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Zola.’ (AP) Song of the Summer
ARAB TIMES, THURSDAY, JULY 1, 2021 NEWS/FEATURES 13 People & Places Music Dacus sings young love Cat album falters at fi rst but ends strong By Mark Kennedy ot to be totally catty, but Doja Cat’s third album Nstarts poorly. The first four songs — “Woman,” “Naked,” “Payday” with Young Thug and “Get Into It (Yuh)” — are half-baked tunes mimicking beats and vocals from Nicki Minaj or Rihanna. None are note- worthy. It’s depressing. What happened to the artist behind 2019s “Hot Pink,” a sonic breath of fresh air? What happened to the Doja Cat whose electric performance of “Say So” at the Grammys was reminiscent of Missy Elliott’s futurism? Just wait. The fi fth song, “Need to Know,” is a superb, steamy sex tape of a song (with Dr. Luke co-writing and producing) and the sixth, “I Don’t Do Drugs” featuring Ariana Grande, is airy and confi dent with heav- enly harmonies. “Love to Dream” follows, a slice of dreamy pop, and then The Weeknd stops by on a terrifi c, slow-burning “You Right.” Cat The Cat is back. From then on, the 14-track “Planet Her” rights itself with whispery pop songs and the envelope-pushing “Options” with JID, climaxing with the awesome “Kiss Me More,” the previously released single with SZA that has a Gwen Stefani-ish refrain and must be considered a strong contender for This image released by A24 shows Riley Keough, (left), and Taylour Paige in a scene from ‘Zola.’ (AP) song of the summer. Despite the weak start, Doja Cat fulfi lls her promise on “Planet Her,” with an exciting, unpredictable style and a vocal ability that can switch from buttery sweet- Film ness to cutting raps. -
Rodrigo Y Gabriela Announce U.S. Tour Dates, Including the Fox Theatre on June 1
Media Contact: Haley Sheram / Alison Wentley BRAVE Public Relations 404.233.3993 [email protected] [email protected] Rodrigo y Gabriela announce U.S. tour dates, including the Fox Theatre on June 1 Tickets on sale Friday, February 15 at 10 a.m. ATLANTA (February 14, 2019) – Guitar virtuosos Rodrigo y Gabriela are thrilled to announce plans for a major American tour. The headline dates begin May 4 at Austin, Texas' ACL Live at the Moody Theater and then continues into early June, including a stop at Atlanta’s Fox Theatre on Saturday, June 1. In addition, the renowned Mexican acoustic rock guitar duo will make a series of top-billed festival appearances, among them Cleveland, Ohio's LaureLive (June 9). The new tour dates follow a previously announced European tour, set to visit Germany, Belgium, Luxembourg, Ireland, England and France through April. For complete details and ticket information, please visit rodgab.com/tour-dates. Tickets go on sale this Friday at 10 a.m. at FoxTheatre.org, the Fox Theatre Ticket Office, and 855- 285-8499. Ticket prices start at $34.25, plus applicable fees. Single-event access to the Marquee Club presented by Lexus will be available for purchase on top of your show ticket. Marquee Club passes are $55 per person and include an enhanced pre-show through post-show experience with complimentary food and non-alcoholic beverages. The upcoming world tour celebrates Rodrigo y Gabriela's hugely anticipated fifth studio album, METTAVOLUTION, due to arrive via ATO Records on Friday, April 26; pre-orders are available now HERE, with the first 500 pre-orders receiving an exclusive autographed postcard from Rod and Gab themselves. -
Lcd Soundsystem This Is Happening Free Download Album LCD Soundsystem - This Is Happening FLAC Download
lcd soundsystem this is happening free download album LCD Soundsystem - This Is Happening FLAC download. Produced for The DFA in 2009/2010 Mastered at Chicago Mastering Service Recorded @ the Manshun and DFA. This Is Happening is dedicated to the memory of Jerry Fuchs, the very best of us, and to his amazing and loving family, who are our family now. Comes in a gatefold card sleeve with regular English booklet plus supplementary black & white Japanese booklet with lyrics and obi. Includes two bonus tracks (track: 10, 11). Warner Music Reissue of 2012 release. Other versions. Category Artist Title ( Format ) Label Category Country Year DFA 22503, 509993 09903 2 6 LCD Soundsystem This Is Happening (CD, Album) DFA, Virgin DFA 22503, 509993 09903 2 6 US 2010 50999 309903 2 6 LCD Soundsystem This Is Happening (CD, Album) Parlophone 50999 309903 2 6 Philippines 2010 none LCD Soundsystem This Is Happening (CDr, Album, Promo) EMI Music Ireland none Ireland 2010 50999 648781 2 6 LCD Soundsystem This Is Happening (CD, Album) Gala Records , DFA, Parlophone 50999 648781 2 6 Russia 2010 5099963370522 LCD Soundsystem This Is Happening (CD, Album, Gat) EMI Music Australia Pty. Limited, Parlophone, DFA 5099963370522 Australia 2010. Tracklist. 