PJ Harvey Celebra La Mort I L'esperança
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Scratching the Surface
Scratching the Surface Marit Larsen and Marion Ravn: Popular Music and Gender in a Transcultural Context Jon Mikkel Broch Ålvik A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Musicology Faculty of Humanities University of Oslo 2014 1 2 Table of Contents ACKNOWLEDGEMENTS .................................................................................................................5 CHAPTER 1 ........................................................................................................................................9 INTRODUCTION: SCRATCHING THE SURFACE.......................................................................9 BACKGROUND: CRITICAL AND POPULAR MUSICOLOGY............................................................................ 12 ON SINGING (AND WRITING) IN ENGLISH: GLOBAL LANGUAGE AND THE PARADOX OF AUTHENTICITY................................................................................................................................................. 14 AN INTERSECTION OF DISCIPLINES: INTERTEXTUALITY, PHENOMENOLOGY, PERSONA .................... 32 OUTLINE OF THESIS........................................................................................................................................ 35 CHAPTER 2 ..................................................................................................................................... 37 GROWING UP IN PUBLIC: SOCIAL BACKGROUND AND THE EMERGENCE OF SUBJECTIVITIES IN M2M........................................................................................................... -
Discografía Básica De Música Rock Octubre 2005
+ = DISCOGRAFÍA BÁSICA DE MÚSICA ROCK OCTUBRE 2005 ¿Qué pasaría si a la selección hecha por la Revista ROCK DE LUX en 2002 añadiéramos los 500 mejores álbumes de la historia que nos sugiere la Revista ROLLING STONE en su número especial de septiembre de 2005?, pues eso, tendríamos una discoteca básica de Música Rock. ¡A disfrutarla! 1 A TRIBE CALLED QUEST (GRUPO MUSICAL) The low end theory [Grabación sonora] / A Tribe Called Quest [S.l.] : BMG, p 1991. -- 1 disco compacto (49 min.) : digital ; 12 cm Contiene: 1.Excursions ; 2. Buggin’ Out ; 3. Rap Promoter ; 4. Butter ; 5. Verses From The Abstract ; 6. Show Business ; 7. Vibes And Stuff ; 8. The Infamous Date ; 9. Check ther rhime ; 10. Everything is fair ; 11. Jazz; 12. Skypager ; 13. What? ; 14. Scenario 1. Hip hop I. Título 2.TRI 90 Número de Título: 854680 ALI R.C.D. 4198 2 AC/DC (GRUPO MUSICAL) Back in black [Grabación sonora] / AC-DC [S.l.] : Sony Music Entertainment, cop. 2003. -- 1 disco compacto(42 min., 08 seg.) ; 12 cm Contiene: Hells Bells ; Shoot To Thrill ; What Do You Do For Money Honey ; Given the Dog a Bone ; Let Me Put My Love Into You ; Back In Black ; You Shook Me All Night Long ; Have A Drink On Me ; Shake a Leg ; Rock and Roll Ain’t Noise Pollution Producido por EPIC en 1980 1. Rock duro I. Título 2.ACD 40 Número de Título: 853874 ALI R.C.D. 4160 3 ADÉ, King Sunny Juju music [Grabación sonora] / King Sunny Adé & his African Beats [S.l.] : Island Records, p 1982. -
Dirty Pretty Things
Nummer 4 • 2006 Sveriges största musiktidning Tool Snow Patrol Peaches David Lindh Dirty Pretty Things SLMFZ %BWJE #B 6 SMT SX B JU O [ ( P 5 O I P F . " O S J N P G B M E ' J F W S F J 8 5 I F M F ( Q P T Cannibal Corpse • Hot Chip • Cult of Luna • Midlake • Atomic Swing Aerial • The Animal Five • L.T. Fisk • Peter Bjorn and John • Up Hygh Groove 4 • 2006 David Lindh sidan 5 Tre frågor till Niclas Frisk sidan 5 Några gör eget xxx? sidan 5 Att jag i förra numret gnällde på artis- jobba på detta sätt eftersom det var Cult of Luna sidan 6 ter som gör det lätt för sig genom att så det hela startade. Men även inom sno andras låtar nästan rakt av tror hiphopen har man gått varvet runt, xxx? sidan 6 jag många håller med mig om, speci- utvecklingen där handlar mest om Cannibal Corpse sidan 7 ellt artister med egna visioner. Bland bling, bilar & brudar – där kan obil- annat fick jag en kommentar från dade och historielösa producenter Favvoplattor sidan 7 duon The Attic som applåderade min kavla ut förutsägbara beats till den Omslag Kevin Midlake sidan 8 kritik och framhöll sig själva som allt allt mindre krävande publiken. Det är Westerberg Hot Chip sidan 8 annat än latmaskar då de gör i princip inte värt jobbet att försöka lägga ner allt själva. Och det gillar jag givetvis. lite mer själ i produkten helt enkelt. Groove är en oberoende musiktidning Aerial sidan 10 Kolla gärna in deras underhållande Kulturens förflackning och allt detta. -
