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— Le Rime Di Bernardo Cappello Edizione Critica LE e-ISSN 2610-9522 RIME Italianistica 9 ISSN 2610-9514 DI BERNARDO CAPPELLO BERNARDO DI Testi 1 — Le Rime di Bernardo Cappello Edizione critica a cura di Irene Tani Edizioni Ca’Foscari Le Rime di Bernardo Cappello Italianistica Testi Collana diretta da Tiziano Zanato 9 | 1 Edizioni Ca’Foscari Italianistica Direttore Tiziano Zanato (Università Ca’ Foscari Venezia, Italia) Comitato scientifico Saverio Bellomo † (Università Ca’ Foscari Venezia, Italia) Alberto Beniscelli (Università degli Studi di Genova, Italia) Giuseppe Frasso (Università Cattolica del Sacro Cuore di Milano, Italia) Pasquale Guaragnella (Università degli Studi di Bari Aldo Moro, Italia) Niva Lorenzini (Università di Bologna, Italia) Cristina Montagnani (Università degli Studi di Ferrara, Italia) Matteo Palumbo (Università degli Studi di Napoli Federico II, Italia) Carla Riccardi (Università degli Studi di Pavia, Italia) Lorenzo Tomasin (Università di Losanna, Svizzera) Comitato di redazione Ilaria Crotti (Università Ca’ Foscari Venezia, Italia) Serena Fornasiero (Università Ca’ Foscari Venezia, Italia) Daria Perocco (Università Ca’ Foscari Venezia, Italia) Ricciarda Ricorda (Università Ca’ Foscari Venezia, Italia) Silvana Tamiozzo (Università Ca’ Foscari Venezia, Italia) Piermario Vescovo (Università Ca’ Foscari Venezia, Italia) Direzione e redazione Dipartimento di Studi Umanistici Palazzo Malcanton Marcorà Dorsoduro 3484/D 30123 Venezia e-ISSN 2610-9514 ISSN 2610-9522 URL http://edizionicafoscari.unive.it/it/edizioni/collane/italianistica/ Le Rime di Bernardo Cappello Edizione critica a cura di Irene Tani Venezia Edizioni Ca’ Foscari - Digital Publishing 2018 Le Rime di Bernardo Cappello. Edizione critica a cura di Irene Tani © 2018 Irene Tani per il testo © 2018 Edizioni Ca’ Foscari – Digital Publishing per la presente edizione cb Quest’opera è rilasciata con una Licenza Pubblica Creative Commons Attribuzione 4.0 Internazionale This work is licensed under a Creative Commons Attribution 4.0 International License Qualunque parte di questa pubblicazione può essere riprodotta, memorizzata in un sistema di recupero dati o trasmessa in qualsiasi forma o con qualsiasi mezzo, elettronico o meccanico, senza autorizzazione, a condizione che se ne citi la fonte. Any part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission provided that the source is fully credited. Edizioni Ca’ Foscari – Digital Publishing Università Ca’ Foscari Venezia Dorsoduro 3246 30123 Venezia http://edizionicafoscari.unive.it | [email protected] 1a edizione dicembre 2018 ISBN 978-88-6969-257-4 [ebook] ISBN 978-88-6969-258-1 [print] Volume pubblicato con il contributo dell’Università per Stranieri di Siena, Scuola Superio- re di Dottorato e Specializzazione, e del Dipartimento di Filologia e critica delle letterature antiche e moderne dell’Università di Siena Stampato per conto di Edizioni Ca’ Foscari - Digital Publishing, Venezia nel mese di dicembre del 2018 da Logo s.r.l., Borgoricco, Padova Printed in Italy Le Rime di Bernardo Cappello. Edizione critica; Irene Tani. — 1. ed. — Venezia: Edizioni Ca’ Fosca- ri – Digital Publishing, 2018. — 760 pp.; 23 cm. — (Italianistica; 9 | 1). — ISBN 978-88-6969-258-1. URL http://edizionicafoscari.unive.it/it/edizioni/libri/978-88-6969-258-1/ DOI 10.30687/978-88-6969-257-4 Le Rime di Bernardo Cappello Edizione critica a cura di Irene Tani Abstract Bernardo Cappello (Venezia 1498 ca.-Roma 1560), member of one of the old- est patrician families of Venice, played an active role in the politics of the Vene- tian Republic, until his exile in 1540. After that, he became a collaborator and a protégé of cardinal Alessandro Farnese, who is one of the most significant figures of the century. Then he took refuge in Rome, where over the years he held varied appointments. Since his youth and in parallel with his political ca- reer, Cappello constantly devoted himself to humanistic studies and to rhymes production: pupil of Pietro Bembo, interlocutor of Giovanni Della Casa and close friend to Bernardo Tasso, the author is among the greatest exponents of the sixteenth-century Petrarchism. For the first time the critical edition of Rime by Bernardo Cappello is here given, namely the book of 353 composi- tions that the author elaborated on the pattern of Bembo’s directives, over a large period of time. In his book of poetry (canzoniere), through lyrical pieces, the author creates his own existential and biographical path. Regarding the evolution of the architecture of Cappello’s collection, four witnesses survived, in which we distinguish different phases: the first one is genetic and manu- script (Roma, Biblioteca Casanatense, 277), with addition of corrections that generally are close to the