1 Dance Yrself Clean 2 Drunk Girls 3 One Touch 4 All I Want 5 I Can Change 6 You Wanted A Hit 7 Pow Pow 8 Somebody's Calling Me 9 Home. Companies, etc. Phonographic Copyright (p) – DFA Copyright (c) – EMI Records Ltd. Licensed To – EMI Records Ltd. Distributed By – EMI Music Australia Pty Ltd. Notes. This Is Happening produced by James Murphy for the DFA in 2009/2010 Mixed by James Murphy and Dave Sardy Mastered by Bob Weston at Chicago Mastering Service. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender
MA MAJOR RESEARCH PAPER The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender Discourse by Christina Bonner Supervised by Dr. Jennifer Brayton The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University -- York University Toronto, Ontario, Canada, 2010 © Christina Bonner 2010 I hereby declare that I am the sole author of this research paper. I authorize Ryerson University to lend this research paper to other institutions or individuals for the purpose of scholarly research. 7 / ChristinaLBonner I further authorize Ryerson University to reproduce this research paper by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. EMlstma Honner ii The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender Discourse Christina Bonner Master of Arts, Program in Communication and Culture Ryerson and York University 2010 Abstract: The goal of this Major Research paper is an exploration detailing how Canadian Electro-Pop artist Peaches Nisker transcends nonnative gender and sex politics through perfonnance and frames the female erotic experience in a way that not only disempowers heterosexuality but also provides a broader more inclusive sexual politics. Through this analysis I focus specifically on three distinct spheres; perfonnance, fandom and use of technology to argue that her critique of sexual conventions provides an cxpansive and transgressive new defmition of female sexuality. Musical perfonnances by female artists, particularly icons such as Madonna and Britney Spears, have demonstrated popular culture's inability to legitimize quecr and non compulsory heterosexual practices. -
MUSIC REVIEW Timberland: a Boot & Phenomenon Jennifer Pride F0XYG1 [email protected] Staff Writer
Page 7 The Compass March 2 , 2004 LIFESTYLE MUSIC REVIEW Timberland: A boot & phenomenon Jennifer Pride F0XYG1 [email protected] Staff Writer What is America's fascination with and desire for Timberland boots? Almost everyone can say that they have at least one pair of Timber- lands, or Tims as they are known, in their closet, and if not, they know someone who does. The $1.1 billion footwear, apparel and accessories company has been a phenomenon in our culture since the early 1980’s, but the question everyone wants to know is, why has the Timberland boot re mained so popular, when so many other styles have come and gone? “Kids are our main customers; when they pick a style they like, it is an instant fad,” said Lenora Allen, manager of Sound Feet Shoes here in Elizabeth City. At Sound Feet Shoes, the boot’s popularity is evident in the massive display areas in the men’s, women’s, and children’s depart ments that are dedicated to Timberland boots. In January alone, Allen’s store sold over 160 pair of Timberland boots, of the more than 50 styles available there. Elizabeth City, being a college town has a great demand for these boots, which are mar keted to people between the ages of 16 and 35. Timberland is owned by Sidney Swartz, who inherited the com pany from his grandfather Nathan Swartz, who in 1918 bought out an Rocking old school other shoe company to become one of the leading boot manufactur Toby Tate ers. However, it wasn’t until the 1960’s, when the company helped change [email protected] shoe technology by introducing injection-molding technology to the foot Staff Writer wear industry, that Timberland had made a permanent impression on the boot industry. -
Edición Impresa
