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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The San Francisco Arts Quarterly SA Free Publication Dedicated to the Artistic Communityfaq
i 2 The San Francisco Arts Quarterly SA Free Publication Dedicated to the Artistic CommunityFAQ SOMA ISSUE: July.August.September Bay Area Arts Calendar The SOMA: Blue Collar to Blue Chip Rudolf Frieling from SFMOMA Baer Ridgway Gallery 111 Minna Gallery East Bay Focus: Johansson Projects free Artspan In Memory of Jim Marshall CONTENTS July. August. September 2010 Issue 2 JULY LISTINGS 5-28 111 Minna Gallery 75-76 Jay Howell AUGUST LISTINGS 29-45 Baer Ridgway Gallery 77-80 SEPTEMBER LISTINGS 47-60 Eli Ridgeway History of SOMA 63-64 Artspan 81-82 Blue Collar to Blue-Chip Heather Villyard Ira Nowinsky My Love for You is 83-84 SFMOMA 65-68 a Stampede of Horses New Media Curator Meighan O’Toole Rudolf Frieling The Seeker 85 Stark Guide 69 SF Music Collector Column Museum of Craft 86 Crown Point Press 70 and Folk Art Zine Review 71 East Bay Focus: 87-88 Johansson Projects The Contemporary 73 Jewish Museum In Memory: 89-92 Jim Marshall Zeum: 74 Children Museum Residency Listings 93-94 Space Resource Listings 95-100 FOUNDERS / EDITORS IN CHIEF Gregory Ito and Andrew McClintock MARKETING / ADVERTISING CONTRIBUTORS LISTINGS Andrew McClintock Contributing Writers Listing Coordinator [email protected] Gabe Scott, Jesse Pollock, Gregory Ito Gregory Ito Leigh Cooper, John McDermott, Assistant Listings Coordinator [email protected] Tyson Vogel, Cameron Kelly, Susan Wu Stella Lochman, Kent Long Film Listings ART / DESIGN Michelle Broder Van Dyke, Stella Lochman, Zmira Zilkha Gregory Ito, Ray McClure, Marianna Stark, Zmira Zilkha Residency Listings Andrew McClintock, Leigh Cooper Cameron Kelly Contributing Photographers Editoral Interns Jesse Pollock, Terry Heffernan, Special Thanks Susie Sherpa Michael Creedon, Dayna Rochell Tina Conway, Bette Okeya, Royce STAFF Ito, Sarah Edwards, Chris Bratton, Writers ADVISORS All our friends and peers, sorry we Gregory Ito, Andrew McClintock Marianna Stark, Tyson Vo- can’t list you all.. -
April's Fools
APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
The Aftermath of the Porn Rock Wars
Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal. -
SEPTEMBER 2004 Any Persons Living Or Dead Is Coincidental
THE h o t t i e OF THE LINING BIRDCAGES SINCE 1997 FRENCH ISSUE month EDITOR-IN-CHIEF Todd Nienkerk olores MANAGING EDITOR Kristin Hillery DESIGN DIRECTOR JJ Hermes Gifter of Bibles ASSOCIATE Elizabeth Barksdale EDITORS Ryan B. Martinez D WRITING STAFF Kathryn Edwards Who is this hot Magdalenian mama beckoning me to her Bradley Jackson Fertile Crescent? Your lips, swollen with Passion, coax me into Chanice Jan Todd Mein the sizzling sinlessness of scripture. Did you spill some Holy John Roper Joel Siegel Water on your lap, or are you just anticipating the Rapture? Christie Young Press me against your virginal bosom so I can be DESIGN STAFF David Strauss born again, and again — and again! Christina Vara ADVERTISING Emily Coalson vital stats PUBLICITY Stan Babbitt Hobbies: Accepting missionary positions, being an open book, shopping at the Dress Barn, DISTRIBUTION Stephanie Bates “Bible”-beating, being on her knees WEBMASTER Mike Kantor ADMINISTRATIVE Erica Grundish Turn-ons: submission, “Dogma,” destruction of Sodom and Gomorrah, Abel SUPERVISOR Turn-offs: Getting off the high horse, abridging, “The DaVinci Code”, polytheism, birth ADMINISTRATIVE Leala Ansari control, Cain, lap dances, Darwin, the Pope-mobile ASSISTANTS Doug Cooper Jef Greilich Sara Kanewske meeting at busy intersections to play right-of-way • People running to class look funny and deserve to Lindsay Meeks games with speeding vehicles. be laughed at. Jill Morris Garrett Rowe • Overeager returning students will continue to • The 40 Acres Buses will be renamed “40- Toby Salinger like school enough for the both of you. Thousand Acres.” If they weren’t traveling 40,000 Ari Schulman around • Captain Clueless will attempt to charm you by acres, why else would they take so goddamn long Laura Schulman turning courteous small talk into a biographical and travel caravan-style? Eric Seufert discourse about himself. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Crescent" Student Newspaper Archives and Museum
