171, June 1990, p. 4. "Painting on Glass" Stained Glass 1990 (British Society of Master 1207. LUNDSTROM, BOYCE 1175. BAXTER, STEPHEN Glass-Painters), pp. 6-7, ill. Advanced Fusing Techniques "Studio Planning and Technology" Advice, useful books and classes, etc. [Colton, Ore.]: Vitreous Publications, 1989, Glass Art Society Technical Journal, 1989, (Glass Fusing: Book Two), 143 pp., ill. pp. 4-5. 1192. FESTIVAL INTERNATIONAL DE MUSIQUE DE SARREBOURG 1208. "Casting and Kiln Forming in Sand" 1176. BRIENING, DENNIS Glass Music, un salon de musique chez Glass Art, v. 5, no. 4, May/June 1990, pp. 36-37, "Artistic Glassblowing at Salem Community Benjamin Franklin. Concert spectacle sur un ill. College" [in] scenario de Dennis James presente par Dennis American Scientific Glassblowers Society James et India Dennis... 1209. Glass Casting and Moldmaking Symposium and Exhibition on the Art of Glass- Sarrebourg: the festival, [1989?], [8] pp., ill. [Colton, Ore.]: Vitreous Publications, 1989, blowing, 33rd Proceedings Program for a glass music concert, 1989. (Glass Fusing: Book Three), 143 pp., ill. 1210. MADDY, DOROTHY News articles and technical information, pub­ 1234. SLOAN, JULIE L. "Silkscreening on Glass for Fun and Profit" lished by Glass Music International. "The Cost of Restoration" Glass Art, v. 5, no. 3, March/April 1990, Professional Stained Glass, v. 10, no. 10, Oct. pp. 10-13+, ill. 1224. REYNOLDS, GIL 1990, pp. 17-19. "Another Dimension: The History of Surface 1211. MESRAHI, RACHEL Decorating" 1235. "Restoration: The Particulars of Putty" "Reinforcing a Window Using Non-Traditional Glass Art, v. 5, no. 6, Sept./Oct. 1990, Professional Stained Glass, v. 10, no. 4, April Techniques' pp. 10-12, ill. 1990, p. 30+. Glass Art, v. 5, no. 6, Sept./Oct. 1990, includes description of firing enamels while base pp. 28-29+, ill. glass is simultaneously being formed. 1236. "That Zinc-ing Feeling" Old-House Journal, v. 18, no. 1, Jan./Feb. 1990, 1212. MILLARD, RICHARD 1225. "Enriched with Enamels" "Stained Glass: The Basic Process of Puttying" Glass Art, v. 5, no. 4, May/June 1990, ^rief letter regarding stained glass repair. U.S. Glass, Metal & Glazing, v. 24, no. 10, Oct. pp. 18-21, ill. 1989, p. 38. 1237. SMYLIE, TOM 1226. ROSSOL, MONONA "Abrasive Blasting Safety" 1213. "Stained Glass: Cutting and Casting Dal­ The Artist's Complete Health and Safety Guide les de verre" Artists in Stained Glass Bulletin (Toronto), Feb. Cincinnati, Ohio: North Light Books, 1990, 1990, p. 3. U.S. Glass, Metal & Glazing, v. 24, no. 12, Dec. 328 pp., ill. 1989, pp. 34-35. Includes glass and stained glass precautions. 1238. "Technical Talk: Custom Glue Chipping Your Own Glass" 1214. "Stained Glass: Gauge Cutting" 1227. "Glassmaking Health and Safety" U.S. Glass, Metal & Glazing, v. 24, no. 11, Nov. Artists in Stained Glass Bulletin (Toronto), April Glass Art Society Technical Journal, 1989, 1990, p. 3. 1989, pp. 30-31, ill. pp. 10-15. 