TEMPORAL HISTÓRICO Una nevada anunciada BARCELONA Fundado en febrero de 2000. corta servicios básicos El primer diario que no se vende Dimarts 9 MARÇ DEL 2010. ANY XI. NÚMERO 2337 y colapsa Catalunya Barcelona posarà 6.500 papereres més als carrers perquè estiguin més nets Lanieve aísla hospitales, anula buses y trenes, deja atrapados amilesdeconductores, S’ubicaran a zones comercials i turístiques. L’Ajunta- ment rep 90 queixes setmanals pels contenidors. 9 obliga a cancelar vuelos y a cerrar decenas de escuelas. Se restringió la actividad Interior no aceptó la dimisión de la jefa marítima y el tráfico. Hubo cortes de luz y muchas odiseas para llegar a casa. 2y3 de los Bombers tras el fuego de Horta Consideró que no hubo negligencia al tratarse de «un accidente» y que no se produjo descoordinación. 4 Esports Cruyff se carga el juego del Barça Asegura que «algunos jugadores no están dan- do la talla». Milito aún se ve campeón de Liga. 10 JOHNNIE WALKER HAMILTON TEME A ALONSO Reconoce, en una entrevista, que será «el más peligroso». 10 Otro terremoto, ahora de seis grados y en Turquía, deja más de 50 muertos Ha sido en una zona montañosa de aldeas. En 1999 hubo otro seísmo que dejó 18.000 fallecidos. 8 El Ejército jubila a las BARCELONA SE TIÑE DE BLANCO. Hacía al menos 24 años que Barcelona no vivía una nevada tan intensa, con últimas 300 palomas nieve en la playa y con los monumentos, como el Arc de Triomf, cubiertos de blanco. Se pasó de la sorpresa y las sonrisas al colapso. -
Clarke Repackages HE Support
Thursday 22 January 2004 Published by the USSU Communications Office issue number 1071 free www.ussu.co.uk THE UNIVERSITY OF SURREY STUDENTS’ NEWSPAPER IN THIS WEEK ’ S PAPER THE BIG VOTE THE FINAL COUNTDOWN As nominations open In the week which will decide COMMENT | Paul Sanderson argues in for this year’s elections, the future of Higher Education, favour of higher University fees | page 4 barefacts tells you exactly barefacts brings you news and UNION | Catherine Lee tells you why websites are considered an ‘art’. | page 8 what it’s like to be a comment articles covering all MUSIC | Jon Allen and Matt Badcock head Sabbatical Officer. sides of the debate... to some Christmas gigs | pages 18 & 19 Elections| page 6 News & Comment| Pages 1-5 The Last Stand BY PHILIP HOWARD poorest backgrounds do not have to pay any fees at all - at NEWS EDITOR worst. If the university offers more than £300 bursary, they will be recieving money through the process, separately THE STORY SO far: A year ago education secretary Charles from the standard student loan. Clarke expects around 30% Clarke unveiled the Higher Education White Paper. This of students to receive the full grant, and 10% to receive a was a statement of intent for the government’s new policies partial grant. According to the statement, universities who on Higher Education, including top-up fees and many other currently have wider access and recruit proportionately reforms. As a result of these policies and some concessions more studenrts from poor backgrounds will be able to use in response to backbench opposition, two weeks ago Mr over 90% of the added income, as opposed to the 70% Clarke introduced the Higher Education Bill, to be voted on previously implied. -
Plaza Del Sol Stylish Addition to CSUN Athletics Separate from A.S
California State University; Northridge Volume 49 • Number 19 Since 1957 Thursday, October 5, 2006 sundial.csun.edu A financially independent student newspaper 'The LADIES DIG MY eyes' Students to vote on :-------- big A.S. fee increases and there are detailed Yearly cost guidelines for what it can- could be $294 in not be used for. The A.S. fee is currently 2011 at $72 with a $2 set annual increase, but the referendum SAMANTHA WOMACK this year is for a one-time OAu..YSUNDIAL $15 increase to be applied in Spring 2007. In the 2006- the Associated Stu- 2007 A.S. budget overview, dents and Instruction- the total of student A.S. Elly Related Activities fees in the summer and faU fee referendums are passed of 2005 and spring of 2006 this November, then next was $4,716,000. Less than semester wilJ include a $15 half went to university pro- increase in A.S. fees and a grams, clubs and organiza- $1.7 increase in fall 2007 tions, while the rest went to (the extra $2 is the result A.S. government, programs, of a 2002 ..A.S. fees refer- services and support. endum). Meaning a year AccordingtoA.S. finance from now CSUN tuition director Adam Haverstock, will include $119 in A.S. without these fee increases, and LR.A. fees and will A.S. will be hard pressed to continue to increase until at offer the lillie support it has least 2012. been able to in the past. According to the 2006 Crandall said, though, voter pamphlet and A.S. -
Incubus Headlining North American Tour with Special Guest Jimmy Eat World
