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[email protected] Kim Ki-Duk, Un Cinema Di Fantasmi
_ Anno X N. 90 | Gennaio 2021 | ISSN 2431 - 6739 Kim Ki-duk, un cinema di fantasmi Auguri di buon 2021 Per questo faccio film: tentare di comprendere l’incomprensibile Senza dimenticare tutti quelli che per questa Kim Ki-duk emergenza sanitaria, anche indirettamente, Ora non posso girare film. Quindi riprendo me stesso … ho bisogno di filmare qualcosa per essere felice. hanno perso affetti e lavoro e tutti coloro che Dai dialoghi di Arirang, 2011 sono in deficit alimentare. Il nostro augurio non è un generico buone vi- Ancora una volta il ma- film sembrano avere molti baricentri domina- sioni di bei film, ma quello di un buon svilup- ledetto Covid ha impo- ti essenzialmente dalle passioni e i suoi perso- po di empatia affinchè sia generata felicità che verito il patrimonio cul- naggi, a volte figure allegoriche di parabole non riguardi solo la nostra cerchia più vicina. turale universale, ha morali, abitano quel cinema in cui Kim Ki-duk Il nostro ambizioso contributo, come periodi- sottratto all’arte e alla cul- visitando i generi, come la commedia nera o co di cultura e informazione cinematografica, tura un regista, un autore racconto puramente filosofico, sembra avere è quello di minimizzare il cinema come spet- che aveva fatto della pro- filtrato solo quella parte necessaria e utile per tacolo e rendere sempre più importante il ci- pria libertà espressiva e reinventare, in autonomia, un cinema quasi nema che educa alla resistenza della fragilità del cinema il mezzo e il astratto. I suoi film, pur legati ad una contem- umana, e che sia veramente potente mezzo modo di stare al mondo. -
Download New Glass Review 17
NewGlass The Corning Museum of Glass NewGlass Review 17 The Corning Museum of Glass Corning, New York 1996 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie inner- the 1995 calendar year. halb des Kalenderjahres 1995 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1996 Alle Rechte vorbehalten, 1996 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-i 1-137-8 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 12 Some of the Best in Recent Glass 32 Bibliography/Bibliographie 40 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 71 Jury Statements lthough Vermeer still outdraws Mondrian, it seems to me that many uch wenn Vermeer noch immer Mondrian aussticht, scheint mir, Amore people have come to enjoy both. In this particular age of AdaB es immer mehr Leute gibt, denen beide gefallen. -
Wolff Resume
ANN WOLFF Born 1937 in Lübeck, Germany SOLO EXHIBITIONS SELECTION 1966 Varbergs Museum, Varberg, Sweden 1968 Galleri Wulff, Helsinki, Finland 1976 Galleri Doktor Glas, Stockholm, Sweden 1979,–84,–87,–93,–97 1980 Yamaha Galleries, Kyoto, Japan 1981 Galleri Mors Mössa, Göteborg, Sweden 1984 1982 Heller Gallery, New York/NY, USA 1987,1997 1983 Ivor Kurland Gallery, Los Angeles/CA, USA 1987 1983 Holsten Galleries, Palm Beach/FL, USA 1986 1984 Art Weeks, Kilkenny, Ireland 1986 Gotlands Fornsal, Visby, Sweden 1987 Galleri F15, Moss, Norway 1987 Karlshamns Museum, Karlshamn, Sweden 1987 Galerie Gottschalk-Betz, Frankfurt/M, Germany 1990 Visby Konstmuseum, Visby, Sweden 1990 Chateau d’Annecy, Annecy, France 1993 Musée Palais Bénédictine, Fécamp, France 1994 Gamla Riksbanken, Vänersborg, Sweden 1996 Sanske Gallery, Zürich, Switzerland 1998 Galleria San Nicolò, Venice, Italy 1999 Arch Gallery, Kalmar, Sweden 1999 Mejeriet, Alskog, Sweden 2001 Noack Werkstattgalerie, Berlin, Germany 2001 Landskrona Museum, Landskrona, Sweden 2002 Galerie B, Sinzheim, Germany 2003,–07,–11 2002 Kalmar Konstmuseum, Kalmar, Sweden 2002 Habatat Galleries, Detroit/MI, USA 2007,–09 2005 Ebeltoft Glasmuseum, Ebeltoft, Danmark 2005 National Glass Center, Sunderland, UK 2006 Glashütte Gernheim, Petershagen, Germany 2006 Rihimäki Glasmuseum, Rihimäki, Finland 2007 Mint Museum, Charlotte/NC, USA 2007 Landesmuseum, Schleswig, Germany 2008 Wärmlands Museum, Karlstad, Sweden 2008 Leo Kaplan Modern, New York/NY, USA 2009 Vänersborgs Konstmuseum, Vänersborg, Sweden 2009 Galleri -