1215. "Stained Glass: The Leading Concept" 1239. SODERMAN, ALEE 1228. ROTZER, FLORIAN U.S. Glass, Metal & Glazing, v. 24, no. 8, Aug. Cut, Cook & Create 1989, p. 32. "The Aesthetics of the Immaterial. Reflections on Palo Alto, Cal.: Valee Studios, 1989, 46 pp., ill. the Relation between the Fine Arts and the New Technologies" (Part 1) "Easy to use primer for fusing glass in a micro­ 1216. "Stained Glass: Matting" wave glass kiln." U.S. Glass, Metal & Glazing, v. 24, no. 9, Sept. llluminotecnica, no. 343/344, July/Aug. 1989, 1989, p. 26+. pp. 241-249, ill. Part 2: no.349/350, Jan./Feb. 1990, pp. 166-176, ill. 1240. THEOKRITOFF, NICKI; FELDMAN, In Italian and English. STEVEN; AND CLEMENTE, CLAUDIO 1217. "Stained Glass: Reinforcement Guide­ "The Role of Glass in Furniture" lines" 1229. THE SAFER ARTS: THE HEALTH Glass, Monthly Journal of the European Glass US. Glass, Metal & Glazing, v. 25, no. 2, Feb. Industry, v. 67, no. 12, Dec. 1990, pp. 512-516, ill. 1990, pp. 26-27, ill. HAZARDS OF ARTS AND CRAFTS MATERIALS (Rev. ed.) Design considerations, trends, safety standards, etc. 1218. NEWBERN, LAURA [Ottawa]: Minister of National Health and Wel­ "Lighting Art Glass: The Artificial Answer" fare, 1990, 39 pp. "Stained Glass and Glassblowing," pp. 21-22. 1241. WAGGONER, SHAWN Beautiful Glass for Home & Office, v. 1, no. 2, "The Great Reinforcing Debate" Summer 1990, pp. 16-21, ill. Glass Art, v. 5, no. 4, May/June 1990, pp. 4-13, ill. Illuminating stained and flat glass panels. 1230. SAUTNER, BARRY R. "The Carving of a Cameo and Diatreta Paper­ Discussion of traditional vs. newer methods of reinforcing stained glass windows. 1219. PETERSON, CHRIS weight" "Alternative Lamps" Annual Bulletin of the Paperweight Collectors' Professional Stained Glass, v. 10, no. 8, Aug. Association, 1989, pp. 41-44, ill. 1242. "The Trouble with Beveling" 1990, p. 27+, ill. Glass Art, v. 5, no. 2, Jan./Feb. 1990, pp. 18-20, 1231. SCHOTT ill. 1220. "Faceted Glass Overview" Schott Glass Technologies Professional Stained Glass, v. 10, no. 8, Aug. [Duryea, Pa.: the company, 1989?], 24 pp.,, ill. 1243. WILLIAMS, LARRY 1990, p. 10+, ill. Specialty glasses; includes sculpture of optical "Teaching Glassblowing to the Non-Glass- glass by Christopher Ries. blower" [in] 1221. PLATT, KARL American Scientific Glassblowers Society "Revealing Annealing" 1232. SCHWOERER, DANIEL Symposium and Exhibition on the Art of Glass- Glass Art, v. 5, no. 5, July/Aug. 1990, pp. 15-21, ill. "Technical Aspects of Fusing with Bullseye blowing, 33rd Proceedings Glass" (Atlantic City, N. J., June 27-July 1,1988), 1222. REHME, NORMAN L., Ed. Glass Art Society Technical Journal, 1989, Toledo, O.: the society, 1989, pp. 8-9. Glass Music World (Loveland, Colo.), four news­ pp. 16-19, ill. letters: v. 3, no. 1, Jan. 1989 - v. 3, no. 4, Oct. 1244. Working in Glass 1989. 1233. SINOTTE, STEPHEN R. [Sheffield]: Careers & Occupational Information "The Silicon Carbide Electric Furnace: State of Centre, 1990, 25 pp., ill. 1223. Glass Music World (Loveland, Colo.), the Art" British career booklet for secondary level stu­ four newsletters: v. 4, no. 1, Jan. 1990 - v. 4, no. 4, The Glass Art Society Journal 1990, dents: industrial opportunities, studio glass- Oct. 1990. pp. 89-95, ill. making, stained glass, etc.