Gardner, Abigail S ORCID: 0000-0003-2994-741X and Flint- Nicol, Katarina (2016) Sleevenotes: PJ Harvey's Gothic World
This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document, Reproduced with permission of Intellect Limited. This extract is the publishers final version of the article. The full published, version of record is available here: http://www.intellectbooks.co.uk/journals/view-issue,id=3223/ and is licensed under Publisher's Licence license: Gardner, Abigail S ORCID: 0000-0003-2994-741X and Flint- Nicol, Katarina (2016) Sleevenotes: PJ Harvey's Gothic World. Studies in Costume and Performance, 1 (2). pp. 163-178. doi:10.1386/scp.1.2.163_1 Official URL: https://www.ingentaconnect.com/content/intellect/scp/2016/00000001/00000002/art00003 DOI: http://dx.doi.org/10.1386/scp.1.2.163_1 EPrint URI: http://eprints.glos.ac.uk/id/eprint/4199 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. SCP 1 (2) pp. -
Felix Issue 0953, 1993
2 News ^f/fff The summer was a time of sadness at Imperial College. The sorrow for the loss of a department head to another institution was Dirtmade yworse Trick s by the suicide of a MSc student. Fortunately, that was the BY ANDREW TSENG the President as unconstitutional only tragic death, though Imperial's Youth HostelAND MARK SIMMON AssociationS (By-Law s 14). did write off an ICU minibus. Ron Oxburgh joined the family Even under the new constitution of Imperial as Rector. Allegations of deception and the third UGM would be deemed restricted information have surfaced unconstitutional (clause 5.8). e mont amid concern over Mr Wensley's However, Mr Wensley allowed it f\pfr%l\pY ^ h of October was governedhandlin byg ofish,f Imperia l College to take place. freshers and falls, yet the bubblyUnion's flowed(ICU) constitutiona l In an interview prior to the freely. Free was also what Austen Donnellanprocess. of King's UGM, Mr Wensley admitted it was College could be described as, though inDifficultie the firsts withi weekn ICU ar ea unconstitutional but said: 'Since fresher almost was not after failing to knockalleged to out stem mainl17 ymembers from the only reports are on the agenda of College. The smell of failure was the itemactions o leastf Mr Wensley on, in theparticula mindr there' s nothing to worry about. I over the his introduction of the new agree there have been problems of John Patten, however, as he pressed ICaheadU constitution with. The thenew const reform- this term. ' The President, however, of student unions. -
Unnameable Books from Poetry Crush
FRI. AUGUST 1 granola and paints. Her first chapbook, the 7:30 p.m. Break Carol Mirakove 8:05 p.m. christ hairnet fish library, is out from http://www.carolmirakove.info/ 6:00 P.M. Dancing Girl Press. Her second, a small man Buck Downs 7:40 p.m. Carol Mirakove has served as poetry looked at me, is due from Little Red Leaves http://www.buckdowns.com editor and politics co-editor of Boog $5 suggested Press. She also has an e-chapbook coming Buck Downs has been writing poems and City. Unnameable Books from Poetry Crush. Lefsyk has previous work in Bateau, Phoebe, creating opportunities for poets to publish Poetry Crush, and The New Orleans Review, among others. and perform in Washington, D.C. for two Rodrigo Toscano 8:15 p.m. 600 Vanderbilt Ave. decades. He curates the In Your Ear reading series at the Rodrigo Toscano is the author of six (bet. Prospect Place/St. Marks Avenue) Boni Joi 6:50 p.m. D.C. Arts Center, and serves as poetry editor for Boog City. books of poetry, including Deck of Prospect Heights, https://twitter.com/bonijoi His latest books are New Personal Problem and Assorted Deeds (Counterpath Press) and Collapsible Boni Joi was born in North Miami Beach, Books of Buck Downs. Poetics (a 2007 National Poetry Series Brooklyn Fla.; raised in New Jersey; and discovered her Selection). His writing has appeared in the anthologies Directions: 2, 3 to Grand Army Plaza, lost lineage in Salem, Mass. Her poems have Joanna Fuhrman 7:55 p.m. -
JAZZ and POP (Cds) CD 288 180°
