Indigenous Illustration: Native American Artists and Nineteenth-Century US Print Culture Author(s): Phillip H. Round Source: American Literary History, Vol. 19, No. 2 (Summer, 2007), pp. 267-289 Published by: Oxford University Press Stable URL: http://www.jstor.org/stable/4496980 Accessed: 15-02-2017 18:14 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to American Literary History This content downloaded from 140.180.249.58 on Wed, 15 Feb 2017 18:14:04 UTC All use subject to http://about.jstor.org/terms Indigenous Illustration: Native American Artists and Nineteenth-Century US Print Culture Phillip H. Round The relationship of Native communities to US print culture during the nineteenth century remains fairly obscure today, some 175 years after the Cherokee Phoenix first saw print in New Echota, Georgia in 1828. In this essay, I would like to focus on one aspect of that history that has received even less notice than movable type-pictorial illustration. The lack of attention paid to printed American Indian illustrations is even more difficult to explain than the lack of critical consideration directed toward early Native books, given that one of the common stereotypes attached to Native utterance is that Indians are image-oriented peoples.