FILMS AND VIDEOTAPES/Filme und Videokassetten 1245. Art and Vision of James Hubbel Part 1: Bill Gudenrath on 15th-century Venetian 1257. Glass Etching and Mirror Removal KPBS-TV, San Diego, California, 1989 enameled glass and his reproductions of that PJS Publications, 1987 30 min., sound, color. glass. 56 min., sound, color. 19d.fi Arte Qr'pnp 1252. Corning Museum of Glass 1990 1258. Glassworks in Skrdlovice WSKG-TV, Binghamton, N. Y„ April 26, 1990 Seminar, Tape 7: Orrefors Glass, by Alastair Pavel Kouteckv, 1989 30 min., sound, color. Duncan 20 min., sound, color. Tom Buechner of Vitrix. The Corning Museum of Glass, 1990 60 min., sound, color. 1247. Bevel Master 1259. Gold Leaf Basics Bevel Master, n.d. [about 1990] Len Price, Sepp Leaf Products, 1988 4 min., silent, color. 1253. Corning Museum of Glass 1990 38 min., sound, color. Seminar, Tape 9: Soviet Glass, by Susanne 1248. Bill Gudenrath: 15th-century Venetian Frantz 1260. Gold Leaf-Intermediate and Advanced Enameled Glass The Corning Museum of Glass, 1990 Sepp Leaf Products, 1985 Bill Gudenrath, 1990 43 min., sound, color. 65 min., sound, color. 17 min., sound, color. 1254. Dominick Labino: The Man and His Art 1261. [Jerry Ho vanek] 1249. By Their Own Hands: Josh Simpson WBGU-TV, Bowling Green, Ohio, 1980 News Center 10 America, National Arts, 1989? Continental Cablevision, 1984 30 min., sound, color. 16 min., sound, color. 29 min., sound, color. 1250. [Chinese Glass Factories] 1255. Drill Engra ving 1262. Josh Simpson on Channel 5 [Willy Andersson, 1989?] David and Charmian Mocatta/Guild of Glass Channel 5, Neaham, Mass., 1983 17 min., silent, color. Engravers, 1989 6 min., sound, color. 76 min., sound, color. 1251. Corning Museum of Glass Fellows Lec­ 1263. Kiln-Crafted Glass with Gil Reynolds. tures, Fall 1990 1256. Glass Art Society Fashion Show, 1989 Volume 1: Slumping The Corning Museum of Glass, 1990 Thomas Balatka, 1989 Fusion Glass Works, 1989 92 min., sound, color. 30 min., sound, color. 30 min., sound, color. 1264. Learn the Art of Glass Erasing 1270. Slovak Contemporary Glass Art and Cutters Video Productions, 1989 Gemini School of Art and Design, 1988 Jewelry 23 min., sound, color. 30 min., sound, color. 1987 50 min., sound, color. 1276. Stained Glass with Vicki Payne: 1265. Meeting Point: Novy Bor, International Working with Beveled Glass Glass Symposium, 1988 1271. Stained Glass for Beginners Cutters Video Productions, 1989 P. Koutecky, 5D Studio, Art Centrum, Prague, Sher-a-Craft, 1987 23 min., sound, color. 1989 60 min., sound, color. 33 min., sound, color. 1277. Trabucco Studio Presents Artistry in 1272. Stained Glass with Vicki Payne: Glass 1266. Murphy Fire Bucket Decorative Soldering Paperweight Press, 1989 Fusion Headquarters, 1987 Cutters Video Productions, 1989 33 min., sound, color. 35 min., sound, color. 23 min., sound, color. 1267. Savelieva 1273. Stained Glass with Vicki Payne: 1990 Glass Etching Techniques 135 min., sound, color. Cutters Video Productions, 1989 13 min., sound, color. 1268. Simon Whistler A list of films and videotapes in the Rakow Li­ David and Charmian Mocatta/Guild of Glass 1274. Stained Glass with Vicki Payne: brary of The Corning Museum of Glass is avail­ Engravers, 1989 Kaleidoscopes able from the Sales Department. 43 min., sound, color. Cutters Video Productions, 1989 24 min., sound, color. Eine Liste der sich in der Rakow Bucherei des 1269. Skien en a Plastika v Prostoru Corning Museums of Glass befindlichen Filme Pavel Koutecky, 1987 1275. Stained Glass with Vicki Payne: und Viaeokassetten ist in der dortigen Verkaufs- 25 min., sound, color. Microwave Glass Fusing abteilung erhaltlich.