Optical Glass
Vol. 150, No. 3807 SATURDAY, OCTOBER 17, 1942 On e Sh illin g & Six pe n c e CHANCE-PARSONS OPTICAL GLASS PLATES AND MOULDED BLANKS FOR PRISMS AND LENSES OF FINEST OPTICAL QUALITY Unworked Coloured Glass for W.&J.GEORGE LTD contrast filters PROPRIETORS OF F. E. B EC K ER & CO Sextant shade glasses Didymium and Uranium Glass 17-29 HATTON W ALL LONDON E.C.I I 157 GT. CHARLES ST. BIRMINGHAM 3 Telephone." CHAncery 6011 (4 lines) I T elephone; CENtral 764 1 (3 lines) T elcgram i: Becker, Hatton W all, London | Telegram s.- Chemistry, Birmingham 3 C hance Brothers 81 Co. Limited GLASS WORKS SMETHWICK Double Gear Release - New Rider System - Pan Guides THE B.T.L. APERIODIC BALANCE (Patent Nos. 523, 483/39) With automatic Rider System, Ease and accuracy of manipulation and reading. • Capacity 200 g. • One Knob controlling • Sensitivity 0-1 mg. • Three Riders covering a 1600 hullc „ particularsi sent on application, range° of m g° . BAIRD & TATLOCK (LONDON) LTD. 14-17 St. Cross Street, Hatton Garden, London, E.C.I W D C 259a SOLVING NEW PROBLEMS “ Aquadag” colloidal graphite in water is a true colloidal dispersion of the purest graphite. High technical quality has en abled it to solve many unique problems in modern industry. Coatings formed with it are electrically conducting, lubri cating, tend to protect from corrosion, while the colloidal dispersion can be used to impregnate fibrous materials to confer on them some of the properties of graphite. “ Aquadag” is continuing to solve im portant problems. If you have one in mind we would remind you that our technical experience is at your disposal. -
Mise En Page 1
La Galerie Internationale du Verre La première exposition avait vu le jour lors talents côtoient les grands noms, et où de l’été 1977... l’émulation saine entre artistes les pousse à Plus de 30 ans consacrés à l’amour de l’Art, se sublimer pour offrir « la pièce » aux col - de l’éclectisme de l’expression artistique à lectionneurs attentifs. travers le verre, de la prééminence de l’ar - tiste, de l’homme et de l’artisan virtuose sur De l’aveu même des artistes, répondre au toute théorie de l’art. thème imposé est bien souvent une torture, mais aussi un moyen d’aller au-delà de sa Un amour sans cesse renouvelé au travers vision, d’enrichir son vocabulaire artistique d’expositions permanentes, de temps forts et de pousser la création dans ses derniers et, bien entendu, des Verriales. retranchements, pour aboutir à des œuvres Les Verriales : un événement à part entière, sublimes et toutes différentes. né en 1989, un rendez-vous incontournable, même pour les esthètes qui pensent avoir La Galerie s’inscrit également dans une ap - tout vu. Chaque année, le 1er vendredi de proche pédagogique pour que les visiteurs, juillet, elles regroupent plus de 30 artistes une fois sensibilisés aux techniques de fa - autour d’une thématique toujours renouve - brication, ressentent que l’essentiel de l’art lée. C’est l’occasion de découvrir des créa - est ailleurs, dans l’idée, le concept, l’artiste tions exclusives, des œuvres réalisées même, car, comme le disait si bien Ernst spécialement pour cet événement où l’excel - Gombrich : "l’art n’existe pas, il n’existe que lence est au rendez-vous de la qualité, de la des artistes." diversité et de la créativité. -