JAZZ & POP University of Sheffield Music Library RECORDINGS OF JAZZ AND POP (CDs) CD 288 180° Barry Adamson: Something wicked this way comes Caspar Brötzmann Massaker: The tribe Diamanda Galás: Malediction Einstürzende Neubauten: Die Interimsliebenden Fortran 5: She knows the lot Gilbert/Hampson/Kendall: Quad Holger Hiller: Könignnen John Came: Ink tank Laibach: Sponsored by Mars Live Blue Roma: Pure blue Mark Stewart: Simulacre Mick Harvey: The barrel of my 45 Non: Credo Panasonic: Urania Piquet: Pre remains Plastikman: Fuk Renegade Soundwave: Blastik 1 CD 351 Louis Armstrong: Hot fives & sevens,vol 1 Big butter and egg man from the West Lonesome blues Big fat Ma and skinny Pa Muskrat ramble Come back, sweet Papa My heart Cornet chop suey Oriental strut Don't forget to mess around Skid-dat-de-dat Dropping shucks Sunset Cafe stomp Georgia grind Sweet little Papa Gut bucket blues The King of the Zulus He likes it slow Who'sit Heebie jeebies Yes, I'm in the barrel I'm gonna gitcha You made me love you Irish black bottom You're next Jazz lips CD352 Boogie Woogie vol 1: piano soloists Albert Ammons: Shout for joy Albert Ammons: Bass goin' crazy Charles 'Cow Cow' Davenport: Cow cow blues Charles 'Cow Cow' Davenport: State Street jive Art Hodes: Ross tavern boogie Pete Johnson: Blues on the downbeat Pete Johnson: Kaycee on my mind Meade Lux Lewis: Yancey special Meade Lux Lewis: Honky tonk train blues 'Clipple' Clarence Lofton: Streamline train 'Clipple' Clarence Lofton: I don't know Romeo Nelson: Head rag hop Speckled Red (Rufus Perryman): -
A LIFE ACCORDING to PJ HARVEY. © Ilkka Levä 2009 Abstract for The
”LICK MY LEGS AND I’M ON FIRE”. A LIFE ACCORDING TO PJ HARVEY. © Ilkka Levä 2009 Abstract for the Violence and Network Society School Shootings and Social Violence in Contemporary Public Life Conference Nov. 6-7th, 2009, Helsinki In the songs of English born singer-songwriter PJ Harvey (born Polly Jean Harvey 9 October 1969) a critical distance is constructed in a variety of ways: demanding a lover to “ask her name” instead of just making love (Oh My Lover), begging him to “lick her legs” and telling him that she will make him “lick her injuries” (Rid of Me), calling him “weak” and wanting to “stroke it” and “rub it better 'till it bleeds” (Rub ‘til It Bleeds), telling him her name as “F U C K” and being “twenty inches long” (50ft Queenie), call upon him to give her back “her memory” (Yuri-G), making suicide by drowning herself to a sea (Water), asking “Tarzan I'm pleading stop your fucking screaming” (Me-Jane), wanting to get “man-sized” (Man-Size), saying that the dress he bought to her is “filthy tight and filthy” (Dress) and that she will “fruit flower” herself “inside out” because she is “happy and bleeding for” him (Happy and Bleeding). These quotations used here are valuable information for the imagination because they confirm something that the common sense masculine imagination already knew: that a woman is a bitch judged by her ways of acting in these songs. And yet these words do something else than reassure us. They have some disturbing quality. -
Jenny Eclair
C DF.G 1393 10th December 1993 Sir& 1:0 °1111111 THOUSANDS OF STUDENTS TAKE TO THE STREETS FOR DEMO LEEDS SAYS NO TO CUTS Three thousand students descend on Leeds for demonstration against the Government's 30 per-cent cut in student's grant and the reform of NUS housands of angry urkshiry k rca \I . Nlitrch arganicert, tiud students descended on ■1%. A NI Si, exceeded All student union leader, in l ads T Leeds for a demo expectations. slammed the muse and claimed against GOVernmen1 attacks on The organiser Anthony that the SW P had "attempted students. this Wednesday. Version. WYANUS consener. to hijack a peaceful and Led by the Grim Reaper, described the turnout as enjus 11 btu march to further the students, representing phenomenal, their own political aims-. dttiens of unisersities and Although police described The ofticiat demonstration colleges in the North of the march as peaceful, a attracted widespread media England, marched through the breakaway group, consisting coverage in the region and rain to a rally in the centre of mainly of members of the marginally. Leeds. is here leading NUS Socialist Workers Party. tits P Mil uk march Page speakers addressed the crowd. attempted to occupy the grants Leeds derri sui:ceci - Pap: s Demonstrators march to On city ammo In tits rain PIc:Ed Crispin rhe march. orgunised by drove of Leeds City Council. Editorial Pale Another Christmas on the streets hile thousands cat Leeds can't these he used to house us': 'I Bali sinnettnics iodise 1:"..'5 it, Ras mond 'I spend hall the Wstudents look forward to Joc's concern comes in a a day. -