A SELECTIVE INDEX OF PROPER NAMES AND PLACES/ AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliography" of Es handelt sich im folgenden um ein Sachregi- eine Zeitschrift ausfindig zu machen, die von New Glass Review 12. The numbers following the ster zur „Bibliographie" der New Glass Review einem Kunstler geschrieben wurde, sollte direkt names below are keyed to the numbers preceding 12. Die Zahlen hinter den Namen entsprechen in der „Bibliographie" nachgesehen werden; die the individual "Bibliography" entries in which these den Zahlen, die den Eintragungen der einzel- Titel sind in jedem abgeschlossenen Teil der persons and places are discussed. To find a book nen Beitrage der „Bibliographie" vorangestellt „Bibliographie" nach den Namen der Autoren in or periodical article written by an artist, consult the sind, in denen die entsprechenden Personen alphabetischer Reihenfolge geordnet. "Bibliography" directly; the entries in each section are arranged alphabetically by author. Oder Orte behandelt werden. Um ein Buch oder

Adams, Hank Murta, 118 Cash, Sydney, 554 Frauenau, 230, 769 Alberius, Olle, 52, 80, 149 Chao, Bruce, 79, 451 Frolic, Irene, 57, 382 Alt, Otmar, 496, 498 Chihuly, Dale, 29, 30, 266, 300, 330, 448, 471, Gabrhiel, Jan, 583, 781 Anderson, Doug, 257 489, 549, 654 Gagnere, Olivier, 173, 525, 665 Andrews, Paula, 215 Cibot, Elisabeth, 134 Garcin, Jean-Luc, 206, 735 Angus, Mark, 957, 1061, 1100 Clark, Jenny, 930,1075 Gaudin, Sylvie, 201, 969 Aschenbrenner, Michael, 451, 676 Clarke, Brian, 925, 978, 984, 1069, 1103, 1136 Glancy, Michael, 44, 590, 901 Baldwin, Philip, 553, 641 Clegg, Tessa, 257, 315, 831 Glass Art Society, 69,123, 420, 422, 777 Barovier, Ercole, 43, 84, 115, 265, 574, 615 Clements, Stephen Jon, 127 Glass Art Society of Canada, 741 Baudry, Thierry, 206, 301 Connor, Maureen, 312, 591 Glasshouse, The, 76,126, 700 Baumann, H. Th., 497 Copier, Andries, 841 Gliickaufova, Marie, 530, 578, 584 Bayliss, Arlon, 242, 415, 416 Courtney, Giselle, 44, 834 Gooden, Ted, 1026,1027 Beebe, Jane, 830 Courtney, Norman, 1000, 1009 Grebe, Robin, 297, 526 Beleschenko, Alexander, 73, 978 Creative Glass Center of America, 23,168, 792, Greiner-Perth, 13, 254 Bell, Larry, 198, 642 888 Groot, Mieke, 724, 794 Ben Tre, Howard, 4, 118, 490, 664, 776, 1110 Crichton, Daniel, 828 Gudenrath, William, 725, 887, 1248, 1251 Berg, Karl, 375, 831 Crisp, Peter, 558, 835 Gueltzl, Marco de, 243 Berger, Allison, 252 Cyren, Gunnar, 52, 675, 882 Guerin, Henri, 1018 Bernstein, Richard, 581 Dailey, Dan, 55, 289, 449, 585, 1110 Guggisberg, Monica, 553, 641 Bernstein, William, 23, 57, 180 Day, Stephen Paul, 335 Guild of Glass Engravers, 333, 334, 411, 482, 557 Betz-Schlierer, Heide-Astrid, 77,187 De Vries, Steven, 1184 Gulsrud, Mark Eric, 1122 Bjork, Reino, 870 Delvoye, Wim, 1072 Halem, Henry, 182, 417, 660, 773 Blomdahl, Sonja, 258, 259, 612 Derow, Lukas, 375, 984, 1023 Handler, Audrey, 317 Blum, Janice, 542, 856 