GLASS in a NEW LIGHT JUNE 9-11, 2016 Corning2016
Corning2016 GLASS ART SOCIETY’S 45th ANNUAL CONFERENCE CREATING CONTEXT: GLASS IN A NEW LIGHT JUNE 9-11, 2016 Corning2016 THE GLASS ART SOCIETY is a 501c3, non-profit, international organization whose purpose is to encourage excellence, to advance education, to promote the appreciation and development of the glass arts, and to support the worldwide community of artists who work with glass. BOARD OF DIRECTORS 2015-2016 STAFF President Cassandra Straubing Pamela Figenshow Koss, Executive Director Vice President Kim Harty Kristin Galioto, Communications Manager Vice President Natali Rodrigues Shelbey Lang, Executive Assistant Treasurer Roger MacPherson Ted Cotrotsos, Graphic Designer* Secretary Tracy Kirchmann Laurie Streiner, Event Planner* Alex Bernstein Marc Petrovic Anne Beranger Giese, Corning Logo Designer Chris Clarke Charlotte Potter *part-time/contract Kelly Conway Stephen Rolfe Powell Matt Durran Masahiro Nick Sasaki REGISTER BY MARCH 1, 2016 for the lowest BJ Katz Jan Smith conference fee. Register online: www.glassart.org Ed Kirshner David Willis Jeff Lindsay Student Rep Amanda Wilcox GAS 2016 CONFERENCE CO-CHAIRS 6512 23rd Avenue NW, Suite 329 Ellen Corradini Michael Rogers Seattle, Washington 98117 USA Steve Gibbs Chris Sharkey Tel: 206.382.1305 Fax: 206.382.2630 Angus Powers [email protected] www.glassart.org 2 CONTENTS Centerway Square, downtown Corning 02 GAS Board & Staff 15 Students and Schools 04 Welcome to Corning • Education and Professional Resource Center 04 Letter from the Conference Co-Chairs • Poster Presentations -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Glossary of Terms Abrisa Technologies Your Single Source Optics Partner!
Glossary of Terms Abrisa Technologies Your Single Source Optics Partner! December 2015 200 South Hallock Drive, Santa Paula, CA 93060 • (877) 622-7472 • FAX (805) 525-8604 • www.abrisatechnologies.com Glossary of Terms - 12/15 2 of 13 Acid Etching This process for the decoration of glass involves the application of hydrofluoric acid to the glass surface. Hydrofluoric acid vapors or baths of hydrofluoric acid salts may be used to give glass a matte, frosted appearance (similar to that obtained by surface sandblasting), as found in lighting glass. Glass designs can be produced by coating the glass with wax and then inscribing the desired pattern through the wax layer. When applied, the acid will corrode the glass but not attack the wax-covered areas. Alumina-silicate Glass Alumina (aluminum oxide Al2O3) is added to the glass batch in the form of commonly found feldspars containing alkalis in order to help improve chemical resistance and mechanical strength, and to increase viscosity at lower temperatures. Angle of Incidence The angle formed between a ray of light striking a surface and the normal line (the line perpendicular to the surface at that point). Annealing Under natural conditions, the surface of molten glass will cool more rapidly than the center. This results in internal stress- es which may cause the glass sheet or object to crack, shatter or even explode some time later. The annealing process is designed to eliminate or limit such stresses by submitting the glass to strictly controlled cooling in a special oven known as a “lehr”. Inside the lehr, the glass is allowed to cool to a temperature known as the “annealing point”. -
15Avp201 / Amrita Values Programme I / 1 0 0 1 15Avp211