March 16Th 1994
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 3-16-1994 March 16th 1994 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "March 16th 1994" (1994). Coyote Chronicle (1984-). 371. https://scholarworks.lib.csusb.edu/coyote-chronicle/371 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO THE WEEKLT^ Coyote Women's Basketball: The team that won the NCAA West Coyotes defeat Portland State U. to a fast break layup by Kim Young. At the half, the Coyotes had a 38-37 1994 Coyote Women's in regional tournament 79-69, "It's finals week. (The team) lead. Basketbal Factbox can deal with that stress in The Vikings made it close, will face Stonehlll In Elite Eight their life now." leading 65-63 with 3:34 left in the 27 - 3 for the season. game. The Coyotes then pressured for Division II national title -COACH LUVINA BBCKLEY the Vikings into making a forced pass that was intercepted by Felice Won last 12 first time ever, Leading the Coyotes in scoring by Jeremy Heckler Logan who took it down the court Cal State outscored the Vikings was Chery'll Few, who scored a consecutive (•aines. and eventually nailed a threepointer, sports editor 22-7 in the final six minutes to seal career high 34 points. -
PJ Harvey and Remembering England. In: Mad Dogs and Englishness: Popular Music and English Identities
This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document and is licensed under Creative Commons: Attribution 4.0 license: Gardner, Abigail S ORCID: 0000-0003-2994-741X (2017) PJ Harvey and Remembering England. In: Mad Dogs and Englishness: Popular Music and English Identities. Bloomsbury, New York. ISBN 9781501311253 EPrint URI: http://eprints.glos.ac.uk/id/eprint/4126 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. PJ Harvey and Remembering England Introduction PJ Harvey is an English musician who has, to date, enjoyed a career spanning nearly a quarter of a century. She comes from Dorset, a rural county in the South West of England, where she still lives. This fact is important because it locates her in a particular rural and potentially ‘pastoral’ place, one that is far away from the metropolitan, from Thomas Hardy’s ‘madding crowd’. -
Setting the Stage’, ‘The Chanteuse’, ‘Perils in the Pursuit of the Personal’ and ‘She’S Got the Look’
Subversive Desires: Exploring the sexuality enacted by the musical performances of Liz Phair & P.J Harvey By Dhersen Moodley Student number: 0210248N A research report submitted to the Faculty of Humanities, University of the Witwatersrand Johannesburg, in partial fulfilment of the requirements for the Degree of a Master of the Arts in Community-Counselling Psychology November 2009 1 Note: The artwork on the cover page is from the following sources: http://www.last.fm/music/PJ+Harvey/+images/5962209 http://www.last.fm/music/PJ+Harvey/+images/2129190 http://www.last.fm/music/Liz+Phair/+images/75766 http://www.singerpictures.com/liz-phair-picture-25889.html 2 Declaration I declare that this research is an original piece of writing that belongs to the writer and all the external and published work that has been used to aid this research has been appropriately referenced. It has been submitted for the degree, Master of Arts in Community-Counselling Psychology to the University of the Witwatersrand, Johannesburg, South Africa. It has not been submitted previously for any other degree or examination at any other University. Dhersen Moodley Date 3 Abstract The idea of a subversive female sexual desire is certainly controversial as it begs the question how we can know and at what point(s) does this desire become subversive . The work of two female musicians: Liz Phair and PJ Harvey, specifically through their albums ‘Exile in Guyville’ and ‘Rid of Me’ respectively, are the inspiration behind a subversive female sexual desire . These two musicians appear to communicate through the mentioned albums a desire that contrasts the way in which female musicians traditionally express matters pertaining to their sexual desire.