Digital Commons @ George Fox University "The Crescent" Student Newspaper Archives and Museum 11-2-2001 "The Crescent" Student Newspaper, November 2, 2001 George Fox University Archives Follow this and additional works at: https://digitalcommons.georgefox.edu/the_crescent Recommended Citation George Fox University Archives, ""The Crescent" Student Newspaper, November 2, 2001" (2001). "The Crescent" Student Newspaper. 1241. https://digitalcommons.georgefox.edu/the_crescent/1241 This Book is brought to you for free and open access by the Archives and Museum at Digital Commons @ George Fox University. It has been accepted for inclusion in "The Crescent" Student Newspaper by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. NO, NOT MEL GIB C R O S S C O U N T R Y URBAN SERVICES SON, BUT CLOSE - COMES TO A Food and companion Theatre veteran Mel C L O S E - T h e B r u i n ship offered to the Schroder shares his pas i, V : ^ I men and women fin homelessby selfless sion for drama — V ish strong — students — A&E, page 8 Sports, page 10 News, page 2 Crescent George Fox University, Newberg, Oregon Friday, November 2, 2001 Issue 5, Vol. CXVIII Hatfield Health fair: stop the spread of sickness LISA DELZER chicken soup to cure the flu she expense - especially on a campus spiritual health, to nutritional presents like ours, where sickness spreads advice from the family and con Staff Writer already knows is coming, join the George Fox community at the rapidly. sumer sciences, it promises to be view on h e a l t h f a i r i n t h e E H S a t r i u m Many departments will be a great way to learn how to stay "Hi, Mom. -
By Dardo I Editor
By Dardo Editor: Unleashed2k April 2019 CUSTOMSFORGE’S MONTHLY NEWSLETTER Issue #6 WELCOME ABOUT US Welcome to CustomsForge’s monthly newsletter, where you can find the CustomsForge is a website latest news about CF and Rocksmith 2014 Remastered. created in 2014 by the April fools Rocksmith community to make their own songs, Surprise! Were you expecting another serious list with an intricate article about the origins and characteristics of a musical genre? Well, this might be communicate more easily and different but it’s as good as any of those things. After all, everyone likes enjoy the game all together humour and when you mix it with some great songs and some tight musicianship, you get this amazing cocktail of musical talent and funny Currently we are approaching lyrics. more than 35,000 charts made by the community, and Parody/Joke songs have more than 250,000 “Weird Al” Yankovic – Eat It members. “Weird Al” Yankovic – CNR “Weird Al” Yankovic – Amish Paradise We welcome thousands more Beatallica – I Want to Choke Your Band each month The Lonely Island – Dick in a Box ft. Justin Timberlake Alexander Pushnoy – Porushka Paranya The Rutles – I Must Be In Love Steel Panther – Sex and Candy Steel Panther – The Ballad of Mona Lisa Steel Panther – Supersonic Sex Machine Red Plesen – Gitler Yugend Rock N Roll Flight of the Conchords – Business Time Flight of the Conchords – Hiphopopotamus vs. Rhymenoceros Cannabis Corpse – Chronolith Tenacious D – The Metal Tenacious D – Tribute Tenacious D - Beelzeboss Spinal Tap – Gimme Some Money Spinal Tap – Big Bottom Spinal Tap – Sex Farm Rocksmith 2014 Remastered logo By Dardo Editor: Unleashed2k April 2019 “ I wanted a site and project I could call my own, something I could step back and say: “wow, I did this, I made this happen”, and CustomsForge became exactly that.” “Mark with YouTuber FreddieW at MAGFest 2019” someone who loves both gaming and guitar, it sparked my interest.