Desmett, Ron, 25 Hanning, Tony, 56, 255 Bohus, Zoltan, 564 Dexter, William, 372 Hanscomb, Neil, 915, 943 Boissel, Thierry, 735, 911,1116 Dickinson, Anna, 404, 560, 645 Harcuba, Jin, 528, 752, 853 Bokotei, 518, 637 D'Onofrio, Bernard, 118 Harmon, James, 438,1110 Bokrosh, Michael R„ 57, 563,1116 Dowler, David, 143, 435 Haufschild, Lutz, 953, 1000,1012,1037, 1097 Bormioli, Dorino, 663 Dreisbach, Fritz, 491, 879 Heaney, Colin, 374, 429 Borowski, Stanislaw, 831, 833 Drobnis, Neal, 148 Heaton, Maurice, 112 Bourguignon, Fred, 986 Dybka, Anne, 509, 702 Herman, Sam, 427 Bowen, Nancy, 622 Ebeltoft, 15, 637 Hervey, Lee, 147 Brekke, John, 492 Eckhardt, Edris, 6, 331 Hewell, Johannes, 375, 977, 1117 Brock, Emily, 305 Edwards, Garth, 61,1148 Higgins, Frances and Michael, 6 Bruce, Jane, 570 Edwards, Stephen Dale, 59, 356, 549 Hilton, Eric, 28 Brychtova, Jaroslava/Stanislav Libensky, see Edwards, Stephen Dee, 321 Hirst, Brian, 255, 542, 856 Libensky/Brychtova Eisch, Erwin, 343, 361, 692 Hlava, Pavel, 508, 647, 658 Bucquet, 226 Elias, Bohumil, 508, 840 Hobson, Diana, 12, 59, 81, 277, 443, 1200 Budd, Bob, 1023, 1116 Elskus, Albinas, 1146 Holler, Franz-Xaver, 378, 595 Buechner, M., 438 Engerer, Alfred, 652 Horvitz, Suzanne Reese, 662, 674, 846 Buechner, T., Ill, 298, 438,1246 Englund, Eva, 52, 80, 596, 882 Houde, Frangois, 384, 652 Byrd-Jones, Chris, 308, 400 Engman, Kjell, 50, 93 Huchthausen, David, 226, 533 Carlson, Robert, 51, 56, 118, 238, 549, 881 Farbanish, Thomas, 23,152, 880 Huth, Ursula, 375, 977, 978, 1117 Carlson, William, 16, 118, 704, 898 Ferguson, Cary, 1189,1190 Hydman-Vallien, Ulrica, 93, 179, 232, 553, 726 Carpenter, Ed, 940, 1026, 1045, 1077, 1095, 1110, Filer, Mary, 535 Ibragimov, Fidail, 637, 684, 749 1121,1150 Frabel, Hans, 40,102 Ikuta, Niyoko, 643 Carpenter, James, 24, 449, 940, 976,1007,1091, Franck, Kaj, 778, 882, 892 Ink, Jack, 89, 466, 832 1113 Ito, Makoto, 72, 465 Janak, Frantisek, 508, 512 Mourgue, Pascal, 173, 207 Simoni, Mary Kay, 220 Jaross/Kelly, 57, 164 Mulcahy, Kathleen, 25,128 Simpson, Josh, 44, 59, 607, 857,1249,1262 Jervis/Krasnican, 674 Munch, Tchai, 480 Skillitzi, Stephen, 45, 785 Johansson, Jan, 675, 882, 891 Munro, Fred, 897 Smith, Gordon, 817 Jonasson, Mats, 104,113, 779 Myers, Joel Philip, 318 Smith, Kiki, 571, 788 Joplin, Michael, 221 Mytny, Jan, 701 Solcova, Ivana, 41,167, 392 Kallenberger, Kreg, 699 Nauman, Bruce, 216, 424, 642, 685 Solven, Pauline, 537 Kaplan, David/Annica Sandstrom, 903 Negreanu, Matei, 48 Sonnier, Keith, 218, 231, 235, 385, 402, 424, 505, Karbler, Kit/Michael David, 562 Nesteruk, Edward, 762 685, 849 Kehlmann, Robert, 377, 940,1050, 1051,1052 New York Experimental Glass Workshop, 288 Sottsass, Ettore, 157, 265, 303, 408, 615, 633 Kehr, Gunter, 67 Newell, Steven, 793 Soukup, Jozef, 529 Kepkiewicz, John, 359, 503 Niederer, Roberto, 188, 641 Sowers, Robert, 1050,1152 King, Ray, 24,1110,1026 Niijima Glass Art Center, 106, 644 Spaulding, Richard T., 1143 