textual variants of the princeps; the second is the print of 1560 for the press of the Guerra brothers; finally, a further evolutionary stage is represented by two postillated prints. To these witnesses a rich miscel- laneous tradition is added, which, for a large number of rhymes, restores the elaborative complexity through multiple genetic forms. Poems ousted from the ancient print, but part of the canzoniere in other phases of composition, are included in this critical edition. Keywords Italian philology. Petrarchism. Sixteenth century. Bernardo Cappello. Lyric poetry. Le Rime di Bernardo Cappello Edizione critica a cura di Irene Tani Ringraziamenti Questo volume nasce dalla mia tesi di dottorato in Letteratura, Storia della Lingua e Filologia italiana, discussa nel 2015 presso l’Università per Stranieri di Siena, e dalle ricerche condotte nel 2016 presso il Dipartimento di Filolo- gia e critica delle letterature antiche e moderne dell’Università degli Studi di Siena. Desidero esprimere tutta la mia riconoscenza e gratitudine a Stefano Carrai, il quale, oltre ad avermi suggerito l’oggetto della ricerca, con costante disponibilità ha generosamente sostenuto il lavoro in ogni sua fase. Un al- trettanto sincero e doveroso ringraziamento va a Giuseppe Marrani, che con pazienza e competenza mi ha seguito in qualità di tutor durante il dottorato, supportandomi e guidandomi fino alla conclusione del volume. A loro devo tutto quello che di buono contiene questo lavoro. Un grazie particolare va a Simone Albonico per la sua accurata lettura e per i suoi fondamentali suggerimenti. A Carlo Caruso rivolgo un sentito e caro ringraziamento per il suo liberale e prezioso appoggio. Infine vorrei ringra- ziare Tiziano Zanato per aver accolto il lavoro nella collana di «Italianistica» delle Edizioni Ca’ Foscari; l’Università per Stranieri di Siena e il Dipartimento di Filologia e critica delle letterature antiche e moderne dell’Università degli Studi di Siena per aver finanziato la pubblicazione. Altri debiti sono segnalati all’interno del volume. Le Rime di Bernardo Cappello Edizione critica a cura di Irene Tani Sommario 0 Introduzione 11 1 Censimento 69 2 Considerazioni sulla tradizione 181 3 Nota al testo 213 4 Rime 227 Appendice 681 Tavola metrica 707 Tavola di concordanza 711 Ordinamento C - C1 Tavola di concordanza 715 C - Guerra - Triv Indici 721 Bibliografia 733 Le Rime di Bernardo Cappello Edizione critica a cura di Irene Tani 0 Introduzione Sommario 0.1 Prospetto dei testimoni in ordine di sigla. – 0.2 Biografia dell’autore. – 0.2.1 Premessa. – 0.2.2 La giovinezza e l’incontro con Pietro Bembo. – 0.2.3 L’esilio e la nuova carriera presso Alessandro Farnese. – 0.2.4 La questione Farnese e la guerra di Parma. – 0.2.5 La corte di Urbino e gli ultimi anni. – 0.3 Il petrarchismo di Bernardo Cappello: «imitare per solo duce, et maestro il Bembo». – 0.4 Il Canzoniere. – 0.4.1 Struttura interna. – 0.4.2 Testi conduttori del canzoniere. – 0.4.3 Componimenti politici. – 0.4.4 Testi funebri. – 0.4.5 La frantumazione di Laura. 0.1 Prospetto dei testimoni in ordine di sigla Raccolte d’Autore C Roma, Biblioteca Casanatense, 277 Guerra Rime di M. Bernardo Cappello [...], Venezia, fratelli Guerra, 1560 Triv Milano, Biblioteca Trivulziana, Triv. H. 669 Ol Pesaro, Biblioteca Oliveriana, G. XI. H. 26 Manoscritti Ant Firenze, Biblioteca Medicea Laurenziana, Antinori 104 ASP Parma, Archivio di Stato, Raccolta Manoscritti, busta 110, nr. 17/b B Città del Vaticano, Biblioteca Apostolica Vaticana, Barb. lat. 3693 Bg Bergamo, Biblioteca Civica Angelo Mai, 67. R. 5 (4) Bg2 Bergamo, Biblioteca Civica Angelo Mai, MM. 191 Bo1 Bologna, Biblioteca Universitaria, 1208 (802) Bo2 Bologna, Biblioteca Universitaria, 2406 (1414) Bo3 Bologna, Biblioteca Comunale dell’Archiginnasio, B. 3516 Cap Città del Vaticano, Biblioteca Apostolica Vaticana, Capponiano 152 Card Bologna, Biblioteca Carducciana, Manoscritti non carducciani 86 Co Roma, Biblioteca Accademia dei Lincei e Corsiniana, 44. C. 22 Cor Venezia, Biblioteca del Museo Correr, 818 (1818) Cor2 Venezia, Biblioteca del Museo Correr, Cicogna 3085 Cor3 Venezia, Biblioteca del Museo Correr, Correr 355 CS1 Firenze, Biblioteca Medicea Laurenziana, Conventi soppressi 430 CS2 Firenze, Biblioteca Medicea Laurenziana, Conventi soppressi 504 Du Dubrovnik, Naučna Biblioteka, 35 11 Tani Le Rime di Bernardo Cappello. Edizione critica Fo Foligno, Seminario Vescovile, Biblioteca Jacobilli, B V 8 (280) Fo2 Foligno, Seminario Vescovile, Biblioteca Jacobilli, A VI 12 (93) Fo3 Foligno, Biblioteca Comunale Dante Alighieri, Conventi soppressi, C. 61 Gamb Rimini, Biblioteca Civica Gambalunga, SC-MS. 723 Is Bologna, Archivio Isolani, capsula 95, F 69/166 Mc1 Venezia, Biblioteca Nazionale Marciana, It. IX. 109 (6743)
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