INCUBUS HEADLINING NORTH AMERICAN TOUR WITH SPECIAL GUEST JIMMY EAT WORLD New Single “Nimble Bastard” on Island Records - From 8, Their Upcoming Eighth Studio Album Out Spring 2017 Band Celebrates the 20th Anniversary of Their Major Label Album Debut Tour Pre-Sale Begins Friday, February 17th - Opening July 6th in West Palm Beach Each Pair of Mobile/Internet Concert Tickets Sold Will Include a Copy of the 8 Album (Feb. 16, 2017 – New York, NY) Multi-platinum alt-rock icons Incubus, celebrating in 2017 the 20th anniversary of their major label album debut, are releasing the brand new single “Nimble Bastard” just in time for their first headlining North American tour since 2015, the 8 Tour, announced today. Produced by Live Nation, the 30-city run includes support by Arizona-based band Jimmy Eat World and begins July 6th at Perfect Vodka Amphitheatre in West Palm Beach. The tour will include stops in Charlotte, Holmdel, Cleveland, Dallas and a Hollywood Bowl date in Los Angeles before wrapping up at White River Amphitheatre in Seattle on August 19th. Complete itinerary below. Fan pre-sale begins Friday, February 17 at 12pm local time. Pre-sale begins February 21th at 10am local time and general on-sale begins February 24th. For more information please visit livenation.com. Each pair of mobile/internet concert tickets sold will include a copy of the 8 album. AT&T brings customers to the front of the line for the 8 Tour featuring Incubus with special guest Jimmy Eat World. AT&T priority pre-sale ticket access begins Tuesday, February 21 at 10am local time via the AT&T THANKS program. -
PJ Harvey Celebra La Mort I L'esperança
Cultura i Mitjans | | Actualitzat el 05/06/2016 a les 16:00 PJ Harvey celebra la mort i l'esperança El concert de la diva britànica al Primavera Sound enamora per continguda, solemne i precisa | El repertori el formen gairebé només cançons del nou disc "The hope six demolition project" PJ Harvey al Primavera Sound | Primavera Sound El concert que PJ Harvey ha fet aquest dissabte, ha estat com la millor marxa fúnebre a la que probablement mai assistiràs. Acompanyada del Hope Six Demolition Project, una banda formada per un llarg número de músics de renom que Harvey ha portar collats durant l'hora llarga de concert a l'escenari Heineken. Amb una solemnitat impertorbable l'actuació ha transcorregut sense cap incident, sense cap nota fora de lloc, sense cap afinació entre cançons. En definitiva sense cap element que pogués despitar el públic d'unes cançons funestes però esperançadores. Polly Jean Harvey ha pujat a l'escenari com una membre més de la banda, amb el saxo a la boca i caminant entre la resta d'instruments de vent i percussió. Chain of keys, del seu nou disc The Hope Six Demolition Project, oha obert la llauna, com si en comptes de ser una de les artistes més influents del rock alternatiu fos una peça més de l'engranatge, en aquest cas d'una espècie de marching band de Nova Orleans. A partir de llavors nou disc s'ha anat desgranant sense masses concessions a antigues perles dels més de vint anys de trajectòria. The Ministry of Defence, The community of hope, A line in the sand i The Orange Monkey van succeir-se de manera calmada amb el tarannà blues que tenyeix les últimes referències de la de Dorset. -
Scratching the Surface
Scratching the Surface Marit Larsen and Marion Ravn: Popular Music and Gender in a Transcultural Context Jon Mikkel Broch Ålvik A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Musicology Faculty of Humanities University of Oslo 2014 1 2 Table of Contents ACKNOWLEDGEMENTS .................................................................................................................5 CHAPTER 1 ........................................................................................................................................9 INTRODUCTION: SCRATCHING THE SURFACE.......................................................................9 BACKGROUND: CRITICAL AND POPULAR MUSICOLOGY............................................................................ 12 ON SINGING (AND WRITING) IN ENGLISH: GLOBAL LANGUAGE AND THE PARADOX OF AUTHENTICITY................................................................................................................................................. 14 AN INTERSECTION OF DISCIPLINES: INTERTEXTUALITY, PHENOMENOLOGY, PERSONA .................... 32 OUTLINE OF THESIS........................................................................................................................................ 35 CHAPTER 2 ..................................................................................................................................... 37 GROWING UP IN PUBLIC: SOCIAL BACKGROUND AND THE EMERGENCE OF SUBJECTIVITIES IN M2M...........................................................................................................