Kirkpatrick, Joey/Flora Mace, 258, 294, 506, 549, Nilsson, Anne, 52, 476 Stadelmann, Guido, 99 878 Nurminen, Kerttu, 38, 470, 671, 889 Stankard, Paul, 140, 323, 438, 618, 691, 787 Klein, Toan, 22 O'Connor, 542, 856 Statom, Thermon, 79, 451 Klos, Joachim, 935 Oelzner, Ulricke and Thomas, 254, 541 Stern, Anthony, 175 Knottenbelt, Robert, 542, 856 Oestreicher, Helly, 837 Steuben, 26, 28, 156, 435, 550, 572, 801 Kopecky, Vladimir, 682, 850 Oexle, Helga, 96 Stinsmuehlen-Amend, Susan, 580,1077,1132 Kosta Boda, 93, 179, 225, 719, 737 Oku, 361, 692 Stone, Molly, 111, 858 L'Anverre, 343, 361, 446, 692, 721 Orrefors, 52, 80, 131, 504, 596, 719, 737, 891 Stoskus, Algimantas, 177, 966 Lagerbielke, 52, 80 Overdiep, Tosca, 172 Sabokova, Gizela, 167,193, 202, 508 Lalique, 101, 122, 405 Palusky, Robert, 296 Sipek, Borek, 199, 265, 303, 375, 450, 527, 740 Lalonde, Richard, 678, 922 Pappenheimer, Will, 118, 570 Suhajek, Jiff, 217, 250, 343, 361, 518, 692 Lane, Danny, 211, 313, 715, 767, 811, 1026 Parriott, 118, 549 Tagliapietra, Lino, 449, 615, 617, 812 Langley, Warren, 45, 214, 255, 542, 856 Patti, Tom, 654, 1090 Takikawa, Yoshiko, 827 Layton, Peter, 537, 538 Peace, David, 276, 363, 605 Tarsitano, Debbie, 761, 797 Le Va, Barry, 231, 424 Penone, Giuseppe, 329 Taylor, David, 76, 126, 538, 700 Leap, J. Kenneth, 59, 628, 683, 1093, 1145 Perkins, Flo, 816 Thomas, Brian, 1134 Lee, Lawrence, 1039 Perlis, Leslie, 379, 917 Thompson, Catherine, 118, 549, 878, 954, 1148 Leibowitz, 217, 343, 361, 692 Philabaum, Tom, 439, 592 Thorkelsson, lone, 822 Leperlier, A. and E., 257, 610 Picaud, Fabienne, 302 Thun, Matteo, 282 Levin, Rob, 55, 756 Pilchuck Glass School, 139, 224, 242, 358, 398, Tichy, Dalibor, 444 Levine, Sherrie, 423, 603 598, 733, 769, 853 Tobin, Steve, 361, 692, 693 Libensky, Stanislav/Jaroslava Brychtova, 290, Poensgen, Jochem, 375, 754, 916 Toikka, Oiva, 436, 453, 623, 803, 889 358, 361, 393, 444, 516, 547, 653, 654, 680, 681, Posner, Richard, 451, 694,1102 Tomecko, Jozef, 786 692, 748, 840, 908 Powell, Stephen, 226, 388 Toso, Gianni, 760 Lill, Ivo, 117, 551 Precht, R., S., U., V., 254 Trabucco, Victor, 763, 764 Lindblads, Gun, 479 Proctor, Stephen, 234, 698 Trinkley, Karla, 372 Lipofsky, Marvin, 109, 449, 518 Quagliata, Narcissus, 940,1096,1097, 1106,1107 Trnka, Pavel, 155 Lipski, Donald, 262, 324, 606, 620, 696, 713, 791 Rainey, Clifford, 268 Troutner, Ann, 94, 880, 1110 Littleton, John/Kate Vogel, 876 Ramshaw, Wendy, 561 Tschida, Fred, 180 Lotton, Charles, 648 Raymond, Jean-Paul, 48, 610 Tysoe, Peter, 462, 542, 856 Lugossy, Maria, 564 Reay-Young, Helga, 375, 831, 1026, 1117 Umdenstock, Jean-Pierre, 208, 361, 692, 735 Lundberg, James, 860 Reekie, David, 233, 602, 859 Vallien, Bertil, 244, 453, 478, 481, 737 Lundin, Ingeborg, 169, 759, 779, 882 Reyntiens, Patrick, 987,1027,1038,1047, 1048, Van Cline, Mary, 23, 600 Mace, Flora/Joey Kirkpatrick, 258, 294, 506, 549, 1049, 1084, 1086 van den Ham, Frank, 445, 635 878 