SYLLABI B. Tech. - Electrical & Elctronics Engg. 2015 admissions onwards SYLLABI B. Tech. - Electrical & Elctronics Engg. 2015 admissions onwards 15AVP201 / AMRITA VALUES PROGRAMME I / 1 0 0 1 Upanishads and Indian Culture – Relevance of Upanishads for modern times – A 15AVP211 AMRITA VALUES PROGRAMME II 1 0 0 1 few Upanishad Personalities: Nachiketas, SatyakamaJabala, Aruni, Shvetaketu. Amrita University's Amrita Values Programme (AVP) is a new initiative to give Message of the Bhagavad Gita exposure to students about richness and beauty of Indian way of life. India is a Introduction to Bhagavad Gita – Brief storyline of Mahabharata - Context of country where history, culture, art, aesthetics, cuisine and nature exhibit more Kurukshetra War – The anguish of Arjuna – Counsel by Sri. Krishna – Key teachings diversity than nearly anywhere else in the world. of the Bhagavad Gita – Karma Yoga, Jnana Yoga and Bhakti Yoga - Theory of Karma and Reincarnation – Concept of Dharma – Concept of Avatar - Relevance Amrita Values Programmes emphasize on making students familiar with the rich of Mahabharata for modern times. tapestry of Indian life, culture, arts, science and heritage which has historically drawn people from all over the world. Life and Message of Swami Vivekananda Brief Sketch of Swami Vivekananda’s Life – Meeting with Guru – Disciplining of Students shall have to register for any two of the following courses, one each in Narendra - Travel across India - Inspiring Life incidents – Address at the Parliament the third and the fourth semesters, which may be offered by the respective of Religions – Travel in United States and Europe – Return and reception India – school during the concerned semester. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
CIS Insulation Limited Previous Names
EMPLOYERS’ LIABILITY REGISTER (effective date: 1 April 2014) FRN (Firm Reference Number): 202021 Name of Insurer: Ashdowns Limited Policy Number: Policy of Employers' Liability covering period 1 April 1971 to 31 March 1999 ONLY Policy inception date: See above Policy end date: see above Name of Original Insurer: Ashdowns Limited Policyholder name: Pilkington Brothers Limited and subsidiaries * * The companies listed were insured by Ashdowns Limited for a period of time but not necessarily for the entire life of the company. Other group companies may have been insured by Ashdowns, please enquire if you believe this to be so. Employer’s Name Postcode Address ERN CHRN Andrewartha Limited L40 5UF European Technical Centre, Hall Lane, Lathom, Near Ormskirk, Lancashire. 00229916 Barr and Stroud Limited L40 5UF C/O Group Legal Department, Pilkington Group Limited, European Technical SC008495 Centre, Hall Lane, Lathom, Near Ormskirk, Lancashire. C.I.S. Windows Limited L40 5UF C/O Group Legal Department, Pilkington Group Limited, European Technical 00957216 previous names: Centre, Hall Lane, Lathom, Near Ormskirk, Lancashire. C.I.S. Insulation Limited Chance Brothers (Established 1824) Limited L40 5UF European Technical Centre, Hall Lane, Lathom, Near Ormskirk, Lancashire. 00027422 previous names: Chance Brothers Limited Chance Brothers Limited L40 5UF C/O Group Legal Department, Pilkington Group Limited, European Technical 01606175 Centre, Hall Lane, Lathom, Near Ormskirk, Lancashire. Chance Pilkington (1997) Limited L40 5UF European Technical Centre, Hall Lane, Lathom, Near Ormskirk, Lancashire. 02698104 previous names: Lakeside Training and Development Limited Chance Propper Limited (Dissolved) L40 5UF C/O Group Legal Department, Pilkington Group Limited, European Technical 01010297 Centre, Hall Lane, Lathom, Near Ormskirk, Lancashire.