Ries, Christopher, 328,1231 van der Burght, Angela/Jan Willem van Ziist, Maddy, Steven, 839 Ritter, Richard, 336 1129, 1158 Mandelbaum, Ellen, 919,1073,1146 Rona, 361, 692 van der Marel, Siem, 116 Mangan, Peter, 150, 858 Ross, Linda, 813 van Loo, Bert, 619, 654, 723 Marangoni, Federica, 181, 236 Roszsypal, 19 van Lith, Jean-Paul, 361, 692, 735 Mares, Ivan, 194, 195 Rowe, Keith, 702, 736 van Ziist, Jan Willem/Angela van der Burght, Marioni, Dante, 118, 418, 519, 549, 617 Rozatova, Eliska, 850,1060 1129, 1158 Marioni, Paul, 258, 372, 549, 1110, 1147 Ruffner, Ginny, 1, 210, 258, 579, 599, 601, 626, Venini, 183, 286, 615 Marquis, Richard, 200, 448, 549, 617, 878 704, 738 Vennola, Jorma, 709, 889 Masitova, Ivana, 301, 392, 430, 508 Ryzak, Waine, 742 Vizner, Frantisek, 748, 840, 847 Maslach, Steven, 438, 857, 858 Sahlin, Gunnel, 93, 225, 406, 804 Vogel, Kate/John Littleton, 876 Mason, Concetta, 704 Salo, Markku, 50, 90, 436, 453, 710, 889 vonRoenn, Kenneth, 1077,1097,1121 Masuda, Yoshinori, 826 Sandstrom, Annica/David Kaplan, 903 von Stockhausen, Hans Gottfried, 926 Matous, Jaroslav, 82, 508, 850 Sarpaneva, Timo, 121, 453, 759, 882 Wahlstrom, Ann, 303 McConnico, Hilton, 552, 593, 896 Sato, Shimpei, 913,1081 Warff, Goran, 245 McDonnell, Mark, 79, 588, 858, 940 Sautner, Barry, 703,1230 Watkins, James, 55,145, 257 Mee, Nancy, 493, 494, 813 Savelyeva, Lyubov, 75,130,158, 518, 690, 749, Weinberg, Steven, 16 Meech, Annette, 76,126, 303, 700 1267 Weiss, Dick, 549, 878, 881, 1077, 1147, 1148 Meistermann, Georg, 933,1054,1055, 1112 Scanlon, James, 1068,1105 Welzel, Josef, 883 Melby, Rick, 59, 923 Schaechter, Judith, 79, 683,1115,1137 Werner, Pavel, 515 Merikallio, Mikko, 70, 518 Schaffrath, Ludwig, 1076,1116,1130 Wesselow, Eric, 1005, 1151 Merker, Ursula, 576 Schamschula, Erich, 201, 257, 610, 735 White, Mary B., 858, 885, 951 Merz, Mario, 235, 385, 434, 472, 575, 672, 685, Schanzer, Sam, 217, 343, 361, 692 Whiteley, Richard, 542, 856 731, 845, 852 Scheiner, Michael, 433 Williams, Christopher, 303, 700 Mesrahi, Rachel, 58,1080, 1096,1211 Schlotzhauer, Jude, 55, 750 Willson, Robert, 448, 501, 625 Metelak, Lubos, 103 Schreiter, Johannes, 936, 940, 984, 985, 1119, Wilmarth, Christopher, 456, 707, 734 Meurs, Sien van, 909 1127, 1130 Winters, Robin, 399, 473, 904 Minson, James, 44, 45 Seguso, Archimede, 237, 745 Wirkkala, Tapio, 759, 778, 882 Moje, Klaus, 355, 502, 895 Seide, Paul, 319 Wolff, Ann, 203, 304, 391, 899, 900 Moje-Wohlgemuth, Isgard, 567, 831 Sellner, Theodor, 366, 610, 819, 831 Woodman, Rachael, 33, 34, 830 Molnar, Pavel, 41, 65 Shaffer, Mary, 654, 861 Young, Brent Kee, 21 Monk, Nancy, 118 Shaw, Kathy, 1016 Zamecnikova, Dana, 31, 201 Monod, Claude and Isabelle, 442 Shaw, Sax, 958 Zgoda, Larry, 920, 1157 Monod, Veronique, 902 Shaw, Tim, 716, 769 Zimmermann, Jorg F., 386 Morin, Claude, 204, 208, 735 Sherman, Jamie, 772 Zynsky, Toots, 107, 364, 748, 831 Morris, William, 51, 185, 258, 725, 894 Shire, Peter, 450, 748